Clst 181SK Ancient Greece and the Origins of Western Culture. The Birth of Drama
|
|
- Hope Crawford
- 6 years ago
- Views:
Transcription
1 Clst 181SK Ancient Greece and the Origins of Western Culture The Birth of Drama
2 The Birth of Drama The three great Classical tragedians: Aeschylus BC Sophocles BC Euripides BC pathei mathos - learning through suffering Aeschylus, Agamemnon
3 The Birth of Drama The three great Classical tragedians: Aeschylus BC Oresteia (includes Agamemnon), Prometheus Bound Sophocles BC, Antigone, Ajax, Philoctetes Euripides BC Medea, Trojan Women, Iphigeneia, Orestes
4 The Birth of Drama Theater of Dionysus, Athens
5 The Birth of Drama Theater of Dionysus, Athens
6 The Birth of Drama Theater of Dionysus, Athens
7 The Birth of Drama Theater at Epidaurus
8 The Birth of Drama Theater at Epidaurus, acoustics
9 The Birth of Drama
10 The Birth of Drama Playwright (e.g. Aeschylus, Sophocles, Euripides) didaskalos (cf. "didactic": literally, "teacher") text + music + dance + direction early on, also an actor
11 The Birth of Drama Actors limited to 3 (early on 2, but all our plays require 3) wore masks: probably paper-mache or the like, full head, perhaps enhanced projection of voice; allowed actors to play more than one part or to change the nature of a given part (e.g. Oedipus himself)
12 The Birth of Drama Chorus 15 (early on 12) members dancing AND singing choruses were widespread in Greek culture: marriages, funerals, athletic victories, religious festivals-- even battles
13 The Birth of Drama Chorus 15 (early on 12) members dancing AND singing choruses were widespread in Greek culture: marriages, funerals, athletic victories, religious festivals-- even battles Origins - Developmental narrative Chorus: Agrarian religious festival Thespis: introduces an actor who responds to chorus Two actors plus chorus Three actors plus chorus fundamental, and fundamentally different, is this opposition between chorus and actor, the alternation between spoken lines and those sung and danced, between lines that are part of the "drama" proper, and lines that are lyrical reflections by the chorus (e.g. first chorus of the, pp. 151)
14 The Birth of Drama Origins - Developmental narrative Chorus: Agrarian religious festival Thespis: introduces an actor who responds to chorus Two actors plus chorus Three actors plus chorus Chorus: structure of Greek tragedy Prologue, (Priest, Oedipus, Creon) Parodos, (Entrance of the Chorus: introductory Choral song during the procession) First Episode, (Oedipus, Teiresias) First Stasimon, (First Choral interlude: song, dance) Second Episode, (Creon, Oedipus, Chorus; Jocasta) Second Stasimon, (Second Choral interlude: song, dance) Third Episode, (Jocasta, Messenger, Chorus; Oedipus) Third Stasimon, (Third Choral interlude: song, dance) Fourth Episode, (Oedipus, Shepherd, Chorus) Fourth Stasimon, (Fourth Choral interlude: song, dance) Exodos, (Messenger, Chorus; Oedipus, Creon)
15 Clst 181SK Ancient Greece and the Origins of Western Culture Sophocles The Classical Moment
16 =Oedipus Rex [Latin], ΟΙΔΙΠΟΥΣ ΤΥΡΑΝΝΟΣ [Greek] Oedipus & the Sphinx
17 pathei mathos - learning through suffering Aeschylus, Agamemnon People and places to know: Oedipus Jocasta Laius (Polybus Merope) Sphinx Teiresias Apollo = Phoebus = Loxias = Pytho s god Delphi = Pytho Cithaeron (mountain above Thebes) Thebes
18 Thebes
19 Thebes
20 Background Apollo and Delphi: Apollo as the voice of Zeus miasma: blood pollution that infects the family, and for a royal family the city itself riddle of the Sphinx: what has a voice and is sometimes 2-footed, sometimes 3-footed, and sometimes 4-footed, yet violates the natural principle that the animal with more feet is the stronger? OR what is 4-footed in the morning, 2-footed in the afternoon, 3-footed in the evening? story of Oedipus: Outlines of the story appear already in the Odyssey. Coming to the play Greeks would know the essentials: Oedipus King of Thebes killed his father, slept with his mother bearing four children, blinded himself, was exiled.
21 The Function of the CHORUS
22 The Function of the CHORUS Prologue, (Priest, Oedipus, Creon) The priests of Thebes appear before Oedipus as suppliants, entreating him to find some end to the plague. Oedipus has already sent Creon to Delphi, who arrives to report that the killer of Laius must be sought out and banished. Oedipus vows to find the killer and summons the people of the city. Parodos, The Chorus of Theban citizens offer prayers to Zeus, Apollo, Athena for release from the plague. First Episode, Oedipus appeals for information and pronounces his curse on the murderer. Teiresias is summoned: at first he refuses to tell what he knows, but aroused by Oedipus' taunts he declares Oedipus the murderer. Oedipus declares a conspiracy by Creon. Teiresias declares that the murderer is present, and will be found son and husband to his mother. First Stasimon, The Chorus are fearful of the pronouncement of the seer, but declare their loyalty to their king. Second Episode, (Creon, Oedipus, Chorus; Jocasta) Creon is indignant at Oedipus' accusations. They argue over the charge. Jocasta tries to intervene. Kommos, The Chorus advise restraint and Oedipus lets Creon go, though he declares him an enemy. Oedipus tells Jocasta the source of the dispute Jocasta tells the story of Laius' death, and Oedipus recognizes many details: but he was a lone killer, whereas a band of killers was reported. Oedipus worries about the oracle; Jocasta denounces its veracity, adducing the prophesy about her son. Second Stasimon, (Chorus) Ode to the sanctity of divine law. The tyrant who ignores justice and reverence for the gods will fall. The oracles must be true. Third Episode, (Jocasta, Messenger, Chorus; Oedipus) A messenger arrives from Corinth announcing the death of Polybus and Oedipus' ascension. He allays Oedipus' fear of the oracle (that he will marry his mothe by telling him of his true birth. Over Jocasta's objections Oedipus vows to continue his search for the truth. Jocasta runs into the palace. Third Stasimon, (Chorus) Ode to Mt. Cithaeron: we will soon know the parentage of Oedipus. Fourth Episode, (Oedipus, Shepherd, Chorus) The shepherd arrives who exposed the infant of Laius and escaped when Laius was killed. Oedipus' parentage becomes clear. Oedipus rushes into the palace Fourth Stasimon, (Chorus) No man is blest: happiness is but an illusion, for even the great power and blessings of Oedipus have come to a fall.
23 The Function of the CHORUS Prologue, (Priest, Oedipus, Creon) Parodos, (Entrance of the Chorus: introductory Choral song during the procession) First Episode, (Oedipus, Teiresias) First Stasimon, (First Choral interlude: song, dance) Second Episode, (Creon, Oedipus, Chorus; Jocasta) Second Stasimon, (Second Choral interlude: song, dance) Third Episode, (Jocasta, Messenger, Chorus; Oedipus) Third Stasimon, (Third Choral interlude: song, dance) Fourth Episode, (Oedipus, Shepherd, Chorus) Fourth Stasimon, (Fourth Choral interlude: song, dance) Exodos, (Messenger, Chorus; Oedipus, Creon) Episode Stasimon
24 The Function of the CHORUS - Pragmatics Often said that the chorus is the poet's voice, the means the poet uses of commenting on the action, that this is what the poet "really" thinks. Sometimes true, but most often not. Some fairly obvious (and rather mechanistic or formal) functions: chorus is an "act-dividing song": allows for entrances and exits allows for the scene to change marks the passage of time (as after Oed. and Joc. enter the palace after sending for the messenger, at 954ff) chorus comments directly on what is going on (yes, Oedipus, Creon makes sense, you are being too hasty in your conclusion) chorus comments less directly (various forebodings, seemingly directed to the audience, important for indicating mood swings much like the use of background music in modern TV and film)
25 The Function of the CHORUS - Music and Dance Much more important than these is the lyric, poetic function. Example, the first choral interlude (151ff): the chorus dances a sacred dance and sings a religious hymn that is, in effect, a prayer to the god: to an audience used to the religious associations, this would be a forceful insertion of the central importance of the divine to the tale. Specifically, in that same chorus is the clear introduction of the themes of divinity and esp. Apollo, divine brilliance and insight, divine wisdom that become almost a supernumerary player in the production (visual images of light dominate this chorus: "gold... brilliant... golden... shine... flame... fire... blazes... golden... radiant... burns... day... lightning... light... golden... torches flaring... gleaming gold... aflame... lightning... blazing... blazes... burn ) And note the context: immediately before this chorus, Oedipus declares for himself the central task of the play, I will bring this to light again But also in this prayer are raised the holy dread felt by the chorus, and no doubt conveyed by the music and dance: why, if Apollo, the voice of Zeus, is golden, brilliant, the child of Hope, does he also provoke terror and dread? (The light that is divinity is both divine deliverance -- the light of the truth -- and divine retribution -- the lightningbolt that punishes.)
26 Word play & the poetry of paradox: riddle of the Sphinx: what has a voice and is sometimes 2-footed, sometimes 3-footed, and sometimes 4- footed, yet violates the natural principle that the animal with more feet is the stronger? OR what is 4-footed in the morning, 2-footed in the afternoon, 3-footed in the evening?
27 Word play & the poetry of paradox: Central from the very beginning: the idea of paradox, of riddling wisdom, of the onethat-is-many: much of the meaning of the play derives from the specifics of the poetic wording
28 Word play & the poetry of paradox: the riddle of the Sphinx is central background to the tale the very first line, in the original Greek, places the word for "new" immediately next to the word for "old" (in your translation, young sons and daughters of old Cadmus") Oidi-pous (Latinized as Oedi-pus for English) in Greek means "swollen footed" (think of octo-pus = "eight footed") But we can also analyze Oedipus in at least two other ways: oidi- to a Greek sounds like oida, oide = "I know, he knows" (a central theme in the play) -dipous to a Greek means the "two-footed one," with obvious associations to the riddle of the Sphinx (another central theme)
29 Word play & the poetry of paradox: The play is full of other such verbal coincidences: arthra for instance means both "joint" (think of arthritis) and "eye-socket," thus to stick a pin through the arthra has a double meaning, referring both to the exposure of the infant Oedipus, whose ankle joints were pinned together, and to his horrible blinding by the pins of Jocasta s broach. Note further the repeated insistence on the need to "pin down" the murderer, that is, to solve the mystery, with its metaphorical link to "knowing" and "seeing" the light, and with that the obvious link to the "coming into the light" (=birth) of Oedipus and the "going into the dark" (=blinding) of Oedipus.
30 Word play & the poetry of paradox: But knowing is itself problematized in the : central to the text is not only what is known and by whom, but what it means to "know"-- what is "true" knowing. Over and over, we find questions like "do I know what I know, do I see what I see, do the blind "truly" see, are the seeing "truly" blind?
31 Word play & the poetry of paradox: IRONY Irony: when a remark shows a distance between apparent and intended meaning, that is, where what is literally said is opposite to what seems to be the case. Oedipus seems to have the "irony gene": the text is riddled with ironies. My favorite is when Oedipus, in commenting on the killer or killers of Laius, says (line 844), "one cannot be the same as many." You said that he spoke of highway robbers who killed Laius Now if he uses the same number, it was not I who killed him. One man cannot be the same as many But of course Oedipus himself is exactly the one who IS the same as many, for he is both father and brother, husband and son, etc. There are literally dozens of examples of irony in the play (For the next class bring in your favorites, and I will bring mine.)
32 Word play & the poetry of paradox: IRONY Irony: when a remark shows a distance between apparent and intended meaning, that is, where what is literally said is opposite to what seems to be the case. Examples (from the class)
33 The Limits to Human inquiry and understanding
34 The Limits to Human inquiry and understanding Apollo: the god who carries fire, light sun, day, clear, blazing, burning fever, blazing, burning: sender of plague and the Healer intelligence, clear, seeing brilliance, poetry (riddling) truth (knowledge), clear, seeing divine prophecy, clear, seeing (but given by a blind man, or a raving priestess: who among mortals can see the divine light?) (Apollo as voice of Zeus, Teiresias as voice of Apollo) Paradoxically, divine prophecy is described by humans as dark, obscure, riddling, to be brought to light by the clear-sighted brilliance of human wisdom: but is this correct?
35 The Limits to Human inquiry and understanding Oedipus: what sort of man is he? what are the basics of his heroic temper? Man of action, caring but haughty: 8 ( whom men call Great ), 62ff etc. Revealer of the truth: 133 Solver of riddles: 397ff I solved the riddle (of the Sphinx) by my wit alone note esp. his confidence in human wisdom quick, foreseeing, insightful: an almost superhuman intelligence: he has already sent Creon to the oracle when it is suggested, he has already sent for Teiresias when that is suggested But full of human faults too: quick to anger, quick to accuse, first Teiresias, then Creon (and cf. Creon's defence, and Oedipus' haughty replies at 583ff: telling to the democracy witnessing the play) Solver of dark riddles, heroic seeker of truth and light, in his confidence in human wisdom a quick skeptic of oracles
36 pathei mathos - learning through suffering Aeschylus, Agamemnon What has Oedipus done to deserve such awful suffering? Why must he suffer?
37 What has Oedipus done to deserve such awful suffering? Why must he suffer? Often said to be his "hubris/hybris" (both spellings are acceptable). What is hybris? NOT really "pride"-- a poor translation. Rather, it is the quality of not keeping awareness of your human limitations: the opposite of sophrosyne (= "moderation"). Compare the meaning of the saying of Thales inscribed above the temple of Apollo at Delphi: gnothi sauton: "know thyself" = "know that you are not a god, that you have human limitations"
38 What has Oedipus done to deserve such awful suffering? Why must he suffer? Sometimes said to be because of Oedipus' "character flaw": but this is merely a misreading of Aristotle, who in any case lives two or three generations later. hamartia = "error" not "character flaw": this is not to deny that Oedipus HAS character flaws, simply that it doesn t seem central to motivating a reason for his suffering.
39 What has Oedipus done to deserve such awful suffering? Why must he suffer? Among the reasons for his suffering surely must be divine retribution, in some sense. But exactly what sense is hard to tease out. A prominent reason why Oedipus may deserve divine retribution is hinted at in several places, however, and has to do with human (over)confidence in their ability to seek out truth, and (consequence) skepticism of oracles and divine wisdom.
40 What has Oedipus done to deserve such awful suffering? Why must he suffer? chorus at lines 462ff, esp. 496ff: combines themes of hybris and the problem of belief in oracles, though in some particulars the exact relevance to Oedipus is questionable Jocasta's several statements doubting the divine wisdom of the oracles: 708ff, 850ff, 945ff, 964ff, and esp. 977ff Oedipus' abuse of Teiresias (the "voice of Apollo") and his final, gleeful agreement with Jocasta on the falseness of the oracles is Oedipus made then to suffer so horribly as an example to humans that divine knowledge, and in particular divine prophecy, is a powerful truth? it is not, in any case, as though Oedipus has sinned, and is therefore struck down by the gods: but he does, increasingly it seems, have faults, those of hybris and disbelief in the oracles (he is at first depicted as pious: line 77)
41 What has Oedipus done to deserve such awful suffering? Why must he suffer? But there is a frustrating, bewildering logic here: each step taken to avoid the oracles paradoxically brings Laius, Jocasta, Oedipus one step further towards the road to fulfilling the oracle what would have happened had they believed in, and not resisted, the prophecy of the god? could it be that if they had trusted in the oracle, then the oracle would nothave come true? but the oracle MUST come true thus man MUST NOT believe it so why does the divinity tell man this oracle? the wisdom that informs this paradoxical world is a riddling wisdom -- where you must disbelieve for the word of the gods to become true, where the blind see, and the sighted are blind -- a divine wisdom incomprehensible to humans the Sophoclean notion of divine wisdom seems then to assume essential truths beyond the ability of humans to comprehend (not far from certain strains of Christian theology)
Clst 181SK Ancient Greece and the Origins of Western Culture. The Birth of Drama
Clst 181SK Ancient Greece and the Origins of Western Culture The Birth of Drama The Birth of Drama The three great Classical tragedians: Aeschylus 525-456 BC Oresteia (includes Agamemnon), Prometheus Bound
More informationAim is catharsis of spectators, to arouse in them fear and pity and then purge them of these emotions
Aim is catharsis of spectators, to arouse in them fear and pity and then purge them of these emotions Prologue opening Parodos first ode or choral song chanted by chorus as they enter Ode dignified, lyrical
More informationa release of emotional tension
Aeschylus writer of tragedies; wrote Oresteia; proposed the idea of having two actors and using props and costumes; known as the father of Greek tragedy anagnorisis antistrophe Aristotle Aristotle's 3
More informationMonday, September 17 th
Monday, September 17 th For tomorrow, please make sure you ve read Oedipus Rex: Prologue - Ode 2 (pp. 3-47). We ll begin class by discussing your questions, so please make notes in your text As you begin
More informationGreek Tragedy. Characteristics:
Greek Drama Greek Tragedy Characteristics: The tragedy is communicated in the form of drama. The story features the downfall of a dignified character. The events of the story are of great significance.
More informationOrigin. tragedies began at festivals to honor dionysus. tragedy: (goat song) stories from familiar myths and Homeric legends
Greek Drama Origin tragedies began at festivals to honor dionysus tragedy: (goat song) stories from familiar myths and Homeric legends no violence or irreverence depicted on stage no more than 3 actors
More informationTRAGEDY: Aristotle s Poetics
TRAGEDY: Aristotle s Poetics Aristotle s Poetics : The theory stated in this work followed the practices for Greek tragedy writing that had been used for years. Aristotle summarized what had been worked
More informationGREEK THEATER. Background Information for Antigone
GREEK THEATER Background Information for Antigone PURPOSE OF GREEK DRAMA Dramas presented by the state at annual religious festivals. Plays were supposed to be presented for the purpose of ethical and
More informationUnity of Time: 9. In a few sentences, identify and describe Creon: Unity of Action: 10. In a few sentences, identify and describe Jocasta:
Name Date Period Honors 10 th Grade World Literature and Composition Unit 2 Exam Study Guide INSTRUCTIONS: In order to help you prepare for your second unit exam on Greek and Shakespearean tragedies complete
More informationAntigone by Sophocles
Antigone by Sophocles Background Information: Drama Read the following information carefully. You will be expected to answer questions about it when you finish reading. A Brief History of Drama Plays have
More informationAntigone Prologue Study Guide. 3. Why does Antigone feel it is her duty to bury Polyneices? Why doesn t Ismene?
Prologue 1. Where does the action of the play take place? 2. What has happened in Thebes the day before the play opens? 3. Why does Antigone feel it is her duty to bury Polyneices? Why doesn t Ismene?
More informationName. Hour. Sophocles. English 12. Mr. Vang. Goddard High School
Name Hour Sophocles English 12 Mr. Vang Goddard High School NOTES: GREEK TRAGEDY English 12 Mr. Vang ghs Fill in the blanks below with information given in class. These terms will appear on a test. The
More informationDrama. An Introduction to Classical Tragedy
Drama An Introduction to Classical Tragedy Background Religious Ceremony/Celebration Dionysus god of wine and fertility Historical origins in the 6 th century BCE Drama as we know it comes from the 5 th
More informationGreek Drama & Theater
Greek Drama & Theater Origins of Drama Greek drama reflected the flaws and values of Greek society. In turn, members of society internalized both the positive and negative messages, and incorporated them
More informationThe modern word drama comes form the Greek word dran meaning "to do" Word Origin
Greek Theater The origins of drama The earliest origins of drama are ancient hymns, called dithyrambs. These were sung in honor of the god Dionysus. These hymns were later adapted for choral processions
More informationDRAMA Greek Drama: Tragedy TRAGEDY: CLASSICAL TRAGEDY harmatia paripateia: hubris
DRAMA Drama involves its audience ill a complete experience --elicits audience responses that run the gamut of human emotions. Greek Drama Antigone" by Sophocles- 5 th century B. C. Elizabethan Drama The
More informationOedipus Rex By Sophocles
Oedipus Rex By Sophocles Literature & Composition I Ms. Eaton 2015 2016 How does art reflect and impact a culture s values? What are individuals responsibilities to their societies? How does an author
More informationIntroduction to Greek Drama. Honors English 10 Mrs. Paine
Introduction to Greek Drama Honors English 10 Mrs. Paine Origin of Drama Drama was developed by the ancient Greeks during celebrations honoring Dionysus. Dionysus is the god of the vine, which produces
More informationAristotle's Poetics. What is poetry? Aristotle's core answer: imitation, an artificial representation of real life
Aristotle's Poetics about 350 B.C.E. Sophocles' Oedipus Rex, Euripides' Medea already 80 years old; Aristophanes' work 50-70 years old deals with drama, not theater good to read not only for analysts,
More informationEach multiple choice or true/false question is worth two points. One question asks for more than one answer, so each answer is a point each.
Theatre History Midterm Greek Theatre (worth 120 points) Dear Student This test is divided into sections; Medea Questions, Lysistrata Questions, General Questions about Greek theatre, two sets of matching
More informationIntroduction to Greek Drama. LITR 220 Ms. Davis
Introduction to Greek Drama LITR 220 Ms. Davis Origin of Drama Drama was developed by the ancient Greeks during annual celebrations honoring Dionysus. Dionysus is the god of the vine, which produces grapes
More informationWere you aware of the amount of research a costume designer is required to do? Explain. Do you understand how to integrate costume with character
Were you aware of the amount of research a costume designer is required to do? Explain. Do you understand how to integrate costume with character symbols and traits? Give an example. How do you feel about
More informationOedipus the King. and. Antigone
Oedipus the King and Antigone Crofts Classics GENERAL EDITOR Samuel H. Beer, Harvard University SOPHOCLES Oedipus the King and Antigone Translated and Edited by Peter D. Arnott Tufts University Harlan
More informationGreek Tragedy. An Overview
Greek Tragedy An Overview Early History First tragedies were myths Danced and Sung by a chorus at festivals In honor of Dionysius Chorus were made up of men Later, myths developed a more serious form Tried
More informationUnit Ties. LEARNING LINKS P.O. Box 326 Cranbury, NJ A Study Guide Written By Mary Medland. Edited by Joyce Freidland and Rikki Kessler
Unit Ties A Study Guide Written By Mary Medland Edited by Joyce Freidland and Rikki Kessler LEARNING LINKS P.O. Box 326 Cranbury, NJ 08512 Table of Contents Page Plays Definition....................................................
More informationThe following slides are ALL of the notes/slides given throughout the entire Greek Theatre Unit.
The following slides are ALL of the notes/slides given throughout the entire Greek Theatre Unit. I also included 3 previously unpublished bonus slides including pictures from the costume creation section.
More information1) improve their knowledge and command of Attic Greek by reading, translating and discussing the Greek text of Euripides Medea in its entirety.
SYLLABUS CLAS 487: Advanced Ancient Greek Euripides Medea Fall Semester 2011 MWF 2:20 3:20 PM, Old Main 009 Instructor: Dr. Brian V. Lush Office: 316 Old Main E-mail: blush@macalester.edu Office Phone:
More informationOedipus Rex (Wisconsin Studies In Classics) PDF
Oedipus Rex (Wisconsin Studies In Classics) PDF Oedipus Rex is the greatest of the Greek tragedies, a profound meditation on the human condition. The story of the mythological king, who is doomed to kill
More informationWrite down some questions you have.
Write down some questions you have. Get ready to take notes! Organization of Society Rights and Responsibilities of Individuals Material Well-Being Spiritual and Psychological Well-Being Ancient - Little
More informationUnit 3: Greek Tragedy
CLASSICAL CIVILISATION Unit 3: Greek Tragedy Unit 3: Greek Tragedy Unit Overview Unit 3 of the Classical Civilisation course (CIV3) is worth 25% of the A level. It involves a course of study assessed by
More informationInside. The people of Thebes have been stricken by a terrible. Oedipus Rex. Denver Center. Theatre Company
Denver Center Inside J Theatre Company PRODUCED BY THE MARKETING DEPARTMENT OF THE DENVER CENTER THEATRE COMPANY A N U A R Y 2 0 0 5 Oedipus Rex Jan 27 - Feb 26 Stage Theatre How dreadful knowledge of
More informationChapter 2 TEST The Rise of Greece
Chapter 2 TEST The Rise of Greece I. Multiple Choice (1 point each) 1. What Greek epic poem recounts the story of Achilles and the Trojan War? a) The Odyssey b) The Iliad c) The Aeneid d) The Epic of Gilgamesh
More informationIt s a Tragedy. November 20, Francis Fergusson. Tragedy and Philosophy by Walter Kaufmann Doubleday, 363 pp., $6.95
It s a Tragedy November 20, 1969 Francis Fergusson Tragedy and Philosophy by Walter Kaufmann Doubleday, 363 pp., $6.95 The Identity of Oedipus the King by Alastair Cameron New York University, 165 pp.,
More informationDRAMA LESSONS BASED ON CLIL Created by Lykogiannaki Styliani
DRAMA LESSONS BASED ON CLIL Created by Lykogiannaki Styliani Content Subjects involved: 1. Introductory lesson to Ancient Greek. 2. Literature with focus on Drama. 3. Art painting. English Level: at least
More informationTHE GOLDEN AGE POETRY
THE GOLDEN AGE 5th and 4th Century Greek Culture POETRY Epic poetry, e.g. Homer, Hesiod (Very) long narratives Mythological, heroic or supernatural themes More objective Lyric poetry, e.g. Pindar and Sappho
More informationabc Mark Scheme Classical Civilisation 6021 General Certificate of Education 2005 examination - June series CIV4 Greek History and Culture
General Certificate of Education abc Classical Civilisation 6021 CIV4 Greek History and Culture Mark Scheme 2005 examination - June series Mark schemes are prepared by the Principal Examiner and considered,
More informationActivity Pack. Antigone b y S o p h o c l e s
Pack Prestwick House b y S o p h o c l e s Copyright 2004 by Prestwick House, Inc., P.O. Box 658, Clayton, DE 19938. 1-800-932-4593. www.prestwickhouse.com Permission to use this unit for classroom use
More informationWHAT DEFINES A HERO? The study of archetypal heroes in literature.
WHAT DEFINES A? The study of archetypal heroes in literature. EPICS AND EPIC ES EPIC POEMS The epics we read today are written versions of old oral poems about a tribal or national hero. Typically these
More informationCIV4. General Certificate of Education June 2008 Advanced Level Examination. CLASSICAL CIVILISATION Unit 4 Greek History and Culture
General Certificate of Education June 2008 Advanced Level Examination CLASSICAL CIVILISATION Unit 4 Greek History and Culture CIV4 Thursday 5 June 2008 1.30 pm to 3.00 pm For this paper you must have:!
More informationPrometheus Bound (Greek Tragedy In New Translations) By James Scully, Aeschylus READ ONLINE
Prometheus Bound (Greek Tragedy In New Translations) By James Scully, Aeschylus READ ONLINE If you are searched for a book by James Scully, Aeschylus Prometheus Bound (Greek Tragedy in New Translations)
More informationA-LEVEL Classical Civilisation
A-LEVEL Classical Civilisation Paper 3C Greek Tragedy Mark scheme 2020 June 2017 Version: 1.0 Final Mark schemes are prepared by the Lead Assessment Writer and considered, together with the relevant questions,
More informationB OOK RE VIE W S editor H. JAMES SHEY
Author(s): John Peradotto Reviewed work(s): The Identity of Oedipus the King by Alister Cameron Source: The Classical Journal, Vol. 67, No. 3, (Feb. - Mar., 1972), pp. 282-285 Published by: The Classical
More informationThe earliest Greek theaters recall tragedy's origins in choral songs sung to local heroes and divinities.
Part 1. Information obtained from the University of Pennsylvania Classics Department. The Greek Theater Evolution and Influence Without a doubt, the Greek theater remains one of the most recognized and
More informationGet ready to take notes!
Get ready to take notes! Organization of Society Rights and Responsibilities of Individuals Material Well-Being Spiritual and Psychological Well-Being Ancient - Little social mobility. Social status, marital
More informationPlato and Aristotle on Tragedy Background Time chart: Aeschylus: 525-455 Sophocles: 496-406 Euripides: 486-406 Plato: 428-348 (student of Socrates, founded the Academy) Aristotle: 384-322 (student of Plato,
More informationELEMENT OF TRAGEDY Introduction to Oedipus Rex DEFINE:TRAGEDY WHAT DOES TRAGEDY OFFER THE AUDIENCE??? Your thoughts?
ELEMENT OF TRAGEDY Introduction to Oedipus Rex 1 DEFINE:TRAGEDY calamity: an event resulting in great loss and misfortune; "the whole city was affected by the irremediable calamity"; "the earthquake was
More informationIntroduction to Antigone
Step 1 HOMEWORK Take out your vocab. notecards! Step 2 Notes heading Write down title & date. Step 3 Start the Welcome Work Introduction to Antigone A Day: 12/1/15 B Day: 12/2/15 Essay: Answer the following
More informationJeff Larson and Paul J. Larson
Jeff Larson and Paul J. Larson Table of Contents In the Beginning...4 Setting the Stage... 6 Moving Indoors....14 Shocking News... 20 Here Comes the Cinema...26 Larger Than Life.... 30 Designers Transform
More informationIntroducing the Read-Aloud
Introducing the Read-Aloud Oedipus and the Riddle of the Sphinx 9A 10 minutes What Have We Already Learned? Using the Flip Book images for guidance, have students help you continue the Greek Myths Chart
More informationGreek Tragedies, Volume 1 By Euripides, Sophocles
Greek Tragedies, Volume 1 By Euripides, Sophocles Volume 1-Second Edition. In three paperback volumes, the Grene and Lattimore editions offer a selection of the most important and characteristic plays
More informationTest Review - Romeo & Juliet
Test Review - Romeo & Juliet Your test will come from the quizzes and class discussions over the plot of the play and information from this review sheet. Use your reading guide, vocabulary lists, quizzes,
More informationAntigone: Origins of Greek Tragedy
: 1 HOW TO BEST USE THIS RESOURCE We appreciate your purchase of this TOP Writing Academy product. Use the guidelines below to maximize the effectiveness of this resource in the classroom. INCLUDED WITH
More informationGreek Drama & Stagecraft. Table of Contents History of Greek Drama Theaters & Actors Setting the Stage The Audience s Experience
Greek Drama & Stagecraft Table of Contents History of Greek Drama Theaters & Actors Setting the Stage The Audience s Experience History of Greek Drama Worship of Dionysus The whole idea of performing songs
More informationUses of Hamartia, Flaw, and Irony in Oedipus Tyrannus and King Lear
Uses of Hamartia, Flaw, and Irony in Tyrannus and King Lear Philosophy and Literature, Volume 41, Number 1, April 2017, pp. 201-206 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/phl.2017.0013
More informationEGYPT EARLIEST RECORD OF PERFORMANCES 4,000 YEARS AGO WERE THREE DAY PAGEANTS RELIGIOUS IN CHARACTER RITUALISTIC LARGELY DEVOID OF DRAMA
ANCIENT THEATRE EGYPT EARLIEST RECORD OF PERFORMANCES 4,000 YEARS AGO WERE THREE DAY PAGEANTS RELIGIOUS IN CHARACTER RITUALISTIC LARGELY DEVOID OF DRAMA 600 B.C. GREECE Part of worship of Dionysus, god
More informationWilliam Shakespeare "The Bard"
William Shakespeare "The Bard" Biography "To be, or not to be? That is the question." Born in 1564 in Stratford-upon-Avon Parents came from money Married Anne Hathaway (26) when he was 18 yrs. old Had
More informationA-LEVEL CLASSICAL CIVILISATION
A-LEVEL CLASSICAL CIVILISATION CIV3C Greek Tragedy Report on the Examination 2020 June 2016 Version: 1.0 Further copies of this Report are available from aqa.org.uk Copyright 2016 AQA and its licensors.
More informationاإلتحاد الطالبي نسأل هللا الدعاء والتوفيق لصاحبته أم محمد اليافعي )زكاة العلم(
1 AA100b Final ملخص الفاينل اإلتحاد الطالبي "ما شاء هللا ال قوة إال باهلل" نسأل هللا الدعاء والتوفيق لصاحبته أم محمد اليافعي )زكاة العلم( لجابتر 6-1-2-3 Chapter 6 Part A You have to concentrate on: 1-
More informationTeacher Resource Bank
Teacher Resource Bank A-level Drama and Theatre Studies DRAM1B Additional Exemplar Answer: Antigone The Assessment and Qualifications Alliance (AQA) is a company limited by guarantee registered in England
More informationAlcestis. Carroll Collected. John Carroll University. Euripides Follow this and additional works at:
John Carroll University Carroll Collected Theatre Productions Communication & Theatre Arts 3-21-1980 Alcestis Euripides Follow this and additional works at: http://collected.jcu.edu/plays Recommended Citation
More informationCategorization of Speech Acts in Play and Performance Analysis
Fall 1993 117 Categorization of Speech Acts in Play and Performance Analysis Eli Rozik Introduction Speech act theory provides one of the crucial criteria for demonstrating that a play cannot be conceived
More informationClassical Tragedy - Greek And Roman: Eight Plays In Authoritative Modern Translations By Aeschylus;Euripides;Seneca READ ONLINE
Classical Tragedy - Greek And Roman: Eight Plays In Authoritative Modern Translations By Aeschylus;Euripides;Seneca READ ONLINE Classical Tragedy by Robert W Corrigan: A collection of eight plays along
More informationEuripides: Ion By Euripides
Euripides: Ion By Euripides If searching for the book Euripides: Ion by Euripides in pdf format, then you've come to faithful site. We present the full variant of this book in doc, epub, DjVu, PDF, txt
More informationRomeo and Juliet. English 1 Packet. Name. Period
Romeo and Juliet English 1 Packet Name Period 1 ROMEO AND JULIET PACKET The following questions should be used to guide you in your reading of the play and to insure that you recognize important parts
More informationHistory of World Theater - Unit 3 - Outline
History of World Theater - Unit 3 - Outline Greek, Roman and Medieval Theatre Experiences* Outline I. During the first two thousand years of its existence, Western theatre was markedly different from the
More informationGreek Theatre. Context. When you have completed this chapter, you should be able to:
1 Greek Theatre Objectives When you have completed this chapter, you should be able to: Explain why there are different theories of the origins of theatre and what some of those theories are. Discuss the
More informationFinal Syllabus. The Long Tour Destinations in Greece: Athens Delphi Delos Sounion. The Short Tour Destinations in Germany: Lübeck Hamburg
Mythos and Logos: Myth and Reason in Ancient Greek Thought Philosophy and Religious Studies Core Course With study tours to Athens and Hamburg Fall 2017 The Long Tour Destinations in Greece: Athens Delphi
More informationTHE MAN WITH THE TWISTED FOOT By Zoe Fox 14
THE MAN WITH THE TWISTED FOOT By Zoe Fox 14 CAST: Chorus 1 Brittani Ivan Chorus 2 Elaine Holehan, Chorus 3 - Giulietta Schoenfeld, Chorus 4 Airen McClure, Niki Barker Chorus 5 Jordan Schwartz, Wanhong
More informationTransition materials for AS Classical Civilisation
Transition materials for AS Classical Civilisation Introduction Welcome to the A Level Classics booklet preparing you to start you re a Level Classics course. This pamphlet contains advice and activities
More informationOEDIPUS THE KING (c. 429 b.c.)
OEDIPUS THE KING (c. 429 b.c.) by Sophocles The place of the Oedipus Tyrannus in literature is something like that of the Mona Lisa in art. Everyone knows the story, the first detective story of Western
More informationLevel 3 Classical Studies, 2011
90511 905110 3SUPERVISOR S Level 3 Classical Studies, 2011 90511 Explain a passage or passages from a work of classical literature in translation 2.00 pm ednesday Wednesday 2 November 2011 Credits: Six
More informationCLSX 148, Spring 15 Research worksheet #2 (100 points) DUE: Monday 10/19 by midnight online
Assessment of this WS: Excellent This student demonstrated a clear understanding of the article s content (question3), organization (4), and use of evidence (2, 5, and 6). She was able to articulate the
More informationGreek Tragedy. Sheet 1: Greek Tragedy in its context
Greek Tragedy Sheet 1: Greek Tragedy in its context Relevant Syllabuses: SQA Classical Studies Higher: Social Aspects of the Classical World: Classical Drama ; AQA Classical Civilization A2 Level: Greek
More informationRomeo and Juliet - Comprehension Questions
An 22411 Romeo and Juliet - Comprehension Questions Prologue 1) a) Define the term prologue. b) Why is a prologue at the beginning of a play so important? c) What important information does Shakespeare
More informationWarm-Up Question: How did geography affect the development of ancient Greece?
Essential Question: What were the important contributions of Hellenistic Greece? Warm-Up Question: How did geography affect the development of ancient Greece? Greek Achievements The ancient Greeks made
More informationMotherGooseCaboose.com MORE RIDDLES. Some of History's Toughest Riddles INDEX: A HOBBIT HEAD SCRATCHER p.2. THE MAD HATTER'S DIRTY TRICK p.3.
p.1. Some of History's Toughest Riddles INDEX: A HOBBIT HEAD SCRATCHER p.2. THE MAD HATTER'S DIRTY TRICK p.3. OEDIPUS'S COMPLEX PROBLEM p.4. A BULLY RIDDLE p.4. A HARRY POTTER PUZZLER p.5. THE ONE THAT
More informationMythology: Timeless Tales Of Gods And Heroes Free Ebooks
Mythology: Timeless Tales Of Gods And Heroes Free Ebooks Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the world
More informationRomeo and Juliet Chapter Questions
Romeo and Juliet Chapter Questions Act 1, Scene 1 1. Based on this first scene, what can you determine about Benvolio=s character? 2. How does Tybalt=s personality different from Benvolio=s? 3. Who is
More informationThe Oresteia (Agamemnon, The Libation Bearers, And The Eumenides) By E. D. A. Morshead, Aeschylus READ ONLINE
The Oresteia (Agamemnon, The Libation Bearers, And The Eumenides) By E. D. A. Morshead, Aeschylus READ ONLINE A short Aeschylus biography describes Aeschylus's life, times, and work. Also explains the
More informationGreek tragedies definition of Greek tragedies by The Middle English tragedie, from Old French, from Latin tragoedia, from Greek trag idi tragos, goat
Greek tragedies definition of Greek tragedies by The Middle English tragedie, from Old French, from Latin tragoedia, from Greek trag idi tragos, goat see tragic aoid, id, song see wed in the Appendix of
More informationTeaching--and Learning from--oedipus
Sacred Heart University Review Volume 9 Issue 2 The Greeks Institute Article 2 Spring 1989 Teaching--and Learning from--oedipus Sidney Gottlieb Ph.D. Sacred Heart University, gottliebs@sacredheart.edu
More informationRomeo and Juliet Week 1 William Shakespeare
Name: Romeo and Juliet Week 1 William Shakespeare Day One- Five- Introduction to William Shakespeare Activity 2: Shakespeare in the Classroom (Day 4/5) Watch the video from the actors in Shakespeare in
More informationCURRICULUM CATALOG. English Language Arts 9 (4009) WV
2018-19 CURRICULUM CATALOG Table of Contents COURSE OVERVIEW... 1 UNIT 1: SHORT STORY... 2 UNIT 2: POETRY... 2 UNIT 3: EPIC POETRY... 2 UNIT 4: SEMESTER EXAM... 3 UNIT 5: NOVEL... 3 UNIT 6: LITERARY NONFICTION...
More informationWhat Advice Does Circe Give Odysseus When He Returns From The Underworld
What Advice Does Circe Give Odysseus When He Returns From The Underworld Which God is plotting against Odysseus from the beginning of the story? What advice does Circe give Odysseus when he returns from
More informationRECEPTION OF CLASSICAL MYTHOLOGY IN WOODY ALLEN S DRAMAS: CRIMES AND MISDEMEANORS, MATCH POINT, AND CASSANDRA S DREAM. Olga Sergeyevna Savenkova
RECEPTION OF CLASSICAL MYTHOLOGY IN WOODY ALLEN S DRAMAS: CRIMES AND MISDEMEANORS, MATCH POINT, AND CASSANDRA S DREAM by Olga Sergeyevna Savenkova A thesis submitted to the faculty of The University of
More informationResearch Scholar. An International Refereed e-journal of Literary Explorations
A COMPARATIVE STUDY OF SOPHOCLES AND KALIDASA IN RELATION TO THE THEMES EXPLORED BY THEM Bhupendra Kumar N. Dhimar, Pacific University, Udaipur, Rajasthan & Associate Professor & Head Department of English
More informationAnswer the questions after each scene to ensure comprehension.
Act 1 Answer the questions after each scene to ensure comprehension. 1) When the act first opens, explain why Bernardo is on edge? 2) What are the rumors concerning young Fortinbras? 3) What do the guards
More informationCURRICULUM CATALOG ENGLISH I (01001) NY
2018-19 CURRICULUM CATALOG Table of Contents COURSE OVERVIEW... 1 UNIT 1: SHORT STORY... 1 UNIT 2: LITERARY NONFICTION... 1 UNIT 3: EPIC POETRY... 2 UNIT 4: SEMESTER EXAM... 2 UNIT 5: DRAMA... 2 UNIT 6:
More informationAmbiguity in Literature:
The American University in Cairo School of Humanities and Social Sciences Ambiguity in Literature: Recovering the Life of Reading A Thesis Submitted to The Department of English and Comparative Literature
More informationA THEORYOFTRAGEDY DISSERTATION. Presented to the Graduate Council of the North Texas State University in Partial Fulfullment of the Requirements
HBl.i AO. /ISX A THEORYOFTRAGEDY DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfullment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By
More informationNOTES ON THE BIRTH OF TRAGEDY 5-9
NOTES ON THE BIRTH OF TRAGEDY 5-9 John Protevi / LSU French Studies / www.protevi.com/john / protevi@lsu.edu / Not for citation in any publication / Classroom use only SECTION 5 LYRIC POETRY AS DOUBLED
More informationWhat is drama? Drama comes from a Greek word meaning action In classical theatre, there are two types of drama:
TRAGEDY AND DRAMA What is drama? Drama comes from a Greek word meaning action In classical theatre, there are two types of drama: Comedy: Where the main characters usually get action Tragedy: Where violent
More informationAustyn Rybicki Professor Joel Froomkin Theatre and Society-201-A 25 January 2015 The Effects of Catharsis
Rybicki 1 Austyn Rybicki Professor Joel Froomkin Theatre and Society-201-A 25 January 2015 The Effects of Catharsis The idea of Catharsis can be defined as purification through an extreme change in emotion
More informationSHAKESPEARE & ELIZABETHAN ENGLAND
SHAKESPEARE & ELIZABETHAN ENGLAND Elizabethan England Known as the Early Modern period or the English Renaissance (rebirth) Queen Elizabeth I was an anomaly (strange, out of place) of the time period.
More informationGuide to the Republic as it sets up Plato s discussion of education in the Allegory of the Cave.
Guide to the Republic as it sets up Plato s discussion of education in the Allegory of the Cave. The Republic is intended by Plato to answer two questions: (1) What IS justice? and (2) Is it better to
More informationThe Bacchae And Other Plays (Penguin Classics) By John Davie, Euripides
The Bacchae And Other Plays (Penguin Classics) By John Davie, Euripides item 1 - The Bacchae and Other Plays (Penguin Classics), Euripides Paperback Book 978. 7.99 Buy it now. Bacchae and Other Plays by
More informationDonna Christina Savery. Revealment in Theatre and Therapy
Donna Christina Savery Revealment in Theatre and Therapy This paper employs a phenomenological description of the processes which take place to reveal meaning in the contexts of both theatre and therapy.
More informationThe Choral Plot of Euripedes' Helen
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2013 The Choral Plot of Euripedes' Helen Sheila Murnaghan University of Pennsylvania, smurnagh@sas.upenn.edu
More informationoedipus king of thebes pdf Oedipus Rex - Wikipedia Oedipus - Wikipedia Discuss the theme of sight and blindness in Oedipus Rex
OEDIPUS KING OF THEBES TRANSLATED INTO ENGLISH RHYMING VERSE WITH EXPLANATORY NOTESTHE SCARLET LETTER ILLUSTRATED WITH CRITICAL THINKING DISCUSSION QUESTIONS Page 1 Page 2 illustrated with critical thinking
More informationCURRICULUM CATALOG ENGLISH 9 (2130) CA
2018-19 CURRICULUM CATALOG ENGLISH 9 (2130) CA Table of Contents ENGLISH 9 (2130) CA COURSE OVERVIEW... 1 UNIT 1: SHORT STORY... 1 UNIT 2: LITERARY NONFICTION... 2 UNIT 3: EPIC POETRY... 2 UNIT 4: SEMESTER
More information