Art Encounters Deleuze and Guattari
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1 Art Encounters Deleuze and Guattari
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3 Art Encounters Deleuze and Guattari Thought Beyond Representation Simon O Sullivan
4 Simon O Sullivan, 2006 Softcover reprint of the hardcover 1st edition All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act First published in 2006 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin s Press, LLC and of Palgrave Macmillan Ltd. Macmillan is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN ISBN (ebook) DOI / This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data O Sullivan, Simon, 1967 Art encounters Deleuze and Guattari : thought beyond representation / Simon O Sullivan. p. cm. (Renewing philosophy) Includes bibliographical references and index. 1. Aesthetics. 2. Art Philosophy. 3. Deleuze, Gilles. 4. Guattari, Fâlix. I. Title. II. Series. BH39.O dc
5 For Dan and Hazel O Sullivan
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7 Contents Series Editor s Preface Acknowledgements Abbreviations viii x xii Introduction: Three Beginnings 1 1 Rhizomes, Machines, Multiplicities and Maps: Notes Toward an Expanded Art Practice (Beyond Representation) 9 2 The Ethicoaesthetics of Affect and the Bloc of Sensations: Reaffirming the Specificity of Art (Against Representation) 38 3 Art and the Political: Minor Literature, the War Machine and the Production of Subjectivity 69 4 From Geophilosophy to Geoaesthetics: The Virtual and the Plane of Immanence versus Mirror-Travel and the Spiral Jetty 98 5 From Possible Worlds to Future Folds: Abstracts, Situationist Cities and the Baroque in Art 121 Conclusion: Three Endings 144 Notes 158 Bibliography 211 Index 221 vii
8 Series Editor s Preface The point of Renewing Philosophy is to present work that, whilst grounded in the traditions of European philosophy is capable of subjecting these traditions to a critique that will simultaneously open to a wider engagement with either the nature of modernity or some central aspect of the contemporary. Since modernism profoundly altered the nature of visual art in the early part of the twentieth century the connection between art and life has been a continuous site of engagement both within philosophical reflection and in the shaping of art works themselves. The encounter between philosophy and art works occurs principally through aesthetics, though the status of aesthetics itself has proved insistently problematic. Nietzsche famously suggested that the world was only bearable as an aesthetic phenomenon indicating that the response to art is central to the way in which, at any time, a form of life can be regarded as one that is sustainable. The critique of social relations by means of aesthetic categories pre-dates Nietzsche as it stretches back to Schiller and the thinkers of the Romantic period. It also informs both the nature of a number of radical political movements and has been a stimulus to artistic creation from the Romantics to the present day. It is within this context that Simon O Sullivan s engagement with the aesthetic project of Deleuze belongs. The traditions of avant-garde writing and theory have fallen into two main traps that O Sullivan diagnoses and attempts here to escape. The first of these traps is the production of a mimetic relationship to that which is critically engaged with, a relationship that ensures that works either become as abstract as what they are attempting to displace or that they imbibe the cool that is integral to modernity, ensuring their absorption as fashion. The second trap, conversely, would be that of melancholia, a trap that awaits those who remain committed to the seriousness of critique and are incapable of creating beyond a critical level. This second trap ensures reproduction of that criticised as it fails to point beyond it. By contrast the Nietzschean pattern of thought would be based on an affirmation that would be the basis of a gay science. The contention of this work would be that the Deleuzian strain of French thought is the one that is capable of forwarding and prosecuting this endeavour. This work will be judged both by the degree to which it succeeds in inspiring viii
9 Series Editor s Preface ix further affirmations but also by the lucidity with which the art works that are here engaged with are made capable of creating a legacy of such affirmative resistance. Beyond the inheritance of the modern it would be necessary to shape a future that would be more than simply a retelling of the visions of the past. It will be the question for the readership of this work to determine whether such a future is given a first sketch here. GARY BANHAM Series Editor Renewing Philosophy
10 Acknowledgements Many people have contributed to the writing of this book in many different ways. I would like to thank: Tom O Sullivan who read a draft of the whole book and made many insightful comments, and whose ongoing conversations and collaborative art practice, with Joanne Tatham, remains a continuing inspiration for my own thoughts about art and Deleuze. Ola Stahl, an ally in every sense of the word, and with whom many of the ideas of the book were argued over and expanded, who also read drafts of parts. The other members of C.CRED, Kajsa Thelin and Carl Lindh, for their ongoing inspiration and friendship. Brendan Prendeville who read parts of the draft with his usual eye for detail and generosity. Marcel Swiboda and John Lynch for their friendship and for numerous debates about Deleuze and art reaching back to our time together at Leeds. David Burrows for his conversations and collaboration. Robert Garnett for his always insightful comments on Deleuze and contemporary art. All of my colleagues in the department of Visual Cultures at Goldsmiths College, University of London. For our reading group at Goldsmiths, and other discussions: Phil Rudd, Simon Harvey, Erden Kosova and particularly Edgar Schmitz. Sara Ahmed, Pete Buse and Matt Hutt for their friendship and conversations reaching back to Cardiff. Felicity Coleman, Nick Thoburn and Andy Lowe for references. MA and BA students, at Leeds and Goldsmiths, who studied Deleuze with me, or whose own work offered inspiration (especially Valeria Graziano, Ditte Villstrup, Jim Backhouse, Catalina Lorenzo and James Hellings). The Bergson reading group at Leeds, and especially Michael Vaughan and Thomas Tyler. Keith Ansell Pearson and Philip Goodchild for the example of their own work and their support with mine. Adrian Rifkin for his ongoing support. Howard Caygill for his timely editorial advice. Gary Banham, and my editor at Palgrave, Daniel Bunyard, for making the publication process as smooth as it has been. The community at Padmaloka who generously hosted me whilst much of the book was being written, and especially Sammudradaka, a true friend and Deleuzian in all but name. Nagapriya, for conversations, friendship, and the inspiration of his own writings. Last but by no means least I want to thank Shelley Budgeon for the adventures we shared, Thomas Mannion for the adventures we continue x
11 Acknowledgements xi to share, Anna Weaver and Joe Collins for their ongoing friendship, Katie O Sullivan for her love, and for the example of her own life and Jonathan O Sullivan for being himself. This book is dedicated to my parents Hazel and Dan O Sullivan. Much of the work for this book was carried out during two leaves of absence from Goldsmiths College. I would like to thank the latter for awarding me the Hoggart Scholarship for 2005 and acknowledge the support of the AHRC Research Leave scheme Some of the material in Chapter 1 appeared in a much earlier form in my essay Cultural Studies as Rhizome; Rhizomes in Cultural Studies, Cultural Studies and Interdisciplinarity, Amsterdam: Rodopi, Parts of Chapter 2 have been taken from my article The Aesthetics of Affect: Thinking Art Beyond Representation, Angelaki, vol. 6, no. 3 (2001), Parts of Chapter 3 have been taken from my article Notes Towards a Minor Art Practice, Drain Magazine: A Journal of Contemporary Art and Culture, 5 (2005), at Earlier versions of Chapters 4 and 5 appeared as From Geophilosophy to Geoaesthetics: The Virtual and The Plane of Immanence vs. Mirror-Travel and The Spiral Jetty, Pli: Warwick Journal of Philosophy, 16 (2005), 27 55, and From Possible Worlds to Future Folds (Following Deleuze): Richter s Abstracts, Situationist Cities, and the Baroque in Art, The Journal of the British Society of Phenomenology, vol. 36, no. 3 (2005), I would like to thank the editors of the above publications (Stefan Herbrechter, Pelagia Goulimari, Avantika Bawa, Celina Jeffery, Adrian Parr, Darren Ambrose and Ullrich Haase) for permission to republish. The last section of the conclusion was originally written as a catalogue essay, First Manifesto for the Guerrilla Plastique Fantastique, David Burrows: New Life, Warwick: Mead Gallery, 2004.
12 Abbreviations Works by Gilles Deleuze (NT) (NI) (K) (DI) (B) (FO) (PP) (C2) (LS) (H) (M) (EX) (C1) (F) (LMM) Deleuze, G. Nomad Thought, Trans. J. Wallace, The New Nietzsche, Ed. D. B. Allison (New York: Dell Publishing, 1977). Deleuze, G. Nietzsche and Philosophy, Trans. H. Tomlinson (London: Athlone Press, 1983). Deleuze, G. Kant s Critical Philosophy: The Doctrine of the Faculties, Trans. H. Tomlinson and B. Habberjam (London: Athlone Press, 1984). Deleuze, G. and C. Parnet. Dialogues, Trans. H. Tomlinson and B. Habberjam (London: Athlone Press, 1987). Deleuze, G. Bergsonism, Trans. H. Tomlinson and B. Habberjam (New York: Zone Books, 1988a). Deleuze, G. Foucault, Trans. S. Hand (Minneapolis: University of Minnesota Press, 1988b). Deleuze, G. Spinoza: Practical Philosophy, Trans. R. Hurley (San Francisco: City Light Books, 1988c). Deleuze, G. Cinema 2: The Time-Image, Trans. H. Tomlinson and R. Galeta (London: Athlone Press, 1989). Deleuze, G. The Logic of Sense, Trans. M. Lester with C. Stivale, Ed. C. V. Boundas (New York: Columbia University Press, 1990). Deleuze, G. Empiricism and Subjectivity: An Essay on Hume s Theory of Human Nature, Trans. C. V. Boundas (New York: Columbia University Press, 1991a). Deleuze, G. Masochism: Coldness and Cruelty, Trans. J. McNeil (New York: Zone Books, 1991b). Deleuze, G. Expressionism in Philosophy: Spinoza, Trans. M. Joughin (New York: Zone Books, 1992a). Deleuze, G. Cinema 1: The Movement Image, Trans. H. Tomlinson and B. Habberjam (London: Athlone Press, 1992b). Deleuze, G. The Fold: Leibniz and the Baroque, Trans. T. Conley (Minneapolis: University of Minnesota Press, 1993a). Deleuze, G. Language: Major and Minor, The Deleuze Reader, Trans. and Ed. C. V. Boundas (New York: University of Columbia Press, 1993b). xii
13 Abbreviations xiii (DR) (N) (ECC) (CH) (P) (I) (FB) (DES) Deleuze, G. Difference and Repetition, Trans. P. Patton (New York: Columbia University Press, 1994). Deleuze, G. Negotiations: , Trans. M. Joughin (New York: Columbia University Press, 1995). Deleuze, G. Essays Critical and Clinical, Trans. D. W. Smith and M. A. Greco (London: Verso, 1998). Deleuze, G. Cold and Heat, Trans. D. Roberts, Photogenic Painting, Ed. S. Wilson (London: Black Dog Publishing, 1999). Deleuze, G. Proust and Signs, Trans. R. Howard (London: Athlone Press, 2000). Deleuze, G. Pure Immanence: Essays on A Life, Trans. J. Rajchman (New York: Zone Books, 2001). Deleuze, G. Francis Bacon: The Logic of Sensation, Trans. D. W. Smith (London: Continuum, 2003). Deleuze, G. Desert Islands and Other Texts: , Trans. M. Taormina, Ed. D. Lapoujade (New York: Semiotext(e), 2004). Works by Felix Guattari (CS) (SC) (OM) (C) (S) (SS) (PM) (TE) Guattari, F. Cracks in the Street, Trans. A. Gibault and J. Johnson, Flash Art, 135 (1987). Guattari, F. Space and Corporeality: Nomads, Cities, Drawings, Trans. H. and H. Zeitland, Semiotext(e)/Architecture, Ed. H. Zeitland (New York: Semiotext(e), 1992). Guattari, F. On Machines, Trans. V. Constantinopoulos, Complexity: Architecture/Art/Philosophy, Ed. A. Benjamin (London: Academy Editions, 1995a). Guattari, F. Chaosmosis: An Ethico-aesthetic Paradigm, Trans. P. Bains and J. Pefanis (Sydney: Power Publications, 1995b). Guattari, F. Subjectivities: for Better and for Worse, Trans. S. Thomas, The Guattari Reader, Ed. G. Genosko (Oxford: Basil Blackwell, 1996a). Guattari, F. Soft Subversions, Trans. D. L. Sweet and C. Wiener (New York: Semiotext(e), 1996b). Guattari, F. Pragmatic/Machine: Discussion with Félix Guattari (19 March 1985), in C. J. Stivale, The Two-Fold Thought of Deleuze and Guattari: Intersections and Animations (New York: Guilford Press, 1998). Guattari, F. The Three Ecologies, Trans. I. Pindar and P. Sutton (London: Athlone Press, 2000).
14 xiv Abbreviations Works by Gilles Deleuze and Felix Guattari (AO) (K) (ATP) (WP) Deleuze, G. and F. Guattari. Anti-Oedipus: Capitalism and Schizophrenia, Trans. R. Hurley, M. Seem and H. R. Lane (London: Athlone Press, 1984). Deleuze, G. and F. Guattari. Kafka: Towards a Minor Literature, Trans. D. Polan (Minneapolis: University of Minnesota Press, 1986). Deleuze, G. and F. Guattari. A Thousand Plateaus, Trans. B. Massumi (London: Athlone Press, 1988). Deleuze, G. and F. Guattari. What is Philosophy?, Trans. H. Tomlinson and G. Burchell (London: Verso, 1994). Other Works (MM) (E) (LYO) (CW ) (RIC) Bergson, H. Matter and Memory, Trans. N. M. Paul and W. S. Palmer (New York: Zone Books, 1991). Hardt, M. and A. Negri, Empire (Cambridge: Harvard University Press, 2000). Lyotard, J-F. Philosophy and Painting in the Age of Their Experimentation: Contribution to an Idea of Postmodernity, Trans. M. Minich Brewer and D. Brewer, The Lyotard Reader, Ed. A. Benjamin (Oxford: Basil Blackwell, 1989). Smithson, R. Robert Smithson: The Collected Writings, Ed. J. Flam (Berkeley: University of California Press, 1996). Richter, G. Notes , Gerhard Richter (London: Tate Gallery, 1991b).
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