CULLODEN ACADEMY DRAMA DEPARTMENT

Transcription

1 CULLODEN ACADEMY DRAMA DEPARTMENT NATIONAL 4/5 Production Skills COSTUME DESIGN FOLDER NAME..

2 Theatre: Production COSTUME DESIGN STIMULUS: The reason why I chose this particular production area for this stimuli is Some challenges that I think I might face are Ways I might solve these challenges are

3 Theatre: Production COSTUME DESIGN In this play there are.. characters that I will be designing for. The Character names are: 1.. played by played by played by played by played by played by.. Brief Synopsis of the play:

4 PRODUCTION MEETINGS WITH THE GROUP In order to make sure that the costumes I design are relevant to the production the group are creating in terms of period, and style, I have met with the group to discuss ideas and to establish the overall style of the presentation (outline your notes in either bullet points or a mind map) DATE OF MEETING DISCUSSIONS AND IDEAS SUGGESTED DECISIONS MADE: ACTION TO TAKE

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6 RELEVANT RESEARCH Consider time, setting, mood and atmosphere and character traits and create a collage of relevant images on these pages.

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8 NOTES ON INDIVIDUAL CHARACTERS Character 1. Played by. Character age. Occupation.. Physical Description Personal History Relationships to other characters Character 2. Played by. Character age. Occupation.. Physical Description Personal History Relationships to other characters

9 Character 3. Played by. Character age. Occupation.. Physical Description Personal History Relationships to other characters Character 4. Played by. Character age. Occupation.. Physical Description Personal History Relationships to other characters

10 Character 5. Played by. Character age. Occupation.. Physical Description Personal History Relationships to other characters Character 6. Played by. Character age. Occupation.. Physical Description Personal History Relationships to other characters

11 Initial sketches of costume ideas for the play in terms of period and style: DATE.. Notes (including character movement requirements): DATE.. Notes (including character movement requirements):

12 DATE.. Notes (including character movement requirements): DATE.. Notes (including character movement requirements):

13 DATE.. Notes (including character movement requirements): DATE.. Notes (including character movement requirements):

14 ACTOR MEASUREMENTS CHARACTER. WAIST:.. CHEST:.. HEAD: SHOE: INSIDE LEG:... CHARACTER. WAIST:.. CHEST:.. HEAD: SHOE: INSIDE LEG:... CHARACTER. WAIST:.. CHEST:.. HEAD: SHOE: INSIDE LEG:... CHARACTER. WAIST:.. CHEST:.. HEAD: SHOE: INSIDE LEG:... CHARACTER. WAIST:.. CHEST:.. HEAD: SHOE: INSIDE LEG:... CHARACTER. WAIST:.. CHEST:.. HEAD: SHOE: INSIDE LEG:...

15 FINAL COSTUME DESIGN FOR.. COLOURS / FABRIC SAMPLES

16 FINAL COSTUME DESIGN FOR.. COLOURS / FABRIC SAMPLES

17 FINAL COSTUME DESIGN FOR.. COLOURS / FABRIC SAMPLES

18 FINAL COSTUME DESIGN FOR.. COLOURS / FABRIC SAMPLES

19 FINAL COSTUME DESIGN FOR.. COLOURS / FABRIC SAMPLES

20 Theatre: Production COSTUME DESIGN AN EVALUATION OF MY OWN AND OTHERS WORK Outline one area that you found particularly challenging when undertaking this production role What solutions did you find for this? Explain clearly your overall performance concept for the production What did you hope to communicate to the audience with your designs?

21 Theatre: Production COSTUME DESIGN Explain how you contributed to the planning process Are there any areas you think you might need to improve on? How might you do this? Choose one other group member and discuss their use of production skills How successful do you think they were? Detail any areas of strength or areas for improvement.