PROF. NICK DEOCAMPO University of the Philippines
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1 PROF. NICK DEOCAMPO University of the Philippines
2 What shape will AV archiving take in the future? Archiving in the past has been characterized for its central role in keeping holdings of all sorts and shapes.
3 The old practice of centralization in archiving resulted to what appears to be a linear direction dictating an archive s singular path toward mobility and progress.
4 From the professional archivist at one end of the archival spectrum, I find myself at the other end of it. I present myself to you as an end-user but one who eventually developed a personal archive.
5 NEED I arrived at my own kind of archiving to arend to my needs as a TEACHER, a FILMMAKER, and a FILM HISTORIAN, resulting to my becoming an AMATEUR ARCHIVIST.
6 Film Teacher
7 Filmmaker dealing with the history of Philippine cinema
8 Film historian writing books about Philippine film history
9 Film History Books Five-volume book project. Three volumes have been printed, covering the Spanish, American and Japanese film periods.
10 ABS CBN archive and the Film Development Council of the Philippines
11 User-turned-archivist
12 Constraining Forces Technology Economics Infrastructure Politics Climate Illiteracy
13 Introducing the Rhizome: Two Paradigms for the Future of AV Archiving ARBORESCENT RHIZOMATIC
14 A Thousand Plateaus Gilles Deleuze and Felix GuaRari
15 Arborescent Model The vertical growth of trees. Much of the past developments in archiving may be seen to have assumed linear and vertical directions of growth.
16 Rhizomatic Model Defines a horizontal, root-like spread of archives that respects individual shapes and sizes of archival Institutions.
17 Rhizome: Definition a subterranean stem, A rhizome is one that assumes diverse forms, from ramified surface extension in all directions to concretion into bulbs and tubers.
18 Deleuze and Guattari define the rhizome A rhizome ceaselessly establishes connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences, and social struggles A semiotic chain is like a tuber agglomerating very diverse acts, not only linguistic, but also perceptive, mimetic, gestural, and cognitive.
19 Applying Deleuze and GuaRari to interpret SEAPAVAA
20 Arborescent type defined as having hierarchical systems with centers of significance and subjectification. leaves branches Trunk Roots
21 Arborescent Archives may be characterized as those oriented toward a culmination point or external end, such as the crown of a tree.
22 Deleuze and Guattari: There is always something genealogical about a tree. It is not a method for the people.
23 Deleuze and Guattari: We re tired of trees. We should stop believing in trees, roots, and radicles. They ve made us suffer too much. All of arborescent culture is founded on them, from biology to linguistics.
24 Thought is not arborescent, and the brain is not a rooted or ramified marer. Our cue for the future lies in that statement
25 A map and not a tracing.
26 One key concept offered is this: any point of a rhizome can be connected to anything other, and must be.
27 Rhizomes are anti-genealogy A middle, not a hierarchy.
28 Imagine a rhizomatic archive as one being a middle.
29 Deleuze and Guattari: (A rhizome) has neither beginning nor end, but always a middle (milieu) It constitutes linear multiplicities with n dimensions having neither subject nor object When a multiplicity of this kind changes dimension, it necessarily changes in nature as well, undergoes a metamorphosis.
30 Globalism Digital Technology Populism
31 World Wide Web
32 Deleuze and Guattari: the rhizome is made only of lines: lines of segmentarity and stratification as its dimensions, and the line of flight or deterritorialization as the maximum dimension after which the multiplicity undergoes metamorphosis, changes in nature.
33 Make a map, not a tracing.
34 Deleuze and Guattari: the rhizome pertains to a map that must be produced, constructed, a map that is always detachable, connectable, reversible, modifiable, and has multiple entryways and exits and its own lines of flight the rhizome is an acentered, nonhierarchical, nonsignifying system without a General and without an organizing memory or central automaton, defined solely by a circulation of states.
35 Let us summarize the principal characteristics of a rhizome: unlike trees or their roots, the rhizome connects any point to any other point, and its traits are not necessarily linked to traits of the same nature; it brings into play very different regimes of signs, and even nonsign states...it is composed not of units but of dimensions, or rather directions in motion.
36 Alliance.
37 A rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo. The tree is filiation, but the rhizome is alliance, uniquely alliance. Can SEAPAVAA be that alliance?
38 Archipelagic geography of the countries we belong to in the Asia-Pacific region.
39 Online Archiving
40 Online Archiving
41 We re tired of trees!
42 Many people have a tree growing in their heads, but the brain itself is much more a grass than a tree.
43 Archives are like weeds.
44 SEAPAVAA AS RHIZOME
45 Multiplicity
46 Decentered
47 Online Archiving
48 Cebu s Lost Films
49 Non-Film Documents
50 Online Archiving
51 I am a Weed.
52 Producers Film Collection
53 The Orphan Film Situation Four Ways a Film can be Orphaned: Legal Authorial Material Archival
54 Preserving AV Documentary Heritage
55 Digital Collection
56 Orphan Films from Asia Pacific
57 Preserving AV Documentary Heritage
58 UNESCO Memory of the World
59 VIDEO 48
60 Building Community Archives
61 Problems Facing Online Archiving
62 Archive Follows the Direction of Public Access
63 Into the Future of AV archiving polyphonic polymorphic polyfunctional pulti-perspectival multi-valent multi-purpose
64 A Rhizomatic Future in AV Archiving
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Analysis Overview Collection Information Date of Analysis: Circulation System: Follett Destiny Data Integrity: Good: 99.82% holdings recognized # of Records: 16735 # of Holdings: 19334 Recognized Call