107 Western Art Slide Show Part 2
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1 107 Western Art Slide Show Part 2
2 Renaissance Art ( ) Primarily interested in mimeticism Still usually instrumental and formalist as well
3 The Crucifixion. Perugino
4
5 Leonardo da Vinci. Mona Lisa. Leonardo: That painting is most praiseworthy which conforms most to the object portrayed. (mimeticism)
6
7 Raphael
8 Raphael. School of Athens.
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10 Plato: Art is no more than imitating reality, and material objects are mere shadows of ideas
11 Aristotle: Art can do more than imitate life; It can convey the essence of the subject and convey abstract, ideal concepts. Poetry (and art) can express the universal.
12 Michelangelo David
13 High Classical Greek Art Canon of Perfect Proportions
14 Michelangelo David
15
16 Baroque Art 17 th century Emphasis on mimeticism, as well as formalism, instrumentalism (pragmaticism), some emotionalism
17 Rembrandt
18 Joseph Reynolds ( ) didn t like Rembrandt because he depicted: -mere commoners -mundane settings -details which showed his subjects uniqueness and flaws -not beautiful or ideal, therefore not uplifting
19 Neoclassical Joseph Reynolds 1784 portrait of Sarah Siddons (actress) Sarah Siddons as the Tragic Muse
20 Rembrandt. Anatomy Lesson of Dr. Tulp
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22 Vanitas (the vanity of life)
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26 Neoclassical Art Late 1700s, early 1800s Emphasis on mimeticism and pragmaticism, as well as formalism
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28 David. Oath of the Horatii
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30 Romantic Art (First half of the 19 th century) Emphasis on Emotionalist tradition Often also Instrumental a Formalist
31 Emotionalist art Focuses on the psychological realm, the inner experience and feelings of the individual (the artist and/or the viewer), and artistic expression and process Values: individual expression, uniqueness, creativity, the ability to stir feelings in the viewer, and whether it s guided by feeling
32 Aristotle on Emotionalism: Tragic poetry was valuable because: it engendered pity and fear Purged pent-up emotions which were otherwise harmful Emotionalism valuable in debates because: Could persuade by stirring audience s feelings
33
34 Goya. Third of May, (1814) (Massacre of Spanish citizens by Napoleon s French army)
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36 Gericault. Raft of the Medusa shipwreck. 150 on raft, 15 survived.
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42 Turner. The Slave Ship. (1840)
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44 Corot: Be guided by feeling alone (follow) your own convictions. It is better to be nothing than an echo of other painters If you have really been touched, you will convey to others the sincerity of your emotions.
45 Impressionistic Art, c.1870s
46
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48 Expressionistic Art Late 1800s Primarily Emotionalist
49
50 Van Gogh.
51 Van Gogh. Starry Night. 1889
52
53 Munch. The Scream
54 Bunnies do Scream, Used with permission of artist, Ingve Connolly Gran
55 Photography as Instrumental Art, late 1800s
56 Jacob Riis. Photos of New York, 1880s and 1890s.
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58
59 `
60 Expressionism: Fauvism (early 1900s)
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63 Formalism Art is valuable because of its formal qualities (the artist s use of color, line, shapes, texture, light, space, harmony, balance, and composition) Form in art provokes an aesthetic response in its viewers
64 Whistler. Arrangement in Black and Gray.
65
66 Pythagoras:..order and proportion are beautiful and useful while disorder and lack of proportion are ugly and useless.
67
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69 Aristotle: the main species of beauty are order, symmetry and definiteness.
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71 Formalist 20 th century Art Formalism used to provoke aesthetic emotions, aesthetic response Art does not have to depict anything except the art itself (doesn t have to be mimetic) Art for art s sake
72 Mondrian
73
74 1930
75 Brancusi. Bird in Space.
76 Georgia O Keefe
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79 20 th c Art Also instrumental and/or emotional
80 1930
81
82 Picasso. Guernica (Guernica destroyed by air raid April 26, 1937) Formalist, Emotionalist, Instrumental, and somewhat mimetic.
83
84 Jackson Pollock
85
86 Jackson Pollock. Autumn Mist
87 De Kooning. Woman.
88 The meaning of paint is paint! Art for art s sake! (not to imitate anything or persuade or teach or even express emotions)
89
90 Hans Hofmann. Golden Wall
91 Judy Chicago. The Dinner Party Instrumental:..art as a vehicle for intellectual transformation and social change
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93 Remember: Western Art is pluralistic. One artwork can be mimetic, instrumental, emotionalist and formalist or any combination of them! Still, some eras of Western art emphasized certain aesthetic traditions over others (Classical mimeticism, Medieval instrumentalism, Romantic emotionalism, formalism in 20 th century abstracts, etc.)
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95
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