Select bibliography. Aristotle Nicomachean Ethics. Translated by H. Rackham. Cambridge, Mass. and London.

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1 Select bibliography Aristotle Nicomachean Ethics. Translated by H. Rackham. Cambridge, Mass. and London. Aristotle Eudemian Ethics. Translated by H. Rackham. In Aristotle: Athenian Constitution. Eudemian Ethics. Virtues and Vices. (Loeb Classical Library No. 285). Cambridge, Mass. and London. Aristotle Poetics. Edited and translated by Stephen Halliwell. In Poetics, with On the Sublime and On Style (Loeb Classical Library No. 199). Cambridge, Mass. and London. Bach J. S The Well-Tempered Clavier, Part 1. Edited and annotated by Richard Jones. London. Beethoven Streichquartet opus 132. Edited by Emil Platen. München. Beethoven Symphony No. 3. Edited by Richard Clarke. London. Bertagnolli Paul A Prometheus in Music: Representations of the Myth in the Romantic Era. Surrey. Burnham Scott Beethoven Hero. Princeton. Burrow Colin (editor) Complete Sonnets and Poems. The Oxford Shakespeare. New York. Cook Nicholas Music: A Very Short Introduction. Oxford. ~ 203 ~

2 Doran Michael (editor) Conversations with Cézanne. Translated by Julie Lawrence Cochran. London. Fulgentius Fulgentius the Mythographer. Translated from the Latin by Leslie George Whitbread. Ohio. Gage John Colour in Turner: Poetry and Truth. London. Gage John J. M. W. Turner: A Wonderful Range of Mind. New Haven and London. Gallagher Shaun and Dan Zahavi The Phenomenological Mind. Abingdon and New York. Haley Allan S. (2006). All Things Beethoven [online]. Available at: www. allthingsbeethoven.com/ (accessed 10 April 2010). Halliwell Stephen Aristotle s Poetics. Chicago and London. Halliwell Stephen The Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton. Kerman Joseph Beethoven Quartets. New York and London. Kinderman William Beethoven. 2nd edn. New York. Machotka Pavel Cézanne: Landscape into Art. New Haven and London. Nussbaum Martha The Fragility of Goodness: Luck and Ethics in Greek Tragedy and Philosophy. Cambridge. Orgel Stephen Impersonations: The Performance of Gender in Shakespeare s England. Cambridge. Philadelphia Museum of Art Cézanne. Philadelphia. Plato The Republic. Translated by H. D. P. Lee. London. Reynolds Joshua, Sir Discourses on Art. Edited by Robert R. Wark. San Marino, California. ~ 204 ~

3 Ridley Aaron Nietzsche on Art. Abingdon and New York. Shanes Eric Turner s Human Landscape. London. Shanes Eric Turner: The Great Watercolours. London. Sophocles Oedipus the King. Translated by David Grene. In Greek Tragedies. Edited by David Grene and Richmond Lattimore. Chicago and London. Tate Gallery Turner London. Thayer A. W Thayer s Life of Beethoven. Revised and edited by Elliot Forbes. Princeton. Weitz Morris Problems in Aesthetics. New York. Wilton Andrew Turner and the Sublime. London. Wilton Andrew Turner Abroad. London. Young James O Art and Knowledge. London and New York. ~ 205 ~

5 Index Aristotle 1, 7-21, 189, 190 catharsis 11, 16, 17 mimesis 1, 7-21, 189 learning by mimesis 9 nature as basis of knowledge 9 probability or necessity tragedy and history 12, 13 universal 1, 12, 13, 16-9, 60 Eudemian Ethics 15 Nichomachean Ethics 15 Poetics 1, 8-21, 189 Politics 17 art as analytical thought 21, 46, 47, 53, 58, 59, 66, 73, 76, 84, 104, 190, 191, 193 Bach, J. S , 141, 190, 191 everted lullaby 109, 111, 191 Cantata Cantata Cantata Prelude and Fugue No. 22 in B flat minor (The Well- Tempered Clavier Book 1) , 191 Beethoven, Ludwig van 104 5, 107 8, , 141, 191, artist as Promethean visionary Kyrie Eleison , 136, 191 Ländler 122, 125 Prometheus , , 195, 201 The Creatures of Prometheus The Eroica Variations, opus String Quartet in A minor, opus , 191, Symphony No. 3 in E major, the Eroica Symphony No. 6 in F major, the Pastoral Bertagnolli, Paul 196 Boccaccio De Genealogia Deorum 196 Burrow, Colin 74 ~ 207 ~

6 Cézanne, Paul 137, , 192 art as parallel to nature 171, 175 organized sensations 171, 175 psychology (inner life) of sensory perception evanescence of sensory experience 185, 187, 188 illusion of permanence 182, 184, portrayal of time within visual perception 174, 182 4, Chateau Noir The Grounds of the Chateau Noir Houses in Provence The Riaux Valley near L Estaque Rocks at L Estaque Rocks near the Caves above the Chateau Noir Dickens, Charles David Copperfield 74-5 Doran, Michael 171 experience of oneself and the world 3-5, 145 form of subjective experience 106, 192 Fulgentius myth of Prometheus Melpomene 195 6, 199 Zeus 195 Haley, Allan S. 196 Kinderman, William 196 life-defining forms 5 8, 45 6, 101, 190, 192 transcendent life-defining forms 7-8 mimesis 1 3, 7-21, 189 appearance 2, 10 4, assembling of appearances resemblance 10 3, 19, 21, 46 revelatory resemblance 11, 12, 19, 21, 46 moral qualities 19, 44 6 ~ 208 ~

7 Neo-Platonism 60 2, 142 6, 154 8, 161 non-specific elements of music 105 8, 110, 135 abstract in relation to music 103 8, 136, 191 Nussbaum, Martha 16 objects of experience 2 5 Orgel, Stephen 72 Ovid 69 Danaë 71, 72 Pygmalion 69, 71 Palestrina 123, 125 Viri Galilaei (motet) 125 personal inclination (in relation to cognitive experience) 6 8, 18 20, 46, 52 3, 56 7, 67, 73, 84, 135, 142, 144, 148, 157, 163, 165, , need to see things as they are 6 7, 45, 162, 192 perception, continuous act of 137 plasticity of form in music 107 8, 110, 113, 132, 136 Plato 1 5, 7, 8, 9, 16, 142-6, 154 8, 163, 189 catharsis 8 mimesis 1 3, 189 theory of Forms (Ideas) 1 5, 8, 9, 60 1, 142-6, 154 8, 163, 189 Phaedo 8 The Republic 1-3, 8, 189 Plotinus 142 psychology (inner life) of sensory perception , 192 repetition and sensory perception 105 7, 110, 113, Rembrandt A Girl at a Window 60 Reynolds, Sir Joshua 142 rhetorical form in art 19, 20, Shakespeare, William 19, , 104, 107, 115, 136, 141, 154 7, 191 aesthetician dramatization of the poet 47, 57, 67, 191 the fool 48 62, 63, 66 7, 70, 71, 73, 88 humanist mentor 48 62, 67, 70, 73 4, 77, 82, 84 9, 93 6, 191 ~ 209 ~

8 love poet 62 75, 77 9, 84, 88, 94, 95, 191 personae 48-52, 55, 57, 60 3, 66, 67, 73, 74, 77, 79, 84, 87-9, 93, 101, 191 the poet 63, 66, 69, 74, , 191 polysemous language 48, 61, 63, 66, 72, 77-82, 84, 85, 88, 89-92, 94, 96, sceptic 63-74, 88, 100 Antony and Cleopatra 88 Hamlet 18-9 Sonnet , 54, 55, 57, 63, 67, 70, 73, 95 Sonnet 3 48, 53 7, 58, 63, 67, 70, 73 Sonnet , 67, 69, 75 Sonnet Sonnet , 68, 70 1, 73 5, 100 Sonnet Sonnet 20 62, 67 75, 82, 86, 87 Sonnet Sonnet , 86 Sonnet , 86 Sonnet Sonnet Sonnet 55 75, 100 Sonnet 71 85, 88, 89, 90 3, 94, 96, 98, Sonnet , 92, 93 7, 98, Sonnet , 91, 92, 93, 94, 96, 98, Sonnet 74 85, 88-90, Sonnet Shanes, Eric 138, 142 Somerville, Mary 159 Sophocles 8, 10, 16, 20 46, 53, 101, 104, 141, 190, 191 Oedipus the King 8, 10, 20 46, 53, 101, 107, 113, 190 Turner, J. M. W , 174, 192 form of subjective experience 192 Neo- Platonism and the Form of Beauty 142 6, 154 8, 161 picturesque and the sublime in painting 154, 161 portrayal of time within visual perception , psychology (inner life) of sensory perception 143 6, 147, 148, 149, 162, 163, , 192 ~ 210 ~

9 The Bay of Uri from Brunnen 151 8, 159, 161 Lake Lucerne: Sunset The Lake of Geneva with the Dent d Oche, from Lausanne: a Funeral , 167 The Lake of Geneva with the Dent d Oche: Tending the vines The Lauerzersee with the Mythens Portsmouth , 167, 170 The Rigi with Full Moon and the Spires of Lucerne Cathedral Vermeer, Johannes Girl with a Pearl Earring 60 Viganò, Salvatore 196 Weitz, Morris 142 ~ 211 ~

Acknowledgements. ~ ix ~

Acknowledgements. ~ ix ~ Contents Acknowledgements Preface Editions and relevant sources 1 Mimesis and the portrayal of reflective life in action: Aristotle s Poetics and Sophocles Oedipus the King 1 2 The portrayal of reflective