Photo-Graphic Manipulation

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1

2 The Cheap Effect

3 Back to the beginning Thomas Ruff, Portrait, 1991

4 Seeing is... Nancy Burson, Human Race Machine, 1999

5 ...believing Nancy Burson, He/She, 1997

6 Authenticity vs Ambiguity The Moorman Polaroid, 1961

7 Authenticity vs Ambiguity Spoof pictures of the WTC attacks, 2001

8 Authenticity vs context Lenin speaking to the troups, 1924

9 Authenticity vs context The same picture as original, ca. 1920

10 Authenticity vs context Original Photograph of Stalin and Comrades by Nikolai Schwernik, 1926

11 Authenticity vs context From the book History of the Soviet Union, 1940

12 Authenticity vs context From a biography, 1949

13 Authenticity vs context Painting by Isaac Brodsky, 1929

14 Authenticity... Bob Jackson, Shooting of Lee H. Oswald, 1961

15 ... and Irony An alternative take by George Mahlberg

16 Authenticity and Irony Olivier Chételat, The amazing Fishermen-, Dog- and Toyota-Show, 2000

17 Authenticity and Irony Original Tourist of Death photograph, 2001

18 Authenticity as a story vehicle Woody Allen, Zelig, 1983 and Robert Zemeckis, Forrest Gump, 2000

19 Authenticity as a story vehicle Stephen Spielberg, Jurassic Park, 1993

20 Authenticity as a story vehicle Scenes from Matrix Reloaded, 2003

21 Artificial authenticity Synthetic Face Creation, Volker Blanz, Universität Tübingen, 1998

22 Artificial authenticity Synthetic Face Creation, Volker Blanz, Universität Tübingen, 1998

23 Another authentic approach David Hockney,1982

24 Another authentic approach David Hockney,1982

25 Another authentic approach David Hockney, 1983

26 Another authentic approach Unknown kinetic photograph, ca. 2000

27 Merging different layers of reality Nancy Burson, Various Morphing Experiments,

28 Merging different layers of reality Herbert Beyer, Poster, ca. 1935

29 Merging different layers of reality El Lissitzky, Portrait of Kurt Schwitters, 1927

30 Merging different layers of reality Dziga Vertov, The Camera Eye, 1932

31 Narratives Lászlo Moholy-Nagy, Posters,

32 Narratives Richard Hamilton, Interior II, 1964

33 Narratives hi-res.net, The Center of the World, Website, 2000

34 Narratives hi-res.net, The Center of the World, Website, 2000

35 Narratives hi-res.net, The Center of the World, Website, 2000

36 Narratives John Baldessari, 1984

37 The reinvasion of paint John Baldessari, Painting, ca. 1980

38 The reinvasion of paint John Baldessari, 1984

39 The reinvasion of paint M/M, Yamamoto Summer Catalogue, 1999

40 The reinvasion of paint Christian Vogt, Polaroid, 1987

41 The reinvasion of paint Andy Warhol, Electric Chair, 1971

42 Destruction Andy Warhol, Flowers, 1964

43 Destruction Painted-over communist party member photos, from the book 10 years Usbekistan, 1937

44 Destruction Stills from the opening to the Movie Seven, 1996

45 Elimination as abstraction Richard Hamilton, Ghosts of UFA, 1994

46 Elimination as abstraction Statedesign, Trailer for Onedotzero 4, 1998

47 Photo-Graphic spaces Saul Bass, Opening Animation for Vertigo, 1958

48 Photo-Graphic spaces El Lissitzky, Der Konstrukteur, 1924, Cover for the Guide for the Vchutemas, 1927

49 Photo-Graphic spaces Alexander Rodchenko, Books, 1925

50 Photo-Graphic spaces Flyer, Royal Academy of Art, London, 2000

51 Photo-Graphic spaces Gerd Kilian, 1932

52 Photo-Graphic spaces Emigré Magazine, 1990

53 Photo-Graphic spaces John Webber, 1991

54 Photo-Graphic spaces hi-res.net, Requiem for a Dream, Website, 2000

55 Photo-Graphic spaces hi-res.net, Requiem for a Dream, Website, 2000

56 Photo-Graphic spaces Cornel Windin, 2000

57 Meta-Realities Interface Sketch, 2002

58 Meta-Realities Cornell Windin, Poster, 2000

59 Meta-Realities Promotional Postcard for NY furniture store Moss, 2000

60 Meta-Realities Psyops Studios, Cowflow trailer, 1999

61 Meta-Realities Statedesign, Trailer for Onedotzero 6, 2000

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