Printing & the Arts of the Book

Transcription

1 Printing & the Arts of the Book PART 1 - Fine Printing & Book Production 1 ALPHABET. EARNSHAW, Tony. An Eighth Secret Alphabet. Conceived and drawn by Tony Earnshaw. Hanborough Parrot Pieces, EDITION LIMITED to 95 copies, signed, this no.23 of 25 hand-coloured by the artist; 22 leaves + colophon, printed one side only & french-folded; a fine copy in original pictorial boards. 'First published by Surrealist Transformations of Sidmouth in 1974.' 2 ANDERSEN, Hans Christian. TOURNOUR, Sister Margaret [Illustrator] The Ugly Duckling. Translated by W. Angeldorff. Illustrated by Sister Margaret Tournour. Ken Ferguson, No.54 of 100 copies, signed by artist & priinter; 4to., pp.(26); 13 full-page & vignette white-line wood-engravings printed in brown on heavy Lana Royal Crown paper; text in 14pt Bodoni bold with initials & titling in blue; designed, printed & bound by Ken Ferguson; a very good copy in cloth-backed fancy paper printed boards; ex libris Alan Anderson. 3 APULEIUS. Cupid & Psyche. Translated into English by J.H. Mason from the original Latin... Woodcuts by Vivien Gribble. Privately Printed by J.H. Mason, 1928/ Sm.folio, no.89 of 'about 130 copies'; pp.(2)41(4); 12 woodcut illustrations by Gribble; beautifully printed on heavy Batchelor's oak-leaf & acorn watermarked paper; a very good uncut copy in original marbled cloth, paper label; John Mason's essay on his father, 'J.H. Mason, The Imprint and the Cranach Press', from N.S.A.E. Journal, laid in. Mason's long colophon records the book's complex gestation, delayed by his work at the Central School and Cranach Press. 'Later he was further hindered by cataract in both eyes and loss of sight... Intended as an example of book printing for the love of the work, for the printer and his friends', only c40 copies were bound up and distributed on publication. The remaining 90 resurfaced in sheets in the 1950s and were bound up in various styles. A fine example of Gribble's very individual style; 'of uncompromisingly strong black line...with the same quality of frozen action of figures on a Greek vase, which gives them a certain tension.' Engraved in 1916, this work should have launched her artistic career, but by the time it appeared at the Arts & Crafts Society exhibition of Nov.1935, Vivien Gribble had succumbed to cancer. Private Library, Autumn ARDIZZONE, Edward [Illustrator] REEVES, James. Arcadian Ballads. with illustrations by Edward Ardizzone. Heinemann, First Trade Edition, folio, pp.(8)48; frontispiece & many illustrations in line throughout; very good in pictorial dust-wrapper. First published the previous year in a limited edition by the Whittington Press. 5 BALSTON, Thomas. The Cambridge University Press collection of Private Press Types. Introduction by David McKitterick. Prinitng Historical Society, Second Edition, 600 copies printed; 4to., pp.xxii,46; 15 plates of pages from Whittingham's Basle Roman, Kelmscott, Ashendene, Eragny, &c., to the Cranach Gothic; new in green cloth, gilt. 'A valuable addition to the literature of the subject; incidentally it was also an effective piece of propaganda, since many more items have since found their way into our possession.' Crutchley p.24. One of the most desirable and more expensive books in the series now available as a high-quality reprint with excellent new 10pp. introduction by David McKitterick. 6 BASKERVILLE. BOOK OF COMMON PRAYER... together with the Psalter... Printed by J. Baskerville, Cambridge, 1762 [bound with] The Whole Book of Psalms, Collected into English Metre, by Thomas Sternhold, John Hopkins, and Others... Printed by J. Baskerville, Birmingham, Two works bound together, 12mo., pp.(396); (122); one leaf torn & repaired without loss, one gathering partially sprung, some light browning and a few corners creased but generally well preserved in contemporary crimson morocco, gilt, with central panel & fleuron ornaments; upper

2 hinge repaired, extremities a little rubbed but sound & attractive. Baskerville's only 12mo. Prayer Book, printed with the agreement of Cambridge University; the Sternhold Psalms was printed at Birmingham in the same year, presumably to accompany the BCP. More often found with Brady & Tate's Psalms which Baskerville also printed in Gaskell 20 (title in second state with price increased to 'Five Shillings, unbound.') & BAWDEN, Edward. McKITTERICK, David. Engravings With an introduction by David McKitterick. Merivale Editions, FIRST EDITION, 500 copies printed, designed by Sebastan Carter; pp.(16); 15 full- and half-page illustrations of copper engravings produced by Bawden, 'principally for his friends', This pamphlet/prospectus was issued by Peter Sampson who published an edition of 40 copies of the series to celebrate E.B.'s 85th birthday. Extremely scarce, it seems likely that relatively few were ever distributed. 8 BAWDEN, Edward. YORKE, Dr Malcolm. The Inward Laugh. Edward Bawden and his circle. Fleece Press, FIRST EDITION limited to 650 copies (+ 100 specials), 4to. (345 x 245mm), pp.292; over 300 illustrations in colour, line & from photographs including many tip-ins; bound in Bawden-designed patterned paper boards. Yorke explores Bawden's career through his social and artistic friendships with illustrations from many sources including much previously unpublished material, reflecting his work for the Curwen Press, book illustration, advertising, transport posters, murals on ships, churches, boardrooms and colleges, editioned prints, wallpapers and personal watercolours. Published at 262, we have a few copies remaining at pre-publication price. PROOF WOOD-ENGRAVING LAID IN 9 BEEDHAM, R. John. GILL, Eric. Wood Engraving. With introduction and appendix by Eric Gill. Faber, Pp.59(4) adverts.; many figures in text; title vignette & four wood-engravings at end by Hassall, Raverat, Leighton & Gibbings; a very good copy in frayed dust-wrapper (with minor loss). From the library of Ruari McLean with large proof wood-engraving by Joan Hassall laid in. PRESENTATION COPY 10 BERRY, Wendell. SHAHN, Ben. [Illustrator.] November Twenty Six Nineteen Hundred Sixty Three. Poem by Wendell Berry. Drawings by Ben Shahn. George Braziller, New York, FIRST EDITION, deluxe limited edition signed by author & artist and additionally inscribed at end 'for Mary from Ben'; landscape format, pp.(34); illustrations in line & monotone, tipped-in colour lithograph colour plate & lettering throughout by Shahn; a fine production on heavy hand-made Fabriano paper of this response to the assassination of President Kennedy; very good in original printed canvas, black linen slip-case with printed paper label & original card mailing box which is inscribed 'For Mary' by Ben Shahn. First published in The Nation, this was Ben Shahn's first and Berry's second publication. Freedman A2a. See also item BIBLE. FUSSEL, Stephan. The Luther Bible of Complete facsimile edition.[with] A cultural-historical introduction by Stephan Fussel. [In two volumes with accompanying booklet] Taschen, Cologne, Folio, two-volume facsimile in colour; ff.(7)ccxii,lxxxv; 6,cxiiii,lix,cvi,(3)cc; printed brown linen; + 64pp. accompanying booklet with illustrations in colour & monochrome throughout; pictorial card covers. 12 BLAKE, William. Songs of Innocence and of Experience. [Printed in facsimile with a Bibliographical Statement by Geoffrey Keynes.] The Trianon Press for The William Blake Trust, One of 240 copies for Europe (of a total edition of 526) on specially-made Arches rag paper; 54 collotype facsimile leaves hand-coloured through stencils + pp.(8) editorial matter & colophon; occasional slight marginal spotting, backstrip darkened, but a very good copy in original full green morocco, lettered in gold; marbled paper slip-case. A beautiful facsimile of the Robert Hayley Clarke / Lessing Rosenwald copy.

3 13 BLAKE, William. ESSICK, Robert N. A Troubled Paradise. William Blake's Virgil Wood Engravings. With an afterword on collecting William Blake by John Windle. John Windle, San Francisco, FIRST EDITION limited to 500 numbered copies (& 13 specials); pp.48; 8 plates of Blake's preliminary drawings, trial proofs and wood engravings for Thornton's Virgil; a handsome production, new in original Echizn Washi Japanese wrappers with mounted engraving. 14 BLAKE, William. KEYNES, Geoffrey. Engravings by William Blake. The Separate Plates. A Catalogue Raisonée. With forty-five reproductions in collotype. Emery Walker Ltd., Dublin, FIRST EDITION limited to 500 copies; 4to., pp.xiv, plates with accompanying letterpress; a very good copy in original cloth & glacine wrapper. Printed at Cambridge. Bentley 'An extremely important catalogue.' 15 BLUMENTHAL, Walter Hart. Eccentric Typography and other diversions in the Graphic Arts. [Printed by Joh. Enschedé en Zonen, Haarlem, for] Achille J. St. Onge, Worcester, Mass FIRST EDITION limited to 500 copies; lg.8vo., pp.40; exotic alphabets and other eccentric graphics in type throughout; very good in differentially faded original black cloth, gilt. Enschedé business card laid in, inscribed 'Merry Christmas and a Happy New Year!' [to Walter Tracy, then i/c type-development at Linotype]. 16 BOORDE, Andrew. The Wisdom of Andrew Boorde. Edited with an introduction and notes by H. Edmund Poole. Illustrated by A.E. Christopherson. Printed by Falconer Scott at the Garswood Press and published by Edgar Backus, Leicester, FIRST EDITION, no.402 of 500 copies, hand-set in Caslon OF on Windmill mould-made paper; pp.63; full-page & vignette illustrations in line throughout; a very good copy in cloth-backed decorated boards, paper label; ex libris John Raymond Danson & 'A.D.H.' An abridged version of Boorde's The Dyetary of Helth, taken from the editions of 154?, 1562 & CAMBRIDGE CHRISTMAS BOOK. CRUTCHLEY, Brooke. Two Men. Walter Lewis and Stanley Morison at Cambridge. Cambridge, Christmas, FIRST EDITION, one of 500 copies, pp.v,48; many illustrations and facsimiles & seven mounted pages from books; very good in original buckram-backed decorated boards, slipcase. 'The royal octavo format suited the selected illustrations...it also provided a rare opportunity of showing off the Barbou type which then still existed only in the last three volumes of The Fleuron.' Crutchley. 18 CARLOW, Viscount. On Collecting Books and printing them too. [With a foreword by Paul W. Nash.] Reading Room Press, FIRST EDITION, limited to 120 numbered copies, pp.(32) + colophon; tipped-in frontispiece portrait after the original pastel by Eric Kennington; new in cloth-backed decorated boards by Chris Hicks. The first full printing of the original typescript which was left unfinished at the time of Carlow's death. He describes his establishment of the Corvinus Press and speaks a good deal of his friendship with T.E. Lawrence whose work comprised seven of the 53 titles of the Press. 19 CARROLL, Lewis. Alice's Adventures under Ground. With Carroll's original manuscript typeset and his drawings hand-coloured by Ian Beck, a Foreword by Selwyn Goodacre and an Afterword by Ian Beck. Artists' Choice Editions, EDITION LIMITED to 120 numbered copies; pp.(84) + colophon; full-page & smaller coloured illustrations throughout; new in cloth-backed pictorial boards. A remarkable re-creation of Carroll's original story, the colouring added to Carroll's original drawings in a consciously period style by children's writer & illustrator Ian Beck, 'giving the effect, in many cases, of a hand painted Victorian glass lantern slide.' Original prospectus laid in.

4 20 CARROLL, Lewis. GOODACRE, Selwyn. All the Snarks. The Illustrated Editions of The Hunting of the Snark. An Illustrated Exploration and Check List. Inky Parrot Press, FIRST EDITION, limited to 220 numbered copies; folio, pp.44 + colophon & tail-piece-leaf; illustrations in various sizes & media throughout, several in colour; printed in Gill's Joanna on Mohawk Tomahawk paper; fine in decorated cloth & pictorial dust-wrapper, prospectus & sample pages laid in. 49 editions listed & illustrated in Dennis Hall's inimitable style; a most attractive production. 21 CARROLL, Lewis. VAIZEY, Marina [& Others] Illustrating Alice: An International Selection of Illustrated Editions of Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking Glass. Artist's Choice Editions, FIRST EDITION limited to 500 numbered copies [& 68 specials]; folio, pp.201(4); illustrations throughout, many full-page, mostly in colour; new in original orange silk & pictorial dust-wrapper. A wonderful celebration of the many illustrators who have taken up the Alice challenge since copyright expired in Includes essays on Wonderland, Looking-Glass & Alice in Different Countries. With an Alphabetical Checklist of c300 English Illustrated Editions and Index of Artists of non English Language Editions, including 80 from Japan. Contemporary versions are discussed by critics and illustrators from nine countries including Brazil, China, England, France, Italy, Japan, Poland, Russia, USA & Canada. Jan Svankmajer & Karen Lury contribute essays on Alice in film & animation. 22 CARROLL, Lewis. VAIZEY, Marina [& Others] Illustrating Alice: An International Selection of Illustrated Editions of Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking Glass. Artist's Choice Editions, FIRST EDITION, one of 68 specials with additional folder of four numbered giclée prints from the Senecio Press by DeLoss McGraw, Joanna Consejo, Jan Svankmajer & Alain Gauthier, each signed by the artist; folio, pp.201(4); illustrations throughout, many full-page, mostly in colour; new in deluxe crimson morocco-backed pictorial boards & cloth slip-case. A wonderful celebration of the many illustrators who have taken up the Alice challenge since copyright expired in Includes essays on Wonderland, Looking-Glass & Alice in Different Countries. With an Alphabetical Checklist of c300 English Illustrated Editions and Index of Artists of non English Language Editions, including 80 from Japan. Contemporary versions are discussed by critics and illustrators from nine countries including Brazil, China, England, France, Italy, Japan, Poland, Russia, USA & Canada. Jan Svankmajer & Karen Lury contribute essays on Alice in film & animation. 23 CLARK, Kenneth. STONE, Reynolds [Illustrator] Moments of Vision. With wood engravings by Reynolds Stone. John Murray, Limited to 500 copies hand-set in Stone's Janet type; pp.36; two wood engravings printed in sepia at The Compton Press; very good in original buckram-backed marbled boards. 24 COBBETT, William. COLE, G.D.H. & Margaret [Editors] Rural Rides... together with Tours in Scotland... and Letters from Ireland. Edited with an introduction, notes, a biographical record of upwards of nine hundred persons mentioned, an index of places... With numerous vignettes by John Nash. [In three volumes.] Peter Davies, No.33 of 1000 sets; 3vol., pp.xl,1064; 33 vignette illustrations in line by Nash (3 repeated on titles); a very good copy of this justly celebrated edition in original cloth-backed marbled boards; extremities unobtrusively rubbed, backstrips slightly browned but a nice set. Colvin DEPOL, John. Five Decades of the Burin. The Wood Engravings of John DePol with a foreword by Timothy D. Murray & an introduction by David R. Godine. David R. Godine in association with The University of Delaware Library, FIRST EDITION, pp.xvi,78 + colophon; illustrations throughout; new in original cloth, gilt. A handsome tribute with useful commentary & check-list.

5 26 DOUBLE CROWN CLUB. MORISON, Stanley. Excerpts from the Postscript by Stanley Morison to the 1967 edition of First Pinciples of Typography. [Printed for Abe Lerner as a keepsake for presentation to members of the Double Crown Club] by Ronald Gordon at The Oliphant Press, New York, copies printed; pp.(8), printed in red & black; a very good copy from the library of Walter Tracy with several of his pencilled annotations. 27 DOUBLE CROWN CLUB. [WILLIAMSON, Hugh. Editor.] Rules Rolls and Records of The Double Crown Club. [with illustrations by Edward Ardizzone.] Privately Printed [at the Stinehour Press], Printed for the 70 members of the Club; 12mo., pp.79 + colophon; a good copy in slightly marked original cloth-backed pictorial boards by Ardizzone who also provides four illustrations; endpaper illustrations by Charles Mozley, title device by Berthold Wolpe. The editor's historical introduction is followed by the rules, lists of members & records of meetings & their celebrated accompanying menus. 28 DOVES PRESS. WINSHIP, George Parker. William Caxton. A paper read at a meeting of the Club of Odd Volumes in Boston... [Printed by T.J. Cobden-Sanderson at the Doves Press.] FIRST EDITION limited to 300 copies printed in red & black on Batchelor's hand-made paper; pp.26 + colophon; a very good uncut copy in original vellum-backed blue boards (slightly browned at edges), lettered in gilt along backstrip. Tomkinson 19. Inscribed 'C.R. Ashbee With the Compliments of George Parker Winship New Year 1910'. With Ashbee's punning bookplate & later plates of W.T. Wiggins-Davies and W. and P.J. Kupfer. 29 EARLY PRINTING. ANACREON. [Greek title]. Anakreontos, kai allon tinon lurikon poieton mele. Anacreontis et Aliorum aliquot poetarum Odæ. In easdem Henr. Stephani Observationes. Eædem Latinæ. Apud. Guil. Lyricorum Morelium, in Graecis typographum Regium, & Rob. Stephanum. Typis Regiis, Paris, [with] Anacretonis Teii Antiquvissimi poetae Lyrici Odae, ab Helia Andrea Latinae factae, ad Clariss. Virum Petrum Montauerum Consiliarium, & Bibliothecarium Regius. Lutetiae [Paris], Apud Robertum Stephanum, & Guil Morelium, ,750 2 works bound together, 160 x 108mm., pp.122;54; copper engraved title-devices, head-pieces & initials, those to first work expertly illuminated in colours & gold; some light browning but well preserved with good margins, neat old reinforcements to lower margin of two leaves; handsome contemporary crimson morocco with gilt floral border on sides, expertly rebacked in style, backstrip elaborately decorated in six sections, presumably when inscribed to 'Arthur Wellesley Pike, Christs Hospital, The gift of his Papa 1 Jan. 1863', on endpaper; remains of early pictorial ex libris, later small armorial & subsequent bookplate of Sir Anthony Wagner, Garter King of Arms. Now known to be by several authors in the style of Anacreon whose actual work survives in fragments only, the first Greek edition of 'Anacreon', appeared in 1554 and was the first publication of Robert's brother, Henri Estienne, under his own name. Its appearance 'virtually caused a poetic revolution, not only in France, but also in Italy and Germany (Schreiber). The Latin version by Elias Andreas first appeared in Though separately printed, these Robert Estienne editions are often found bound together. 30 EARLY PRINTING. LUCANUS, Marcus Annaeus. [Pharsalia.] Civilis Belli. [In ten books. Edited by Aldus Manutius] Venetiis in Aedibus Aldi, et Andreae Soceri Mense Iulio, x 90mm., 140 leaves including a1 fly title & s4 colophon with woodcut anchor device on verso. A handsome & characteristic production with spaced capital initial letters on each line, set in Griffo's revolutionary cursive letter which Manutius had introduced in Slight browning of first & final leaves and a few other minor marks, but well preserved in later (17thC?) vellum, yapp edges, with manuscript title at head of backstrip; old ms. note at head of endpaper, 'libro rare... stampato pochissime copie.' Arguably scarcer than the 1502 first Aldine edition of this epic poem. Based on Simon Bevilaqua's 1493 edition and edited by Aldus from Marc' Antonio Morosini's manuscript. Adams L 1564; Ahmanson-Murphy 135; Renouard 72:6.

6 31 ELLIS, R.H. ELLIS, J.C. [Illustrator] Ode on Saint Crispin's Day With drawings by J.C. Ellis. The Weybrook Press, First Illustrated Edition, no. 40 of 70 copies signed by author & artist; pp(88); decorated title & 14 full-page illustrations in line; well printed by John Roberts Press on heavy paper; very good in buckram-backed decorated boards & glacine wrapper (a little chipped). 32 ERNI, Hans [Illustrator] SACHER, Paul. Paul Sacher. Serenaden am Lowendenkmal in Luzern [Printed for Walter & Maria Strebi-Erni] in der Offizin Mengis + Sticher, Luzern, FIRST EDITION, no.289 of 1000 copies, 4to., pp.(142); the programmes of 40 years of the annual Collegium Musicum Zurich 'Mozart Serenade' concerts with dedications & autographs of the distinguished musicians & illustrious guests present, together with Hans Erni's delighful sketches & caricatures, all reproduced in facsimile. A handsome production on laid paper in original pictorially gilt-blocked terracotta faux leather, acetate wrapper. Published to celebrate the 80th birthday of the conductor, Paul Sacher. 33 FIELD, Eugene. The Mouse and the Moonbeam. [Printed for his friends at Christmas in the shop of William Edwin Rudge, New York City, 1919] copies printed on Canson & Montgolfier hand-made paper; frontispiece, head-piece & decorated initial (in brown); a nice copy of this beautifully printed edition in lightly rubbed & worn cloth-backed marbled boards. 34 FLEECE PRESS. BUCKLAND WRIGHT, Christopher. Endeavours & Experiments. John Buckland Wright's essays in woodcut and colour engraving, together with other blocks remaining in his studio. The Fleece Press, Upper Denby, FIRST EDITION, one of 90 copies specially bound with additional loose print of 'Cafe Dansant No.2' from a total edition of 3000; lg.4to., pp.71 + colophon; 36 wood-engravings printed from the original blocks, 14 colour & 4 monochrome plates, tipped-in illustrations & additional print in separate printed canson paper folder. New in original vellum-backed, decorated paper boards based on a Buckland Wright design, & silk-cloth drop-back box, paper label. The fourth in the Press' fine series of books compiled from the wood-engravings left in JBW's studio at the time of his death, including fine colour work, bookplates & publishers' marks, nudes, & a fine series from Montparnasse. We are also able to offer a copy of the standard edition and the third volume in the series - Surreal Times at FLEECE PRESS. REDDICK, Peter. Land, Sea & Sky. [Book illustrations commissioned by the Folio Society, here printed from the original blocks for publication for the first time.] Fleece Press, FIRST EDITION limited to 160 copies (140 for sale); landscape format; pp.(44); twenty-four wood-engravings, the majority full-page, printed on Magnani paper from the original blocks; captions in sepia; a fine copy of this handsome production in original cloth-backed Enrico Ricciardy marbled paper boards, paper label. 36 FLINT, W. Russell [Illustrator] JAMES, Montague R. The Book of Tobit and the History of Susanna. Reprinted from the Revised Version of the Apochrypha with an introduction by Dr Montague R. James and four colour-plates after drawings by W. Russell Flint. The Haymarket Press, FIRST EDITION, no.492 of 875 copies; sm.4to., pp.xvi,47; four tipped-in colour plates (one with light crease); a very good copy in original japon boards, gilt, top edge gilt; slightly soiled but a nice copy; faint contemporary inscription 'To my dear wife with love from George Kitchin '. 37 GILL, Eric. DONNE, John. The Holy Sonnets of John Donne. Introduction by Hugh I'A. Fausset. Engravings by Eric Gill. J.M. Dent for Hague & Gill Ltd, FIRST EDITION, limited to 550 copies, signed by Gill; pp.xiv,22; four full-page illustrations & colophon device by Gill; printed by Hague & Gill on Barcham Green handmade paper; a very good copy in original black cloth, gilt; slight bump at lower fore-edge of upper cover; acetate wrapper. The first book use of Gill's Bunyan type, 'a careful balance between the Golden Cockerel type and Joanna'. Robert Harling. Gill 298.

7 38 GILL, Eric. SKELTON, Christopher. [Compiler] The Engraved Bookplates of Eric Gill With an introduction by Michael Renton and an afterword by Albert Sperisen. The Book Club of California, San Francisco, FIRST EDITION, limited to 600 copies (+ 400 copies for Private Libraries Assoc.); pp.80 + colophon; 54pp. of illustrations (a few in red & black); a very good copy of this handsome production of Christopher Skelton's September Press in original red silk cloth & acetate wrapper. 39 GOGMAGOG. COX, Morris. Blind Drawings: examples of an exercise investigating the objective/subjective principle of Graphic art. Gogmagog Private Press, No.21 of 30 special copies, signed by artist & editor, with an original frontispiece drawing signed 'Morris Cox 14/11/77'; folio; 39 leaves (joined at fore-edges), printed in Cloister Old Style & Braggadocio display in red & grey on hand-made Japanese papers of several colours; 24 reverse-offset prints from linocuts following blind drawings, chosen, and with an introduction by Colin Franklin; a fine copy in original vellum-backed Japanese patterned paper boards, acetate jacket; prospectus laid in. Chambers & Franklin GOGMAGOG. COX, Morris. Intimidations of Mortality. Poems on Victorian Themes with Psychological Implications. The Gogmagog Private Press, No.27 of 90 copies, signed; 30 leaves (joined at fore-edges); four reverse/direct offset prints from lino; printed in Bodoni types on Hodgkinson & Japanese handmade papers; a fine copy in original pictorial boards, acetate jacket and slip-case. 'Linocuts finely composed and printed with a modulation of colours which suit their Victorian death-themes.' Chambers & Franklin GOLDEN COCKEREL PRESS. FLINDERS, Matthew. Narrative of his voyage in the schooner Francis: Preceded and followed by notes on Flinders, Bass, the wreck of Sydney Cove, &c., by Geoffrey Rawson. With engravings by John Buckland Wright. The Golden Cockerel Press, FIRST EDITION, no.157 of 750 copies printed in 16pt. Bembo on Arnold's mould-made paper; folio, pp map & colophon leaf; frontispiece & eight other wood-engravings by Buckland Wright printed in green; very good in original green buckram blocked in gold, top edge gilt, others uncut. The first printing from the manuscript in Victoria State Library. Cockalorum GOLDEN COCKEREL PRESS. HARTNOLL, Phyllis. The Grecian Enchanted. with eight aquatints by John Buckland-Wright. The Golden Cockerel Press, FIRST EDITION, limited to 360 numbered copies; folio; pp.(2)80; engraved title-page (with overprinted letterpress in pink & green) and seven other plates; printed at Chiswick on mould-made paper; a fine copy of this Buckland-Wright tour-de-force in original gold-blocked two-tone cloth, top edge gilt, others uncut, glacine wrapper. Cock A Hoop 189; Reid A GOLDEN COCKEREL PRESS. RUTTER, Owen. [Editor] The First Fleet. The Record of the Foundation of Australia from its conception to the Settlement at Sydney Cove. Compiled from original documents... with extracts from the log-books of HMS Sirius and an introduction and notes by Owen Rutter... Five engravings by Peter Barker-Mill. The Golden Cockerel Press, FIRST EDITION, folio, pp colophon; no.102 of 375 copies printed in Perpetua on Arnold's hand-made paper; four facsimiles of contemporary documents; one full-page and four half-page wood-engravings; a very good uncut copy in original blue cloth, tan cloth onlay blocked in gold on upper cover. Pertelote 123. ALS FROM CHISTOPHER SANDFORD LAID IN 44 GOLDEN COCKEREL PRESS. XENOPHON of Ephesus. The Ephesian Story. Translated from the Greek by Paul Turner. With illustrations by Eric Fraser. The Golden Cockerel Press, No.108 of 300 copies on Saunders mould-made paper; sm.4to., pp.61; large title vignette & five full-page collotype plates after Eric Fraser's original paintings; a good copy in original morocco-backed buckram, blocked in gold on upper cover; backstrip uniformly faded. Roderick Cave's copy with his Private Library review of July 1958 together with the 'First Draft' manuscript thereof on two leaves of foolscap and an appreciative ALS to Cave from Christopher Sandford on

8 Eye Manor notepaper, dated : thanking him for the review; requesting details of Vine Press publications; noting the forthcoming GCP Rubaiyat; and outlining in some detail plans to make the Press a limited company 'and inviting the sort of people who would like to have a hand in producing Cockerel books to come in. Turning it into a sort of cooperative venture (which it was originally intended to be) would give it a better assurance of perpetuity than it has when everything depends on me...' Cock A Hoop GRAVES, Robert. METCALF, James [Illustrator] Adam's Rib and other anomalous elements in the Hebrew Creation Myth. A new view by Robert Graves with wood engravings by James Metcalf. Trianon Press, No.F of 26 copies 'reserved for the author, illustrator & publishers...' signed by author & artist (+ 250 signed & numbered and 2000 standard copies), lg.8vo., pp.(6)74; 36 wood-engravings printed in bistre & 36 illustrations in line; very good in original cloth, pictorial dust-wrapper & card slip-case. 46 GREGYNOG PRESS. DAVIES, Richard. An Account of the convincement, exercises, services and travels... The Gregynog Press, No.173 of 175 copies, printed in Baskerville on Batchelor's handmade paper, device on title in red; a very good copy in original blue buckram, lettered in gold, backstrip slightly faded but rather less than usual. First printed in 1710, a short bibliography lists eleven other editions. Harrop is unimpressed by Maynard's sober design but quotes Colin Franklin's unreserved praise in The Private Presses: 'It stands as a flawless achievement - no decoration, no second colour except on the title page - just Baskerville type on good paper.' Harrop GREGYNOG PRESS. HARTZENBUSCH, Juan Eugenio. The Lovers of Teruel. A drama in four acts in prose and verse. Translated from the Spanish by Henry Thomas. The Gregynog Press, No.24 of 175 copies printed by James Wardrop in Bembo on Batchelor hand-made paper; pp.(2)x(2)112 + colophon; 5 initial letters designed by Alfred Fairbank printed in red; a very good copy in original crimson niger morocco lettered in gold and decorated in blind on sides with Moorish interlaced strapwork design, top edge gilt, others uncut, by the Press Bindery. Harrop GREGYNOG PRESS. HERBERT, Lord Edward, of Cherbury. The Autobiography. With an introduction by C.H. Herford. The Gregynog Press, No.91 of 300 copies; folio, pp.xv(3)94 + colophon; 9 wood-engravings by Horace Bray, hand-coloured shield on title, large wood-engraved initials in red; printed in Poliphilus & Blado on Batchelor's hand-made paper; a very good copy of the first edition in folio from the Press; original brown buckram, gilt, top edge gilt, others uncut, sides differentially faded and slightly cockled; 4pp. prospectus for Joinville's St Louis, laid in. 'It would be difficult to find pages where Poliophilus & Blado are shown to better advantage, and the large initial openings...are a tour de force.' Harrop 10; p GREGYNOG PRESS. HERBERT, Lord Edward, of Cherbury. The Autobiography. With an introduction by C.H. Herford. The Gregynog Press, No.187 of 300 copies; folio, pp.xv(3)94 + colophon; 9 wood-engravings by Horace Bray, hand-coloured shield on title, large wood-engraved initials in red; printed in Poliphilus & Blado on Batchelor's hand-made paper; a very good copy of the first edition in folio from the Press; original brown buckram, gilt, top edge gilt, others uncut, extremities a little rubbed but a sound copy. 'The life of a Jacobean man of fashion, who may be called... the last of the knights errant and the first of the deists, in whom the fantastic extravagances of medieval chivalry seem to join hands with the prosaic reason of the eighteenth century.' Enthusiastically championed by Horace Walpole as 'the most curious & entertaining book that ever set foot in the world.' 'It would be difficult to find pages where Poliophilus & Blado are shown to better advantage, and the large initial openings...are a tour de force.' Harrop 10; p.48.

9 50 HABERLY, Loyd. RASH, Don. A Catalog of Bookbinding Tools and Equipment Formerly Belonging To Dr. Loyd Haberly. Boss Dog Press, FIRST EDITION limited to 50 numbered & signed copies (+ 20 specials), folio, pp.(8); printed in Italian Old Style type on white Bugra paper with blue titling; sewn into blue & gold pastepaper wrappers, printed paper label; five tipped-in half-page colour illustrations and centre fold-out smoke proof sheet of 123 ornaments and three handle letter alphabets. Designed, printed & bound by Don Rash into whose care the collection had been placed by Dr James Fraser. 'A small bit of book arts history designed to provide a resource for collectors and scholars of Loyd Haberly's bindings.' 51 HABERLY, Loyd. RASH, Don. A Catalog of Bookbinding Tools and Equipment Formerly Belonging To Dr. Loyd Haberly. Boss Dog Press, FIRST EDITION limited to 50 numbered & signed copies this one of 20 specials on Batchelor's handmade paper with Haberly's watermark, bound by Don Rash in gilt-lettered morocco-backed pastepaper boards & slip-case; folio, pp.(8); printed in Italian Old Style type with blue titling; five tipped-in half-page colour illustrations and centre fold-out sheet of 123 ornaments and three handle letter alphabets in original smoke proofs, each tool impressed onto machine-made Kozo paper. Designed, printed & bound by Don Rash into whose care the collection had been placed by Dr James Fraser. 'A small bit of book arts history designed to provide a resource for collectors and scholars of Loyd Haberly's bindings.' PRESENTATION COPY 52 HALL, Walter. Spider Poems. Perishable Press, Madison, Wisconsin, FIRST EDITION limited to 200 copies (+ 50 specials), signed by the author; pp.(10) + 12 leaves printed on rectos only; printed in red & black from hand-set Palatino on nideggen papers; a nice uncut copy in original blind-stamped cloth by Elizabteh Kner, backstrip uniformly a little faded. Inscribed 'for Roderick Cave and Private Press Books with the publishers compliments Walter Hamady 1/68'. 53 HAMMER CREEK PRESS. BURKE, Jackson [& others] John S. Fass & The Hammer Creek Press. Essays by Jackson Burke, Eugene M. Ettenberg. With a Check-List by Herman Cohen and a Foreword by Aveve Cohen. David R. Godine, Boston, FIRST EDITION, 1000 copies printed at Stinehour; pp.36(4) + 16pp. of facsimiles in several colours; very good in green cloth, gilt; a fine production, designed by Jerry Kelly, a useful introduction to the Press with 56-item check-list. PRESENTATION COPY 54 HARDY, Thoas. LEIGHTON, Clare [Illustrator] Under the Greenwood Tree or The Mellstock Quire. A Rural Painting of the Dutch School. With wood engravings by Clare Leighton. The Macmillan Company, New York, FIRST EDITION with these illustrations; sm.4to., pp.x,238; five full-page and many half-page, head-piece & vignette engravings on wood throughout; a very good copy in pictorial dust-wrapper (a little worn at extremities). Inscribed, 'For my new friends Phoebe and Bill Skakel from Clare Leighton. Wytheville, Virginia. Summer 1942.' Having completed several US lecture tours in the 1920s & '30s, Leighton emigrated in 1939 and was elected into the National Academy of Design in HARRISON, Michael [Editor] CATHCART, Anne [Illustrator] A Handful of Hares. Celebrating the Mystery & Fascination of Hares. Selected and introduced by Michael Harrison with wood engravings by Anne Cathcart. The Inky Parrot Press, FIRST EDITION limited to 125 copies signed by editor & artist, this no.21 of 28 specials with a set of signed prints; folio, pp.(22) + colophon; full-page & vignette engravings throughout; printed in Joanna on Zerkall paper by John Grice at the Evergreen Press; original morocco-backed pictorial boards, three signed & numbered proof plates in separate folder, the whole in matching card slip-case. A delightful anthology, beautifully presented.

10 56 HARRISON, Michael. RICHARDS, Alan [Illustrator] A Choice of Churches with literary connections from Cornwall and Devon. Words written and selected by Michael Harrison with illustrations by Alan Richards. Treparrot Press, FIRST EDITION limited to 326 numbered copies, signed by author & artist; folio, pp.46 + colophon; full-page and smaller scraperboard illustrations of great vigour & panache throughout; fine in pictorial wrappers over card. 57 HARRISON, Michael. RICHARDS, Alan [Illustrator] Writers and Artists of the Dorset Coast. With an introduction and observations by Michael Harrison and linocuts and scraperboard drawings by Alan Richards. Pleromorphic Parrot Press, FIRST EDITION, one of 24 special copies with six signed & numbered two-colour linocut prints in separate folder; folio, pp.72; vignette, full- & double-page illustrations throughout including seven two-colour linocuts; printed in Joanna letterpress on Zerkall paper and litho on Canson paper; new in deluxe leather-backed pictorial boards and slip-case. A fine production arranged in seven topographical sections (Sidmouth, Lyme, Weymouth, Chesil & Portland, Swanage, Poole & Studland, Bournemouth) with literary contributions from Austen, Colin Dexter, John Fowles, Hardy, Kilvert, Betjeman & others. Wonderfully vigorous & dramatic illustrations, the whole put together with customary verve by Denis Hall; prospectus available on request. EDITOR'S COPY 58 HASSALL, Joan. Dearest Joana. A selection of Joan Hassall's lifetime letters and art. Edited by Brian North Lee. With an introduction by John Dreyfus. [In two volumes.] Printed in Denby Dale at The Fleece Press, FIRST EDITION limited to 300 sets, this one of forty specials bound in quarter vellum with an additional 8-page section containing 15 extra wood engravings. DESIGNER'S COPY WITH ORIGINAL PROOFS LAID IN 59 HASSALL, Joan. BURNS, Robert. The Poems of Robert Burns. Selected and with an introduction by DeLancey Ferguson. Decorated with Wood Engravings by Joan Hassall. Printed for... the Limited Editions Club at The University Press, Glasgow, EDITION LIMITED to 1500 copies signed by the artist; this copy initialled for the designer J[ohn] D[reyfus]; pp.xxii(2)191 + colophon; 2 coloured & 75 vignette wood-engravings, 4 rules & 2 borders; a very good copy in green leather-backed boards incorporating oval medallion portrait of Burns in upper cover, slip-case (rubbed). India paper proofs of two of the wood-engravings laid in. 60 HERMIT PRESS SACKVILLE-WEST, Vita. Orchards. A fragment from The Land [Illustrated with three wood-engravings by Anthony Christmas] Hermit Press, copies, pp.(12); three wood-engravings (one hand-coloured), printed from the blocks; hand-set & printed on Zerkall mould-made paper; a fine copy in Curwen patterned paper boards. 61 HERMIT PRESS THOREAU, Henry Where I Lived & What I Lived For. [Illustrated with wood-engravings by the printer, Anthony Christmas.] Hermit Press, copies (+ 10 specials) printed; pp.30; five vignette wood-engravings from the original blocks; printed in 12pt Garamond italic on Zerkall mould-made paper; a fine copy in cloth-backed patterned paper boards. 62 HOMER. ROSSING, Karl [Illustrator] Homers Odyssee der Zehnte Gesang mit Zwolf Holzstichen von Karl Rossing. [Gedruckt in der Hausdruckerei der Bauerschen Giesserei...] Verlag Der Goldene Brunnen, Frankfurt am Main, FIRST EDITION, lg.8vo., pp.30 + colophon; 12 vignette wood-engravings; a fine copy in original gold-lettered wrappers; the first use of Wagner's Antiqua type. 63 HUDSON PRESS. THOMAJAN, P.K. The Bearded Lady of Bald Mountain. Illustrations by William Hogarth. The Hudson Press, Houston, Texas, No.86 of 100 copies, signed by the printer; pp.(18); frontispiece & six other vignette illustration in line; hand printed in Goudy Kennerly on Speckle Text (wholemeal) paper and bound in burlap (sacking) over boards with printed wood veneer label; a fine copy in original card wrap-around case.

11 64 ILLUMINATION. BOURDICHON, Jean. Les Grandes Heures D'Anne de Bretagne. Miniatures de Jean Bourdichon. [Essay and commentary by] Régine Pernoud. Merveilles de L'Enluminure. Editions De Crémile, Geneva, to., pp.128; illustrations in colours & gold throughout; well preserved in original gilt-blocked blue velvet. 65 INCLINE PRESS. MOSS, Graham & WHALEN, Kathy. The Page is The Picture. An Exhibition of Books from the Studio and Workshop of Incline Press. St Bride Printing Library, FIRST EDITION, pp.(16); headpiece in green by Rigby Graham & other full-page & vignette illustrations in line; mounted Ann Muir marbled paper sample & sewn-in double-page Curwen patterned paper by Ravilious; a fine copy of this attractive account of the work of the Press, printed in Joanna on hand-made paper; stiff printed wrapper. 66 INCLINE PRESS. POWERS, Alan. A Pick of Patterned Papers. To Greet the New Century. Incline Press, One of 500 copies, 12mo., pp.(12); four tipped-in patterned paper specimens; a fine copy of this delightful keepsake in Judd Street Gallery patterned paper wrappers (one of 400 so bound) & printed envelope. 67 JONES, David. SHIEL, Derek [Editor] Ten Letters to two young artists working in Italy. Juliet Wood & Richard Shirley Smith. Preface by John Montague. Agenda Editions, FIRST EDITION, no.60 of 160 copies; 4to., pp.51; proof wood-engraving in sleeve at end, numbered & signed by the artist, Richard Shirley Smith, and various illustrations & facsimiles throughout. Letter from the publisher to a subscriber laid in; faint paper clip impression at head of title; linen-backed decorated boards scuffed from over-tight slip-case, otherwise well preserved in buckram slip-case. FIRST PHOTOSET BOOK INSCRIBED 68 LANE CHRISTMAS BOOK. LINKLATER, Eric. Private Angelo. Privately Printed [for Allen Lane, Christmas, 1957.] 35 LIMITED to 2000 copies; pp.238; pictorial endpapers by David Gentleman; first few leaves a little lightly creased, otherwise a very good copy on india paper in original decorated boards (lightly soiled); inscribed by the designer to 'Hugh Williamson from Hans Schmoller'. 'Composed entirely without metal type... the first [book] produced by means of photocomposition.' Gili 11 - 'a tour de force.' 69 LANGLOIS, E.-H. Essai sur La Calligraphie des Manuscrits du Moyen-Age et sur Les Ornements des premiers livres d'heures imprimés. I.-S. Lefevre, Rouen, FIRST EDITION, pp.(4)180; frontispiece & 16 other engraved & lithographic plates (four folding); some spotting as usual but a sound copy in contemporary crimson roan-backed marbles boards, extremities rubbed but sound. 70 LEIGHTON, Clare. BRETT, Simon. The historiated initials from The Farmer's Year by Clare Leighton, introduced by Simon Brett. The Reading Room Press, FIRST EDITION, limited to 75 numbered copies; 12mo., pp.(12) + 12 leaves of captioned wood-engravings printed from the original blocks on rectos only + colophon; printed on Zerkall hand-made paper in black and other single colours; bound into cloth-backed decorated boards by Chris Hicks. A handsome showing of a beautiful calendar of blocks which somehow escaped the drill which, according to Leighton's will, should have disfigured them. 72 LOUYS, Pierre. BEATON, Cecil [Illustrator] The Twilight of the Nymphs. Translated by Phillis Duveen. With an Introduction by Shane Leslie. The Fortune Press, FIRST EDITION, no.356 of 1200 copies on hand-made paper; pp.105(3); 5 plates after wash drawings by Cecil Beaton; a very good uncut copy in original cloth-backed marbled boards & dust-wrapper (a little marked & frayed). Evidently Beaton's earliest book-illustration. Ridler 19.

12 73 LOWENFELS, Walter. Elegy in the manner of a requiem In memory of D.H. Lawrence. [Printed at the Imprimerie Sainte Catherine, Bruges, Belgium...] Carrefour [Press], Paris, New York, No.180 of 300 copies (from the second impression of 150 copies - same year as first), 4to., pp.34; printed in 14pt Garamond on Excelsior Antique Wove; slight spotting but a good uncut copy in original gilt-lettered parchment, a little distorted as usually found; head & tail of backstrip chipped with 20mm loss at foot. New York born poet & long-time Communist, Lowenfels fled to Paris from the family business and started the Carrefour Press with Michael Fraenkel in The pamphlet 'Anonymous: The Need for Anonymity' set out their credo that anonymous publication was the only way to avoid artistic competition and alienation, and Lowenfels' play, USA with Music, was published anonymously by Carrefour. However a plagiarism suit brought by Lowenfels against George Gershwin in 1932 forced Carrefour and Lowenfels to reveal the author's identity and subsequent Carrefour titles identified the author. Typographically undistinguished, the style is close to Nancy Cunard's Hours Press which had published Lowenfel's Apollinaire in LUBBOCK, J.G. Landfall. [Handwritten text and illustrations in colour from the artist's original watercolour paintings. Privately Printed for the Author, 2013] 45 FIRST EDITION limited to 100 copies, folio (340 x 260mm); pp.(24); four vignette & ten full-page illustrations from the artist's original watercolours with preface & texts on facing pages reproduced from the author's manuscript; new in gold-lettered blue boards. The fourteenth book from this remarkable Suffolk artist & visionary, now in his ninety-eighth year. 75 MARDERSTEIG, Giovanni. MURET. Conseils d'un Pere a Son Fils imités des vers que Muret. A écrits en Latin pour l'usage de son neveu par N. François (de Neufchateau.) [Stamperia Valdonega] Verona, copies designed & printed with a preface by Mardersteig; pp.(6)46 + colophon leaf; a very good uncut copy in original printed boards and card sleeve. This Latin, French, Italian, and German verse adaptation of Marc Antoine Muret's ( ) 'Institution des Enfans' by François de Neufchâteau ( ) was first published Paris, 1797, and then by Bodoni in The Latin text here set in cursive and the German in black letter type. 76 MARX, Enid. Some Birds and Beasts and their Feasts. An Alphabet of Wood Engravings by Enid Marx. Incline Press, Oldham, FIRST EDITION limited to 350 copies (& 100 specials);145 x 108mm., 28 leaves, printed on rectos only with 26 wood-engraved vignettes; a nice copy of this charming animal alphabet, in Marx-designed patterned paper wrapper over card, printed label. 77 MASON, J.H. A selection from the notebooks of a scholar-printer made by his son John Mason. Illustrated by Rigby Graham. [Hand-set at the Orpheus Press for] The Twelve by Eight, FIRST EDITION, copy no. 96 signed 'John Mason Leicester 1961'; pp.(44), 12 full-page illustrations by Rigby Graham who also designed the pictorial cloth binding. A very good copy. John Mason's biographical notes augment his father's recollections of working at the Doves & Cranach Presses, and Cockerell, Johnston, Ricketts, &c. Printed at Douglas Martin's Orpheus Press. PROOF WOOD-ENGRAVING LAID IN 78 MCLEAN, Ruari. HASSALL, Joan. The Wood Engravings of Joan Hassall. [Edited] with an introduction by Ruari McLean. Schocken Books, New York, Pp pp of illustrations showing 188 vignette & full-page engravings; a very good copy in original laminated card; from the library of Ruari McLean with his book label and proof of Hassall's 'Two Faiths' wood-engraving (McLean 71) laid in, together with an unopened copy of her 'The Plain Facts by a Plain but Amiable Cat', Garland Chapbook No MICHAUX, Henri. FINEBURG, Michael. [Translator] Henri Michaux: A Selection. Embers [Handpress], Consigny, FIRST EDITION, no.4 of 30 special copies signed by author & translator; pp.(8)52; printed in Bodoni on Arches wove paper; a fine copy in original green vellum-backed marbled boards, morocco label, printed dust-wrapper, uncut.

13 80 MILTON, John. POLLOCK, Ian [Illustrator] Paradise Lost. A Poem in Twelve Books. with an Introduction by John Wain and Illustrations by Ian Pollock. The Folio Society, Folio (345 x 255mm), pp.xvi,304; 18 full-page colour litho. plates; a fine copy of this splendid edition in original black buckram, gold-blocked to Ian Pollock's designs, and slip-case. 'The typography, illustration and binding combine to make this one of the most satisfying books published by the Society.' Paul Nash in Folio 50, MORRIS, William. PETERSON, William S. [Editor] The Ideal Book. Essays and Lectures on the Arts of the Book. Edited by William S. Peterson. University of California Press, FIRST EDITION, sm.folio, pp.xxxix(3)134; 33 illustrations & facsimiles in line & half-tone; printed in red & black with titles set in Golden type at Cambridge; very good in cloth-backed boards & slip-case. 82 MOTT, Leonard. For Your Consideration. Copies of Testimonials. [Privately Printed by Leonard Mott, c1930] x 135mm, pp.(8); printed on Rye Mill hand made paper with hand-painted initials in red; silk-sewn into printed card wrappers with red initials & rules by hand. Beautifully printed testimonials from Chas. Ford at The Marlborough Press; Edward Burrett in Hampstead and Arnold Jones in Petts Wood, Kent, for Mott on his graduation from Camberwell School of Arts & Crafts. 83 MOTTRAM, R.H. GRAHAM, Rigby [Illustrator] Twelve Poems. With a dedicatory poem by Edmund Blunden & illustrations by Rigby Graham. Daedalus Press, FIRST EDITION, no.66 of 300 copies signed by the author (+12 specials), pp.(20) + colophon; frontispiece & half-page illustration in line by Graham; very good in printed wrappers. Close-written autograph card dated , to Roderic Cave from Juliet Standing presenting this first publication of the Daedalus Press. 84 NONESUCH PRESS. BUTLER, Samuel. Butleriana. [Autobiographical & other essays.] The Nonesuch Press, FIRST EDITION, no.379 of 800 copies printed on handmade paper at the Fanfare Press; pp.xvi,172 + colophon leaf; 8 collotype plates (all but one here printed for the first time); a very good copy in original morocco-backed Cockerell paper boards, top edge gilt on the rough, others uncut; ownership signature & ex libris of 'Humphrey Whitbread, 1933'. An important selection of previously unpublished papers from the six quarto volumes of manuscript left by Butler at his death. Dreyfus NONESUCH PRESS. CAVENDISH, William, Marquis of Newcastle. The Phanseys... addressed to Margaret Lucas, and her Letters in reply. Edited by Douglas Grant. Nonesuch Press, FIRST EDITION, no.436 of 785 copies; pp.xxxiv,127 + colophon; printed in Centaur & Arrighi types on Dutch mould-made paper; a fine copy in original Linson vellum decorated in red, green & gold in Grolier style, glacine wrapper. The first printing of these 17thC. poems & letters. The relatively small edition was dictated by the limited supply of Dutch paper - left over from the 1928 edition of Harvey. Dreyfus NONESUCH PRESS. HARVEY, William. The Anatomical Exercises... The first English text of newly edited by Geoffrey Keynes. Nonesuch Press, [1928] 90 No.1252 of 1450 copies printed by Enschedé on Dutch hand-made; pp.xvi,202 + colophon; folding copper-plate after Stephen Gooden; edges a little browned but a very good copy in slightly soiled original niger morocco, gilt, top edge gilt on the rough, others uncut; ex libris Sir Frederick Richmond with his Stephen Gooden bookplate. Dreyfus NONESUCH PRESS. MILTON, John & LAWES, Henry. The Mask of Comus. The Poem...edited by E.H. Visiak. The Airs of the five songs reprinted from the composer's autograph manuscript edited by Hubert J. Foss. With a foreword by the Earl of Ellesmere. Ornamented by M.H. Farrar. Nonesuch Press,