Reading Ovid. Cambridge University Press Reading Ovid: Stories from the Metamorphōsēs Peter Jones Frontmatter More information
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1 Reading Ovid Reading Ovid presents a selection of stories from Ovid s Metamorphoses, the most famous and influential collection of Greek and Roman myths in the world. It includes well-known stories like those of Daedalus and Icarus, Pygmalion, Narcissus and King Midas. The book is designed for those who have completed an introductory course in Latin and aims to help such users to enjoy the story-telling, character-drawing and language of one of the world s most delightful and influential poets. The text is accompanied by full vocabulary, grammar and notes, with assistance based on two widely used beginners courses, Reading Latin and Wheelock s Latin. Essays at the end of each passage are designed to point up important detail and to show how the logic of each story unfolds, while study sections offer ways of thinking further about the passage. No other intermediate text is so carefully designed to make reading Ovid a pleasure. PETER JONES is well known as an author, journalist, lecturer and publiciser of classics. He is co-founder of the charity Friends of Classics and regularly contributes columns, reviews and features on classical topics in the national media in the UK. His books include Learn Latin (1998), An Intelligent Person s Guide to Classics (2002) and (with Keith Sidwell) Reading Latin (1986).
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3 Reading Ovid Stories from the Metamorph<s>s peter jones
4 University Printing House, Cambridge CB2 8BS, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University s mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence. Information on this title: / This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published th printing 2014 Printed in the United Kingdom by Clays, St Ives plc. A catalogue record for this publication is available from the British Library ISBN Hardback ISBN Paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables and other factual information given in this work are correct at the time of first printing but CambridgeUniversityPressdoesnotguaranteethe accuracy of such information thereafter.
5 Contents List of illustrations List of maps Preface List of abbreviations page vii viii ix x Introduction 1 Metamorph<s>s and this selection 1 Ovid s life 2 Some features of this selection 5 Ovid s gods 7 Women and woods 7 Amor and rape in Ovid 8 Ovid and epic 10 Irony and paradox 11 Style 12 Some assessments 13 After-life 15 Glossary of technical literary terms 17 Notes for the reader 19 Translating Ovid 22 Metre 23 Suggestions for further reading 27 Maps 29 Passages 1. Deucalion and Pyrrha, Metamorph<s>s Cupid, Apollo and Daphne, Metamorph<s>s Io (and Syrinx), Metamorph<s>s Phaethon, Metamorph<s>s , , , Diana and Actaeon, Metamorph<s>s Juno and Semele, Metamorph<s>s [v]
6 vi Contents 7. Tiresias, Metamorph<s>s Echo and Narcissus, Metamorph<s>s Pyramus and Thisbe, Metamorph<s>s Arethusa, Metamorph<s>s Minerva and Arachne, Metamorph<s>s Cephalus and Procris, Metamorph<s>s , Minos, Ariadne, Daedalus and Icarus, Metamorph<s>s Baucis and Philemon, Metamorph<s>s Byblis, Metamorph<s>s Orpheus, Metamorph<s>s , Pygmalion, Metamorph<s>s Venus and Adonis, Metamorph<s>s Midas, Metamorph<s>s Total learning vocabulary 255 Grammar index 271
7 Illustrations 1 Francesco Mosca, Diana and Actaeon. Florence, Museo Nazionale del Bargello. Photo: author Picture of spinning on Ithaca. From A. B. Wace and F. H. Stubbings, A Companion to Homer (Cambridge: Cambridge University Press, 1963), Plate 35(b) Daedalus and Icarus. Wall-painting from Pompeii. A. S. Hollis (ed.), Ovid: Metamorphoses Book VIII (Oxford: Clarendon Press, 1970), Plate IV Titian, Venus and Adonis. Derechos reservados Museo Nacional del Prado Madrid Rubens, Venus and Adonis. New York, The Metropolitan Museum of Art, Gift of Harry Payne Bingham, 1937 (37.162). Photograph 1983 The Metropolitan Museum of Art. 249 [vii]
8 Maps 1 Mainland Greece 29 2 The Western Aegean and Asia Minor 30 3 The Central and Eastern Mediterranean 31 [viii]
9 Preface This selection of stories from Ovid s Metamorph<s>s is designed for those who have completed a beginners course in Latin. Its purpose is restricted and unsophisticated: to help such users, who will have read little or no Ovid, to enjoy the story-telling, character-drawing and language of one of the world s most delightful and influential poets. Assistance given with vocabulary and grammar is based on two widely used beginners courses, Reading Latin and Wheelock s Latin (for details, see Vocabulary, grammar and notes below). My general principle is to supply help on a need-to-know basis for the story in hand. The Vocabulary, grammar and notes and Learning vocabularies accompanying the text speak for themselves. The Comment at the end of each passage is an occasionally embellished paraphrase whose main purpose is to point up important detail and show how the logic of each story unfolds. I make no apology for this. With the minimal amount of time today s students have for learning the language, the demands of translation alone can be so heavy that it is all too easy to miss the wood for the trees and hamper the whole purpose of the exercise pleasure, one of the most useful things in the world. The Study sections offer ways of thinking further about the passage. My debt to W. S. Anderson s excellent Ovid s Metamorphoses Books 1 5 (Norman and London: University of Oklahoma Press, 1997) and Ovid s Metamorphoses Books 6 10 (Norman and London: University of Oklahoma Press, 1972) will be obvious. The translations by David Raeburn, Ovid: Metamorphoses: A New Verse Translation (Penguin Classics, 2004, brilliantly readable) and A. D. Melville, Ovid Metamorphoses (Oxford World s Classics, 1986, with a first-rate Introduction by E. J. Kenney) made stimulating companions. Arthur Golding s Ovid s Metamorphoses (1565, used by Shakespeare, the spelling modernised for Penguin Classics, 2002) remains peerless. My best thanks go to Andrew Morley for the maps. Newcastle upon Tyne, July 2005 [ix]
10 Abbreviations 1f., 2m., etc. refer to the declension and gender of a noun 1/2/3/4 and 3/4 (which some grammars call 5) refer to the conjugation of a verb abl. ablative abs. absolute acc. accusative act. active adj. adjective adv. adverb cf. c<nfer, compare comp. comparative conj. conjugation, conjugated dat. dative decl. declension dep. deponent dir. direct f. feminine fut. future gen. genitive imper. imperative impf./imperf. imperfect indecl. indeclinable ind. indicative indir. indirect inf. infinitive intrans. intransitive irr. irregular l(l) line(s) lit. literally m. masculine m./f. masculine/feminine neg. negative n. neuter nom. nominative part. participle pass. passive perf./pf. perfect pl. plural plupf./plup. pluperfect p.p. principal part prep. preposition pres. present prim. primary pron. pronoun q. question rel. relative s. singular sc. scˆlicet, presumably sec. secondary seq. sequence sp. speech subj. subjunctive sup. superlative trans. transitive tr. translate vb. verb voc. vocative [x]
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The Grammardog Guide to Daisy Miller by Henry James All quizzes use sentences from the novel. Includes over 250 multiple choice questions. About Grammardog Grammardog was founded in 2001 by Mary Jane McKinney,
In Class HW In Class HW In Class HW. p. 2 Paragraphs (2.11) p. 4 Compare Contrast Essay (2.12), Descriptive Words (2.13) (2.14) p. 10 Drafting (2.
Date Grammar Writing Novel 8-10 In Class HW In Class HW In Class HW 8-15 Sentences & Fragments (1.1) p. 2 Paragraphs (2.11) p.24 Island of the Blue Dolphins intro Ch. 1-4, DQ (Due August 22) 8-17 Types
General Educational Development (GED ) Objectives 8 10
Language Arts, Writing (LAW) Level 8 Lessons Level 9 Lessons Level 10 Lessons LAW.1 Apply basic rules of mechanics to include: capitalization (proper names and adjectives, titles, and months/seasons),