4. My Girl. say. She thought I'd had e - nough of her. Why can't she see? in and watch T. V. on my own, ev - ery now and then.

Transcription

1 4. My Girl 7 Q - Sarah: "Maybe I'm not such a good judge of character." Faster Slowly q = 120 Emmo My girl's mad at me 6 I did-n't want to see the film to - night. I found it hard to 9 say. She thought I'd had e - nough of her. Why can't she see? 13 She's love ly to me. But I like to stay 17 in and watch T. V. on my own, ev - ery now and then. 21 Bad Joe My girl's mad at me Been on the te - le - 25 phone for an hour. We hard - ly said a word I tried and tried but I could not be heard. Why can't I ex -

2 8 4. My Girl 31 Emmo 3 3 Why can't she see? She's love -ly to me. But I like to stay plain? Why do I feel this pain? 35 in And watch T V on my own She does -n't un - der - stand. She takes it all the wrong 38 (Lewis bursts in... ) (way.) My girl Underscore Lewis 47 Bad Joe We talked and talked un - til it was light. I thought we'd a greed. I thought we'd talked it out. Now when I try to speak 54 Emmo Bad Joe Emmo Bad Joe Emmo Bad Joe She sort of says. I don't care She says I'm un - a - ware And now she says I'm 57 Lads 3 weak. La la la la la

3 14. One Better Day Good Joe Walk - ing 'round you some - times hear the sun - shine 42 beat - ing down in time with the rhy - thm of your shoes. 46 Underscore Dad She's try-ing to re - mem - ber 60 one bet - ter day. A while a - go when peo - ple stopped 64 Joe (upper) / Dad (lower) Male chorus (harmony) to hear her say Walk - ing 'round you some 67 - times hear the sun - shine beat - ing down in time 71 with the rhy - thm of your shoes. Joe Boys B.V. mp mp The feel - ing of ar - The feel - ing of ar -

4 One Better Day 75 riv riv - ing. When y've no - thing left to lose. - ing. When y've no - thing left to lose. rall. 78 Slow q = 90 [Scene change] Girls B.V. rall. Aah 82 Slower Kath Dad: "You are right in my shoes now, golden boy." Dad: "I stood here after I'd come out of prison." Walk - ing round you some - times Hear the sun - shine Beat - ing down in time 87 with the rhy - thm of your shoes. Dialogue Segue as one

5 17. NW5 53 Q - Sarah: "You earn support, Joe. You don't marry it." In 2 Colla Voce Sarah I have watch'd you climb up, saw you come a - live 5 From ver' y humb -le beg - in -nings in N W 5 9 I have heard you come up be - liev - ing your own lies 13 Wit -nessed the bless - ing rise up in a ver - y strange dis - guise 16 Though you have be - come a burd - en One thing re-mains 20 that's for cert - ain I will love you all my life 23 But with - out you in my life I would give you 27 ev - r'y thing For just that smile you bring For just that

6 NW5 31 song to sing I would give you ev - r'y thing 36 For just that smile you bring For just that song to sing 41 q = 148 Dad I watched you grow up Onl - y to des - pise 45 Saw the mad - ness stack up through tar - pau - lin eyes 49 Sarah Though we face the fin - al cur - tain One thing re-mains that's for cert - ain, 53 I will love you all my life But with - out you in my life 57 Sarah + Dad I would give you ev - r'y thing For just that smile you bring 62 For just that song to sing I would give you ev - r'y thing

7 18. It Must Be Love 61 Q - Good Joe: "The company's called Pressman's." (Dialogue continues simultaneously with the music.) 8 q = 130 Sarah I ne - ver thought I'd miss you half as much as I do And I ne - ver thought I'd fell this way the way I feel a - bout you As soon as I wake up ev - 'ry night, ev - 'ry day I know that it's you I need to take the blues a - way. Chorus Sarah It must be love, love, love. It must be love, 33 love, love. No - thing more, no - thing less, Good Joe love is the best. How can it be that we can say so much with - out words.

8 5 2a. Our House Playoff TACET 2b. Balcony Underscore TACET 3. Simple Equation Q - V.O.: "This is the police." q = Girls B.V. Ooh Aah 13 Ooh Aah 17 Ooh Aah 21 Slightly slower q = 152 Joe's Dad It's the 29 sim - ple e - qua - tion of wrong ver - sus right. Pro -blem as ea - sy as

9 6 3. Simple Equation 32 black ver - sus white the sim - ple e - qua - tion of night ver - sus day 35 Fac - ing the mus - ic or run - ning a - way 'Cos with - out low 38 there is no high. If no - thing fell there'd be no sky. 41 Is it al - ways so ve - ry clear? It's the 45 B.V. days that sep - a - rate the night. The Days that sep - a - rate the night. 49 sha Sha - dows by which we re - cog - nise the light. - dows by which we re - cog - nise the light.

10 71 19a. Simple Equation (Reprise) Q - Sarah: "No matter how much you love someone, Joe, there's times in life you can't say yes." Dad And sud - den - ly wrong turns back to right Black turns 4 slow - ly back to white Skies all sud -den - ly come clear. rall. 7 Dialogue (Judge) We see how we got to here. 16 Bad Joe mp I need a mo - ment to re - flect 19 on the friend - ships I have wrecked. rall. Segue

11 Q - Solicitor: "...custodial sentences..." q = 140 4b. Magistrates Court (All I Wanted/My Girl) Dad: "Custodial?" Joe: "...you mean like prison?" (Guitar) 11 9 Q - Kath: "That doesn't mean you're allowed to touch him." 2nd X: Rall 2nd X: Rall 21 Kath Dad All I want - ed was a word, a -noth - er look a mo - ment more, 25 Kath Dad All I want - ed was a word, a chance to ask what is this for? 29 Kath Dad All I want - ed was a word, whenboth the wrong path and the right Slower Kath (Tpt solo) All I want - ed was a word, leave him lone - ly in the 3 Bad Joe night. Why do I feel this pain? Dad rall (Tpt) rall. She does- n't un - der- stand she does - n't re - al - ise. 44 She takes it all... the wrong (way...) Cutoff Q - Reecey: "Well, well, well."

12 One Better Day 75 riv riv - ing. When y've no - thing left to lose. - ing. When y've no - thing left to lose. rall. 78 Slow q = 90 [Scene change] Girls B.V. rall. Aah 82 Slower Kath Dad: "You are right in my shoes now, golden boy." Dad: "I stood here after I'd come out of prison." Walk - ing round you some - times Hear the sun - shine Beat - ing down in time 87 with the rhy - thm of your shoes. Dialogue Segue as one

13 Vocal Book OUR HOUSE Q - Joe: There's a wrong way and a right way. It's a pretty simple equation. (Doorbell.) q = Opening TACET 1a. Los Palmas Seven TACET 2. Our House Fa - ther wears his Sun -day best Mo - ther's tired she needs a rest, the kids are play -ing up down - stairs. Sis - ter's sigh -ing in her sleep. Joe Bro Joe Priest CHORUS B.V. Oh Emmo + Lewis - ther's got a date to keep he can't hang a -round. Our house 18 in the mid -dle of our street. Our house in the mid -dle of our 21 Joe Our house it has a crowd there's al - ways some -thing hap-pen - ing and it's 24 us Emmo + Lewis - ual - ly quite loud. Our mum she's so house proud. Copyright 2009 by Josef Weinberger Ltd., London PHOTOCOPYING THIS COPYRIGHT MATERIAL IS ILLEGAL

14 18 6. Embarrassment Q - Joe: "Take me or leave me." q. = 152 Careers Officer Reecey Re - ceived a let - ter just the oth - er day don't seem they wan - na 4 know you no more. They laid it down giv - ing you their score. 7 Verse 1 Angie With-in the first two lines it blunt - ly read: You're not to come and see us no more, keep a - way from our door. Billie + Angie Don't come round here no more. What on earth did you Verse 2 Billie Emmo do that for? Our Aunt she don't wan - na know she says 19 Aunt Neighbours Aunt 22 what will the neigh - bours think, they'll think... We don't. That's Neighbours Aunt what they'll think. We don't. But I will 'cos I know they think I don't.

15 Shut Up Q - Joe: "How brilliantly life would have turned out. (Thunderclap.) Copper: "Get the little scumbag!" q. = 151 Reecey Verse 1 I tell you I did - n't do it 'cos 12 I was - n't there, don't blame me, it just is - n't fair. 15 Don't lis - ten to his side, just lis - ten to mine. 17 Chorus Can't think of a sto - ry, sure you'll find me some - time. Now pass the blame 20 and don't blame me. Just close your eyes and count to three. 25 Coppers Reecey One two three. Then I'll be gone and you'll for - get. 29 The bro - ken win - dow T. V. set. 33 Good Joe It was - n't me ei - ther I'm just his mate

16 House of Fun / Rise and Fall / My Girl 63 Slower q = 128 Q - Joe: "No." [ ] (Knock) If that witch is out of Ca - sey Street. 71 Pressman Good Joe Pressman Joe Co - sey. Ca - sey. Ca - sey. Come right in please do. Tell me 74 Good Joe what you want. That's what I'm here for. Off you go. Right. Look I 76 may have got this wrong last night, but I thoughti o - ver - heard some plans for 78 My Girl Ca Pressman - sey Street, now... My wife's mad at me I did - n't want to 81 see the film to - night. She finds it hard to take. 84 She thinks I've had e - nough of her. Why can't she see? 87 She's love ly to me. But tra - gi - cally 91 not as nice as Ju - lie in re - cep - tion who's nine - teen. 16a. Scene Change (Underscore) TACET

17 18 6. Embarrassment Q - Joe: "Take me or leave me." q. = 152 Careers Officer Reecey Re - ceived a let - ter just the oth - er day don't seem they wan - na 4 know you no more. They laid it down giv - ing you their score. 7 Verse 1 Angie With-in the first two lines it blunt - ly read: You're not to come and see us no more, keep a - way from our door. Billie + Angie Don't come round here no more. What on earth did you Verse 2 Billie Emmo do that for? Our Aunt she don't wan - na know she says 19 Aunt Neighbours Aunt 22 what will the neigh - bours think, they'll think... We don't. That's Neighbours Aunt what they'll think. We don't. But I will 'cos I know they think I don't.