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1 Michael Ferber Bibliography: Literature Books (Author) 1. The Social Vision of William Blake. Princeton: Princeton University Press, The Poetry of William Blake, a book in the Penguin Critical Studies series. London: Penguin, The Poetry of Shelley, another in the Penguin Critical Studies series. London: Penguin, * One chapter reprinted in Donald Reiman and Neil Fraistat, ed., Shelley s Poetry and Prose, 2nd ed. (New York: Norton, 2001). 4a. A Dictionary of Literary Symbols. Cambridge: Cambridge University Press, * Romanian translation 2001, Lithuanian 2005, Japanese b. A Dictionary of Literary Symbols (Second Edition, expanded). Cambridge: Cambridge University Press, c. A Dictionary of Literary Symbols (Third Edition, expanded). Cambridge: Cambridge University Press, Romanticism: A Very Short Introduction. Oxford: Oxford University Press, 2010 * Chinese translation under contract. * A blog on the OUP website, amounting to a short additional chapter, was chosen to appear in the VSI Blog Book, The Cambridge Introduction to British Romantic Poetry. Cambridge: Cambridge University Press, Books (Editor) 7. European Romantic Poetry. New York: Pearson Longman, A Companion to European Romanticism. Oxford: Blackwell, Articles 1. Blake s Idea of Brotherhood. PMLA 93:3 (May 1978): Blake s Thel and the Bride of Christ. Blake Studies 9:1-2 (1981): London and its Politics. ELH 48:2 (Summer 1981):
2 4. Simone Weil s Iliad. In George Abbott White, ed. Simone Weil: Interpretations of a Life. Amherst: University of Massachusetts Press, Blake s America and the Birth of Revolution. In Stephen C. Behrendt, ed. History and Myth: Essays on English Romantic Literature. Detroit: Wayne State University Press, Romantic Anticapitalism: A Response to Sayre and Löwy. In G. A. Rosso and Daniel P. Watkins, ed. Spirits of Fire: English Romantic Writers and Contemporary Historical Methods. Cranbury, New Jersey: Associated University Presses, The Liberty of Appearing. In Keith Hanley and Raman Selden, ed. Revolution and English Romanticism: Politics and Rhetoric. Hemel Hempstead: Harvester Wheatsheaf and New York: St. Martin s, The Ideology of The Merchant of Venice. ELR 20:3 (Autumn 1990): * Reprinted in Shakespearean Criticism 40 (Farmington Hills, Mich.: Gale Group, 1998). 9. The Finite Revolutions of Europe. In Jackie DiSalvo, G. A. Rosso, and Christopher Z. Hobson, ed. Blake, Politics, and History. New York: Garland, The Orthodoxy of Blake Footnotes. Blake: An Illustrated Quarterly (Summer 1998): Blake and the Two Swords. In Steve Clark and David Worrall, ed. Blake in the Nineties. London: Macmillan and New York: St. Martin s, Blake s Jerusalem as a Hymn. Blake: An Illustrated Quarterly 34:3 (Winter 2000/01): * Reprinted, translated into Dutch/Flemish, in Kunsttijdschrift Vlaanderen 314 (February 2007): a. Blake for Children. Blake: An Illustrated Quarterly 35:1 (Summer 2001): b. Not for the Kiddies (a slightly expanded version of Blake for Children ). Academe (the AAUP journal) 87:4 (July-August 2001): Shelley and the Disastrous Fame of Conquerors. Keats-Shelley Journal 51 (2002): In Defense of Clods. In Alexander Gourlay, ed. Prophetic Character: Essays on William Blake in Honor of John E. Grant. West Cornwall, Conn.: Locust Hill Press, The Romantic System of the Arts. In Michael Ferber, ed. A Companion to European Romanticism. Oxford: Blackwell, The Curse of the Ephesians: A Long Footnote to Byron. In Byron Journal 33:1 (2005): The Eagles of Romanticism. Literature Compass (Blackwell) 3-4 (2006):
3 19. Percy Bysshe Shelley: Ozymandias. In Michael Hanke, ed. Fourteen English Sonnets: Critical Essays. Trier: Wissenschaftlicher Verlag, Sainte-Beuve s Imitations of Two Sonnets by Wordsworth. The Wordsworth Circle 38:4 (Autumn 2007): Why Should Graduate Students in English Literature Know Foreign Languages? ADE Bulletin 145 (Spring 2008): Causley s Version of Rimbaud: Sleeper in a Valley. In Michael Hanke, ed. Through the Granite Kingdom: Critical Essays on Charles Causley. Trier: Wissenschaftlicher Verlag, Translating Nänie by Friedrich Schiller. Translation Review 82 (Fall 2011): Wordsworth on the Continent, in Andrew Bennett, ed. William Wordsworth in Context. Cambridge: Cambridge University Press, Short Articles 1. A Possible Source for Thel s Motto. Blake Newsletter 34 (Fall 1975): Thel s Motto : Likely and Unlikely Sources (an exchange with Michael Tolley). Blake Newsletter 37 (Summer 1976): Coleridge s Anacalyptic Blake: An Exegesis. Modern Philology 76:2 (November 1978): Mars and the Planets Three in America. Blake: An Illustrated Quarterly 59 (15:3) (Winter ): Yeats s The Second Coming (about Yeats and Nerval). The Explicator 66:4 (Summer 2008): * Reprinted in Poetry Criticism 129. Gale/Cengage, Wordsworth, Jupiter, and Annotation. The Wordsworth Circle 44:2-3 (Spring/Summer 2013): Too Many Titles. The Chronicle of Higher Education Review, 10 January 2014: B4-B5. Translations of Poetry Gérard de Nerval, Delphica, in Literary Imagination 5:3 (Fall 2003). 3
4 André Chénier, The Captive Girl, and Alexander Pushkin, André Chénier, in Metamorphoses 11:2 (Fall 2003). These three poems and another sixty or so, translated from German, French, and Italian, have appeared in my anthology, European Romantic Poetry. Ugo Foscolo, To the Muse ; Antoine Vincent Arnault, The Leaf ; and Théophile Gautier, The Last Leaf, in Charles River Journal (forthcoming). Reviews 1. Fredric Jameson, Marxism and Form, in Socialist Revolution (now Socialist Review) 33 (May-June 1977), Raymond Williams, Marxism and Literature, in American Book Review 1:3 (Summer 1978), Terry Eagleton, Criticism and Ideology, and three other works, in Socialist Review 46 (July- August 1979), Two facsimile editions of Blake s Urizen and Milton, in American Book Review 2:2 (October 1979), Kress and Hodge, Language as Ideology, in Journal of Social Reconstruction 1:2 (April- June 1980), Martin Butlin, The Paintings and Drawings of William Blake, in Yale Review 71:2 (January 1982), ix-xiii. 7. Nelson Hilton, Literal Imagination, in Criticism 26:4 (Fall 1984), Robert Gleckner, Blake and Spenser, in The Eighteenth Century: A Current Bibliography 11 (1985). 9. Nelson Hilton, ed., Essential Articles for the Study of William Blake, , in The Eighteenth Century: A Current Bibliography 11 (1985). 10. David Erdman, Commerce des Lumières: John Oswald and the British in France, , in Blake: An Illustrated Quarterly 22:1 (Summer 1988), Peter Marshall, William Blake: Visionary Anarchist, in Blake: An Illustrated Quarterly 24:1 (Summer 1990), Fredric Jameson, Late Marxism: Adorno; or, the Persistence of the Dialectic, in The Nation, October 15, * Reprinted in Contemporary Literary Criticism, Vol Farmington Hills, Mich.: Gale Group (2001):
5 13. Robert N. Essick, William Blake s Commercial Book Illustrations: A Catalogue and Study of the Plates Engraved by Blake after Designs by Other Artists, in Word and Image 8:3 (July- September 1992): William Blake, Jerusalem, facsimile edited by Morton D. Paley, and Songs of Innocence and of Experience, facsimile edited by Andrew Lincoln (William Blake Trust and Princeton), in Word and Image 9:1 (January-March 1993): Vincent De Luca, Words of Eternity: Blake and the Poetics of the Sublime, in The Eighteenth Century: A Current Bibliography, n.s. 17 (1993): E. P. Thompson, Witness Against the Beast: William Blake and the Moral Law, in The Nation, November 15, William Blake, The Early Illuminated Books (Volume 3 of Blake s Illuminated Books), facsimiles edited with introductions and notes by Morris Eaves, Robert N. Essick, and Joseph Viscomi (The William Blake Trust and Princeton), in Blake: An Illustrated Quarterly 29:3 (Winter ): Two anthologies about women Romantic writers, in NWSA Journal 8:2 (Summer 1996): Nicholas M. Williams, Ideology and Utopia in the Poetry of William Blake, in Blake: An Illustrated Quarterly 32:3 (Winter 1998/99): Michael Phillips, William Blake: The Creation of the Songs: From Manuscript to Illuminated Printing, in Criticism 43:4 (Fall 2001): Jennifer Davis Michael, Blake and the City, in Blake: An Illustrated Quarterly 41:3 (Winter ): Clayton Koelb, The Revivifying Word: Literature, Philosophy, and the Theory of Life in Europe s Romantic Age, in The German Quarterly 82:4 (Fall 2009): April
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