Viceroy. Andrea Tinnes + Verena Gerlach VICEROY SPECIMEN.

Size: px
Start display at page:

Download "Viceroy. Andrea Tinnes + Verena Gerlach VICEROY SPECIMEN."

Transcription

1 Andrea Tinnes + Verena Gerlach SPECIMEN CO

2 2 R R E G U L A R 7 0 / 7 7 pt ABCDEFGHI JKLMNOPQRS TUVWXYZ abcdefghijklm nopqrstuvwxyz ({[ARoCOgioo]}) AEMNRU $

3 3 ky I N FO R M AT I O N V I C E R O Y R E G U L A R 100 pt DESIGN Andrea Tinnes Verena Gerlach YEAR 2007 STYLE Sans WEIGHTS 3 weights, 1 italic FO R M AT OpenType CHARACTERS 656 per font FOUNDRY typecuts is a custom typeface commissioned by ReVerb / Los Angeles for Hotel to complement the existing logotype and motif (while replacing Optima Nova). The goal was to produce a new typeface family which satisfies the multiple utilitarian applications of the brand and further differentiates as a purveyor of distinction and design. The result is a contemporary elegant sans serif typeface with a high contrast between thick and thin strokes. is a unique synthesis of a geometric and humanist sans serif face, introducing more dynamic into the concept of geometric sans serif fonts. The letterforms are balanced and the typeface has an even rhythm resulting in a contemporary visual language. The italc version has a slightly flared stroke combining the clarity and elegance of with fluidity and rhythm. A further feature is a rather large x-height, making legible also in small point sizes. comes with many typographic features such as lining and old-style figures, ligatures, alternate characters such as unicase and stencil versions and a variety of swash capitals. V I C E R O Y R E G U L A R 1 4 / 1 8 pt T R A C K I N G 4 0

4 4 Roy DESIGN CONCEPT R E G U L A R + I T A L I C pt, 136 pt, 60 pt Hhgseky ALLKoAU 256agaehgbfghky

5 5 SOUTHWEST NORTHEAST subterranean pressures THE PLANETS AND MOONS ROUND QUEST item distance gift RoKoCHCOLALLLYOQOC ocean

6 6 Q WEIGHTS / p t, 4 3 / 45 p t, 2 0 / 2 5 p t Light Regular Reg. Italic LIGHT Bold REGULAR REG. ITALIC BOLD ABCDEFG abcdefg Light ABCDEFG abcdefg Regular ABCDEFG abcdefg Reg. Italic ABCDEFG abcdefg Bold

7 7 R E G U L A R 3 4 / 3 8 pt R E G U L A R 3 4 / 3 8 pt, ALTERNATES ABCDEFGHI AACHCOEGH JKLMNOPQRS JKoLLMNHPQRS TUVWXYZ THEVWXYZ abcdefghijklm abchdeffjghitm nopqrstuvwxyz nocpqrystvwxyz ({[%]}) { * } $ Nº /ABCDE Regular R E G U L A R 9 8 / 9 2 pt R E G U L A R 5 0 pt T R A C K I N G 6 0 HANDGLOVES

8 8 R E G U L A R 1 6 / 1 9 pt C A P I T A L T R A C K I N G 4 5 The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, SOMETIMES DOING OR PRAISING BAD WORK BECAUSE IT MAY ILLUSTRATE A RULE or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, R E G U L A R 1 2 / 1 5 pt C A P I T A L T R A C K I N G 4 0 The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. IN THIS STAGE ALSO THE ARTIST LIKES TO PRETEND THAT HIS ART IS MYSTERY, NOT TO BE APPROACHED, STILL LESS SHARED, BY THE PROFANE; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material R E G U L A R 9 / 1 1 pt The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. In this stage also the artist likes to pretend that his art is mystery, not to be approached, still less shared, by the profane; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material of the true purpose, which is the making and R E G U L A R 7 / 9 pt The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. In this stage also the artist likes to pretend that his art is mystery, not to be approached, still less shared, by the profane; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material of the true purpose, which is the making and enjoying of beautiful things. The artist treats the rule as he pleases, because they

9 9 I T A L I C 3 4 / 3 8 pt I T A L I C 3 4 / 3 8 pt, ALTERNATES ABCDEFGHI AACHCOEGH JKLMNOPQRS JKoLLMNHPQRS TUVWXYZ THEVWXYZ abcdefghijklm abchdeffjghitm nopqrstuvwxyz nocpqrystvwxyz ({[%]}) { * } $ Nº /ABCDE Italic I T A L I C 9 8 / 9 2 pt I T A L I C 5 0 pt T R A C K I N G 6 0 HANDGLOVES

10 10 R E G U L A R 1 6 / 1 9 pt C A P I T A L T R A C K I N G 4 5 The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, SOMETIMES DOING OR PRAISING BAD WORK BECAUSE IT MAY ILLUSTRATE A RULE or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, actr E G U L A R 1 2 / 1 5 pt C A P I T A L T R A C K I N G 4 0 The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. IN THIS STAGE ALSO THE ARTIST LIKES TO PRETEND THAT HIS ART IS MYSTERY, NOT TO BE APPROACHED, STILL LESS SHARED, BY THE PROFANE; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material of the true purpose, R E G U L A R 9 / 1 1 pt The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. In this stage also the artist likes to pretend that his art is mystery, not to be approached, still less shared, by the profane; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material of the true purpose, which is the making and en- R E G U L A R 7 / 9 pt The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. In this stage also the artist likes to pretend that his art is mystery, not to be approached, still less shared, by the profane; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material of the true purpose, which is the making and enjoying of beautiful things. The artist treats the rule as he pleases, because they are now absorbed

11 11 B O L D 3 4 / 3 8 pt B O L D 3 4 / 3 8 pt, ALTERNATES ABCDEFGHI AACHCOEGH JKLMNOPQRS JKoLLMNHPQRS TUVWXYZ THEVWXYZ abcdefghijklm abchdeffjghitm nopqrstuvwxyz nocpqrystvwxyz ({[%]}) { * } $ Nº /ABCDE Bold B O L D 9 8 / 9 2 pt B O L D 5 0 pt T R A C K I N G 6 0 HANDGLOVES

12 12 B O L D 1 6 / 1 9 pt C A P I T A L T R A C K I N G 4 0 The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, SOMETIMES DOING OR PRAISING BAD WORK BECAUSE IT MAY ILLUSTRATE A RULE or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, B O L D 1 2 / 1 5 pt C A P I T A L T R A C K I N G 4 0 The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. IN THIS STAGE ALSO THE ARTIST LIKES TO PRETEND THAT HIS ART IS MYSTERY, NOT TO BE APPROACHED, STILL LESS SHARED, BY THE PROFANE; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material B O L D 9 / 1 1 pt The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. In this stage also the artist likes to pretend that his art is mystery, not to be approached, still less shared, by the profane; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material of the true pur- B O L D 7 / 9 pt The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art.in the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. In this stage also the artist likes to pretend that his art is mystery, not to be approached, still less shared, by the profane; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material of the true purpose, which is the making and enjoying of beautiful things. The artist treats the rule as he pleases, because they

13 13 L I G H T 3 4 / 3 8 pt L I G H T 3 4 / 3 8 pt, ALTERNATES ABCDEFGHI AACHCOEGH JKLMNOPQRS JKoLLMNHPQRS TUVWXYZ THEVWXYZ abcdefghijklm abchdeffjghitm nopqrstuvwxyz nocpqrystvwxyz ({[%]}) { * } $ Nº /ABCDE Light L I G H T 9 8 / 9 2 pt L I G H T 5 0 pt T R A C K I N G 6 0 HANDGLOVES

14 14 R E G U L A R 1 6 / 1 9 pt C A P I T A L T R A C K I N G 4 5 The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, SOMETIMES DOING OR PRAISING BAD WORK BECAUSE IT MAY ILLUSTRATE A RULE or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, R E G U L A R 1 2 / 1 5 pt C A P I T A L T R A C K I N G 4 0 The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. IN THIS STAGE ALSO THE ARTIST LIKES TO PRETEND THAT HIS ART IS MYSTERY, NOT TO BE APPROACHED, STILL LESS SHARED, BY THE PROFANE; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material R E G U L A R 9 / 1 1 pt The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. In this stage also the artist likes to pretend that his art is mystery, not to be approached, still less shared, by the profane; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material of the true purpose, which is the making and R E G U L A R 7 / 9 pt The Amateur and Printing: For the amateur and for the artist alike there are three stages in the study of an art. In the first he loves it and knows nothing about it. In the second he is learning, and is so full of the consciousness, perhaps also of the pride, of his growing knowledge that he is prone to transfer his affection from the art to the detail and processes of the art, sometimes doing or praising bad work because it may illustrate a rule or employ a device about which he knows. It is in this second stage that all really bad art in produced, in painting, acting, building, and whatever else. In this stage also the artist likes to pretend that his art is mystery, not to be approached, still less shared, by the profane; and in this stage the amateur, left out in the cold, revenge himself. The rules and devices and technicalities fall into their place as the mere material of the true purpose, which is the making and enjoying of beautiful things. The artist treats the rule as he pleases, because they

15 15 CHARACTER SET Uppercase A B CD E FGH I J K L M N OPQR STU VW X YZ Lowercase a bcdefg h i j k l mn o p q r s tu v wx yz Numerals Ligatures AAADAEAVCHCOETFFFFIFFLFIFLFTHDHEHFHPHR KAKoLALLLYMBMEMHMKMPNENNOCOCOGOG OOOOOQOQRARoTHTHETTTVTYUMUNVA chctfbffjfftfhfifjfkflftgiipitkyococooooryshsisktt Punctuation, Accents && &@ # ' "!? % * ª º ^ ` ˆ ˇ /( )\[ ]{ },. ; : _ - Accented Characters Á À Â Ä Ã ÅÆÇ ÉÈÊËÍ Ì Î ÏŁ Ñ Ó Ò Ô Ö ÕØ Œ ŠÚ Ù Û Ü ŸÝŽÐ Þ á à â ä ã å æçé è ê ë íìîïıł ñ ó ò ô ö õ ø œ š úù û ü ÿý Alternates, Accented a bdeghm n p q u à á â ã ä å è é ê ë ñ ù ú û ü A VWÀ Á Â Ã Ä Å AV W À Á Â Ã Ä ÅGY Ý Ÿ a fg w wà á â ã ä å fi fl O Q o ÒÓ Ô Õ Ö Ø ò ó ô õ ö ø AEMN RU À Á Â Ã Ä Å È É Ê Ë Ñ Ù Ú Û Ü bd fghj k l p q tyýÿfi fl A E EFG GH K KQQQ R R X X ZZYY À Á Â Ã Ä Å ÈÉÊËÈÉÊË Currency Symbols $ ƒ Numerators, etc. ⁰ 1²³⁴⁵ ⁶ ⁷ ⁸ ⁹ = ( ) = ( ) Ordinals A BCDEFG H I J K L M N O P Q RS TUVWX Y Z Fractions ¼½¾ Mathematical Symbols ~=+ < > ± μ

16 16 V I C E R OY O P E N Y T P E F E AT U R E S D E A C T I VAT E D Case Sensitive Form»Hamburge-fontivesHAMBURGE-FONTIVES«All Caps Hamburgefontives HAMBURGEFONTIVES Standard Ligatures Hamburgefintifles Hamburgefintifles Discretionary Ligatures chocolate gift ist cocolate gift ist THE CHOCOLATE THE CHOCOLATE Proportional Lining Default Proportional Oldstyle Superscript/Superior Handglove2(N+X) Handglove2(N+X) Subscript/Scientific Inferiors H20 CO2 H₂0 CO₂ Numerators Handglove123ABC Handglove123ABC Denominators Handglove123ABC Handglove123ABC Fractions 123/456 A/S C/O 123/456 A/S C/O Ordinals 5th Avenue 2nd Floor 5th Avenue 2nd Floor Swashes See also Stylistic Sets 13 and 14 HAMBURGEFONTIV & HAMBURGEFONTIV & Stylistic Set 1 Open Variants Hamburgefontives & A C T I VAT E D Hamburgefontives &

17 17 V I C E R OY O P E N Y T P E F E AT U R E S D E A C T I VAT E D Stylistic Set 2 Descender Variants Gamburgefontives Gamburgefontives Stylistic Set 3 Alternate: Y Yamburgefontives Yamburgefontives Stylistic Set 4 Right Slanted Variants AMBURGEFONTIVES AMBURGEFONTIVES Stylistic Set 5 Left Slanted Variants AMBURGEFONTIVES AMBURGEFONTIVES Stylistic Set 6 Alternate: a Hamburgefontives Hamburgefontives Stylistic Set 7 Alternate: g Hamburgefontives Hamburgefontives Stylistic Set 8 Alternate: w 1 Hamburgefontiwes Hamburgefontiwes Stylistic Set 9 Alternate: w 2 Hamburgefontiwes Hamburgefontiwes Stylistic Set 10 Alternate: o, O ÖRGEFONT örgefont ÖRGEFONT örgefont Stylistic Set 11 Unicase Variants HAMBURGEFONTIVES HAMBURGEFONTIVES Stylistic Set 12 Elongated Variants hamburgefontives hamburgefontives Stylistic Set 13 Alternate Swashes 1 QUAMBURGEFONTIVEX QUAMBURGEFONTIVEX Stylistic Set 14 Alternate Swashes 2 HAMBURGEFONTIVES QUAMBURGEFONTIVEX Stylistic Set 15 Wide o Ligature Chocolate CHOCO Chocolate CHOCO A C T I VAT E D

18 18 STYLES INCLUDED Regular Italic Bold Light CHARACTER SET Standard Character Set providing coverage for Western European languages F I L E FO R M AT Desktop: OpenType PS CHARACTERS 656 characters per weight RELEASE YEAR 2007 LANGUAGE SUPPORT Albanian, Basque, Cornish, Dutch, Danish, English, Faroese, Filipino, Finnish, French, Frisian West, Galician, German, Icelandic, Indonesian, Interlingua, Irish, Italian, Kinyarwanda, Malay, Manx, Norwegian (Bokmål and Nynorsk), Oromo, Portuguese, Somali, Sotho (Northern and Southern) Spanish, Swahili, Swedish, Tsonga, Xhosa, Zulu AVAILABLE VIA, DESIGNER Andrea Tinnes and Verena Gerlach C O N TA C T Andrea Tinnes, typecuts, Schliemannstraße 6, c/o Das Deck, Berlin, Germany Verena Gerlach, Obentrautstraße 46, Berlin, Germany ABOUT TYPECUTS typecuts is an independent font and graphic label, dedicated to create and produce original contemporary fonts for retail and custom use. typecuts was founded in 2004 by Andrea Tinnes to publish and promote her own fonts which are available from the typecuts website as well as from primetype. COPYRIGHT Viceory 2007 Andrea Tinnes, Verena Gerlach Viceory PDF 2014 Andrea Tinnes, typecuts All rights

19 Andrea Tinnes + Verena Gerlach SPECIMEN CH

Das Deck. Andrea Tinnes DAS DECK SPECIMEN.

Das Deck. Andrea Tinnes DAS DECK SPECIMEN. Andrea Tinnes SPECIMEN 2002 1 Das Deck R 2 A V A R I O U S W E I G H T S 7 0 / 7 7 pt ABCDEFGH ({[«&»]}) @ Ω Æ 3 I N FO R M AT I O N B S T E N C I L 100 pt DESIGN Andrea Tinnes YEAR 2001 STYLES Sans and

More information

PTL ROLETTA SPECIMEN BOOK. type specimen book PTL Roletta Sans, Slab and Ornaments Designed by Andrea Tinnes Published by primetype.

PTL ROLETTA SPECIMEN BOOK. type specimen book PTL Roletta Sans, Slab and Ornaments Designed by Andrea Tinnes Published by primetype. PTL Roletta primetype 1 PTL ROLETTA SPECIMEN BOOK type specimen book PTL Roletta Sans, Slab and Ornaments Designed by Andrea Tinnes Published by primetype www.primetype.com PTL Roletta primetype 2 CONTENT

More information

CamingoDos Pro. A type family of 14 fonts Designed by Jan Fromm

CamingoDos Pro. A type family of 14 fonts Designed by Jan Fromm CamingoDos Pro A type family of 14 fonts Designed by Jan Fromm ExtraLight ExtraLight Italic Light Light Italic Regular Regular Italic SemiBold SemiBold Italic Bold Bold Italic ExtraBold ExtraBold Italic

More information

New concept in readability. Neology

New concept in readability. Neology New concept in readability. Neology Neology This typeface has been designed to demonstrate a hypothesis: Consistency in letter form and style is not essential to fluent reading. Possibility: controlled

More information

THE STORY OF. Normal MICKEY SNAGS Earth Rockets. Decorative Set MICKEY SNAGS Earth Rockets. Elegant Set MICKEY SNAGS Earth Rockets

THE STORY OF. Normal MICKEY SNAGS Earth Rockets. Decorative Set MICKEY SNAGS Earth Rockets. Elegant Set MICKEY SNAGS Earth Rockets THE Mostra STORY Nuova OF alternate characters AAACCEEFFG GGGKKMMM MQQQQRR SSSSSWWYY aacceeggiijj kkrrsssssuuzz some of the stylistic sets Normal MICKEY SNAGS Earth Rockets Decorative Set MICKEY SNAGS

More information

Speed Playtype. Speed Playtype Design: Jonas Hecksher, 2000 Published: Weight in Speed Playtype: Regular

Speed Playtype. Speed Playtype Design: Jonas Hecksher, 2000 Published: Weight in Speed Playtype: Regular Vesterbrogade 80 B 1620 Copenhagen The Concept Store Værnedamsvej 6 1619 Copenhagen Speed Playtype 1 Speed Playtype is an online type foundry and concept store, created 10/12 Point More days in daze. More

More information

This is a great font for use with cutting machines. Lots of options to create monograms, signage and adorable nursery wall art!

This is a great font for use with cutting machines. Lots of options to create monograms, signage and adorable nursery wall art! Fratello Nick Pro Guidebook The Fratello Nick font family is inspired & dedicated to Debi s son Nick: attempting to capture his past, present, and future in one big font family that contains as much character

More information

Regius FONT VERSION 1,0 AUGUST Design: Jan-Christian Bruun. Version no / Weights in Regius Family: Regular, Bold

Regius FONT VERSION 1,0 AUGUST Design: Jan-Christian Bruun. Version no / Weights in Regius Family: Regular, Bold 1 Regius FONT VERSION 1,0 AUGUST 2016 2 Regius Regular Regius Black 10/12 Point The idea of layers of time and understanding was the main driver behind the new visual concept for the museum. Allowing for

More information

1/11. Suisse Collection Specimen.pdf

1/11. Suisse Collection Specimen.pdf Swiss Typefaces Suisse PDF Specimen 1/11 Suisse Collection Specimen.pdf Overview Suisse Works 2/11 Suisse Works Regular Suisse Works Regular Italic Suisse Works Book Suisse Works Book Italic Suisse Works

More information

mvb Verdigris Pro 2 of 24

mvb Verdigris Pro 2 of 24 vbverdigris vb Verdigris Pro 2 of 24 Garalde: the word itself sounds antique and arcane to anyone who isn t fresh out of design school, but the sort of typeface it describes is actually quite failiar to

More information

Noir Light Noir Regular Noir Book Noir Bold

Noir Light Noir Regular Noir Book Noir Bold Noir Family 1 Noir Light Noir Regular Noir Book Noir Bold 10/12 Point More days in daze. More scripts, more novels. More pages and clammy business cards passed of in moist handshakes. More Melissa. More

More information

Exit. Exit. Design: Jonas Hecksher, 2012 Published: 2012 Version no /2012 Character set: Advanced. 1 Weight in Exit Regular

Exit. Exit. Design: Jonas Hecksher, 2012 Published: 2012 Version no /2012 Character set: Advanced. 1 Weight in Exit Regular 1 Weight in 1 10/12 Point A font of immanent boldness in the contemporary super elliptic square style. The straightforward bold expression derives from 1930s photographs of French market signs. is a tribute

More information

Agita Regular Agita DemiBold Agita Bold

Agita Regular Agita DemiBold Agita Bold Agita Family 1 Agita Regular Agita DemiBold Agita Bold 10/12 Point More days in daze. More scripts, more novels. More pages and clammy business cards passed of in moist handshakes. More Melissa. More pointless

More information

PLAYTYPE. 1 All Fonts are in this format: Opentype The Wave. Design: Jonas Hecksher Published: Version no / STYLES 1 FAMILy FAMILY

PLAYTYPE. 1 All Fonts are in this format: Opentype The Wave. Design: Jonas Hecksher Published: Version no / STYLES 1 FAMILy FAMILY 1 Design: Jonas Hecksher Published: 2010 5 STYLES 1 FAMILy FAMILY Playtype is an online type foundry and concept store, created as a place to play, a home for experimentation and a showcase of our craft.

More information

Ventiquattro PLAYTYPE. 1 All Fonts are in this format: Opentype. Design: Jonas Hecksher Published: Version no /2010.

Ventiquattro PLAYTYPE. 1 All Fonts are in this format: Opentype. Design: Jonas Hecksher Published: Version no /2010. 1 All Fonts are in this format: Opentype Design: Jonas Hecksher Published: 2010 Version no. 1.001/2010 1 STYLE FAMILy Ventiquattro store, created as a place to play, a home for experimentation and a showcase

More information

Design Concept. Harmony Transparency Syntax Fluid Technique

Design Concept. Harmony Transparency Syntax Fluid Technique Design Concept The Prodigy typeface revolves around the classical musician known as Wolfgang Amadeus Mozart. Without getting too caught up in all the theory behind it, Mozart essentially creates a lot

More information

LOGOMANUAL brand Fortemix

LOGOMANUAL brand Fortemix LOGOMANUAL brand Fortemix For accurate use Acrobat Reader Download on the Fortemix Google Drive Table of Contents 1 Logotype Fortemix 1.1 Basic variants of logotypes 5 1.2 Monochrome variants 6 1.3 Logotype

More information

BRAND GUIDELINES RELEASED / APRIL 2017

BRAND GUIDELINES RELEASED / APRIL 2017 BRAND GUIDELINES RELEASED / APRIL 2017 LOGOS & USAGE BRAND GUIDELINES / APRIL 2017 2 PRIMARY LOGOTYPE PRIMARY LOGOTYPE The logo is not integrated with text. Any pairing of text and the Primary logotype

More information

Acedemy Serif PLAYTYPE. Design: Jonas Hecksher Published: STYLES 2 FAMILIES FAMILIES ACADEMY SERIF FAMILY

Acedemy Serif PLAYTYPE. Design: Jonas Hecksher Published: STYLES 2 FAMILIES FAMILIES ACADEMY SERIF FAMILY 1 Design: Jonas Hecksher Published: 2010 7 STYLES 2 FAMILIES FAMILIES Acedemy Sans Acedemy Serif Playtype is an online type foundry and concept store, created as a place to play, a home for experimentation

More information

Voqal Identity Guidelines. August 2018 Version 4.0

Voqal Identity Guidelines. August 2018 Version 4.0 Voqal Identity Guidelines August 2018 Version 4.0 2 The Voqal Logo Core Brand ldentity EIements The Voqal master brand logo consists of the logotype, the canopy graphic element and tagline (called a logo

More information

This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 3.1.

This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 3.1. Range: 1D100 1D1FF The Unicode Standard 3.1 This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 3.1. The characters in this file that

More information

Graphic Identity Manual MARKETING DEPARTMENT

Graphic Identity Manual MARKETING DEPARTMENT Graphic Identity Manual MARKETING DEPARTMENT Introduction The success of the Westfield State graphic identity depends on the consistent use of communications materials by everyone involved with the university.

More information

OUYA IS A NEW KIND OF GAME CONSOLE FOR THE TV THAT BRINGS THE OPENNESS OF MOBILE AND INTERNET PLATFORMS TO THE BIG SCREEN FOR THE FIRST TIME.

OUYA IS A NEW KIND OF GAME CONSOLE FOR THE TV THAT BRINGS THE OPENNESS OF MOBILE AND INTERNET PLATFORMS TO THE BIG SCREEN FOR THE FIRST TIME. BRAND GUIDE OUYA IS A NEW KIND OF GAME CONSOLE FOR THE TV THAT BRINGS THE OPENNESS OF MOBILE AND INTERNET PLATFORMS TO THE BIG SCREEN FOR THE FIRST TIME. TABLE OF CONTENTS 01 LOGO 4 02 TYPOGRAPHY 14 03

More information

CREATIVE IMPULSE: AN INTRODUCTION TO THE ARTS (8TH EDITION) BY DENNIS J. SPORRE

CREATIVE IMPULSE: AN INTRODUCTION TO THE ARTS (8TH EDITION) BY DENNIS J. SPORRE CREATIVE IMPULSE: AN INTRODUCTION TO THE ARTS (8TH EDITION) BY DENNIS J. SPORRE DOWNLOAD EBOOK : CREATIVE IMPULSE: AN INTRODUCTION TO THE ARTS (8TH EDITION) BY DENNIS J. SPORRE PDF Click link bellow and

More information

PLAYTYPE. Design: Jonas Hecksher Published: STYLES 1 FAMILY FAMILY DU NORD FAMILY

PLAYTYPE. Design: Jonas Hecksher Published: STYLES 1 FAMILY FAMILY DU NORD FAMILY 1 All Fonts are in this format: Opentype Design: Jonas Hecksher Published: 2010 5 STYLES 1 FAMILY FAMILY Playtype is an online type foundry and concept store, created as a place to play, a home for experimentation

More information

Hazlewood Thin Hazlewood Light Hazlewood Regular Hazlewood DemiBold Hazlewood Bold. Hazlewood Italic Hazlewood Condensed.

Hazlewood Thin Hazlewood Light Hazlewood Regular Hazlewood DemiBold Hazlewood Bold. Hazlewood Italic Hazlewood Condensed. Hazlewood Thin Hazlewood Light Hazlewood Regular Hazlewood DemiBold Hazlewood Bold Hazlewood Italic Hazlewood Family 10/12 Point More days in daze. More scripts, more novels. More pages and clammy business

More information

BRAND GUIDELINES. DavidMason.com or CHICAGO SAINT LOUIS CENTER CITY NORRISTOWN

BRAND GUIDELINES. DavidMason.com or CHICAGO SAINT LOUIS CENTER CITY NORRISTOWN BRAND GUIDELINES DavidMason.com or Info@DavidMason.com SAINT LOUIS CHICAGO CENTER CITY NORRISTOWN 800 South Vandeventer Ave. St. Louis, Missouri 63110 Phone: 314.534.1030 Fax: 314.534.1053 464 North Milwaukee

More information

Nationale Family. Version no /2013

Nationale Family. Version no /2013 Nationale Family 1 Nationale Thin Nationale Light Nationale Regular Nationale Medium Nationale DemiBold Nationale Bold Nationale ExtraBold Nationale Black Nationale Thin Italic Nationale Light Italic Nationale

More information

Brock Landrum. brocklandrum.com Buena Vista Dr., Champaign, IL STUDENT WORK

Brock Landrum. brocklandrum.com Buena Vista Dr., Champaign, IL STUDENT WORK Brock Landrum brocklandrum.com brockdl2@illinois.edu 1.208.512.3224 204 Buena Vista Dr., Champaign, IL 61820 STUDENT WORK September 27, 2018 7 pm at Krannert Center for the Performing Arts Ninth Letter

More information

Routledge Colloquials 2010 Complete Language Courses for Beginners

Routledge Colloquials 2010 Complete Language Courses for Beginners Routledge Colloquials 2010 Complete Language Courses for Beginners Over 70 languages Recorded by native speakers Clear, easy-to-follow, self study courses Undoubtedly the best series of in-depth language

More information

The story of LOS FELIZ

The story of LOS FELIZ los feliz los feliz The story of LOS FELIZ A typeface designed by CHRISTIAN SCHWARTZ Story by MATT TRAGESSER CHRISTIAN SCHWARTZ & RUDY VANDERLANS Photographs by MATT TRAGESSER MATT: THE STORY OF LOS FELIZ

More information

BRAND STYLE GUIDE v

BRAND STYLE GUIDE v BRAND STYLE GUIDE v.2.0 04.05.2015 OVERVIEW TABLE OF CONTENTS This document is designed to maintain the integrity of the Kirkwood Station Brewing Company brand and brand assets. Contained within are guidelines

More information

LUDIS IUNGIT VISUAL IDENTITY GUIDELINES

LUDIS IUNGIT VISUAL IDENTITY GUIDELINES LUDIS IUNGIT VISUAL IDENTITY GUIDELINES of the Logo 2 Logo Meaning The PANATHLON INTERNATIONAL LUDIS IUNGIT logo is made up of a pictogram and a logo. Both elements are aligned centrally. The pictogram

More information

MUSIC. Paper 1 Practical Test 15% about 10 minutes Paper 2 Listening Test 25% 1½ hours Paper 3 Theory & History of Music % 3 hours

MUSIC. Paper 1 Practical Test 15% about 10 minutes Paper 2 Listening Test 25% 1½ hours Paper 3 Theory & History of Music % 3 hours MUSIC AIMS The aims of this syllabus are to encourage the habit of listening intelligently to music, to develop music literacy and to have a general understanding of Western and Chinese music culture.

More information

OUR VISION WHERE WE RE GOING

OUR VISION WHERE WE RE GOING 1 INTRODUCTION A brand is not just a logo or a strap line. A brand is a set of beliefs, goals and values that guides an organisation, its decisions and communications, both internally and externally. To

More information

Brand Guidelines. December 2016

Brand Guidelines. December 2016 Brand Guidelines December 2016 The Netivity name has been synonymous with indoor cellular solutions that improve people s lives. In these demanding times for information and communications technology,

More information

3.1 Corporate Logotype Primary vertical version

3.1 Corporate Logotype Primary vertical version 3.1 Corporate Logotype Primary vertical version Our new logotype (or logo) is a modern representation of our company. It is designed to clearly and proudly reflect our brand promise advocates for innovation

More information

INTRODUCTION. NASS is an action sports & music festival that celebrates the very best of alternative culture, bringing you three days of:

INTRODUCTION. NASS is an action sports & music festival that celebrates the very best of alternative culture, bringing you three days of: BRAND GUIDELINES INTRODUCTION NASS is an action sports & music festival that celebrates the very best of alternative culture, bringing you three days of: PRO SKATE + BMX COMPETITIONS WITH THE WORLD S BEST

More information

TOWN OF QUEEN CREEK BRAND GUIDE

TOWN OF QUEEN CREEK BRAND GUIDE BRAND GUIDE DEC2016 BRAND GUIDE INTRODUCTION CONTACT TOWN OF QUEEN CREEK COMMUNICATIONS, MARKETING AND RECREATION DEPARTMENT 22358 SOUTH ELLSWORTH ROAD QUEEN CREEK, AZ 85142 480-358-3198 communication@queencreek.org

More information

Innovative Education Grounded In Tradition. Brand Standards. Beechwood INDEPENDENT SCHOOLS

Innovative Education Grounded In Tradition. Brand Standards. Beechwood INDEPENDENT SCHOOLS Innovative Education Grounded In Tradition. Brand Standards INDEPENDENT SCHOOLS As the current stewards of Schools, the purpose of these branding guidelines is to provide guidance for each stakeholder

More information

visual identity guidelines

visual identity guidelines visual identity guidelines Georgetown University Alumni Association s visual identity looks to the past for inspiration but must remain relevant for the 21st century and be responsive to the varied needs

More information

wirelessgroup.co.uk Updated: Brand Guidelines 1/7/2018 V1.0 Brand Guidelines Version 1.0

wirelessgroup.co.uk Updated: Brand Guidelines 1/7/2018 V1.0 Brand Guidelines Version 1.0 wirelessgroup.co.uk Updated: Brand Guidelines 1/7/2018 1 Brand Guidelines Version 1.0 wirelessgroup.co.uk Brand Guidelines 2 Contents 03 04 07 09 11 12 13 14 Primary Logo Secondary Logos Group Indicator

More information

one M2M Logo Brand Guidelines

one M2M Logo Brand Guidelines one M2M Logo Brand Guidelines July 2012 Logo Design Explanation What does the one M2M logo symbolize? The number 2 in the middle part of the logo symbolizes the connection between the two machines, the

More information

FACILITYLINK CORPORATE IDENTITY MANUAL

FACILITYLINK CORPORATE IDENTITY MANUAL FACILITYLINK CORPORATE IDENTITY MANUAL Table of Contents Page 2 of 47 Introduction 3 Corporate Design Elements 7 Corporate Design Application 25 Logo Application for Subsidised Activities 44 Table of Contents

More information

UNIVERSITY OF KENTUCKY ATHLETICS BRAND IDENTITY

UNIVERSITY OF KENTUCKY ATHLETICS BRAND IDENTITY UNIVERSITY OF KENTUCKY ATHLETICS BRAND IDENTITY CONTENTS 2 UNIVERSITY OF KENTUCKY ATHLETICS INTRODUCTION INTRODUCTION 4 VISION Though our reputation and core values have remained consistent, our visual

More information

Brand Guidelines 2018

Brand Guidelines 2018 Contents Logotype 03 Space required of logotype 04 Logo variants 05 Incorrect use of logotype 06 Brand colours 07 Typefaces 08 Additional graphic elements 09 Supporting logo for EHNS countries 10 Logotype

More information

Corporate Identity & Branding Program

Corporate Identity & Branding Program 2009 Corporate Identity & Branding Program Contents Corporate Identity 3 Brand Families Overview 4 The Design Stories 5 The Cobra Brand 6 Color Palette 8 Typography 9 3 Corporate Identity Cold Cut Systems

More information

New Press PLAYTYPE. Design: Jonas Hecksher Published: FAMILY New Press 3 STYLES 1 FAMILY. concept store, created as a place to play, a

New Press PLAYTYPE. Design: Jonas Hecksher Published: FAMILY New Press 3 STYLES 1 FAMILY. concept store, created as a place to play, a 1 Design: Jonas Hecksher Published: 2010 3 STYLES 1 FAMILY FAMILY Playtype is an online type foundry and concept store, created as a place to play, a home for experimentation and a showcase of our craft.

More information

OUR MISSION: We at Metro Transit deliver environmentally sustainable transportation choices that link people, jobs and community conveniently,

OUR MISSION: We at Metro Transit deliver environmentally sustainable transportation choices that link people, jobs and community conveniently, OUR MISSION: We at Metro Transit deliver environmentally sustainable transportation choices that link people, jobs and community conveniently, consistently and safely. d Metro Transit Brand Standards The

More information

Gift. Range. Quagmire PUNK ROCK. Okra & Beans INFORMAL STYLE. Xylophone Parade TODAY ONLY: $ Enjoying your new car?

Gift. Range. Quagmire PUNK ROCK. Okra & Beans INFORMAL STYLE. Xylophone Parade TODAY ONLY: $ Enjoying your new car? Felt Tip Roman Gift Range Quagmire PUNK ROCK Okra & Beans INFORMAL STYLE Xylophone Parade TODAY ONLY: $298.95 Enjoying your new car? I DIDN T KNOW IT COULD BE FUN! The humorous story is told gravely. The

More information

Great Falls College Montana State University Graphic Standards

Great Falls College Montana State University Graphic Standards Table of Contents Why are graphic standards important?... A The Great Falls College Montana State University brand... B Vision, Mission and Values...B1 Core Themes...B2 The Brand Components... C The Academic

More information

TERADATA 2015 PARTNERS CONFERENCE & EXPO BRANDED ST YLE GUIDE

TERADATA 2015 PARTNERS CONFERENCE & EXPO BRANDED ST YLE GUIDE TERADATA 2015 PARTNERS CONFERENCE & EXPO BRANDED ST YLE GUIDE Breaking Big BREAKING BIG is an assertive, positive, and empowering theme that will resonate with and inspire the PARTNERS target audience

More information

CLICK TO GO BACK TO THE START CLICK TO JUMP TO ANY SECTION

CLICK TO GO BACK TO THE START CLICK TO JUMP TO ANY SECTION Style Guide CLICK TO GO BACK TO THE START CLICK TO JUMP TO ANY SECTION 2 2018 TABLE OF CONTENTS 3 BRAND POSITION 4 FAMILY OF MARKS 17 Mission Statement 5 Tournament of Roses 19 Vision Statement 5 Rose

More information

This tool is the collection of all the fundamental rules for the use of BOCAhealth brand. Its use helps to make all the communication tools coherent

This tool is the collection of all the fundamental rules for the use of BOCAhealth brand. Its use helps to make all the communication tools coherent B R A N D B O O K This tool is the collection of all the fundamental rules for the use of BOCAhealth brand. Its use helps to make all the communication tools coherent each other, reinforcing the image

More information

BiDisp3. New! PRODUCTION SYSTEMS. A robust, flexible colour display for industrial applications

BiDisp3. New! PRODUCTION SYSTEMS. A robust, flexible colour display for industrial applications PRODUCTION SYSTEMS BiDisp A robust, flexible colour display for industrial applications Bright, full graphics LED matrix Energy-efficient and long service life Suitable too tough industrial environments

More information

Bran d Identity Guide

Bran d Identity Guide UNC ESHELMAN SCHOOL OF PHARMACY Brand Identity Guide Table of Contents INTRO 3 LOGO 5 Horizontal 6 Vertical 8 PROMISE 10 FONTS 12 COLORS 14 BRAND IMAGERY 16 Graphic Elements 17 Icons 18 Photography 19

More information

1.0 SDSU Research Foundation. The New SDSU Research Foundation Graphic Identity System

1.0 SDSU Research Foundation. The New SDSU Research Foundation Graphic Identity System 1.0 The New SDSU Research Foundation Graphic Identity System Table of Contents A Message from the Chief Executive Officer...................3 The Vertical Logo............................................4-7

More information

Version 3:0 September 2015

Version 3:0 September 2015 Identity guidelines Version 3:0 September 2015 The Buxton logotype The new logotype embraces the concept of water - and a source of water. The focal point of the design is the letter O' where water emerges

More information

Cinema Pacific Film Festvial

Cinema Pacific Film Festvial Graphic Standards for Cinema Pacific Film Festvial Emma Hsu Fall 2013 Graphic Standards for Cinema Pacific Film Festvial 2 Table of Contents Introduction Glossary Logo watermark Color Typography Business

More information

BRAND GUIDELINES

BRAND GUIDELINES BRAND GUIDELINES 2018-19 Mount Pisgah Christian School Department of Admissions and Marketing OUR BRAND Our brand is the composite of all elements that communicate to the world who we are as a school and

More information

Canadian Aquatic Invasive Species Network

Canadian Aquatic Invasive Species Network Canadian Aquatic Invasive Species Network Graphic Standards Manual Effective January 2007 This Graphic Standards Manual covers the graphic identity guidelines for the Canadian Aquatic Invasive Species

More information

Visual Branding Guidelines. Holy Angel University

Visual Branding Guidelines. Holy Angel University Visual Branding Guidelines Holy Angel University b The HAU Eternal Affairs and Corporate Communications Office Prepared by Robby Tantingco and Rei Naldo II Garcia Visual Branding Guidelines THE SHIELD

More information

Graphic Standards. A guide to Lane s visual identity, with information on using the college logo, Lane colors and typefaces, stationery, and more.

Graphic Standards. A guide to Lane s visual identity, with information on using the college logo, Lane colors and typefaces, stationery, and more. Graphic Standards A guide to Lane s visual identity, with information on using the college logo, Lane colors and typefaces, stationery, and more. TABLE OF CONTENTS Introduction to Graphic Standards...1

More information

PLAYTYPE. Design: Jonas Hecksher Published: STYLES FAMILy concept store, created as a place to play,

PLAYTYPE. Design: Jonas Hecksher Published: STYLES FAMILy concept store, created as a place to play, 1 Design: Jonas Hecksher Published: 2010 Version no. 1.001/2010 6 STYLES FAMILy Playtype is an online type foundry and concept store, created as a place to play, a home for experimentation and a showcase

More information

Brand Style Guide January 2018

Brand Style Guide January 2018 Brand Style Guide January 2018 Introduction Keeping a well-rounded and consistent brand is crucial in an industry filled with many logos and brands with similar graphics and colors. The brand elements

More information

Published By. Office of Marketing & Communications The University of Texas at Tyler uttyler.edu/marketing/

Published By. Office of Marketing & Communications The University of Texas at Tyler uttyler.edu/marketing/ Brand Guide Published By Office of Marketing & Communications The University of Texas at Tyler uttyler.edu/marketing/ Table of Contents INTRODUCTION 3 Our Branding 4 OUR LOGOS 7 Our Logo 8 Primary Usage

More information

Published By. Office of Marketing & Communications The University of Texas at Tyler uttyler.edu/marketing/

Published By. Office of Marketing & Communications The University of Texas at Tyler uttyler.edu/marketing/ Brand Guide Published By Office of Marketing & Communications The University of Texas at Tyler uttyler.edu/marketing/ Table of Contents Introduction INTRODUCTION 3 Our Branding 4 OUR LOGOS 7 Our Logo 8

More information

GRAPHIC STANDARDS MANUAL

GRAPHIC STANDARDS MANUAL GRAPHIC STANDARDS MANUAL Azusa Pacific University is an, evangelical Christian community of disciples and scholars who seek to advance the work of God in the world through academic excellence in liberal

More information

CONTENTS 1. LOGOTYPE 2. BRAND IDENTITY FINAL COMMENTS Concept 1.2. Structure & proportions Using the logotype

CONTENTS 1. LOGOTYPE 2. BRAND IDENTITY FINAL COMMENTS Concept 1.2. Structure & proportions Using the logotype www.syno-int.com BRAND GUIDELINES CONTENTS 1. LOGOTYPE 4 1.1. Concept 4 1.2. Structure & proportions 6 1.3. Using the logotype 8 1.4. Versions 10 1.5. Usability on different backgrounds 12 1.6. Usability

More information

PART TWO Chapters 5 8 HISTORY OF GRAPHIC & WEB DESIGN

PART TWO Chapters 5 8 HISTORY OF GRAPHIC & WEB DESIGN PART TWO Chapters 5 8 1 PART TWO Chapters 5 8 A Graphic Renaissance 1 CHAPTER FIVE Printing comes to Europe ` 2 CHAPTER FIVE Printing comes to Europe ` Typography is the term for printing with independent,

More information

VICTORY BREWING COMPANY LOGOS

VICTORY BREWING COMPANY LOGOS REVISION DATE - 5/2/2017 VICTORY BREWING COMPANY LOGOS Victory Brewing Company offers the following logos for marketing and branding needs. BANNER LOGO BOTTLE CAP LOGO VICTORY BREWING COMPANY LOGOTYPE

More information

Key Terms from Lecture #1: Making Language Visible Sign: an object indicating the probable presence or occurrence of something else; an indication.

Key Terms from Lecture #1: Making Language Visible Sign: an object indicating the probable presence or occurrence of something else; an indication. Key Terms from Lecture #1: Making Language Visible Sign: an object indicating the probable presence or occurrence of something else; an indication. Symbol: a thing that represents or stands for something

More information

RE/MAX COMMERCIAL. Trademark & Graphic Standards th Edition. Download the full version of the 2010 RE/MAX Trademark & Graphic Standards manual

RE/MAX COMMERCIAL. Trademark & Graphic Standards th Edition. Download the full version of the 2010 RE/MAX Trademark & Graphic Standards manual RE/MAX COMMERCIAL Trademark & Graphic Standards 2010 14th Edition Your Guide To SIGNS LOGOS PERSONAL PROMOTION Download the full version of the 2010 RE/MAX Trademark & Graphic Standards manual The RE/MAX

More information

Brand Guidelines 2017

Brand Guidelines 2017 Brand Guidelines 2017 Table of Contents introduction welcome to burke mission logo usage standard standards with taglines color usage improper logo usage specialty usage color palette and gradients typography

More information

Steradian by Eduardo Manso. Emtype Foundry. 400 pt. Available from emtype.net and its distributors Emtype Foundry. All rights reserved.

Steradian by Eduardo Manso. Emtype Foundry. 400 pt. Available from emtype.net and its distributors Emtype Foundry. All rights reserved. 400 pt Stera Available from emtype.net and its distributors. 2018. All rights reserved. E1abc Bold 343 pt Available from emtype.net and its distributors. 2018. All rights reserved 3 / 43 16 Styles 40

More information

Try Swedish Design Concept May 2018 v2.0. Page 1/16

Try Swedish Design Concept May 2018 v2.0. Page 1/16 Try Swedish Design Concept May 2018 v2.0 Page 1/16 Index Logotype 3 Colors 5 Typeface 7 Images 9 Catchphrase 11 Exhibition stand 13 Page 2/16 Logotype Page 3/16 Logotype Wide logotype Narrow logotype The

More information

VISUAL CHARTER SCREEN BRUSSELS

VISUAL CHARTER SCREEN BRUSSELS VISUAL CHARTER SCREEN BRUSSELS 2017 WWW.SCREEN.BRUSSELS CONTENT P.03 LOGO AND ITS BUFFER ZONE P.04 APPLYING THE LOGO ON A BACKGROUND P.05 MONOCHROME LOGO P.06 DON TS P.07 MAIN FONTS P.08 SECONDARY FONTS

More information

Geia sou, 5g font. Alessandro Segalini and 16 other people.

Geia sou, 5g font. Alessandro Segalini and 16 other people. Geia sou, me lene Alessandro Segalini. this is the 5g font, he :) this 5g was a class at the art school in Piacenza, Italy. after teaching some type design basics I got the idea for a memento font so I

More information

Primary Logo. Primary Logo Size and Scaling. The primary logo is also based on a natural rhythm or meter of five.

Primary Logo. Primary Logo Size and Scaling. The primary logo is also based on a natural rhythm or meter of five. Primary Logo The primary logo is also based on a natural rhythm or meter of five. 1 2 3 4 5 Primary Logo Size and Scaling The logos are all saved to paths which means they are rendered as vector art and

More information

Sun Records Albums

Sun Records Albums Sun Records Albums 1957-1968 Sun LP Pressing Identifiers The three factories that usually pressed for Sun Records were: Plastic Products of Memphis (TN), operating out of 1746 Chelsea Avenue next to Kilowatt

More information

MORE THAN YOU KNOW. GRAPHIC STANDARDS GUIDE v.2

MORE THAN YOU KNOW. GRAPHIC STANDARDS GUIDE v.2 MORE THAN YOU KNOW GRAPHIC STANDARDS GUIDE v.2 Making Our Message Clear CONTENTS 04 Logo 05 Color 06 Type Families 08 Proper Logo Usage 10 Improper Logo Usage 12 Branded Imagery 14 Application Examples

More information

VISUAL VOCABULARY LECTURE 2 TYPOGRAPHY II COUNTY COLLEGE OF MORRIS PROFESSOR GAYLE REMBOLD FURBERT

VISUAL VOCABULARY LECTURE 2 TYPOGRAPHY II COUNTY COLLEGE OF MORRIS PROFESSOR GAYLE REMBOLD FURBERT VISUAL VOCABULARY LECTURE 2 TYPOGRAPHY II COUNTY COLLEGE OF MORRIS PROFESSOR GAYLE REMBOLD FURBERT Observing abstract form In this chapter, the vocabulary of elements and principles of visual design are

More information

CIM 2019 Convention. April 28 to May 1, 2019 Montréal, Québec, Canada

CIM 2019 Convention. April 28 to May 1, 2019 Montréal, Québec, Canada CIM 2019 Convention Guidelines for Authors / Presenters April 28 to May 1, 2019 Montréal, Québec, Canada Page 1 of 6 1. Important information What would we do without our valued Authors/Presenters! You

More information

International Bibliography of Military History (IBMH) Bibliographie internationale d'histoire militaire. Scope. Ethical and Legal Conditions

International Bibliography of Military History (IBMH) Bibliographie internationale d'histoire militaire. Scope. Ethical and Legal Conditions Scope The International Bibliography of Military History (IBMH) has been published annually since 1978 as an annotated bibliographical survey of the international literature of military history. It focuses

More information

Running head: BASIC APA FORMATTING AND STYLE GUIDE 1

Running head: BASIC APA FORMATTING AND STYLE GUIDE 1 Running head: BASIC APA FORMATTING AND STYLE GUIDE 1 Basic APA Formatting and Style Guide: Wright State University Master of Public Health Program General Formatting A. Margins: 1-inch margins (top, bottom,

More information

Main design manual RONA, a.s.

Main design manual RONA, a.s. DESIGN MANUAL Main categories A Logotype 4 D Printed materials 40 B Font type 26 E Promotional items 50 What is a design manual and what is it used for? C Slogan 32 F Other 64 A design manual is a collection

More information

Charles Ball, "the Georgian Slave"

Charles Ball, the Georgian Slave Charles Ball, "the Georgian Slave" by Ryan Akinbayode WORD COUNT 687 CHARACTER COUNT 3751 TIME SUBMITTED FEB 25, 2011 03:50PM 1 2 coh cap lc (,) 3 4 font MLA 5 6 MLA ital (,) del ital cap (,) 7 MLA 8 MLA

More information

BASIC MANUAL OF CEPSA IDENTITY

BASIC MANUAL OF CEPSA IDENTITY BASIC MANUAL OF CEPSA IDENTITY April 2018 Cepsa Basic Identity Manual Welcome This manual contains all the elements that make up the Cepsa identity. This manual contains all the elements that make up the

More information

Book of visual identification

Book of visual identification Copyright 2018 Table of content 01. Introduction................................................. 3 02. Forms of sign................................................. 4 03. Colour variants of the sign...................................

More information

1. Drawing on Flood (1993), O Sullivan (2013) explains that the choice of font in sixteenthcentury

1. Drawing on Flood (1993), O Sullivan (2013) explains that the choice of font in sixteenthcentury Exercises 1. Drawing on Flood (1993), O Sullivan (2013) explains that the choice of font in sixteenthcentury Germany, during the Reformation period, evoked important ideological distinctions. The roman

More information

Identity Standards Guide: Color Art Integrated Interiors 2012

Identity Standards Guide: Color Art Integrated Interiors 2012 Identity Standards Guide: Color Art Integrated Interiors 2012 Table of Contents Color Art Integrated Interiors 3 3 Color & Type Face 5 Exceptions 5 A. If you are working with a colored background 5 B.

More information

Chapter 7: Renaissance Graphic Design

Chapter 7: Renaissance Graphic Design Chapter 7: Renaissance Graphic Design A Brief History Ancient writing systems Egyptian Hieroglyphics 3200 BC AD 400 Sumerian Cuneiform 3000 BC Greek Alphabet System 800 BC Still used today as technical

More information

Visual Identity Manual

Visual Identity Manual Visual Identity Manual 2014-2020 Updated version: ott 1, 2018 Contents Section I Programme visual identity 1 1. Programme logo 2 1.1. Logo 2 1.2. Logo specification 2 1.3. Colours 4 1.4. Correct usage

More information

CERTIFICATION MARK STANDARDS GUIDE

CERTIFICATION MARK STANDARDS GUIDE CERTIFICATION MARK STANDARDS GUIDE TABLE OF CONTENTS I. Certification Mark...3-4 A. Colors... 4 B. Clear Space... 4 C. Minimum Size... 4 II. Certification Signature...5 1. Horizontal...5 2. With URL...5

More information

Associate Degree for Transfer. Logo Guidelines. February 2017

Associate Degree for Transfer. Logo Guidelines. February 2017 Associate Degree for Transfer Logo Guidelines February 2017 Logo Components The logo is comprised of 3 parts: 1) logotype, 2) logomark, 3) program name. These elements should not be resized, redrawn or

More information

Brand Guidelines. v.4 - February, 2018

Brand Guidelines. v.4 - February, 2018 Brand Guidelines v.4 - February, 2018 Hello! We Are SAV Digital Environments, 2018 Brand Guidelines»2« A Comprehensive, Process-Driven, Integration Firm 2018 Brand Guidelines»3« Offering Design & Installation

More information

Graphic Standards Manual FEBRUARY 20 17

Graphic Standards Manual FEBRUARY 20 17 GRAPHIC STANDARD MANUAL FEB 2017 Graphic Standards Manual FEBRUARY 20 17 INDEX Language Logo and Usages Color Palette Supporting Typefaces Clinic Logo and Usages Signage Business Cards Marketing Materials

More information

Core Health & FITNESS PERSONAL VIEWING SCREEN OWNER S MANUAL

Core Health & FITNESS PERSONAL VIEWING SCREEN OWNER S MANUAL 700-0370 Core Health & FITNESS PERSONAL VIEWING SCREEN OWNER S MANUAL 15.6 PAL / DVB-T / DVB-C CONTENTS page(s) page(s) GENERAL SAFETY and CARE 3-5 Important Safety Instructions... In the Box... Main

More information

Primary Logo cune.edu/logo

Primary Logo cune.edu/logo Primary Logo The Concordia symbol shows the cross, which identifies our central purpose, and the Weller tower spires clustered in groups of four identifying the symbol with Concordia University, Nebraska

More information

FLY THE DREAM BRAND GUIDE

FLY THE DREAM BRAND GUIDE FLY THE DREAM BRAND GUIDE INTRODUCTION PURPOSE AND VALUES BRAND POSITION BRAND VISION BRAND PROMISE MAKING OUR MARK THE IAC BRAND FAMILY 3 4 5 6 7 9 10 CONTENT THE IAC LOGOS TABLE OF CONTENTS IAC SHIELD

More information