Photo-Graphic Manipulation
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1
2 The Cheap Effect
3 Back to the beginning Thomas Ruff, Portrait, 1991
4 Seeing is... Nancy Burson, Human Race Machine, 1999
5 ...believing Nancy Burson, He/She, 1997
6 Authenticity vs Ambiguity The Moorman Polaroid, 1961
7 Authenticity vs Ambiguity Spoof pictures of the WTC attacks, 2001
8 Authenticity vs context Lenin speaking to the troups, 1924
9 Authenticity vs context The same picture as original, ca. 1920
10 Authenticity vs context Original Photograph of Stalin and Comrades by Nikolai Schwernik, 1926
11 Authenticity vs context From the book History of the Soviet Union, 1940
12 Authenticity vs context From a biography, 1949
13 Authenticity vs context Painting by Isaac Brodsky, 1929
14 Authenticity... Bob Jackson, Shooting of Lee H. Oswald, 1961
15 ... and Irony An alternative take by George Mahlberg
16 Authenticity and Irony Olivier Chételat, The amazing Fishermen-, Dog- and Toyota-Show, 2000
17 Authenticity and Irony Original Tourist of Death photograph, 2001
18 Authenticity as a story vehicle Woody Allen, Zelig, 1983 and Robert Zemeckis, Forrest Gump, 2000
19 Authenticity as a story vehicle Stephen Spielberg, Jurassic Park, 1993
20 Authenticity as a story vehicle Scenes from Matrix Reloaded, 2003
21 Artificial authenticity Synthetic Face Creation, Volker Blanz, Universität Tübingen, 1998
22 Artificial authenticity Synthetic Face Creation, Volker Blanz, Universität Tübingen, 1998
23 Another authentic approach David Hockney,1982
24 Another authentic approach David Hockney,1982
25 Another authentic approach David Hockney, 1983
26 Another authentic approach Unknown kinetic photograph, ca. 2000
27 Merging different layers of reality Nancy Burson, Various Morphing Experiments,
28 Merging different layers of reality Herbert Beyer, Poster, ca. 1935
29 Merging different layers of reality El Lissitzky, Portrait of Kurt Schwitters, 1927
30 Merging different layers of reality Dziga Vertov, The Camera Eye, 1932
31 Narratives Lászlo Moholy-Nagy, Posters,
32 Narratives Richard Hamilton, Interior II, 1964
33 Narratives hi-res.net, The Center of the World, Website, 2000
34 Narratives hi-res.net, The Center of the World, Website, 2000
35 Narratives hi-res.net, The Center of the World, Website, 2000
36 Narratives John Baldessari, 1984
37 The reinvasion of paint John Baldessari, Painting, ca. 1980
38 The reinvasion of paint John Baldessari, 1984
39 The reinvasion of paint M/M, Yamamoto Summer Catalogue, 1999
40 The reinvasion of paint Christian Vogt, Polaroid, 1987
41 The reinvasion of paint Andy Warhol, Electric Chair, 1971
42 Destruction Andy Warhol, Flowers, 1964
43 Destruction Painted-over communist party member photos, from the book 10 years Usbekistan, 1937
44 Destruction Stills from the opening to the Movie Seven, 1996
45 Elimination as abstraction Richard Hamilton, Ghosts of UFA, 1994
46 Elimination as abstraction Statedesign, Trailer for Onedotzero 4, 1998
47 Photo-Graphic spaces Saul Bass, Opening Animation for Vertigo, 1958
48 Photo-Graphic spaces El Lissitzky, Der Konstrukteur, 1924, Cover for the Guide for the Vchutemas, 1927
49 Photo-Graphic spaces Alexander Rodchenko, Books, 1925
50 Photo-Graphic spaces Flyer, Royal Academy of Art, London, 2000
51 Photo-Graphic spaces Gerd Kilian, 1932
52 Photo-Graphic spaces Emigré Magazine, 1990
53 Photo-Graphic spaces John Webber, 1991
54 Photo-Graphic spaces hi-res.net, Requiem for a Dream, Website, 2000
55 Photo-Graphic spaces hi-res.net, Requiem for a Dream, Website, 2000
56 Photo-Graphic spaces Cornel Windin, 2000
57 Meta-Realities Interface Sketch, 2002
58 Meta-Realities Cornell Windin, Poster, 2000
59 Meta-Realities Promotional Postcard for NY furniture store Moss, 2000
60 Meta-Realities Psyops Studios, Cowflow trailer, 1999
61 Meta-Realities Statedesign, Trailer for Onedotzero 6, 2000
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