Annotated B biography

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1 Annotated B biography Belsey, Catherine. The Subject of Tragedy: Identity and Difference in Renaissance Drama. London: Methuen/ Routledge, First published in 1985, Belsey's book traces the history of modern subjectivity by examining the construction of the human subject in fiction of the sixteenth and seventeenth centuries. Belsey contends that modern understandings of human subjectivity derive from the Renaissance period, and demonstrates the emergence of the individual subject in her readings of Renaissance texts. The book is divided into two parts, the first dealing with 'Man', the second with 'Woman'. Belsey argues that this was the period in which 'Man' became the 'common-gender noun', failing to include women, and defining 'Woman' as having meaning only in relation to 'Man'. Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. Hemel Hempstead: Harvester Wheatsheaf, One of the first examples of cultural materialist critical practice, Dollimore's Radical Tragedy examines the ways in which Renaissance drama represented crises in contemporary ideas of order, religion and subjectivity. Dollimore discusses a wide range of important changes in Renaissance society, including changes to concepts of law, theology, identity, providence, cosmos, class, virtue and sexuality. He also situates these discussions of Renaissance society in relation to twentieth-century debates about literature, subjectivity and society. In the second edition of Radical Tragedy, published in 1989, Dollimore added a long introduction which sets out the function and methodology of materialist criticism, as well as reflecting on the reasons why he wrote the book, and on its reception. 222

2 Annotated Bibliography 223 Dollimore, Jonathan, and Alan Sinfield, eds. Political Shakespeare: New Essays in Cultural Materialism. Manchester: Manchester University Press, The appearance of this volume marked the emergence of cultural materialism as a major new critical approach in British literary studies. Sinfield and Dollimore had already established their reputations as materialist (or Marxist) critics, influenced by the writings of Raymond Williams and Louis Althusser. The essays contained in the volume are divided into two parts. The first part, entitled 'Recovering history', includes essays by Jonathan Dollimore, Stephen Greenblatt, Paul Brown, Kathleen McLuskie and Leonard Tennenhouse. All of the essays in part one examine Shakespeare in the contexts of Renaissance culture and society. The second part, 'Reproductions, interventions', includes essays by Alan Sinfield, Graham Holderness and Margot Heinemann. All of the essays in part two examine the twentieth-century contexts of Shakespeare's plays, and how Shakespeare has been deployed in education, cinema and theatre. The volume is introduced by Dollimore and Sinfield with a polemical call to practice a literary and historical criticism with political commitment, and concluded with an 'Afterword' by Raymond Williams. The second edition was published in 1994 and included new essays by Sinfield and Dollimore. Foucault, Michel. The Archaeology of Knowledge. (1969) Trans. A. M. Sheridan Smith. London: Tavistock/Routledge, All of Foucault's work has had a significant impact on the theoretical assumptions and critical practices of new historicism, and, to a lesser extent, of cultural materialism. With the exception of the concept of power (which Foucault defines in History of Sexuality, Volume 1), The Archaeology of Knowledge is perhaps the most important articulation of those assumptions and practices. In that work, published in France in 1969, Foucault defined the principles of archaeological analysis, defined the meaning and structure of discursive formations and defined the function of texts, statements and events within discursive formations.

3 224 Annotated Bibliography Foucault, Michel. 'What Is An Author?' Language, Counter-Memory, Practice: Selected Essays and Interviews by Michel Foucault. Ed. and intro. Donald F. Bouchard. Ithaca, NY: Cornell University Press, A formative essay for Foucault's influence on literary studies, it begins by analysing the concept of the author in Western discourse. Foucault proposes to replace the importance of the author in literary analysis with the concept of ecriture. Ecriture, for Foucault, represents the attempts in recent literary analysis of the conditions of the text. He concludes by suggesting the following questions as more appropriate to the analysis of texts and discourses in Western society: 'What are the modes of existence of this discourse? Where does it come from; how is it circulated; who controls it? What placements are determined for possible subjects? Who can fulfill these diverse functions of the subject?' (138). Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. Chicago and London: University of Chicago Press, Although this was not Greenblatt's first book, it was the first in which he employed the concepts of power, discourse and subjectivity to analyse literary texts, a practice which became known subsequently as new historicism. Greenblatt argues in this book that in the Renaissance period there was a transformation in the social and cultural structures which changed the character of subjectivity. He analyses the ways in which writers and individuals like Thomas More, William Tyndale, Thomas Wyatt, Edmund Spenser and Christopher Marlowe fashioned their self-identities through a network of social, psychological, political and intellectual discourses. Greenblatt, Stephen. 'Invisible Bullets: Renaissance Authority and its Subversion', Glyph 8 (1981): This is one of the most influential new historicist essays, by which I mean that it has been widely discussed and widely anthologised. Greenblatt begins with an anecdote about an Italian heretic, Menocchio, whose radical subversiveness led to his being burned at the stake on the authority of the Inquisition. Greenblatt uses this anecdote to explain his argument that subversiveness is necessary in order for power to become visible and fearsome, and to extend his

4 Annotated Bibliography 225 argument to suggest that seemingly orthodox texts generate subversive insights which are an integral part of a society's policing apparatus. He then proceeds to examine this argument in relation to Thomas Harriot, the author of a report on England's first colony in America, and to Shakespeare's I Henry W. He finds in each case that power produces the appearance of subversion in order to contain and police subversion more effectively. Greenblatt, Stephen. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Oxford: Oxford University Press, Many of the chapters in Shakespearean Negotiations were published earlier as essays or chapters, including 'Invisible Bullets', which forms Chapter 2 of this book. Greenblatt expresses his preference in Shakespearean Negotiations for the term 'cultural poetics' as a description of his own critical practice, instead of the controversial 'new historicism', and he begins to sketch in the first chapter what the concerns of a cultural poetics might be. Another important aspect of this book is its preference for the term 'social energy' over the Foucauldian term 'power'. Greenblatt dismisses 'power' as 'that term implied a structural unity and stability of command belied by much of what I actually knew about the exercise of authority and force in the period' (2), but when he defines 'social energy' it differs in no vital respect from his use of the term 'power'. Greenblatt, Stephen. Marvelous Possessions: The Wonder of the New World. Oxford: Oxford University Press, Whereas Greenblatt had occasionally considered the encounter between Europe and the 'new world' in his earlier works, Marvelous Possessions is his sustained consideration of the travel writings which constituted the European discourse of discovery. He analyses the writings of Mandeville, Columbus, Diaz and Montaigne, and links them together as a discourse which marked the transformation in the concept of 'wonder' from a sign of dispossession to an agent of appropriation. As such, Greenblatt is investigating an instrument in what he calls 'European representational practice', an instrument which enabled the Europeans to colonise the Americas.

5 226 Annotated Bibliography Howard, Jean. 'The New Historicism in Renaissance Studies', English Literary Renaissance 16 (1986): This is a good consideration of the rise of new historicism in the study of Renaissance literary texts. Howard seeks to explain why critics of Renaissance texts found constructive models for interpretation and historical analysis in the concepts of power and discourse of Foucault's work. She also analyses the critical practice of new historicists, comparing in detail the work of Greenblatt and Montrose. Miller, D. A. The Novel and the Police. Berkeley, Los Angeles and London: University of California Press, Miller differs from the new historicists in Renaissance studies, like Greenblatt and Montrose, in that he applies Foucault's concepts directly and explicitly to literary texts, rather than owing some of his implicit assumptions to Foucault. Miller takes Foucault's work on discipline, punishment, policing and incarceration and explores what kind of readings emerge from the application of those concepts to Victorian novels. Miller focuses on Charles Dickens, Anthony Trollope and Wilkie Collins in his study. Montrose, Louis. 'Professing the Renaissance: The Poetics and Politics of Culture'. The New Historicism. Ed. H. Aram Veeser. London: Routledge, In this essay (based on an earlier essay published in English Literary Renaissance, entitled 'Renaissance Literary Studies and the Subject of History'), Montrose considers the emergence and reception of the new historicism. He also attempts to describe the impact that new historicism has had on Renaissance studies, and to define what new historicism means as a critical practice. This includes his much quoted formulation that new historicism is concerned with 'the historicity of texts and the textuality of history' (20). Montrose, Louis. "'Eliza, Queene of Shepheardes", and the Pastoral of Power'. The New Historicism Reader. Ed. H. Aram Veeser. London: Routledge, U5. Montrose's essay is reprinted by Veeser as a 'classic' new historicist essay, although it was first published in 1980 in English Literary Renaissance. In the essay, Montrose mnalyses the form of pastoral

6 Annotated Bibliography 227 poetry in the Elizabethan period, arguing that pastoral poetry was a vehicle of state ideology. For example, Montrose claims that pastoral poems were part of the ideological mane ouvre to appropriate the Catholic symbolism of the Virgin Mary for use in constructing the image of a virgin queen, capable of uniting church and state and securing the loyalty of the people. Montrose's analysis is part of the new historicist recognition that claims to power, and strategies for appropriating power, are played out in literary texts as much as in more explicit political arenas. Sinfield, Alan. Faultlines: Cultural Materialism and the Politics of Dissident Reading. Oxford: Oxford University Press, This is Sinfield's largest and most ambitious book to date. It brings together and refocuses some earlier work on Shakespeare and the early modern period in general, and addresses the debates arising from cultural materialist and new historicist work. It contains ten chapters and a brief photo-essay, all of which address questions of cultural authority and dissident readings ('dissidence' is Sinfield's preference over the new historicist term 'subversion'). Like almost all cultural materialist work, Sinfield's book is primarily interested in challenging the function of literature in the present day, even when it is engaged in reading and interpreting the historical contexts of early modern texts. Sinfield, Alan. Cultural Politics - Queer Reading. London: Routledge, In the foreword to this short book, Sinfield states clearly that the key axiom of cultural materialism is simply this: 'culture is political'. In the four chapters which comprise the book Sinfield demonstrates this axiom, that every time culture is invoked, displayed or promoted there are political interests at stake. Throughout the same four chapters, Sinfield also inquires into the contribution of sexual politics to the meaning of culture. He argues that gay and lesbian subcultures provide the most stimulating contexts for political readings of culture at the present time, and demonstrates this position by countering 'mainstream' conservative readings with subcultural readings of literary texts.

7 228 Annotated Bibliography Veeser, H. Aram, ed. The New Historicism. London: Routledge, In this, the first of his collections of essays on the new historicism, Veeser gathers together essays on the emergence, reception and criticism of new historicism, which include contributions from prominent practitioners like Louis Montrose, Joel Fineman, Catherine Gallagher and Stephen Greenblatt to critics like Brook Thomas, Frank Lentricchia, Vincent Pecora and Hayden White. Veeser's introduction attempts to define the characteristics of the new historicism, and in general this anthology is useful for reading debates on what the new historicism represents in literary studies, including its shortcomings and weaknesses. Veeser, H. Aram, ed. The New Historicism Reader. London: Routledge, Whereas the first of Veeser's collections published essays about the new historicism, the second anthology published examples of the critical practice of new historicism. It included classic new historicist essays by Stephen Orgel, Stephen Greenblatt, Louis Montrose, Joel Fineman, Walter Benn Michaels, Catherine Gallagher and many others. Some of the essays included, such as the essays by Brook Thomas and Eve Kosofsky Sedgwick, do not follow the classic new historicist formula, which Veeser usefully describes as the process of 'converting details into knowledge' by five measured operations: 'anecdote, outrage, resistance, containment, and the critic's autobiography- all in a tight twenty-five pages' (5). Williams, Raymond. Marxism and Literature. Oxford: Oxford University Press, For cultural materialists, Williams's Marxism and Literature was an important revision of Marxist ideas on literature, and paved the way for materialist interpretations and analyses of literary texts. Williams's book is divided into three parts. In the first part, Williams traces the evolution and meanings of the concepts 'culture', 'language', 'literature' and 'ideology'. In the second part, he considers the development of Marxist thinking on literature and culture, from early formulations of base and superstructure to emerging work on the sociology of culture, which Williams sees as the promise of a growing field of study. In the final section, Williams turns his attention to discussing

8 Annotated Bibliography 229 Marxist interventions in literary theory, and what Marxism may have to contribute to ideas of genre, convention, authors and creative practice. Williams, Raymond. Keywords: A Vocabulary of Culture and Society. London: Fontana, Much of new historicist and cultural materialist work is similar to the discipline of history of ideas, in that both attempt to trace the emergence and formulation of specific concepts and ideas. The differences tend to lie in the methodological approaches used. In a number of his works, Williams traced the meanings of certain concepts, focusing particularly on the period from the eighteenth century to the present day. Keywords is the work in which he brought together short essays on the evolution of words and concepts which have acquired specific and complex meanings in the twentieth century. Neither new historicists nor cultural materialists have done anything similar, but the method of revealing the historical process by which a word or concept acquires powerful significance is evident in much of new historicist and cultural materialist thought.

9 B biography Althusser, Louis. Lenin and Philosophy and Other Essays. Trans. B. Brewster. London: New Left Books, Essays on Ideology. London: Verso, Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. Oxford: Oxford University Press, , and Leonard Tennenhouse. The Imaginary Puritan: Literature, Intellectual Labor, and the Origins of Personal Life. Berkeley, Los Angeles and London: University of California Press, , eds. The Violence of Representation: Literature and the History of Violence. London: Routledge, Attridge, Derek, Geoffrey Bennington and Robert Young, eds. Poststructuralism and the Question of History. Cambridge: Cambridge University Press, Bak, John S. 'Escaping the Jaundiced Eye: Foucauldian Panopticism in Charlotte Perkins Gilman's "The Yellow Wall-paper"'. Studies in Short Fiction 31:1 (Winter 1994): Barker, Francis. The Tremulous Private Body: Essays on Subjection. London: Methuen, The Culture of Violence: Essays on Tragedy and History. Manchester: Manchester University Press, , Peter Hulme and Margaret Iversen, eds. Postmodernism and the Re-reading of Modernity. Manchester: Manchester University Press, Belsey, Catherine. Critical Practice. London: Methuen/Routledge, The Subject of Tragedy: Identity and Difference in Renaissance Drama. London: Methuen/Routledge, 'Literature, History, Politics'. New Historicism and Renaissance Drama. Ed. Richard Wilson and Richard Dutton. Harlow: Longman,

10 Bibliography 23 I Bender, John. Imagining the Penitentiary: Fiction and the Architecture of Mind in Eighteenth-Century England. Chicago and London: University of Chicago Press, Benjamin, Walter. Illuminations. (1958) Ed. Hannah Arendt, trans. Harry Zohn. London: Fontana, Bhabha, Homi. 'Sly Civility'. The Location of Culture. London: Routledge, l. Bottomore, Tom, et al., eds. A Dictionary of Marxist Thought. 2nd edn. Oxford: Blackwell, Boyarin, Daniel. "'Language Inscribed by History on the Bodies of Living Beings": Midrash and Martyrdom'. Representations 25 (Winter 1989): 139-5l. Brannigan, John. "'And may there be no moaning of the bar": Cultural Materialism and Reading Dissidence in Tennyson'. Imprimatur 1:1 (Winter 1995): 'Power and its Representations: A New Historicist Reading of Richard Jefferies' "Snowed Up"'. Literary Theories: A Case Study in Critical Performance. Ed. Julian Wolfreys and William Baker. London: Macmillan, Brantlinger, Patrick. 'Heart of Darkness: Anti-Imperialism, Racism, or Impressionism?' Criticism 28:4 (Fall 1985): Brown, Marshall, ed. The Uses of Literary History. Durham, NC: Duke University Press, Bruster, Douglas. 'New Light on the Old Historicism: Shakespeare and the Forms of Historicist Criticism'. Literature and History 5:1 (Spring 1996): Carroll, David, ed. The States of 'Theory': History, Art and Critical Discourse. Stanford, CA: Stanford University Press, Chambers, Ross. Story and Situation: Narrative Seduction and the Power of Fiction. Manchester: Manchester University Press, Room for Maneuver: Reading (the) Oppositional (in) Narrative. Chicago and London: University of Chicago Press, Collingwood, R. G. The Idea of History. (1946) Oxford: Oxford University Press, Conrad, Joseph. Heart of Darkness. (1902) London: Penguin, Cox, Jeffrey N. and Larry J. Reynolds, eds. New Historical Literary Studies: Essays on Reproducing Texts, Representing History. Princeton, NJ: Princeton University Press, Critical Art Ensemble. The Electronic Disturbance. New York: Autonomedia, 1994.

11 232 Bibliography Cullingford, Elizabeth Butler. Gender and History in Yeats's Love Poetry. New York: Syracuse University Press, De Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. 2nd edn. London: Methuen, Dentith, Simon, ed. Bakhtinian Thought: An Introductory Reader. London and New York: Routledge, Derrida, Jacques. Of Grammatology. (1967) Trans. Gayatri Chakravorty Spivak. Baltimore, MD and London: Johns Hopkins University Press, Writing and Difference. (1967) Trans. Alan Bass. London: Routledge, 'Some Statements and Truisms about NeoLogisms, Newisms, Postisms, Parasitisms, and Other Small Seismisms'. Trans. Anne Tomiche. The States of 'Theory': History, Art and Critical Discourse. Ed. David Carroll. Stanford, CA: Stanford University Press, 'Living On: Border Lines'. A Derrida Reader: Between the Blinds. Ed. Peggy Kamuf. Hemel Hempstead: Harvester Wheatsheaf, Dimock, Wai-Chee. 'Feminism, New Historicism and the Reader'. American Literature 63:4 (December 1991): Docherty, Thomas. On Modern Authority: The Theory and Condition of Writing, 1500 to the Present Day. Brighton: Harvester Press, After Theory: PostmodernismlPostmarxism. London: Routledge, Alterities: Criticism, History, Representation. Oxford: Oxford University Press, Dock, Julie Bates. "'But One Expects That": Charlotte Perkins Gilman's "The Yellow Wall-paper" and the Shifting Light of Scholarship'. Proceedings of the Modern Language Association Ill: 1 (January 1996): Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. Hemel Hempstead: Harvester Wheatsheaf, Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. 2nd edn. Hemel Hempstead: Harvester Wheatsheaf, 'Shakespeare, Cultural Materialism, Feminism and Marxist Humanism'. New Literary History: A Journal of Theory and Interpretation 21:3 (Spring 1990):

12 Bibliography Sexual Dissidence: Augustine to Wilde, Freud to Foucault. Oxford: Oxford University Press, , and Alan Sinfield. 'Culture and Textuality: Debating Cultural Materialism'. TextualPractice4:1 (1990): , eds. Political Shakespeare: New Essays in Cultural Materialism. Manchester: Manchester University Press, , eds. Political Shakespeare: Essays in Cultural Materialism. 2nd edn. Manchester: Manchester University Press, Donoghue, Denis. We Irish: Essays on Irish Literature and Society. Berkeley, Los Angeles and London: University of California Press, Drakakis, John, ed. Alternative Shakespeares. London: Methuen, During, Simon. 'New Historicism'. Text and Performance Quarterly 11:3 (July 1991): Equiano, Olaudah. The Interesting Narrative. (1789) London: Penguin, Everest, Kelvin, ed. Revolution in Writing: British Literary Responses to the French Revolution. Milton Keynes: Open University Press, Fanon, Frantz. The Wretched of the Earth. (1961) Trans. Constance Farrington. London: Penguin, Field Day Anthology of Irish Writing. 3 vols. Ed. Seamus Deane. Londonderry: Field Day Publications, Fineman, Joel. 'Shakespeare's Will: The Temporality of Rape'. Representations 20 (Fall 1987): 'The History of the Anecdote: Fiction and Fiction'. The New Historicism. Ed. H. Aram Veeser. London: Routledge, Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason. (1961) Trans. Richard Howard. London: Tavistock/Routledge, The Birth of the Clinic: An Archaeology of Medical Perception. (1963) Trans. A. M. Sheridan Smith. London: Tavistock/Routledge, The Order of Things: An Archaeology of the Human Sciences. (1966) London: Tavistock/Routledge, The Archaeology of Knowledge. (1969) Trans. A. M. Sheridan Smith. London: Tavistock/Routledge, Discipline and Punish: The Birth of the Prison. (1975) Trans. A. M. Sheridan Smith. London: Penguin, 'What Is an Author?', 'Nietzsche, Genealogy, History', 'Theatrum Philosophicum'. Language, Counter-Memory, Practice: Selected

13 234 Bibliography Essays and Interviews by Michel Foucault. Ed. and intro. Donald F. Bouchard. Ithaca, NY: Cornell University Press, , , Power/Knowledge: Selected Interviews and Other Writings Ed. Colin Gordon, trans. Colin Gordon et al. London: HarvesterWheatsheaf, The History of Sexuality, Volume 1: An Introduction. (1976) Trans. Robert Hurley. London: Penguin, Frazier, Adrian. Behind the Scenes: Yeats, Horniman and the Struggle for the Abbey Theatre. Berkeley, Los Angeles and London: University of California Press, Friel, Brian, Translations. London: Faber and Faber, Gadamer, Hans-Georg. Truth and Method. London: Sheed and Ward, Gallagher, Catherine. The Industrial Reformation of English Fiction: Social Discourse and Narrative Form Chicago and London: University of Chicago Press, 'Embracing the Absolute: The Politics of the Female Subject in Seventeenth-Century England'. Genders 1 (Spring 1988): 'Marxism and the New Historicism'. The New Historicism. Ed. H. Aram Veeser. New York and London: Routledge, Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace, Berkeley, CA: University of California Press, Geertz, Clifford. The Interpretation of Cultures. London: Fontana, Gilman, Charlotte Perkins. The Yellow Wall-paper and Other Stories. Oxford: Oxford University Press, Glenn, Ian. 'Conrad's Heart of Darkness: A Sociological Reading'. Literature and History 13 (1987): Goldberg, Jonathan. James I and the Politics of Literature: Jonson, Shakespeare, Donne and their Contemporaries. Baltimore, MD and London: Johns Hopkins University Press, Sodometries: Renaissance Texts, Modern Sexualities. Stanford, CA: Stanford University Press, 'Measure for Measure as Social Text'. New Historicism and Cultural Materialism: A Reader. Ed. Kiernan Ryan. London: Arnold, , ed. Queering the Renaissance. Durham, NC and London: Duke University Press, 1994.

14 Bibliography 235 Gramsci, Antonio. Selections from the Prison Notebooks. Trans. Quentin Hoare and Geoffrey Nowell Smith. London: Lawrence and Wishart, Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. Chicago and London: University of Chicago Press, 'Invisible Bullets: Renaissance Authority and its Subversion'. Glyph 8 (1981): 40-6l. -. 'Introduction: The Forms of Power'. Genre 7 (1982): 'Murdering Peasants: Status, Genre, and the Representation of Rebellion'. RepresentationsI:1 (February 1983): Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Oxford: Oxford University Press, 'Towards a Poetics of Culture'. The New Historicism. Ed. H. Aram Veeser. London: Routledge, _. Learning to Curse: Essays in Early Modern Culture. New York and London: Routledge, Marvelous Possessions: The Wonder of the New World. Oxford: Oxford University Press, Hamilton, Paul. Historicism. London: Routledge, Harpham, Geoffrey Galt. 'Foucault and the New Historicism'. American Literary History 3 (Summer 1991): Hartley, L. P. The Go-Between. Harmondsworth: Penguin, Hawkes, Terence. Meaning by Shakespeare. London: Routledge, , ed. Alternative Shakespeares Volume 2. London: Routledge, Hawkins, Hunt. 'Joseph Conrad, Roger Casement and the Congo Reform Movement'. Journal of Modern Literature 9 ( ): 'Conrad's Heart of Darkness: Politics and History'. Conradiana 24:3 (1992): Hawthorn, Jeremy. Cunning Passages: New Historicism, Cultural Materialism and Marxism in the Contemporary Literary Debate. London: Arnold, Herbert, T. Walter, Jr. The Erotics of Purity: The Marble Faun and the Victorian Construction of Sexuality'. Representations 36 (Fall 1991): Hoggart, Richard. The Uses of Literacy. (1957) London: Penguin, Holderness, Graham. Shakespeare Recycled: The Making of Historical Drama. Hemel Hempstead: Harvester Wheatsheaf, 1992.

15 236 Bibliography -, ed. The Shakespeare Myth. Manchester: Manchester University Press, Howard, Jean. 'The New Historicism in Renaissance Studies'. English Literary Renaissance 16 (1986): 'Feminism and the Question of History: Resituating the Debate'. Women's Studies: An Interdisciplinary Journal 19: (1991): Howell, Martha C. 'A Feminist Historian Looks at the New Historicism: What's So Historical about It?' Women's Studies: An Interdisciplinary Journal 19:2 (1991): Hulme, Peter. Colonial Encounters: Europe and the Native Caribbean London: Methuen, Humphries, Reynold. 'The Discourse of Colonialism: Its Meaning and Relevance for Conrad's Fiction'. Conradiana 21:2 (1989): Innes, C. L. Woman and Nation in Irish Literature and Society. Hemel Hempstead: Harvester Wheatsheaf, Jefferies, Richard. After London, or Wild England. (1885) Oxford: Oxford University Press, Jordan, Elaine. Alfred Tennyson. Cambridge: Cambridge University Press, , ed. Joseph Conrad. London: Macmillan, Joseph, Gerhard. Tennyson and the Text. Cambridge: Cambridge University Press, Kiberd, Declan. 'Irish Literature and Irish History'. The Oxford History of Ireland. Ed. R. F. Foster. Oxford: Oxford University Press, l. -. Inventing Ireland: The Literature of the Modern Nation. London: Jonathan Cape, Kingsley, Mary. Travels in West Africa. (1897) London: Everyman/ J. M. Dent, Klancher, Jon. 'Romantic Criticism and the Meanings of the French Revolution'. Studies in Romanticism 28 (Fall 1989): 463-9l. Knapp, Jeffrey. An Empire Nowhere: England, America, and Literature from Utopia to The Tempest. Berkeley, Los Angeles and London: University of California Press, Leavis. F. R. The Great Tradition. (1948) Harmondsworth: Penguin, The Common Pursuit. (1952) London: Hogarth Press, D. H. Lawrence: Novelist. (1955) Harmondsworth: Penguin, 1964.

16 Bibliography 237 Lee, John. 'The Man Who Mistook His Hat: Stephen Greenblatt and the Anecdote'. Essays in Criticism: A Quarterly Journal of Literary Criticism 45:4 (October 1995): Lentricchia, Frank. After the New Criticism. London: The Athlone Press, 'Foucault's Legacy - A New Historicism?' The New Historicism. Ed. H. Aram Veeser. London: Routledge, Levinson, Marjorie. Wordsworth's Great Period Poems. Cambridge: Cambridge University Press, , Marilyn Butler, Jerome McGann and Paul Hamilton. Rethinking Historicism: Critical Readings in Romantic History. Oxford: Blackwell, Lewis, Tom. 'The New Historicism and Marxism'. Journal of the Midwest Modern Language Association 24:1 (Spring 1991): Liu, Alan. 'The Power of Formalism: The New Historicism'. English Literary History 56:4 (Winter 1989): Lukacs, Georg. History and Class Consciousness: Studies in Marxist Dialectics. (1968) Trans. Rodney Livingstone. London: Merlin Press, Lyotard, Jean-Fran<;ois. The Postmodern Condition: A Report on Knowledge. (1979) Trans. Geoff Bennington and Brian Massumi. Manchester: Manchester University Press, Marx, Karl, and Friedrich Engels. Selected Works in One Volume. London: Lawrence and Wishart, McAlindon, Tom. 'Testing the New Historicism: "Invisible Bullets" Reconsidered'. Studies in Philology 92:4 (Fall 1995): McGann, Jerome J. The Romantic Ideology: A Critical Investigation. Chicago and London: University of Chicago Press, The Beauty of Inflections: Literary Investigations in Historical Method and Theory. Oxford: Oxford University Press, 1985a. -. Towards a Literature of Knowledge. Oxford: Oxford University Press, The Textual Condition. Princeton, NJ: Princeton University Press, , ed. Historical Studies and Literary Criticism. Madison, WI: University of Wisconsin Press, 1985b. McNay, Lois. Foucault: A Critical Introduction. Cambridge: Polity Press, Megill, Allan. 'The Reception of Foucault by Historians'. Journal of the History of Ideas 48:1 (January/March 1987):

17 238 Bibliography Michaels, Walter Benn. The Gold Standard and the Logic of Naturalism: American Literature at the Turn of the Century. Berkeley, Los Angeles and London: University of California Press, Miller, D. A. 'Discipline in Different Voices: Bureaucracy, Police, Family and Bleak House'. Representations 1:1 (February 1983): The Novel and the Police. Berkeley, Los Angeles and London: University of California Press, Miller, J. Hillis. 'Presidential Address 1986: The Triumph of Theory, the Resistance to Reading, and the Question of the Material Base'. Theory Now and Then. Hemel Hempstead: Harvester Wheatsheaf, Milner, Andrew. Cultural Materialism. Victoria: Melbourne University Press, Montrose, Louis. "'Shaping Fantasies": Figurations of Gender and Power in Elizabethan Culture'. Representations 1:2 (Spring 1983): 'Renaissance Literary Studies and the Subject of History'. English Literary Renaissance 16 (1986): 'Professing the Renaissance: The Poetics and Politics of Culture'. The New Historicism. Ed. H. Aram Veeser. London: Routledge, "'Eliza, Queene of Shepheardes", and the Pastoral of Power'. The New Historicism Reader. Ed. H. Aram Veeser. London: Routledge, ll5. Morgan, W. John, ed. Raymond Williams: Politics, Education, Letters. New York: St Martin's Press, Mullaney, Stephen. 'After the New Historicism'. Ed. Terence Hawkes. Alternative Shakespeares Volume 2. London: Routledge, Murfin, Ross c., ed. Heart of Darkness. 2nd edn. New York: St Martin's Press, Newton, Judith. 'History as Usual? Feminism and the "New Historicism'''. Cultural Critique 9 (Spring 1988): Nietzsche, Friedrich. The Birth of Tragedy and The Genealogy of Morals. Trans. Francis Golffing. New York: Doubleday, Thus Spake Zarathustra. Trans. R. J. Hollingdale. Harmondsworth: Penguin, 1961.

18 Bibliography 239 Nussbaum, Felicity A. The Autobiographical Subject: Gender and Ideology in Eighteenth-Century England. Baltimore, MD: Johns Hopkins University Press, Torrid Zones: Maternity, Sexuality, and Empire in Eighteenth Century English Narratives. Baltimore, MD and London: Johns Hopkins University Press, O'Hara, Daniel T. Radical Parody: American Culture and Critical Agency after Foucault. New York: Columbia University Press, Orgel, Stephen. The Illusion of Power: Political Theater in the English Renaissance. Berkeley, CA: University of California Press, Impersonations: The Performance of Gender in Shakespeare's England. Cambridge: Cambridge University Press, Patterson, Lee, ed. Literary Practice and Social Change in Britain, Berkeley, Los Angeles and London: University of California Press, 'Historical Criticism and the Claims of Humanism'. New Historicism and Cultural Materialism: A Reader. Ed. Kiernan Ryan. London: Arnold, Paxson, James J. 'The Green(blatt)ing of America: Reflections on the Institutional Genealogy of Greenblatt's New Historicism'. Minnesota Review (Fall 1993/Spring 1994): Pechter, Edward. 'The New Historicism and Its Discontents: Politicizing Renaissance Drama'. Proceedings of the Modern LanguageAssociation 102:3 (May 1987): Pecora, Vincent P. 'The Limits of Local Knowledge'. The New Historicism. Ed. H. Aram Veeser. London: Routledge, Plato. The RepUblic. Trans. Desmond Lee. London: Penguin, Porter, Carolyn. 'Are We Being Historical Yet?' South Atlantic Quarterly 87:4 (Fall 1988): 'History and Literature: "After the New Historicism"'. New Literary History21 (1990): Prendergast, Christopher, ed. Cultural Materialism: On Raymond Williams. Minneapolis, MN: University of Minnesota Press, Richardson, Joanna. The Pre-Eminent Victorian. London: n.p., Rosenberg, Brian. 'Historicizing the New Historicism: Understanding the Past in Criticism and Fiction'. Modern Language Quarterly: A Journal of Literary History 50:4 (December 1989): Ryan, Kiernan, ed. New Historicism and Cultural Materialism: A Reader. London: Arnold, 1996.

19 240 Bibliography Said, Edward. Orientalism. London: Routledge and Kegan Paul, 'Yeats and Decolonization'. Nationalism, Colonialism and Literature. Intro. Seamus Deane. Minneapolis, MN: University of Minnesota Press, Culture and Imperialism. London: Vintage, Simons, Jon. Foucault and the Political. London and New York: Routledge, Sinfield, Alan. The Language of Tennyson's 'In Memoriam'. Oxford: Blackwell, Literature in Protestant England London: Croom Helm, 'Pour Ways with a Reactionary Text'. Journal of Literature Teaching Politics 2 (1983b): Alfred Tennyson. Oxford: Blackwell, Literature, Politics and Culture in Postwar Britain. Oxford: Blackwell, Faultlines: Cultural Materialism and the Politics of Dissident Reading. Oxford: Oxford University Press, The Wilde Century: Effeminacy, Oscar Wilde and the Queer Moment. London: Cassell, 1994a. -. Cultural Politics - Queer Reading. London: Routledge, 1994b. -, ed. Society and Literature London: Methuen, 1983a. -, and Jonathan Dollimore, eds. Political Shakespeare: New Essays in Cultural Materialism. Manchester: Manchester University Press, , Political Shakespeare: Essays in Cultural Materialism. 2nd edn. Manchester: Manchester University Press, Singh, Jyotsna G. 'Afterword: Shakespeare and the Politics of History'. Literature and History 5:1 (Spring 1996): Stallybrass, Peter, and Allon White. The Politics and Poetics of Transgression. London: Methuen, Stanley, Henry M. Through the Dark Continent. 2 vols. (1878) New York: Dover Publications, Straub, Kristina. Sexual Suspects: Eighteenth-Century Players and Sexual Ideology. Princeton, NJ: Princeton University Press, Strier, Richard. Resistant Structures: Particularity, Radicalism, and Renaissance Texts. Berkeley and Los Angeles: University of California Press, Tennenhouse, Leonard. Power on Display: The Politics of Shakespeare's Genres. London: Methuen, 1986.

20 Bibliography 241 Tennyson, Alfred. Tennyson's Poetry. Ed. Robert W. Hill, Jr. New York: Norton, Selected Poems. London: Penguin, Thomas, Brook. The New Historicism and Other Old-Fashioned Topics. Princeton, NJ: Princeton University Press, 1991a. -. 'Walter Benn Michaels and the New Historicism: Where's the Difference?'. Boundary 2: An International Journal of Literature and Culture 18:1 (Spring 1991b): 'Preserving and Keeping Order by Killing Time in Heart of Darkness'. Heart of Darkness. 2nd edn. Ed. Ross C. Murfin. New York: St Martin's Press, Thompson, E. P. The Making of the English Working Class. Harmondsworth: Penguin, Tillyard, E. M. W. The Elizabethan World Picture. (1943) London: Penguin, Vattimo, Gianni. The End of Modernity. (1985) Trans. Jon R. Snyder. Cambridge: Polity Press, Veeser, H. Aram. 'Re-Membering a Deformed Past: (New) New Historicism'. Journal of the Midwest Modern Language Association 24:1 (Spring 1991): , ed. The New Historicism. London: Routledge, , ed. The New Historicism Reader. London: Routledge, Visker, Rudi. Michel Foucault: Genealogy as Critique. (1990) Trans. Chris Turner. London: Verso, Watson, William. 'England and Her Colonies'. (1890) The White Man's Burden: An Anthology of British Poetry of the Empire. Ed. Chris Brooks and Peter Faulkner. Exeter: University of Exeter Press, Wells, H. G. The Time Machine. London: Pan Books, White, Hayden. 'New Historicism: A Comment'. The New Historicism. Ed. H. Aram Veeser. London: Routledge, Williams, Jeffrey, ed. PC Wars: Politics and Theory in the Academy. New York: Routledge, Williams, Raymond. Culture and Society (1958) Harmondsworth: Penguin, The Long Revolution. (1961) Harmondsworth: Pelican, Communications. (1962) Harmondsworth: Pelican, The Country and the City. (1973) London: Hogarth Press, Marxism and Literature. Oxford: Oxford University Press, Problems in Materialism and Culture. London: Verso, 1980.

21 242 Bibliography -. Keywords: A Vocabulary of Culture and Society. London: Fontana, Wilson, Richard, and Richard Dutton, eds. New Historicism and Renaissance Drama. Harlow: Longman, Wilson, Scott. Cultural Materialism: Theory and Practice. Oxford: Blackwell, Wolfreys, Julian. Being English: Narratives, Idioms and Performances of National Identity from Coleridge to Trollope. New York: State University of New York Press, Yeats, William Butler. Autobiographies. Dublin: Gill and Macmillan, Yeats's Poems. Ed. A. Norman Jeffares. Dublin: Gill and Macmillan, Young, Robert. White Mythologies: Writing History and the West. London and New York: Routledge, 1990.

22 In d ex Albert, Prince 110 Alpers, Svetlana 66, 82n.4 Althusser, Louis 5, 23, 24, 26, 27, 28, 42, 103, 223; Lenin and Philosophy 26; 'Ideology and the ISA' 26 American Literary History 126 anthropology 19,32-5, 72, 141 Aquinas, Thomas 103 Arawaks 149 archaeologies 43-5,47,49, 54n.6, ,223 Archer, William 101 Arden, Alice Armstrong, Nancy 84, 88-9, 90; The Imaginary Puritan 88-9 Arthur, King 171-2, 178 Augustine, 8t 103 Austen, Jane 10,37,38 Bacon, Francis 103 Bakhtin, Mikhail 188, 192, 193-4, 196n.1; 'Heteroglossia in the Novel' 196n.1 Bali 32 Barker, Francis 95-6, 97 Barthes, Roland 53n.2, 105 base-superstructure model 24-6, 39, 54n.5, 228 Belsey, Catherine 13, 42, 96, 97, 99, 105-9,115,151,153,168,201, 222; The Subject of Tragedy 99, 105-9, 222; 'Literature, History, Politics' 201 Benjamin, Walter 5, 23, 28, 42, 104; 'Theses on the Philosophy of History' 5 Bennett, Arnold 37 Bennett, Tony 95-6, 100 Bhabha, Homi Bloch, R. Howard 82n.4 Bonaparte, Louis 24-5 Bottomore, Tom 14n.3; Dictionary of Marxist Thought 14n.3 Boyarin, Daniel 88, 90; 'Language Inscribed by History' 88 Bradley, E H. 101 Brantlinger, Patrick 154n.5 Brod, Max 217 Brookside 118n.4 Brown, Paul 223 Calvin, John 103 cannibalism 134, , 154n.3 capitalism 24-5, 26, 30 Caribs 149 censorship 4 Chambers, Ross 182,219; Story and Situation 219 Chapman, John 104; Bussy D'Ambois 104 Charles I, King 57-8 Cixous, Helene 53n.2 Cohen, Abner 56 Coleridge, S. T. 176; 'The Rime of the Ancient Mariner' 176 Collingwood, R.G. 218; The Idea of History 218 colonialism 116, 124, , 170-1,176,177,178,219; decolonisation 132, ; anti-colonial 23, 120; postcolonial 32, 116, 119, 120, 121, 124,

23 244 In d e x Columbus, Christopher 32, 149, 225 communism 24, 204 Connolly, James 193, 194 Conrad, Joseph 13, ; Heart of Darkness 13, Coronation Street 118n.4 Cox, Jeffrey N. 202; New Historical Literary Study 202 Critical Art Ensemble 181 cultural history 35 Currie, Mark 53n.2,81n.1; Postmodern Narrative Theory 81n.1 Darwin, Charles 173 Derrida, Jacques 53n.2, 54n.3, 79, 105,164,168,181,211-12,216, 220; 'Cogito and the History of Madness' 212 dialectics 54n.5 dialogism 188-9, 192-5,216 Diaz, Bernal 32, 225 Dickens, Charles 9, 10,67,68-9, 134, 226; Bleak House 67, 68-9 Dilthey, Wilhelm 30 Dimock, Wai-Chee 122-3, 124, 162, 167n.1; 'Feminism, New Historicism and the Reader' 122-3,167n.1 discourse 47, 54n.7, 62, 136-7, 140-1, 144, 150, 151, 152, 153, 154n.4, 155, 160-1, 162-3, 167, 174,185,187,205, dissidence 7, 10,20,28,41,97,99, 100, 103, , 115, 116, 125, 126,166,168-82,227 Docherty, Thomas 180, 182n.2; After Theory 182n.2 Dollimore, Jonathan 6-7, 12, 13, 20,21,36,42,73-4,94,96,97-8, 99,100-5,108-9,113,115,117n.3, 121,125,168,179,222,223; Radical Tragedy 99, 100-5,222; Political Shakespeare 12, 13, 20, 36, 73, , 105, 117n.3, 223; Sexual Dissidence 121-2,125 dominant, residual, emergent 40-2 Donoghue, Denis 187 Drakakis, John 105; Alternative Shakespeares 105 Durer, Albrecht 67,68; Painter's Manual 67 During, Simon 35, 127n.1, 208-9; 'New Historicism' 127n.1 Dutton, Richard 2, 20, 84, 86, 92, 93n.1, 182n.3; New Historicism and Renaissance Drama 2, 20, 93n.1 Eagleton, Terry 95-6 Eastenders 118n.4 Eliot, T. S. 101, 176, 178; 'The Waste Land' 176 Elizabeth I, Queen 6-7,57-8,64, 69-70, 76 Elizabethan 6,7, 12,47,59,66, 69-70,75,206,227 English Literary History 126 enlightenment 30, 53-4n.3, 204 episteme 8, 15n.6, 50, 66, 210 Equiano, Olaudah 154n.3; The Interesting Narrative 154n.3 Erasmus 61; In Praise of Folly 61 Everest, Kelvin 79, 150 Fanon, Frantz 191 feminism 23, 53n.2, 97, 98, 116, 118n.6, 119, 120, 121, 124, 126, 167,192,202 Fineman, Joel 79,80, 81-2n.2, 154n.1, 228; 'Shakespeare's Wilr 79; 'The History of the Anecdote' 82n.2,154n.1 Fish, Stanley 72 formalism 4,6, 14n.1, 80, 81, 91, 92,93,97,101,116,191,192,196, 206 Forman, Simon 69 Foucault, Michel 8, 15n.4, 15n.6, 28, 33, 36, 42-53, 53n.2, 54n.3,

24 In d ex 245 Foucault, Michel - continued 54nA, 54n.6, 54n.7, 63, 68, 72, 78, 80, 119, 120, 131, 140-1, 150, 154nA, , 163-4, 166-7, 182n.3, , 223, 224, 226; Madness and Civilization 47,50, 155,158,159, 167,211-12; Birth of the Clinic 47; The Archaeology of Knowledge 46-7, 131, 150, 154nA, 207, 210, 217, 223; The Order of Things 15n.6, 44-5, 54n.7, 214, 215, 217; Discipline and Punish 47,50-1; History of Sexuality, Volume 1 15nA, 49, 50, 206, 223; 'Nietzsche, Genealogy, History' 43-4; 'What is an Author?' 224 Frazier, Adrian Friel, Brian 119; Translations 119 Gadamer, Hans Georg 30-1 Gallagher, Catherine 28-9, 36, 52, 79,80,84,124,212,228 Geertz, Clifford 16n.8, 33, 34, 56, 59,80-1,93,119 genealogies 36,43-5,47,49, 54n.4 Gilman, Charlotte Perkins 13, 122, ; 'The Yellow Wall-paper' 13, 122, Glenn, Ian 154n.5 Globe Theatre 7,9 Gogarty, Oliver St John 188 Goldberg, Jonathan 36,67,70-1, 80,84,109,121,124,203;james/ and the Politics of Literature 67, 70-1; Sodometries 121 Gonne, Maud 186-7,193 Gramsci, Antonio 15n.5, 24, 25, 26, 27; Prison Notebooks 25 Greenblatt, Stephen 6, 7, 8, 12, 20, 21,22,32,36,47,49-50,52,55-65, 66-8,69,70,72,78,79,80,83-93, 97, 109, 121, 124, 133, 136, 146-7, 154n.2, 155, 185, 192, 202, 206, 208,212,215,217,223,224,225, 226, 228; Renaissance Self Fashioning7, 33, 47, 50, 56, 61, 62,63,84,155,212,224; Shakespearean Negotiations 83, 85, 154n.2, 155, 202, 225; Learning to Curse 83, 85, 155; Marvelous Possessions 32,47,87-8,121,124, 147, 155, 185,212,225; 'Invisible Bullets' 8, 63-6, 68, 85, 109, 136, 215,217,224-5; 'The Forms of Power' 60-1, 84; 'Murdering Peasants' 66-8, 78, 85; 'Towards a Poetics of Culture' 83 Greville, Fulke 102; Mustapha 102 Hall, Stuart 95-6, 100 Hallam, Arthur 110, 172, 179 Hamilton, Paul 6,8,60,121, 124; Historicism 121 Harpham, Geoffrey Galt 52 Harriot, Thomas 64, 152, 225; A Brief and True Report 152 Hartley, L. P. 31; The Go-Between 31 Haslett, Moyra 14n.2,53n.2; Marxist Literary and Cultural Studies 14n.2, 53n.2 Hawkins, Hunt 151, 154n.5 Hawthorne, Nathaniel 88; The Marble Faun 88 hegemony 4, 7, 8, 10, 15n.5, 27, 29, 58 Heinemann, Margot 223 HenryVIU, King 61 Herbert Jr., T. Walter 88,90; 'The Erotics of Purity' Herodotus 60 historicism 4-5,6, 14n.2, 29-32, 35,42, 54n.3, 87, 90 Hobbes, Thomas 103 Hoggart, Richard 95 Holbein, Hans 61; 'The Ambassadors' 61 Holderness, Graham 13,97,223 Hollier, Denis 82nA Hollingdale, R. J. 48

25 246 In d ex Howard, Jean 3, 20, 72, 73-5, 82n.5, 120, 226; 'The New Historicism in Renaissance Studies' 73-5, 82n.5 Hulme, Peter 149; Colonial Encounters 149 Hulme, T. E. 101 humanism 20,23,36-7, 53n.1, 76, 101, 104, 105, 106-8, 116, 118n.5, 120, 121, 153 Humphries, Reynold 154n.5 ideology 5,7,8, 10, 12, 14n.5, 23-30,45,78,98,109,111-12, 137, 166, 187 Innes, Lynn 197n.2; Woman and Nation 197n.2 Irigaray, Luce 53n.2 Jacobean 70, James I, King 57 James, Henry 38 Jefferies, Richard 150; After London 150 Jonson, Ben 102; Sejanus 102 Jordan, Elaine 171 Joseph, Gerhard 118n.7; Tennyson and the Text 118n. 7 Kafka, Franz 217 Keats, John 193 Kiberd, Declan 188 Kingsley, Mary 133-6,137-8,142, 144,147,148; Travels in West Africa 133-6, 137-8, 142, 147 Knapp, Jeffrey 124; An Empire Nowhere 124 Kosofsky Sedgwick, Eve 228 Kristeva, Julia 53n.2 Laqueur, Thomas 82nA Leavis, E R. 20,36-8, 53n.1, 101, 118n.5, 180; The Great Tradition 36-7; The Common Pursuit 36-7 Lenin, V. I. 24 Lentricchia, Frank 49-50,51-2,72, 78,80,205-6,228 Levinson, Marjorie 79 Levi-Strauss, Claude 7 Literature and History 94, 126 Locke, John 103 Lucayan islands 62-3 Lukacs,Georg 23-7 Lyotard, J. E 54n.3, 180, 183n.6; The Postmodern Condition 183n.6 MacBride, John 186-7, 194 MacDonagh, Thomas 186-7,193, 194, 195 McGann, Jerome 79, 118n.7, 168, 216; The Beauty of Inflection 118n.7,168 McLuskie, Kathleen 223 McNay, Lois 209' Machiavelli, Nkcolb 61, 103; The Prince 61 Mandeville, Sir John 32, 225 Mao Tse Tsung 24 Markievicz, Constance 186-7,193, 195 Marlowe, Christopher 102, 224; Dr Faustus 102 Marx, Karl 23, 24, 25, 29, 42; The Eighteenth Brumaire 24 Marxism 4-5,6, 14n.2, 19,23-9, 35, 36-42, 43, 49, 54n.5, 81, 94, 96, 117n.1, 118n.6, 120, 187, 192,202, 223,228,229; post-marxism 23, 53n.2,204 Menocchio 64, 224 Michaels, Walter Benn 167n.2, 228; The Gold Standard and the Logic of Naturalism 167n.2 Midrash 88 Miller, D. A. 67,68-9,72,79,80, 82n.3, 155-6,208,212,226; The Novel and the Police 82n.3, 155-6, 226; 'Discipline in Different Voices' 67, 68-9 Miller, J. Hillis 72,202-3,206,216 Milner, Andrew 96

26 In d ex 247 Milton, John 59 Mitchell, S. Weir 156 Montaigne, Michel 103, 225 Montrose, Louis 12,33,36,47,52, 56,57-8,59,63,67,69-70,71,72, 79,80, 82n.5,83, 84,85-6,93, 165, 203,204-5,212,226,227,228; 'Eliza, Queene of Shepheardes' 47,56,57-8,63,226-7; "'Shaping Fantasies'" 67, 69-70; 'Renaissance Literary Studies' 82n.5; 'Professing the Renaissance' 226 More,Thomas 61,62,224 Mowa 143 Mullaney, Steven 124, 127n.2; Mer the New Historicism' 127n.2 New Criticism 92 new history (Foucault) 46-7 News from Nowhere 126 Nietzsche, Friedrich 5, 19, 42-8, 52, 54n.4, 54n.8, 120; Thus Spake Zarathustra 19, 48, 54n.8; The Genealogy of Morals 42-3, 45-6 Nussbaum, Felicity 122, 124 O'Donovan Rossa, Jeremiah 193 Oldcastle, Sir John 63 Orgel, Stephen 55, 57-8, 59, 60, 84, 121,203,228; The Illusion of Power 57-8; Impersonations 121 Patterson, Lee 76-7,78,206 Pearse, Padraig 186-7, 193, 194 Pecora,Vincent 216,228 Plato 4; The Republic 4 polygamy 134, 135 Porter, Carolyn 65, 127n.2, 169, 205; 'Are We Being Historical Yet?' 65, 205; 'History and Literature' 127n.2,169 poststructuralism 21, 53n.2, 54n.3, 118n.6 postwar Britain 97 postwar British literature 9, 10 power 6, 7, 8, 9, 15n.4, 27, 28, 34, 40,47-53,56-7,58,59,64-5,66, 69,70,71,76-8,86,108-9, Ill, 112, 114, 120-1, 122-3, 124-5, 133, 134, 135, 140-1, 146-7, 149, 150, 151, 152, 153, 155, 160-1, 162-3, 165, 169, 184-5, 188, 189, 195-6, 205-6,208,209,212-13,216,217, 220,225,227 psychiatry psychoanalysis 118n.6 queer studies 116, 120, 121, 125, 126 Reagan, Ronald 10, 78 Renaissance 1,8,20,21,31,50,55, 60,67,69,71,73,78,80,101,102, 105,106,107,108,124,147,212, 215,222,223,224,226 Representations 66, 69, 72, 79, 82n.4, 84, 88, 126 Reynolds, Larry J. 202; New Historical Literary Study 202 Richard II 6-7 Richardson, Joanna 168 Romantic 79, 173,215 Royal Ordnance 9,15n.7 Ryan, Kiernan 21,84,91,92, 93n.l, ,206-7; New Historicism and Cultural Materialism 93n.l Said, Edward 32-3, 152, 170, 184; Orientalism 32-33, 170; Culture and Imperialism 152; 'Yeats and Decolonization' 184 Schleiermacher, E D. E. 30 sexualities 23, 49, 88, 110, 112, 116,125-6,172-3,213 Shakespeare, William 7,9, 10, 12, 13,20,22,23,55,59,62,64,67, 68,69,70,75,76,77,79,97,98, 99, 100, 104, 105, 107, Ill, 112, 115, 118n.4, 121, 134, 143, 152, 154n.2, 166, 193, 218, 223, 225,

27 248 In d e x Shakespeare, William - continued 227; 1 Henry IV64, 66, 152, 225; 2 Henry VI 67; Antony and Cleopatra 104; As You Like It 55; Coriolanus 104; Henry V218; Julius Caesar 111; King Lear 104; Measure for Measure 70; A Midsummer Night's Dream 67,69; The Tempest 75 Shklovsky, Victor 14n.1 Sidney, Sir Philip 67,68; Arcadia 67 Simons, Jon 211 Sinfield, Alan 6, 9, 10, 12, 13, 15n.7, 20, 21, 36, 42, 73, 94, 96, 97-8,99-100,105,109-13,115, 117n.3, 121, 122, 125-6, , 179, 182, 183nA, 223, 227; Tennyson's 'In Memoriam' 100; Literature in Protestant England 100; Society and Literature 100; Political Shakespeare 12, 13, 20, 36,73,94-100,105,117n.3,223; Alfred Tennyson ; Faultlines 9, , 113, 183nA, 227; Cultural Politics-Queer Reading 227; The Wilde Century 122,125-6; 'Four Ways with a Reactionary Text' 113 social history 35 Social Text 126 'Sociology of Literature' (Essex) 94 Spenser, Edmund 59, 67, 68, 88, 213,224; The Faerie Queene 67,88 Spivak, Gayatri 72 Stalin, Josef 24 Stanley, Henry 142-3, 144, 147, 148-9, 154n.2; Through the Dark Continent 142-3, 147 Straub, Kristina 124 Strier, Richard 91-2 structuralism 14n.1, 118n.6, 187 subjectivity 7,56,59,74,105, 106-8, 118n.6, 121, 122-3, 124, ,222,224; and the discourse of madness subversion 4,6,7,8, 10,27,28,41, 49,64,65,66,69,76-7,86,108-9, , 122-3, 135, 136, 140-1, 143, 146, 152, 153, 155, 162-3, 165,166,206,225,227 Tennenhouse, Leonard 77-8, 80, 83,84,88-9,90,97,212,223; Power on Display 77-8; The Imaginary Puritan 88-9 Tennyson, Alfred 13,100,109-10, 112, 118n.7, 132, 166, ; Idylls of the King 169, 171, 178; In Memoriam ,112,169, 172-3, 178-9, 180; The Princess 109; 'Crossing the Bar' 175-6; 'The Lotus-Eaters' 109; 'Timbuctoo' 109, 170; 'Ulysses' 109, 169, 170, Textual Practice 126 Thatcher, Margaret 10, 97, 117n.2 Thatcherism 9, 15n.7, 104, 116, 117n.2 'thick description' (Geertz) 34, 59, 80-1 Thomas, Brook 127n.2, 144,208, 228; The New Historicism 127n.2; 'Preserving and Keeping Order' 144 Thompson,E.P. 23,95,100; The Making of the English Working Class 23, 95 Thucydides 81n.2 Tillyard, E. M. W , 90; The Elizabethan World Picture Toumeur, Cyril 102; The Revenger's Tragedy 102 Tower of London 7 Vattimo, Gianni 204; The End of Modernity 204 Veeser, H. Aram 61-2,71-2,75-6, 83,84,85, 93n.1, 154n.1, 228; The New Historicism 83, 93n.1, 154n.1, 228; The New Historicism Reader 228