Curriculum Vitae. Bachelor of Arts in Dramatic Literature, Azad University of Tonekabon. GPA: out of 20. GPA: 16.

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1 Seyedkeyvan Mirmohammadi Date of birth: 19/10/1983 Curriculum Vitae Country of birth: IRAN Marital Status: Married Address: Trierer Str. 55, 53115, Bonn, Germany, Mirmohammadi/ Beheshti Tel: Education: April Sep Sep Sep Jul Sep Sep PhD. student, University of Cologne, Germany Master of Arts in Play Directing, University of Tehran, University College of Fine Arts. GPA: out of 20 Bachelor of Arts in Dramatic Literature, Azad University of Tonekabon. GPA: out of 20 Diploma in Graphics, Fine Arts Art School. GPA: out of 20 Art Awards & Honors: Sep Sep Sep Feb Nov May st Award for playwriting: G. The 26 th Yazd Theatre Festival. 1 st Award for playwriting: We do not lie to one another. The 24 th Yazd Theatre Festival. 1 st Award for an Article. The 11 th Press Annul Festival of Critics and Writers Society. Iranian Theater Forum 1 st Award for playwriting: We do not lie to one another. The Afraz play writing Festival. 1 st Award for Article: Eternal Quest. The 2 nd International Seminar of Theater and Religion. City Theater Conference. Tehran. Nominated for Akbar Radi s particular play writing award for: We do not lie to one another. The 13 th Iran International festival of University Theater. 1

2 Dec Apr Mar Top Researcher of Theater in University. College of Fine Arts. The University of Tehran. 2 nd Award for playwriting: The Ebony Horse. The 9 th Int l Student Festival of Puppet Theater 1 st Award for playwriting selected by spectators for Jam s Secret. The 1 st Playwriting and Play reading Competition of Azad University of Tonekabon. Research Experience: MA Thesis Project: Comparative Study of Greek Tragedy Hero and Dragon Slayer Hero in Ferdowsi s Shahnameh BA Thesis Project: A Survey and Comparative Study of Dramatic Aspects of Jamshid Story in Ferdowsi s Shahnameh and Prometheus in Chains by Aeschylus. Publications: Books 2014 An Inquiry into the Greek Tragedy. Elmi and Farhangi Publication The Closet and Three Other Plays. Elmi and Farhangi Publication. Articles Spring 2017 Labyrinth of Mirrors (Semiology of The Salesman by Asghar Farhadi) Negah-e-No Quarterly. No. 114 Summer 2012 Winter 2012 Nov Fall 2011 Presence of Others in Arthur Miller s plays: A Study (based on All My Sons (1947), Death of a Salesman (1949)) Theater Quarterly (Scientific and Research Journal), No. 49 Home is A Place to Leave (An Analytical Review of Signs Home and Travel in Asghar Farhadi s works) Negah-e-No Quarterly. No. 92 Fate s Limp Leg (An analyses of the play Oedipus Rex) Namyesh Journal. No. 147 Chronology of Waiting for Godot 2

3 Theater Quarterly (Scientific and Research Journal), No. 46 Summer 2011 Fall 2010 Eternal Quest (Mythological analysis of A Stroll in the Air by Eugene Ionesco) Theater Quarterly (Scientific and Research Journal), No. 45 Place and Time in Dragon Slayers Myth. Soraya Journal (Literature and Mythology Quarterly). No. 6 Fall 2009 Prometheus: Creation of a Connotation. Sahneh Journal. No. 68 May 2009 Apr Feb Jan When Everybody s Asleep & Rituals of Killing Sharhzad. Ferdowsi Journal. No. 76 Dragon Slaying Rituals; Perpetual Recreation of Time. Ferdowsi Journal. No Arash; Unfinished Circle of Life Anew (2 nd Part). Ferdowsi Journal. No. 73 Arash; Unfinished Circle of Life Anew (1 st Part). Ferdowsi Journal. No Critical Reviews Aug Jan Feb Feb From Creation to the Fall (A Critical Review of Yasser Khasseb s Shows). Romeo & Juliette are both dead (A Critical Review of They Came to Me in Dream directed by Neda Hengami), Women s Empty House (A Critical Review of the play When Bloody Cuts Pass the Nerves directed by Reza Shahbadaghi) We are not Athens's People (A Critical Review of the play Apology directed by Saeed Shapouri), Sep Oct The Sun that does not Extinguish (A Critical Review of Shahre Shatranji/ Checker City directed by Reza hamedi Khah). Namyesh journal. No Regaining the Missed Faith (A Critical Review of Three Eternal Days directed by Roham Makhdoomi), Namyesh journal. No

4 Sep Oct Apr May 2008 Conversion of Myth to Drama (A Critical Review of Bijan & Manijeh directed by Mahmoud Azizi), Ferdowsi Journal. No Zariran s Memorial (A Critical Review of Zariran s Memorial directed by Ghotbedeen Sadeghi), Ferdowsi Journal. No If I was not Human I would be a Fish (A Critical Review of Story collection Sticky Black of the night written by Mahmoud Hosseini Zadeh.) Hamshahri Newspaper, No An Interview with MohammadReza Goudarzi, writer and critic Hamshahri Newspaper, No Other Publication: Preparing texts for Street Theater, Aseman Honar Programs hosted by Farhang Radio in collaboration with The Iranian Academy of Arts Dramatic Literature Programs in Iran, hosted by Farhang Radio in collaboration with The Iranian Academy of Arts The Play Seven, produced in Theater Shahr, Ghashghaee Salle, Nov Playwriting and Directing of Street play: Dragon Killer. Played in Tehran University Campus. Winter 2009 Memberships: The Full Membership of Iranian Theater Forum (The Theater Critics and Authors Society). The Membership of Iranian Literati Society. (Book Home) Iranian Authors, Journalists and Artists Support Credit Fund. Teaching Experience: Spring 2012 Workshop in Se-Noghte Theater Institute. Playwriting: Anatomy of a murder Se-Noghte Theater Institute. Courses: Creative play writing Islamic Azad University of Tonekabon. Courses: Playwriting Bases, research methodology, Report Writing, Methods of Play in Iran, World Literature History Fall 2010 Workshop in Tonekabon University. Playwriting: Creative Texts 4

5 Art Center of Karaj. Courses: Story writing Fine Arts Art School. Courses: World Art History, Iran Art History. Language Skills: Persian Native English 83 TOEFL IBT: Reading: 20, Listening: 24, Speaking: 20, Writing: 19 German Turkish Basic (A1) Basic Activities & Interests: Arts Hobbies present professional photography (nature, social, abstract.) participation in several Collective Photography Exhibition and Photography Competitions - listening to Christian Church music and Folklore - visiting Expressionist Painting Galleries References: 1. Prof. Dr. Monika Gronke, Orientalist at University of Cologne, Cell: amo22@uni-koeln.de Monika.gronke@uni-koeln.de 2. Dr. Naghmeh Samini, Associate Professor, University of Tehran, Tehran, Iran Cell: nsamini@uw.edu 3. Dr. Behrooz Mahmoodi Bakhtiari, Associate Professor, Dean of the Department of Performing Arts and Music, University of Tehran, Tehran, Iran. Cell: mbakhtiari@ut.ac.ir 4. Dr. Farindokht Zahedi, Associate Professor, University of Tehran, Tehran, Iran Cell: zahedi@ut.ac.ir 5

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