LADY OF THE LAKE AUDITION PACKET

Transcription

1 LADY OF THE LAKE AUDTON PACKET

2 Kevboard l/conductor WHATEVER HAPPENED TO MY PART? Spamalot Tour *f Pop ballad \6u_t.-u". hap-pened to my part? t was ex - ci-ting at the Now we're "'J'i+' haliway through Act Two And 've had nothing yet to 've been off +K2: Stgs. o's -169-

3 2. WHATEVER HAPPENED TO MY PART? Spamalot - Tour 15 one un-hap-py di The Pro - du-cer's a de-cei - ver There is no-thing can sing from my +Drs: lite time Em, Em7 A7 Em am/d heart Vln, K2 (+8vb Wha - te - ver hap-pened to my part? Hn, Bs. Cl. mf G Drs: fill - (Tbn. out)! = love life is a mess Vln, K2 (+8vb) 've got con-stant P. M. S. My ca a- bout as reer AS nf +Shaker.t\'s, Tamb. on'4' nfe+e;;ee *6x.. Drs: Time (X-stick backbeat) >>> sim. +Tbn. >> -170-

4 3. WHATEVER HAPPENED TO MY PART? Spamalot - Tour 45 hate me there back-stage they say too old for my age. J f (Gtr. out) cf,ntbs Ffit Bm7 am/a try - ing to re - place me with Posh +Alto Sax (Shaker out) cfesc_ wltpt2,tbn. +Tbn. Em7 Asus ilgtr.* abmi'=s "rnt". +Bs. Cl. Drs: fil J' +K2: Stgs, Tbn. tr A tempo Wha-te-ver hap-pened to my show? fr b) +l +Cym. roll DbEb At7 ' Drs:time (Snare, Ride) - emzls 9l E - 17',1 -

5 4. WHATEVERHAPPENED TO lvfy PART? Spamalot - Tour 54 :_>- know- Jr -2 'm with a bunch of Bri-tish knights Vln, K2 (+8vb) Hn.e a Tbn. F- -F l-l cb +Gtr. arp's ab+ Pran-cins round in tights! (3 8ves) might as go to ) the r' '5 +Alto -l Drs: fill <Tbn. Alto, Tpt, Ebmt 4p7sus 4[z.rt "i,obl ob cbrcbobn Gb Drs, Gtr: time nblcb w/bs Cl, K2 o's G1 They've been out J ching for shrub \-.-'l "t "% obg l+l-j -==-- 6[aoo o7e[ wvteb

6 5. WHATEVER HAPPENED TO MY PART? Spamalot - Tour 63 shop-ping for a busho+8vb) they can kiss my tush seems to me they've real-ly lost the Alto, Hn, Tbn. p +Gfr. t. p -l tdmr a A.o, ^t '+Tamb. -r'.vttt ^v Drs:time (Rim, Hi-hat) (Bs Cl, K2 out) on r4t {l,ql Wha-te-ver hap-pened to my call my u. d, 5 (no Tamb.) w/gtr. f cb Db Drs: time w/tom fills +K2: Stgs, Tbn. Wha-te-ver happened to my- + a A 4 -a_ Not vours not yours But :sfz Cb Db Dbsus Db >>> +Timpani

7 Kbd. l/cond. 6. WHATEVERHAPPENED TOMY PART? Spamalot - Tour lenprng A tempo pan \7 al \J2 Drs: w/cym's cbbb {o^"^r Bb +Timp, Tbn

8 2. FND YOUR GRAL SPamalot Tour LADY OF THE LAKE: Rds., Brass, K2,K3, Vln' out 6 p totor,* aggressively'!oud and sustained >+ =l o - +Mark Tree w/bs, TimP. roll cont'd' soul Keep Your eyes the goal?.= lr., o.r., rimp. o.,ttt you won't fail That's Your That's Your Grail -90-

9 Keyboard l/conductor E sffong Gtr. Keep right on =p.. wlk2&3, Bs., Drs. Find your Grail -91 -

10 4. FND YOUR GRAL Spamalot Tour zo (2wlK3 up to you- You must choose what to- pur-suew/gtr. rhythm (2&4) at-" t> ::- w/drs. full Set yourmind- on what to find- Andthere's no-thing you can't Oo'J;. *r*, + to Solo to the end you'll find Your T)T,' w/k2 'SLLt!J cont'd. 8va sim, 'rsl{u 1"t t trl l,/ \l \---- -

11 Spamalot Tour Keyboard l/conductor 37 fail Find Your Grail Find your Find Your 1'tl7 P:i- tsj-.t{jj *J -'--) K2 gliss. 1 l. -93-

12 Kevboard l/conductor Spamalot Tour THE SONG THAT GOES LKE THS Vln, K3: Stgs. Once in ev'ry show There comes a song like this t startsoffsoftandlow And endsupwithakiss ffirr Solo ' the song that goes like Where is it? Where is it? K2:Oboe solo Where where where? Vln, K3: Stgs. u./_ Hom solo i-, npv +K3: Bsn/Stgs. o 's -49-

13 2. THE SONG THAT GOES LKE THS sen-ti-men-tal song K2: Oboe, Vln, K3: Stgs' That casts a ma-gic spell Ft.,Dm Gm7 c7 isl J l-) Y +Toms fill, CYm. roll

14 3. THE SONG THAT GOES LKE THS Spamalot - Tour 18 Now we can go straight Flute, Vln, K2, K3: Stgs + n to the mid-dle eight A bridge N t 'ltt-ltlt!!) - 4 +'tj ) j f B, " w/gtr. strum's ctsus c7 far for me.- 'll,=;nt sing it in your face While we both em-brace li, 4 ilj ) A7 t.7 "lt Dm c7 (Tamb. w/tbn.. out)

15 Kbd tr Now we're intoe 4. THE, SONG THAT GOES LKE THS Tt ats aw-fully high for me But J e'very-one can see j Spamalot - Tour F, K2, Vln. -t' (Tpts. outl ::=-' nf w/drums: ttme GMajzl' +iumu..n '' should have stayed in D 4 that goes J like J fi 1 -. D "/D_^rAnA i -Tor, firr. lyrn 911

16 5. THE SONG THAT GOES LKE THS Spamalot - Tour DENNS: 35 feel-ing vary Proud ) F '_! ) You're sing-ing far too loud + l2!t tn" this song goes 7n,Tpt2 f ' Horn 1 f w/drums: time G> mf wik3 Em GMajzTO stand-ing on my toes Sing { ing our that goes C BmAm 'mp c/d A D/E sub.f Tom fill out) E (Tamb.

17 Kbd E 6. THE SONG THAT GOES LKE THS Spamalot - Tour can't b+lieve there's more K2. Vln 8va (Flt out) far too long l'm sure That's the trou-ble with this song ) Horn solo 4p 'rpy wlgtr' arq's > Drs: Clm. on 'l' (K3. Bs' Cl' out) on and on and on For this song G too Drs. lite time,np Esus +Bs Cl, K2: Tbn. E '"!*#" Ffi ro- r,u

18 Kbd.t 7. THE SONG THAT GOES LKE THS Spamalot - Tour DENNS: so LADY: wish that you weren't bom Let's 'l f w/drums: time w/gtr, strum's fe (Timp. out) a' 1 C a' +Tbn. J's. w/bs Cl.K2: Tbn. o 's LADY: stop this damn re - frain Be ore we go ln - sane [T) M!! -- cfm/fil -55-

19 Kbd.l 8. THE SONG THAT GOES LKE THS Spamalot - Tour Rall. AJ l* song al ways r ends WOMEN: like ends like ) ) J Hn, tbn. f: V tt.-4 > 1 7 r +Tpt2 > ai3: >l -'=t,ffof,n > cf',r rls.++l Cfimz +;e:: +Timp. to end Ffisus Ffi (Tbn. out) L Ffztus ^ D,t Rfi Segue -56-

20 PATSY: PATSY: The Stage fills with Knighrs. Oh no you're not So all alone 'm here you twot. All by myself 'm all alone KNGHTS: KNGHTS: KNGHTS: KNGHTS: KNGHTS: KNGHTS: He's all alone! 'm all alone All by himself All by myself There is no one here beside him He's all alone 'm all alone Apart from us No one to comfort him or guide him Each one of us is all alone So what are we to do n order to get through? We must be lonely side by side t's a perfect way to hide. We're all alone We're all alone Yes all alone So all alone Each by ourselves We're all Alone. The Ladv of the Lake descends the stairs. LADY: But you're not alone Arthur. Haven't you noticed? 've been with you all the time. Who gave you the sword, who made you King, who welcomed you to Camelot, who helped you off on your quest? Arthur realizing it was her. Sure 've been off stage for far too long but am here to help you and always have been. Patsy, 'm not alone.

21 PATSY: No, sir. The Lady of the Lake has been with me all the time.

22 LADY: LADY: LADY: And so has patsy. Ah, yes but...patsy's family. You see, Arthur dear, we're all here to herp each other. Can you help me put on a Broadway show? Yes. You're in a Broadway show. z-9_30 Sparkling stage Effect. Arthur looks out at the audience. LADY: PATSY: PATSY: PATSY: Oh my. You've been in a Broadway show all the time. oh. who knew? (To audience) Arethere any Jews here? The truth is, Sire, 'm Jewish. You are? Yes, sire, on my mother's side. Well why didn't you say so? well, [t's not the sort of thing you say to a heavily armed LADY: LADY: Christian. So now what? well you have to finish the show. t is a musical, so you have to find the Grail and end with a wedding. Well who could possibly marry? Well, it would have to be someone who loved you and cared for you enough to give you a sword, to make you King, to welcome you to Camelot, to help you off on your quest... He is a little slow off the mark. Patsy whispers in his ear.

23 2-9-3r LADY: LADY : You? Oh. that's an idea. But thought you were a fairy. Oh no, that's Lancelot. Oh you missed that scene. Anyway, Arthur, 'm as human as you are. LADY: LADY: And you would consent to be my bride? Are you asking? Are you saying yes? Oh Arthur. They embrace. They lean infor a kiss and suddenly turn away to sing.