The first significant revision to the Gutenberg Printing press was?! A. Lithography! B. Stanhope Cast Iron Press! C. Koeing Steam Powered Press! D.
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1 Midterm Exam Review The midterm will be a 25 question multiple choice exam. They will cover the reading assignments, through page 132, and anything discussed in class. The scantron type for the Midterm and Final exams is NCS-4521.
2 The first significant revision to the Gutenberg Printing press was?! A. Lithography! B. Stanhope Cast Iron Press! C. Koeing Steam Powered Press! D. Letterpress
3 The first significant revision to the Gutenberg Printing press was?! A. Lithography! B. Stanhope Cast Iron Press! C. Koeing Steam Powered Press! D. Letterpress
4 PRINTING PRESS INNOVATION STANHOPE CAST IRON PRESS A MORE DURABLE MATERIAL REQUIRED 1/10 OF THE FORCE OF A WOODEN PRESS DOUBLED THE PRINTABLE AREA 250 sheets per hour.
5 What is the name of the press founded by William Morris?! A. Chiswick Press! B. Full Circle Press! C. Kelmscott Press! D. Arts & Crafts Press
6 What is the name of the press founded by William Morris?! A. Chiswick Press! B. Full Circle Press! C. Kelmscott Press! D. Arts & Crafts Press In 1891 Morris expanded his business to include book and type design. Taking inspiration from a lecture by Emery Walker on book design and printing during an early event by the Arts and Crafts Exhibition Society.
7 Advocating unity in design Walker told his audience The ornament, whatever it is, picture or pattern-work, should form part of the page, should be part of the whole scheme of the book. Walker considered book design similar to architecture. Where every aspect paper, ink, type, spacing, margins, illustration and ornament should result in design unity.
8 William Morris is most closely associated with?! A. French Art Nouveau! B. English Arts & Crafts! C. Japonisme! D. German Jugendstil
9 William Morris is most closely associated with?! A. French Art Nouveau! B. English Arts & Crafts! C. Japonisme! D. German Jugendstil
10 WILLIAM MORRIS William Morris was an English textile designer, artist, writer, and utopian socialist associated with the Pre-Raphaelite Brotherhood and the English Arts and Crafts Movement.
11 The invention of San Serif type is credited to?! A. Claud Garamond! B. William Caslon IV! C. Napoleon Bonaparte! D. Aldus Manutius
12 The invention of San Serif type is credited to?! A. Claud Garamond! B. William Caslon IV! C. Napoleon Bonaparte! D. Aldus Manutius
13 SAN SERIF TYPE FIRST SAN SERIF TYPE IS CREDITED TO WILLIAM CASLON IV IN 1816 EVEN STROKE WEIGHT VERTICAL STRESS In the back of an 1816 type specimen book issued by William Caslon IV mixed with a collection of display type is one line of medium weight san serif capitals. It was most likely a slab serif face with the serifs removed. Caslon s san serif is too small to work well on posters and to big to be effective in a book text format. Vincent Figgins San Serif specimens first showed the greatest range of sizes. He is credited with making san serif a workable type.
14 Aubrey Beardsley was known for an excessive use of color.! A. True! B. False
15 Aubrey Beardsley was known for an excessive use of color.! A. True! B. False
16 Aubrey Beardsley Designed versions of Salomé, Mort D Arthur shocking and exotic furiously prolific for five years, died at 25 from tuberculosis influenced by Kelmscott press fit only for the opium den Walter Crane William Morris considered legal action no tonal modulation William Morris considered legal action
17 Which designer was not associated with French Art Nouveau?! A. Jules Chéret! B. Alphonse Mucha! C. Henri de Toulouse-Lautre! D. Nicholas Jaugeon
18 Which designer was not associated with French Art Nouveau?! A. Jules Chéret! B. Alphonse Mucha! C. Henri de Toulouse-Lautre! D. Nicholas Jaugeon
19 Art Nouveau-French-Jules Chéret, Eugéne Grasset, Alphonse Mucha, Henri de Toulouse-Lautrec
20 The most prominent American designer associated with Art Nouveau was?! A. Jules Chéret! B. Alphonse Mucha! C. Leonetto Cappiello! D. William Bradley
21 The most prominent American designer associated with Art Nouveau was?! A. Jules Chéret! B. Alphonse Mucha! C. Leonetto Cappiello! D. William Bradley
22
23 During WWI the poster used by the Allied Forces were known for their use of flat color and abstract symbolism.! A. True! B. False Allied Forces: Britain, France, Russia, Italy and the United States
24 During WWI the poster used by the Allied Forces were known for their use of flat color and abstract symbolism.! A. True! B. False Allied Forces: Britain, France, Russia, Italy and the United States
25
26 The Beggarstaff Brothers were known for their strong use of representational images and soft layers of color applied in a painterly style.! A. True! B. False
27 The Beggarstaff Brothers were known for their strong use of representational images and soft layers of color applied in a painterly style.! A. True! B. False
28
29 Where was printing invented?! A. France! B. China! C. Germany! D. Japan
30 Where was printing invented?! A. France! B. China! C. Germany! D. Japan Printing was invented by the Chinese. The earliest wood block print fragments are dated around 220 A.D. Chops, pictured here, were made by carving calligraphic characters into a flat surface of jade, silver, ivory etc. Around 500 A.D. Chops were made by carving the negative space around the characters so the character would be printed in ink surrounded by the white of the paper.
31 Printing was invented by the Chinese. The earliest wood block print fragments are dated around 220 A.D. Chops, pictured here, were made by carving calligraphic characters into a flat surface of jade, silver, ivory etc. Around 500 A.D. Chops were made by carving the negative space around the characters so the character would be printed in ink surrounded by the white of the paper.
32 Gustav Klimt was a leader in what group of artists?! A. The Glasgow School! B. Italian Art Nouveau! C. The Vienna Secession! D. American Arts & Crafts
33 Gustav Klimt was a leader in what group of artists?! A. The Glasgow School! B. Italian Art Nouveau! C. The Vienna Secession! D. American Arts & Crafts
34 The use of movable type in printing was invented by:! A. Bì Shēng! B. Johannes Gutenberg! C. John Baskerville! D. Marcus Aurelius
35 The use of movable type in printing was invented by:! A. Bì Shēng! B. Johannes Gutenberg! C. John Baskerville! D. Marcus Aurelius The use of movable type in printing was invented in 1041 AD by Bi Sheng in China. Sheng used clay type and adhered it to a board with wax.
36 The use of movable type in printing was invented in 1041 AD by Bi Sheng in China. Sheng used clay type and adhered it to a board with wax. Korea sponsored the production of metal type, specifically brass was established by the Korean government in 1234 AD. Since there are thousands of Chinese characters (Koreans also used Chinese characters in literature), the benefit of the technique is not as clear as with alphabetic based languages which typically have less than 50 characters. Movable type was never extensively used in the east until the European style printing press was introduced in relatively recent times (thus bringing the technology full circle).
37 The typeface associated with the German national identity is:! A. Roman! B. Blackletter! C. Italic! D. Caslon
38 The typeface associated with the German national identity is:! A. Roman! B. Blackletter! C. Italic! D. Caslon
39 The hand setting of type was made obsolete almost over night by what inventions?! A. Matrix & Typewriter Machines! B. Linotype & Monotype Machines! C. Photo Type Machine & Electricity! D. Koeing Steam Powered Press
40 The hand setting of type was made obsolete almost over night by what inventions?! A. Matrix & Typewriter Machines! B. Linotype & Monotype Machines! C. Photo Type Machine & Electricity! D. Koeing Steam Powered Press
41 Franklin Gothic was designed to meet the high demand for san serif faces. Who designed it?! A. William Caslon VI! B. Morris Fuller Benton! C. Vincent Figgins! D. Herbert Matter
42 Franklin Gothic was designed to meet the high demand for san serif faces. Who designed it?! A. William Caslon VI! B. Morris Fuller Benton! C. Vincent Figgins! D. Herbert Matter
43 The invention of Slab Serif type is credited to?! A. Alphonse Mucha! B. William Caslon! C. Vincent Figgins! D. William Morris
44 The invention of Slab Serif type is credited to?! A. Alphonse Mucha! B. William Caslon! C. Vincent Figgins! D. William Morris
45 Aldus Manutius is credited with publishing the first work with:! A. Old Style Type! B. Modern Type! C. Roman Italic Type! D. Transitional Type
46 Aldus Manutius is credited with publishing the first work with:! A. Old Style Type! B. Modern Type! C. Roman Italic Type! D. Transitional Type Aldus Manutius is credited with publishing the first work in roman italic type in He also produced a number of new Roman type forms. Before we head off on the relatively rapid fire evolution of type design there is an important cultural separation involving the use of blackletter and roman forms.
47 Aldus Manutius is credited with publishing the first work in roman italic type in He also produced a number of new Roman type forms. Before we head off on the relatively rapid fire evolution of type design there is an important cultural separation involving the use of blackletter and roman forms.
48 The first most complete set of Roman type cast in metal was by:! A. Claud Garamond! B. Nicolas Jenson! C. Benjamin Franklin! D. Aldus Manutius
49 The first most complete set of Roman type cast in metal was by:! A. Claud Garamond! B. Nicolas Jenson! C. Benjamin Franklin! D. Aldus Manutius
50 Nicolas Jenson France Worked primarily in Venice, Italy First most complete example roman type cast in metal. Sent by King Charles VII to Mainz, Germany to study printing. Started printshop in Venice, Italy in His type was based on humanistic scripts and still showed influences from writing and incised capitals. Note the lowercase e. From 1470 on his Venetian type, classified based on it place of origin which was common at the time, set the standard those that would follow. Even though it is one of the earliest roman types it is still considered one of the finest.
51 The typeface Bembo is considered the first:! A. Modern Typeface! B. Old Style Typeface! C. Transitional Typeface! D. Venetian Typeface
52 The typeface Bembo is considered the first:! A. Modern Typeface! B. Old Style Typeface! C. Transitional Typeface! D. Venetian Typeface
53 Phillippe Grandjean was appointed to cut the Romain du Roi, or roman of the king.! A. True! B. False!
54 Phillippe Grandjean was appointed to cut the Romain du Roi, or roman of the king.! A. True! B. False! Grandjean was appointed to cut the Romain du Roi, or roman of the king. The typeface was commissioned in 1692 by King Louis XIV for the royal printing office. The Romain du Roi was designed by a group of scientists lead by mathematician Nicholas Jaugeon.
55 Phillippe Grandjean France Appointed to cut the Romain du Roi, or roman of the king. The typeface was commissioned in 1692 by King Louis XIV for the royal printing office. The Romain du Roi was designed by a group of scientists lead by mathematician Nicholas Jaugeon. The type was designed on a 64 unit grid main squares and then subdivided into a 2,304 smaller squares. Probably the first time a horizontal and vertical grid was used to design a typeface. Here we see the calligrapher replaced by the engineer as the dominant influence on type design.
56 The first English typefounder of note was:! A. John Baskerville! B. William Caslon! C. Nicolas Jenson! D. Nicholas Jaugeon
57 The first English typefounder of note was:! A. John Baskerville! B. William Caslon! C. Nicolas Jenson! D. Nicholas Jaugeon
58 William Caslon Great Britain The first English type founder of note. Designed over 200 typefaces but is best known for the face that came to carry his name. Caslon came to be identified as a national typeface and was carried to colonies around the globe.
59 Which of the following is a Modern Typeface?! A. Caslon! B. Helvetica! C. Baskerville! D. Didot
60 Which of the following is a Modern Typeface?! A. Caslon! B. Helvetica! C. Baskerville! D. Didot
61 The Family Didot Firmin Didot Francoise Didot Trend towards extreme thick and thin contrast in strokes came to a head in France with the work of Firmin Didot and his father Francoise. Helped establish what is classified as Modern type. Further refined paper and established a new type measurement system. ABC abc Modern Type has extreme contrast, vertical stress and unbracketed serifs.
62 The Declaration of Independence was printed using what typeface:! A. Caslon! B. Garamond! C. Baskerville! D. Bodoni
63 The Declaration of Independence was printed using what typeface:! A. Caslon! B. Garamond! C. Baskerville! D. Bodoni
64 Called the Dunlap Broadside after the printer. Great Britain
65 The collaborative known as The Four or the Glasgow School were from where?! A. Italy! B. France! C. Scotland! D. Germany
66 The collaborative known as The Four or the Glasgow School were from where?! A. Italy! B. France! C. Scotland! D. Germany
67 Among the most prominent definers of the Glasgow School were The Four: the painter and glass artist Margaret MacDonald, acclaimed architect Charles Rennie Mackintosh (MacDonald's husband), MacDonald's sister Frances, and Herbert MacNair. Cumulatively, The Four defined the Glasgow Style a blend of influences including the Celtic Revival the Arts and Crafts Movement, and Japonisme, The Four, otherwise known as the Spook School, ultimately made a great impact on the definition of Art Nouveau. Art Nouveau - Scotland The Four Margaret Macdonald Frances Macdonald Herbert MacNair Charles Rennie Mackintosh Charles Rennie Mackintosh attended evening classes in art at the Glasgow School of Art. It was at these classes that he first met his future wife Margaret MacDonald, her sister Frances MacDonald, and Herbert MacNair who was also a fellow apprentice with Mackintosh at Honeyman and Keppie. MacNair and Frances would also marry. These close companions would later be known as the collaborative group The Four, prominent members of the "Glasgow School" movement.
68 What was the Arts & Crafts Moment a reaction against?! A. Mass Production! B. Traditional Farming Techniques! C. Building Codes! D. Art Nouveau
69 What was the Arts & Crafts Moment a reaction against?! A. Mass Production! B. Traditional Farming Techniques! C. Building Codes! D. Art Nouveau
70 They idealized the place of the workshop in medieval times and unrealistically tied their efforts to champion the individual or small group craftsmanship to the distribution of quality art and products for all. The cost of a majority of the work they produced though was well out of the reach of those people they claimed they wanted to help by transforming their mundane visual existence.
c. Tyoeface of early northern Europe printing was Gothic blackletter; not acceptable to humanist southern Europe. d. Chancery script e.
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