The Turn of the Screw

Size: px
Start display at page:

Download "The Turn of the Screw"

Transcription

1 The Iow Review Volume 2 Issue 2 Spring Article The Turn of Screw Joyce Crol Otes Follow this nd dditionl works t: Prt of Cretive Writing Commons Recommended Cittion Otes, Joyce Crol. "The Turn of Screw." The Iow Review 2.2 (1971): Web. Avilble t: This Contents is brought you for free nd open ccess by Iow Reserch Online. It hs been ccepted for inclusion in The Iow Review by n uthorized dministrr of Iow Reserch Online. For more informtion, plese contct lib-ir@uiow.edu.

2 The Turn of Screw Glori Joyce Crol Otes TUESDAY, JULY 6. A wide sny bech. Pebbles big s hnds. Here sky is bluer thn it is t home. Got out of hotel before nyone could sy hello?need be lone fter lst night. Uncle nd his hcking cough! Styed up most of night with him. His coughing is like noise of erth, its insides shifting. I imgine erth splitting drw old mn down, his body tumbling in crter, in Hell.... (Curious bout Hell: will mke much noise?) flmes Hd red Bible him while he ly re coughing nd spitting. Didn't py ttention me. Finlly he slept?round five. I fell on my bed fully dressed nd slept until seven. Sleep like deth. In morning I got out fst, my hed echoing with Uncle's wful noises... so gld be lone! And n strnge thing... hppened. A mile from hotel. Me wlking fst, enjoying ir, smell of se. Gret gulping breths of ir. My new boots slick with mud, my eyes fixed on before me... ground glncing up I sw girl, hrdly more thn child. Twelve, thirteen yers old. TUESDAY, JULY 6. Alone here, hidden, sick t hert. Awy from tht horrible numerosity. The oppression of London sky, terrces bd in evil light, nnge of hisry, o mny horizons brought up short.... tht Chimneys mock, beckon. Stined nd wered like cheeses.... The stern se. demnding It, o, mocks. But it does not know me. Idle now for weeks, for month nd hlf. Dying by se, Wering sme two or three sets of clos?no need chnge?nonymous gentlemn drk-ringed bout eyes with filure?frid of new rrivls t hotel: but re ll y strngers. This morning I nerly collided with young mn I hd noticed lst nd n older night?he mn, probbly his fr, rrived yesterdy, old mn pprently quite ill?sw him wlking long bech, lone. Rr finely dressed nd yet with look how strnge tht I should feel so certin of this!?of being doubtful of his clos, s if y belonged someone else. A wistcot of ple stin. Excellent boots. Htless, drk red hir, very strong fetures? eyebrows re especilly drk nd firm? eyes downcst s if serching String t me! 36 University of Iow is collborting with JSTOR digitize, preserve, nd extend ccess The Iow Review

3 She clled out something me, strnger. A high wheedling voice. Words I couldn't her. senses My rushed ger, stinging. I ws def. A pull my insides. Pin. Ah, tht girl!?not pretty but full-fced, full bodied, her eyes gleming slits bove her corse pinkened cheeks?eyes s if re were gleming lredy secret between us! A dress of some green mteril, over her full shpeless hips nd thighs; her plump little feet in boots, splttered with mud; her cheeks red s if pinched, very excited, strnge drk eyes gleming... A hed of curls?drk blond, depths of blond nd shdow, enough mke my body che. Licking her lips. One foot extended s slightly if in dnce. Cried out me? question ner voice tilting upwrd shrilly?but noise of wves drowned her out, my blood drowned her out, puls in ers. ing my Her gleming eyes. The mist seemed thicken nd clok us both. My eyes filmed over, filmed over.... Bell-like ne her voioe. I could see now veins in her throt. Behind her, hlf mile from bech, like fortress?is it building church? A wrehouse? Stinging film over... my eyes my hert is pounding... Around us on violently bech: no one. Hert Empty. dense pounding, temples pounding, dew-like moisture on every prt of my body, cold nd slick s fog, my insides in... I of pin. Suddenly thought my uncle bck in hotel: he might be dying. A thicket for us. Gint bushes, spongy ground. The pebbles fde. The girl bcks wy from me. Wide string smile. Her fce protruding, plump. Something bout her wet mouth tht out his fte re, on ground. Something herldic bout him? for senses t figure rt?my stung sight of him? Then I sw, stnding frr up bnk, ner thicket, tht poor little girl who runs loose in wn sometimes?"not in hed"? right she ws beckoning young Americn. Some instinct mde me shy hlt, bck up?wht would hppen? I wnted turn nd hurry wy. Befuddlement bout us? everywhere of crshing wves? young mn's smrt gittion?his clos suddenly clos of n cr. I must leve, must leve! Flushed fce? girl's frizzy blond own hir?my strnge eltion?she is putting her hnd out him, she is clling him but I m o fr wy her. He will uch her, tke hold of her rm. He will pproch her nd uch her. The three of us stnd on bech in tl silence. Witing. It is o lte for me turn nd hurry own wy?my fce flushed nd churns dngerously heted?something in my brin nd fixes me here spot?his bck is me: Wht does his fce show? She is string up in his fce?she sees?wht words re pssing m? Wht words re spoken such time? between He pproches her. His stiff bck. She drws wy, Gint bushes tesing. will hide m from me. Pnting, dizzy. I will be sick. He hs tken hold of her now?yes, he hs uched her? two of m drwing bck, bck, lmost out of my sight?y will hide t 37 Fiction

4 is ferful... but I cnnot it is sp, o lte, I cnnot sp my hnd from out her... There! Her reching rm, her elbow. My close bout fingers her elbow. Giggling, bcking wy... brnch ctches in her hir nd n snps wy gin, snps stright... my fingers sliding up her rm shoulder nd she is lughing fintly, brethily, down on her upper Up is s gleming if with she is no more cunning, very young, thn twelve or thirteen yers old... her chest rising nd... flling little body stumbling bckwrds, drwing us both bckwrds in thicket.... She gve jump. A little screm. Jerked wy from me?pointed some where behind me?wht ws it? I couldn't see nything. Wht? Over come with hve mde pnic?j terrible mistke. My uncle hs followed me. The girl rn wy. Behind me on bech re ws no nothing, one, I sod re trembling nd string bck up bech, no, no nothing, one, nd yet hd ide tht someone hd been re us stnding wtching only few seconds before.... I mselves from me?it is going hppen, it is going hppen? The girl scremed suddenly. Lept bck. Must hve seen me. I hurry up bnk, must hide. Must get out of ir sight. Hert sickened with fer, pnic... I must not stumble.... Reddening terrible fce. The dowdy room I hve tken: its smll chrms nd beguilements, etched glss, lce curtins, dust of sorrow, sorrow, sorrow.... In mirror my fce me. surprises So so ple, frightened! I hd thought it be, for one confused moment, fce of tht young mn. Not my uncle...? Slick with swet. Oh, reeking. My hed is still pounding. If nyone hd seen... if... nyone. Uncle would bndon me, like rest, if he hd seen.... God: dy. help me get through ech WEDNESDAY, JULY 7. Ppers still filled with Vicri's Jubilee. Uncle Wllce t brekfst, robust nd scornful, n excellent mood. Eggs, hm, st, mrmlde, WEDNESDAY, JULY 7. Sleepless. Preoccupied. Idle now for month nd hlf. My life: turned over nd over s I turn this pper 38

5 buns. Sntches up pper red me n item: snorts with disgust. Brekfst tkes n hour nd hlf. The dining room hs high cvernous echoes. The room ceiling: everything is not much used, hotel not much used. Everyone looks English except us. Cold mely independent fces. A womn in her fifties t ner erly tble... dull red-blond hir, brusque mnnish... but her fce gestures is ttrctive s she wrd glnces me, pst her husbnd. Uncle does not see. Reding tliird newspper, grunt ing, coughing up something in his... seside windows npkin. By n English fmily with three children? oldest girl bout ten. A child. Alone t nor tble is middle ged mn in rough tweedy jcket, o big for him, sipping te. Reding pper. Very British. Lifting pper turn it he glnces wrd Uncle nd me?our eyes meet?n he looks wy. A lrge rigid fce. Eyes piercing. With Uncle t seside. Grunts, clering his throt vigorously, string out t se. It disppoints him. Spits something up in his hndker chief. Wht if he dies...? My first trip Europe; three months of trvel hed; wht if he sickens nd dies nd leves me lone? No. Behind him is my fr. His bror. Dying lso, dying very slowly. Decdes of it. In Bosn y tke decdes. Qurles Ltd., Dry Goods. Loosed, wht would my body do...? Run from this wreck of mn. Run. Noble wreck, ruined noble fce. Cscdes of wrinkled shrivelled flesh on his neck! Bck in Bosn y re over us?two of frowning sourly kind, two filures. Uncle nd nephew. When Uncle Wllce ws my ge he ws lredy fr... Then weight in my hnd, something flung down, forgotten. be Brekfst. Creful not stre t him. Hot, hot te. There is delightful fmily t window tble?rr hzy light?rin dy? No mtter. I will bicycle out in isoltion. My hert hs been turning inside me, tugging one side. A leden sickish I tug. surrender.... He is sitting with old wer gentlemn, ing clos tht fit him splendidly. Yet somehow not his. I turn my pper very briskly, netly, drw his ttention.... An instnt of our exchnging recognizes His eye me wnders glnce... perhps he from wy yesterdy? from me. red hir. Close-curling Hndsome, ple, Americn fce. Sits erect t tble like son. I imgine he is perhps twenty-five yers old, nd most dredfully bored in compny of tht old mn, somehow thrown in with him for trip, yet I don't believe tht re fr nd son.... y Absurdly sd: re y leving room. Yet n eltion? dining prospect lies hed of furr meet ccidentl Is re ings, meetings. nd mysterious perhps incompre hensible llince here? Subdued. A solitry brekfst. The fmily hs left dining room now? I her excited tlk of n crrige, excursion?two nd girls boy, beutiful children. The boy is by fr youngest nd wlks with bold stride. To be fr, fr of tht.. Wht. would tht prticulr boy. 39 Fiction

6 children died. First boy, n girl. Then wife. Now I m his son, Two filures. mybe. Uncle in chir below hotel. Attendnts eger Cool for plese. July, y tlk of chnce of clering by this fternoon, lwys squinting t sky nd mking prophecies. The middle-ged ldy greets us doubtfully; yes, it is cool for July, she sys. I m bored, bored. In cnvs chir beside Uncle. t String se. More blue here thn bck distnces?i cnnot home?choppy sp thinking of tht girl of yesterdy, tht child on bech. My body tries shrivel. I think of my cousin Mdeline?tht fce of hers. Accusing me. He sid things me! Sid things! Like girl of twelve, herself. But she ws twenty-four. Next week I will be thirty. Uncle clering his throt loudly, spreding blnket cross his knees; more newsppers. of Brings edge his hrd cross his moustche. fingers Someone ner puses him. Cne in hnd, junty for mn his ge, his berd trimmed spde-like shpe. Drk. Net. He is but gentlemn nervous?wers polk-dot bow tie nd golfing cp. Hevy-set thighs nd rso. in Uncle Wllce nd he re tlking. "... north of Bosn...?" "... Clinns, Arnold Clinn, finnce... imports...?" "... crowds in London?... wful!" My eye is drwn out edge of se. Women: girl of yesterdy. Eyes secretive s slits. Her foot? mud? men? How could it be experienced, so deep nd terrifying condition? Beutiful children! Idle. Yet smll fever begins in me, s if I were bout strt work. Idle nd nervous. But I see tht I m not heding for my room, no, I m wlking quite resonbly hedlong in kind of hush?post-brekfst solemnity in this droll old hotel, ll in kind of hush, fixtures overdone nd pompous nd hushed, held breth, s in tht eerie moment when some thing grs or crouches in for n ttck.... preprtion Ah, bech. Poor helpless eyes bobbing bout?from horizon shore?re y re, seted. The old mn humped nd tyrnnicl. The young mn with legs crossed;* white trousers, hndsome high-butn shoes, n ir of indolence nd The son imptience. of welthy fr, certinly. Approching old gentlemn. His sudden rised fce?querulous wtery eyes?yet I introduce myself quite esily. Ah, re yes, y Americns; should I seem surprised? From Bosn. It turns out tht we know someone in common. I cht quite hppily, quite esily with old mn. seems hve My gittion subsided. Ignore young mn's stre?it is her own good my voice conscious of gin?o Self, o hunted, driven by Self, lwys Self. I must overcome myself. Ptrick Qurles II. His nme. I think of Dickens?for we re ner Dvid Copperfield's country?no, I think of Stendhl: young mn 40

7 nkle? ple sckings? of leg inside scking? knee? thigh clf Old men chttering: of London, of crowds, this over screming, clumsy doing of fine thing, mn in golfing cp sys. Ah, cords of her litde throt were tut with concentrtion! Chep mteril of dress drwn tight cross smll bosom, s tight veins of throt, tense rteries of smch, loins... blue veined thighs, shdowy soft insides of... thighs. London defced: n trocious sight. Miles of... unsightly scffolding sudden, new vision of our n ge, unwelcome perspective of century tht lies hed tht Mchinery infurites nd deflowers nd... destroys. Wlking slowly down bech. Why do I wnt run, run wy from m, chtter of old men!? root is live in me, in me. stirring Trembling. Ugh. I m live nd old men re dying or re ded, if I over glnce my shoulder t m I would see two only ging gentlemen one in cnvs chir, bundled up for cool July morning, or with cne thrust his through rm, words tht do not mtter, flow of words tht do not mtter wy pebbles of this wide wet bech mtter?nd behind m, in Americ, own my fr stnds like monu ment, his shdow rooted him t his bse, unshkble. Cn you shke m? You wlk wy from m. lounging idly, restlessly, mbitious nd yet not strong enough direct progress of sry he is in. Con demned lmost nd never be quite rel, quite symptic. He seems be listening s I spek of London.... He is mn mrked for some strnge For destiny. women? Yes, but more. He does not know wht his fte will be. Nervous, I m beginning be nervous.... He is like young niml: no hisry. The old mn contins ll ir fmily hisry. Drws it up in him. We chtter two wonderfully, Americns, he seems be impressed with my denuncition of nonsense. Jubilee Cn understnd best hrsh brsive words. The young mn gets suddenly, unccountbly,... wy. his feet nd strolls The old mn is lrge monument: nephew smll mrker. In flsh I see ir fmily grvesite. Yes. I, here so nd stnding helplessly timidly, cne tucked through my rm, nd smiling smiling, grvesne of o frgile substnce: wintry gusts from this se would me. destroy I light cigr. 41 Fiction

8 THURSDAY, JULY 8. Ws informed of letter for me? ok it from clerk, surprised, for who would write me??hving left home s I did?could not recognize hndwriting?wlked confused out front of hotel, lmost slipped on steps tht were wet from morning's envelope rin?re nervously? My Der Boy, open I m nxious for this letter do nothing except soo you, encourge you, insist upon simple joy you hve given me by existing so innocently nd so nobly s yourself. From my timid post of observtion your future strikes me s rich nd enormously open, wide s ocen? nd I beg tht you do not destroy it by ny impulsive ct?for, you see, I ws most reluctnt nd helpless witness Tuesdy's smll episode? or by ny systemtic nd perhps more wsteful surrender of your youth nor's ge. Be free: I rejoice in your very being. No signture. I stumbled long street?cobbled street?row row upon of smll blnk houses, wer of shops, church nd its crumbling ivy wll mind in ter whirl?pnic?must up this letter nd get rid of it Went in pub. Seted, my eyesight blotched. Din inside my hed. Lst night Uncle kept me wke gin, reding Bible him. Words kept rising in my hed: Why doesn't he die! My fer of him, my love for him. Why don't y ll die, die! I order smll beer nd drink it t once nd in instnt in which I close my eyes I cn see ir bodies THURSDAY, JULY 8. Wlking quickly long shore. Unble think. Must think. Not fit for compny now?my fce msk of grimces, tunts, smirks, bewilder ments, smll nd pins plesures, fetureless s se. Not humn now. Not humn. To hve dred wht I did!... A sleepless night, plpitting hert. Absurd t ttempts pryer. Godless pryer. But some something, thing must id me, must me beguile out of... out of myself memory of wht I hve done... memories of Fr's fits of mdness, Imginry seizing his throt, Demon lwys beside him, squtting, leping up when he did not, could not, hve it.... Am I expected my fr's son, fter ll? Heroism: mdness. cquiescing tht At botm of my soul it squts, like tht dwrf of demon: fer tht I m md, evil, reckless, sick, corrupting, contminting, loosed, formless, like wves here sucking upon pcked snd, desolte, in exhustible, dmned.... Why did I write him tht letter? Yet? joy of this morning! The utter bndoned joy of writing, seling of envelope, very slow, slow, firm ddressing of nme tht suddenly seems hve been my own invention, hve been known me ll my life: Ptrick Qurles II. Wht is he? A disinherited son?so I hve gred. He hs look of London urchin grown nd clod 42

9 bobbing nd ebbing in tide, bodies of old, old men, ssed up wrd n nonymous shore tht is neir Americn nor English, just shore, just bodies of ded. Why don't y die nd free us from m??free us life? fternoon. men Spent Segoing here? retired in ir men?noisy greetings?"wht ho!" y cll out ech or when y meet?n fll in silence?but silence is not wkwrd. Women. bout. Moving They glnce t me nd my hert feels enormous, One womn suffocting. stres openly t me. A brod smile, strggly hirs on her forehed... skin not ple like Mdeline's but opque, blunt... esing scking from her musculr leg, hevy flesh, drk hirs growing out of flesh... but I stnd suddenly, hurry wy. Must get bck hotel before Uncle is ngry. I re letter up in smll pieces nd threw it wy. splendidly?n cr? nervous flitting consciousness tht no clos cn define?i will clo you. Wht will hppen when our eyes meet? Tht fteful terrifying instnt of our common knowledge! I will bow him, I will cknowledge every... Breth in thing meekly. rgged spurts. Aging. My best work is behind me. Now, hed of me, is work of nor kind... He is so young, he is pure instinct. The old mn, uncle, wnts suck his energy. Ignornt old mn! I m md hve such... thoughts. shrp pin in my chest s I climb hotel steps, which seem suddenly mountinous.... Is he steep, here, witing? The letter in his hnd, witing? FRIDAY, JULY 9. Excursion by crrige. Out long country rods in spite of drizzle. Uncle's sour me for cough. Forgve leving him yesterdy: his heir. Women. Foul nd sluggish in ir evil. Mud on my boots, scummy feel of my own skin. My cousin's ters nd red-rimmed eyes. The womn in tvern: veins of her flesh would hve been hidden deep inside tht opque ftty skin. Afternoon te: Uncle gorges himself. Buns, Beer. Coffee. jm. Whiskey. Smll met pie. My duty rise obediently s son, seek out more FRIDAY, JULY 9. Feverish nd Sleepless. very hppy. Three letters composed for him, nd I hrdly know which select. All of m? The chmbermid listens with her good plin worried gze upon me. I begin explining crefully, but end by stmmering, my eyes filled with moisture?"mr. is n Qurles sensitive... nd extremely gentlemn he would be distressed be ld tht he wlked off with my letters this... he morning quite simply picked m up by ccident, when we cht... I clled pused ger. fter him, of course, but, s you my 43 Fiction

10 food. Which re we villge in? Wht is its nme? The mp I studied is mrked with nmes of plces I hd wnted explore?blundesn, Gret Yrmouth, Bournemouth itself?but everything psses now before my eyes in mist, senses my sting, mchinery of my brin rces hed wht, wht?? Cution, letter dvised. Wht does tht men??why cution?? Am I bout do something I must be urged ginst? Uncle's piggish grunts. The Royl Bth Hotel. Will I outlive him? St in pub with him, lonely pub. Thought of hell. Spirits brushing ginst us in dylight, dmned. Wht could y tell us bout hell if y could spek? know, he doesn't her so well quite... nd... nd I would ctully not mtter prefer bring up him, nd certinly I would prefer never see poor letter gin if it were of... of question question insulting him, however..." indirectly. Nods in sympthy with me. Grimly. Out of her mild gze I think I see nd something growing?shrp dedly nd cunning?but no, I must be imgining it. Imgining it. She replies tht it is out of her control.... Only mnger, perhps. Very hrd for her know wht do.... But no, no, I sy t once, mnger must bsolutely not be bored; I will surrender letter?gily I tell her this, redy bck wy?she frowns, blinks slowly nd stupidly t me? she consents. Suddenly Dutiful Nothing nephew more. sick mn. Ah, she consents! And within five minutes we re re, in tht room! The Qurles hve tken rr grnd suite of rooms. A sitting room of relly lvish proportions?excellent furniture? in crpet much finer condition thn one in my sd little room? tht stres out blcony wonderfully t se nd sky. There is little old ntique of writing desk which I pproch, under chmbermid's wtchful eye, for my letter would be here if Mr. Qurles hd relly wlked off with it?nd humbly, timidly I bend over desk, in tht good ldy's sight, nd do not uch nytl?ng on it. Only yesterdy's Times. A letter tucked in its envelope, postmrked Bosn. I shke my hed?nothing here?nd, with slight questioning rise of my eye brows, indicte tht I will tke one just step inside this bedroom String t me impssively. Wht is she thinking? Cn she guess? The forbidden rises one's fce in 44

11 presence of such women, y positively drw guilt out, expose everything?but though I m nervous extremely nervous, I smile rr brvely bck t her?how she stnds wtching me!?and so I open door one of bedrooms nd simply len hert is inside?my pounding It is his room. Scent of pomde. Tobcco. For long icy moment I stnd re? my body rigid with necessity of showing nothing, bsolutely nothing, s if hunters nd ir dogs will be upon me if I flinch?i feel his strnge heedless presence bout everywhere me, me. rushing upon So much more closer nd derer thn he might ever be in his own person? "No luck, sir?" chmbermid out. clls SATURDAY, JULY 10. Three letters. Tht drk demnding hnd?not ldy's hnd?it is someone like myself, shouting t me?trying mke me her? A womn young nd her mor brush me pst with scent of something hrsh nd bout flowery m?my nerves re re jumping?people beginning notice me. An elderly mn is string quite openly t me?did he write se letters? I wlk out quickly. Must be lone. My Der Boy, Understnd only tht I wish you well only well!?nd tht I should not SATURDAY, JULY 10. Anor sleepless, ching night. The chmbermid's fce hovering in my privte drkness?witness of my folly!?this I will morning press upon her smll sum, hopefully not bribe? or hve I come tht? A gift, sign of my grtitude for her kindness, her? No brekfst this morning. My smch is so wek, I m so pre... I m terrified.... occupied Must imgine him. Him. I stnd on blcony nd think of him, envision him, only him. The se is choppy nd leden dy. Everything disppoints us tht is not humn. Few people strolling out. Ldies with ir long dresses, so drsticlly 45 Fiction

12 communicte so strngely nd so secretively if or mens were open me.... The lst sentence is crossed out, I cn't mke out nything. No signture. protected. Gentlemen. Hts, gloves, pipes. Must imgine him. No freedom. Fllen upon evil dys, sick dys signs of devsttion ll round me, inside me? My Der Boy, You re generous llow me write, knowing tht it is only mnner in which I my hold you close, ly upon you?oh, so soothingly!? most respectful of hnds?i see in your fce terrible need. 1 fer for you. Will you stnd on shore nd ccept se fril words of mine, will you ccept only gift I dre give you?words, prophecies Fox 2l long moment I cnnot think. Wht is hppening? It is s if secret own self?my self?were me writing like this, hinting t terrible knowl edge? prophecies: wht does tht men??are re spirits, ghosts? Is re future self? future Ptrick Qurles?gzing bck upon me, seeing me, from future? 1900's, when we my ll be free!?nd reching bck bless me? And so I stnd on shore, yes. I ccept. In this dour chilling breeze I m very hppy, nd I turn slowly look bck t hotel?tht monster of hotel! Who is wtching me? He must be gzing t me from one of windows. But I dre not wve. Wht does he think? Is he re? Is re relly nyone re? I stre in spce, smiling. Across distnce something psses in me, like breth. Lighting cigr I stroll down bech nd open third letter. A Ah, he is re! Wooden steps. The bordwlk. Ah, he is... he is reding reding my letters.... He is wht I hve reding written him, in such nguish! Disgust? Shme? Or cn he sense humn wish behind it, wish spek kindly nor soul, soul....? solitry Feverish. The wind inside my hed, not cooling it. Wind. Fever. My hed is swimming. He is stnding re with his bck me?his figure blurs nd swims in my vision?i wnt cry out him, "Must I grow old? Must I die? If you wlk wy from me I will die?" No?he is turning? His figure ginst somber wter. Unimgined?such splendor! He is looking wrd me but I drw bck t once, in shdow of room? my eyes brimming? Across tht spce he seems bless me. I must put my hnds out ginst French doors, I must stedy myself or I will fling myself forwrd, outwrd, my deth Yes, he looks t me. It hs hppened. The distnce between us is holy. A hush.... He is my living Self: I see tht now. s I hve never Living lived. He is mgnificent. I m live in 46

13 letter from friend, one who wishes me well nd knows me, knows me. him nd ded, ded in myself, live in him, only in him? but My Der Boy, You re without hisry nd so you must free yourself from it. But cution. Am I speking mdness? Am I offending you? Or cn you under stnd how I should, if I dred, quite openly invite you len upon me s kindly fr...? The sense tht I cnnot spek you, cnnot revel myself rments you?this me, mkes me che t bitterness of things. I rech out wrd you?i let you go?i bndon you? More words crossed out. Something tries come through those X-ed out words. A commnd. Angry urgent words. Utter cution. A voice hs I know re re I spoken. ghosts. understnd m. I feel m in this medievl wn, on ll sides of me, hrsh nd innocent with ir cold piercing eyes nd ir vicries? ir terrible vicries? J will kill him. No. words re not mine. I will never ly hnds upon him. The mrk of my hnds would show upon him, it would screm out tht I ws his murderer?/ will suffocte him?i will not come ner him, no. No. I will sit quietly t his bedside s he strngles in his own phlegm? poison tht bubbles up out of his ugly soul Will I sit t his bedside? Will I wtch him die? Will I dre nything? Will I outlive him? In lifetime re re few moments of such bliss. Trembling, hiding, in shdows of my room... sfe. Sved. My hert lunges bckwrd in sfety. Must hide. Must remin hidden. I m growing old, yes, soon I will be s old nd s s ugly his uncle?yes, nd it is we right, must be pushed side, we must die?must cquiesce drkness?our heirs demnd future. They demnd tht hisry be turned over m. In this moment of joy I m trns formed. He, he is myself: wlking wy! Free wlk wy! I must strin see him, his hndsome figure bout fde in low-hery breness of country, tht shy purple nd gold tht runs nerly edge of se.... A moment o deep for ny utternce. It tkes me n hour dress. I m shky, yet. A little feverish. Soon I will be working gin?i will work through him. He will possess me. I m redy work, redy even return col-gry skies of London, tht sky tht encloses nd entrps mind He hs undersod my messge. My love. I hurry downstirs. I must feed birds in grden?i hve forgotten bout m for dys?the grden is deserted, hushed. Everyone is elsewhere. Only he nd I re here, our minds beting with beuty of this sombre grden nd its wide grvel pths nd its pinched roses nd wered wlls? 47 Fiction

14 In lifetime re re few moments of such bliss. Trembling hnds. The birds re reluctnt?only sprrows?sdly, sullenly in re wet?why y reluctnt come me? Strved nd men me? nd yet reluctnt come Next Issue TIR 2/3 SUMMER 1971 Fiction Gerld Jy Goldberg Jeremy Shw Chrles Aukem Philip Dmon Criticism Thoms Vogler, Robert Lowell: Pyment Gt He Nne Robert Lowell, Purgry Thoms R. Whitker, Voices in Open: Wordsworth, Eliot, Stevens Glwy Kinnell, The Poetics of Physicl World plus Twenty-three pges of new poetry 48

SeSSION 9. This session is adapted from the work of Dr.Gary O Reilly, UCD. Session 9 Thinking Straight Page 1

SeSSION 9. This session is adapted from the work of Dr.Gary O Reilly, UCD. Session 9 Thinking Straight Page 1 G N I K N I THmily TrHeeT FSTRAIG SeSSION 9 This session is dpted from the work of Dr.Gry O Reilly, UCD Session 9 Thinking Stright Pge 1 Lerning Objectives ful thinking tht To look t how we cn spot unhelp

More information

What do these sentences describe? Write P for plants, A for animals or B for both next to each sentence below. They ve got roots.

What do these sentences describe? Write P for plants, A for animals or B for both next to each sentence below. They ve got roots. Unit Nture Lerning Link In this unit you will lern words nd phrses to help you tlk out the nturl world. to tell story using pictures. to write letter out dy out in the countryside. to use the Pst Simple

More information

Before Reading. Introduce Everyday Words. Use the following steps to introduce students to Nature Walk.

Before Reading. Introduce Everyday Words. Use the following steps to introduce students to Nature Walk. Nture Wlk Objectives 15 Before Reding Demonstrte understnding of the orgniztion nd bsic fetures of print Recognize nd red grde-pproprite irregulrly spelled words Red on-level text orlly with ccurcy pproprite

More information

LAERSKOOL RANDHART ENGLISH GRADE 5 DEMARCATION FOR EXAM PAPER 2

LAERSKOOL RANDHART ENGLISH GRADE 5 DEMARCATION FOR EXAM PAPER 2 LAERSKOOL RANDHART ENGLISH GRADE 5 DEMARCATION FOR EXAM PAPER 2 Dte: 15 Octoer 2018 Time: 2 hours Totl: 25 mrks SECTION C: ESSAY (15 MARKS) Write n essy out one of the given topics. Your essy should e

More information

CMST 220 PUBLIC SPEAKING

CMST 220 PUBLIC SPEAKING CMST 220 PUBLIC SPEKING RED G. METZGER, INSTRUCTOR OICE: RINIER 213 PHONE: 253-964-6659 fmetzger@pierce.ctc.edu O V E R V I E W PUBLIC SPEKING IS N OPPORTUNITY TO LOOK GOOD IN RONT O PEOPLE. LL YOUR LIE

More information

SEA SHEET MUSIC. Grace. low voice and piano. Elizabeth Alexander. Seafarer Press

SEA SHEET MUSIC. Grace. low voice and piano. Elizabeth Alexander. Seafarer Press SEA-127-00 - SHEET MUSC Grce low voice nd pino Elizbeth Alexnder n memory of Henry Grce Tenderly low voice nd pino E / E / F/A 4 4 Elizbeth Alexnder 6 E / F /A G7 t's hold peo my ple hed sty up to f ge

More information

SEA SHEET MUSIC. Grace. medium voice and piano. Elizabeth Alexander. Seafarer Press

SEA SHEET MUSIC. Grace. medium voice and piano. Elizabeth Alexander. Seafarer Press SEA-127-01 - SHEET MUSC Grce medium voice nd pino Elizbeth Alexnder Sefrer Press n memory of Henry Grce medium voice nd pino Tenderly G/ G/ A/C 4 4 Elizbeth Alexnder 6 G/ A /C B7 t's hold peo my ple hed

More information

Animals. Adventures in Reading: Family Literacy Bags from Reading Rockets

Animals. Adventures in Reading: Family Literacy Bags from Reading Rockets Animls Adventures in Reding: Fmily Litercy Bgs from Reding Rockets Contents: Two books one fiction, one nonfiction Prent informtion sheet Three ctivity sheets Bookmrk Prent survey ADVENTURES IN READING

More information

SEA SHEET MUSIC. Grace. high voice and piano. Elizabeth Alexander. Seafarer Press

SEA SHEET MUSIC. Grace. high voice and piano. Elizabeth Alexander. Seafarer Press SA-127-02 - SHT MUSC Grce high voice nd pino lizbeth Alexnder n memory of Henry Grce high voice nd pino Tenderly A/ A/ B/D 4 4 lizbeth Alexnder 6 A/ B /D C 7 t's hold peo my ple hed sty up to f ge ter

More information

A Guilder And A Half

A Guilder And A Half Book & Lyrics: Pul Jmes Andnte (q = c.76) Pino mp girl, Scene: in the newspper office. A Guilder And A Hlf mf Eyes mf red? beu - ti - ful girl, fll on the news cresc. f (con pssione) Some f - where is

More information

Day care centres (ages 3 to 5) Kindergarten (ages 4 to 5) taken part in a fire drill in her building and started to beep.

Day care centres (ages 3 to 5) Kindergarten (ages 4 to 5) taken part in a fire drill in her building and started to beep. You nd your fmily Here re eight key fire cn tke prt in sfety tips tht you should know Dy cre centres (ges 3 to 5) Kindergrten (ges 4 to 5) flsh Sty wy from hot things tht cn burn! Tell grown-up if you

More information

Strange but true! Vocabulary 1 Prepositions. Reading 1. Listen and repeat the prepositions. their superstitions? down

Strange but true! Vocabulary 1 Prepositions. Reading 1. Listen and repeat the prepositions. their superstitions? down Strnge but true! Vocbulry Prepositions.9 Listen nd repet the prepositions. under round down towrds through into up cross long over wy from out of Which prepositions re opposites? Write them in pirs. Choose

More information

Brothers. The Iowa Review. Bret Lott. Volume 19 Issue 1 Winter. Article 35

Brothers. The Iowa Review. Bret Lott. Volume 19 Issue 1 Winter. Article 35 The Iow Review Volume 19 Issue 1 Winter Article 35 1989 Brothers Bret Lott Follow this nd dditionl works t: http://ir.uiow.edu/iowreview Prt of the Cretive Writing Commons Recommended Cittion Lott, Bret.

More information

Your Summer Holiday Resource Pack: English

Your Summer Holiday Resource Pack: English Messge Activity to Prents: Sheet The summer holidys re here! To help keep your child entertined, we ve put together Summer Holidy Resource Pck. It s een produced to reduce summer holidy lerning loss nd

More information

walking. Rhythm is one P-.bythm is as Rhythm is built into our pitch, possibly even more so. heartbeats, or as fundamental to mu-

walking. Rhythm is one P-.bythm is as Rhythm is built into our pitch, possibly even more so. heartbeats, or as fundamental to mu- Ir melody- is sung without its rhythm, it immeditely loses much of its essence. P-.bythm is s fundmentl to mu- sic s pitch, possibly even more so. Rhythm is built into our bodies s hertbets, or s the motion

More information

Living to Be a Hundred

Living to Be a Hundred The Iow Review Volume 18 Issue 2 Spring-Summer Article 2 1988 Living to Be Hundred Robert Boswell Follow this nd dditionl works t: http://ir.uiow.edu/iowreview Prt of the Cretive Writing Commons Recommended

More information

style type="text/css".wpb_animate_when_almost_visible { opacity: 1; }/style

style type=text/css.wpb_animate_when_almost_visible { opacity: 1; }/style style type="text/css".wpb_nimte_when_lmost_visible { opcity: 1; }/style Jul 11, 5 thousnd dollrs week life 2011 5 thousnd dollrs week life. 5 thousnd dollrs week life The $5000 A Week For Life Winner Selection

More information

ANSWER KEY FOCUS ON GRAMMAR AN INTEGRATED SKILLS APPROACH SECOND EDITION LIDA BAKER. Copyright 2006 by Pearson Education, Inc. All rights reserved.

ANSWER KEY FOCUS ON GRAMMAR AN INTEGRATED SKILLS APPROACH SECOND EDITION LIDA BAKER. Copyright 2006 by Pearson Education, Inc. All rights reserved. ANSWER KEY FOCUS ON GRAMMAR AN INTEGRATED SKILLS APPROACH SECOND EDITION LIDA BAKER Copyright 00 by Person Eduction, Inc. All rights reserved. Student Book Answer Key NOTE: Where short form or contrcted

More information

SUMMER HOMEWORK. English 4 th ESO

SUMMER HOMEWORK. English 4 th ESO SUMMER HOMEWORK English th ESO student: _ clss: techer: school yer: 0-07 school: cmí de mr dte: september 07 UNIT VOCABULARY Complete the life-chnging events with vowels. s e ttl e d o wn ch ng sch l w

More information

1 --FORMAT FOR CITATIONS & DOCUMENTATION-- ( ) YOU MUST CITE A SOURCE EVEN IF YOU PUT INFORMATION INTO YOUR OWN WORDS!

1 --FORMAT FOR CITATIONS & DOCUMENTATION-- ( ) YOU MUST CITE A SOURCE EVEN IF YOU PUT INFORMATION INTO YOUR OWN WORDS! 1 --FORMAT FOR CITATIONS & DOCUMENTATION-- (2014-2015) YOU MUST CITE A SOURCE EVEN IF YOU PUT INFORMATION INTO YOUR OWN WORDS! -----SEE LAST PAGE FOR SUMMARIES AND PARAPHRASES----- Tle of Contents 1. Source

More information

Big Adventures. Why might you like to have an adventure? What kind of adventures might you enjoy?

Big Adventures. Why might you like to have an adventure? What kind of adventures might you enjoy? UNIT 7Tourism Ledership Sports Big Adventures Lesson One Before you red Why might you like to hve n dventure? Wht kind of dventures might you enjoy? Wht re these people doing? Would you be frid to try?

More information

The Eye of Night. The Iowa Review. Wang Meng. Janice Wickeri. Marilyn Chin

The Eye of Night. The Iowa Review. Wang Meng. Janice Wickeri. Marilyn Chin The Iow Review Volume 14 Issue 2 Spring-Summer: Writing From World: Selections from Interntionl Writing Progrm 1977-1983 Article 14 1984 The Eye Night Wng Meng Jnice Wickeri Mrilyn Chin Follow this dditionl

More information

Leroy. The Iowa Review. Steve Katz. Volume 1 Issue 4 Fall. Article 22

Leroy. The Iowa Review. Steve Katz. Volume 1 Issue 4 Fall. Article 22 Iow Review Volume 1 Issue 4 Fll Article 22 1970 Leroy Steve Ktz Follow this dditionl works t: http://ir.uiow.edu/iowreview Prt Cretive Writing Commons Recommended Cittion Ktz, Steve. "Leroy." Iow Review

More information

The Thaw. The Iowa Review. Page Edwards. Volume 6 Issue 1 Winter. Article 27

The Thaw. The Iowa Review. Page Edwards. Volume 6 Issue 1 Winter. Article 27 The Iow Review Volume 6 Issue 1 Winter Article 27 1975 The Thw Pge Edwrds Follow this dditionl works t: http://ir.uiow.edu/iowreview Prt of Cretive Writing Commons Recommended Cittion Edwrds, Pge. "The

More information

DRAFT. Vocal Music AOS 2 WB 3. Purcell: Music for a While. Section A: Musical contexts. How is this mood achieved through the following?

DRAFT. Vocal Music AOS 2 WB 3. Purcell: Music for a While. Section A: Musical contexts. How is this mood achieved through the following? Purcell: Music for While Section A: Musicl contexts Like the Bch Brndenurg Concerto No. 5 in Workook 1, this song y Henry Purcell ws composed during the Broque er. To understnd the music it is helpful

More information

Star. Catch a. How. Teachers Pack. A starry moonlit adventure. Based on the beautiful picture book by Oliver Jeffers

Star. Catch a. How. Teachers Pack. A starry moonlit adventure. Based on the beautiful picture book by Oliver Jeffers A strry moonlit dventure Bsed on the beutiful picture book by Oliver Jeffers Techers Pck A must-see for smll people ged 3-7, nd grown-up strgzers! Contents 3 - Hello from boy 4 - All bout boy 5 - About

More information

our con draw sing God, front near praise now now Am7 in full that of the to well long Life, we to the Rend On Who way. grace. truth.

our con draw sing God, front near praise now now Am7 in full that of the to well long Life, we to the Rend On Who way. grace. truth. LE BY THE SPIRIT 7 s4 pry fce, birth ty: jo od s spir flesh h Wh And Wh ps deem set chl g hrt k herts Sce,,, full tht wy. grce. truth. fe, con drw sg Rend On Who Text: M; bsed on Joel 2:12 13; Mtw 4:1

More information

Weaving Interp Selections. How will you increase the audience s knowledge on this theme?

Weaving Interp Selections. How will you increase the audience s knowledge on this theme? Weaving Interp Selections Ask yourself these questions first: Why do you want to weave your material? What pieces are you using? What is your theme? What point/argument are you trying to make? How will

More information

Contents. Thank you for the music page 3 Fernando 9 Waterloo 18

Contents. Thank you for the music page 3 Fernando 9 Waterloo 18 Foreword Contents Thnk you for the music pge Fernndo 9 Wterloo 18 The most successful pop ct ever to emerge from Sweden, ABBA ws originlly sonmed prtly in jest (there ws wellknown Swedish fishcnning cony

More information

Step 2 I was watching TV when... p. 4. Simple Past vs. Past Continuous Something, anything, nothing, everything

Step 2 I was watching TV when... p. 4. Simple Past vs. Past Continuous Something, anything, nothing, everything bridge module indexa Step 1 The River Thmes p. 1 Step 2 I ws wtching TV when... p. 4 Step Free time p. 6 Step 4 Tlking bout experiences p. 8 nd Usge Simple Pst Used to Simple Pst vs. Pst Continuous Something,

More information

Who Is the Crucified? Assembly, SATB Choir, Descant, Keyboard, Guitar, and English Horn or C Instrument

Who Is the Crucified? Assembly, SATB Choir, Descant, Keyboard, Guitar, and English Horn or C Instrument horl Series Kte Bluett Keybord 4 4 Text 2012, Kte Bluett Music 2012, Kevin Keil (ASCAP) Text music publisd by OCP, 5536 NE Hsslo, Portl, OR 97213 All rights reserved *Wn using solo instrument, omit p note

More information

The Girl without Hands. ThE StOryTelleR. Based on the novel of the Brother Grimm

The Girl without Hands. ThE StOryTelleR. Based on the novel of the Brother Grimm The Girl without Hands By ThE StOryTelleR Based on the novel of the Brother Grimm 2016 1 EXT. LANDSCAPE - DAY Once upon a time there was a Miller, who has little by little fall into poverty. He had nothing

More information

Nice to meet you ENTRY TEST. Greetings and introductions. Countries and nationalities. The verb be. Complete the dialogue with the words in the box.

Nice to meet you ENTRY TEST. Greetings and introductions. Countries and nationalities. The verb be. Complete the dialogue with the words in the box. Cmridge University Press 978-0--697-6 - English in Mind Techer s Resource Pck, Second Edition Srh Ackroyd nd Clire Thcker More informtion Nice to meet you Nme Clss Dte Greetings nd introductions Complete

More information

Faber Music Store - PO authorised copy purchased for private use by Tracie Penwarden Allan on 04/09/ Photocopying or digital

Faber Music Store - PO authorised copy purchased for private use by Tracie Penwarden Allan on 04/09/ Photocopying or digital Fber Music Store PO921540943 1 uthorised copy purchsed or privte use by Trcie Penwrden Alln on 04/09/2017 Photocopying or digitl distribution o ny kind without licence is prohibited. Fber Music Store PO921540943

More information

Instant Words Group 1

Instant Words Group 1 Group 1 the a is you to and we that in not for at with it on can will are of this your as but be have the a is you to and we that in not for at with it on can will are of this your as but be have the a

More information

How the Beggar Boy Turned into Count Piro

How the Beggar Boy Turned into Count Piro From the Crimson Fairy Book, Once upon a time there lived a man who had only one son, a lazy, stupid boy, who would never do anything he was told. When the father was dying, he sent for his son and told

More information

Gathered At Your Table. 1. Gath ered at your ta ble as a fam i ly we come. We. 1. of fer thanks, Cre a tor God, for u nit ing us in love, for the

Gathered At Your Table. 1. Gath ered at your ta ble as a fam i ly we come. We. 1. of fer thanks, Cre a tor God, for u nit ing us in love, for the 2 Gred At Y Tble composed for 100 th Anniversry The Summit Country Dy School, Ccnti, Ohio INTRO Flowg throughout ( = c. 98) Mrk Friedmn Keybord VERSE 1 Gth ered t t ble s fm i come. We fer thnks, Cre r

More information

Reproducible music for 3, 4 or 5 octaves handbells or handchimes. by Tammy Waldrop. Contents. Performance Suggestions... 3

Reproducible music for 3, 4 or 5 octaves handbells or handchimes. by Tammy Waldrop. Contents. Performance Suggestions... 3 eproducible Spring ing! eproducible music for, or octves hndbells or hndchimes by Tmmy Wldrop Contents Performnce Suggestions... The Gtheing... Esily memorized, surround sound, to strt off ny event. L+

More information

Pitch I. I. Lesson 1 : Staff

Pitch I. I. Lesson 1 : Staff Pitch Lesson 1 : Stff n this lesson you will lern bout the five-line stff, pitches nd notes, noteheds, scending nd descending motion, steps nd leps, ledger lines. Music is written on five-line stff: five

More information

Georgey Giraffe s Giant Respect Elizabeth L Hamilton

Georgey Giraffe s Giant Respect Elizabeth L Hamilton Georgey Giraffe s Giant Respect Elizabeth L Hamilton Character-in-Action an imprint of Quiet Impact Inc CHARACTER CRITTER SERIES Georgey Giraffe s Giant Respect Copyright 2004 by Elizabeth L Hamilton All

More information

The Big Wide World. spices. harbour

The Big Wide World. spices. harbour The ig Wide World VOAULARY 1 efore You Red A Lbel the pictures. Use the words below. hrbour medicl supplies spices street vendor cruise ship b spices cruise ship c medicl supplies d hrbour e street vendor

More information

BEFORE I GO TO SLEEP. S J Watson LONDON TORONTO SYDNEY AUCKLAND JOHANNESBURG

BEFORE I GO TO SLEEP. S J Watson LONDON TORONTO SYDNEY AUCKLAND JOHANNESBURG BEFORE I GO TO SLEEP S J Watson LONDON TORONTO SYDNEY AUCKLAND JOHANNESBURG 3 I was born tomorrow today I live yesterday killed me Parviz Owsia 7 Part One Today 9 The bedroom is strange. Unfamiliar. I

More information

CHARACTERS. ESCALUS, Prince of Verona. PARIS, a young nobleman LORD MONTAGUE LORD CAPULET. ROMEO, the Montagues son. MERCUTIO, Romeo s friend

CHARACTERS. ESCALUS, Prince of Verona. PARIS, a young nobleman LORD MONTAGUE LORD CAPULET. ROMEO, the Montagues son. MERCUTIO, Romeo s friend 74 CHARACTERS ESCALUS, Prince of Verona PARIS, a young nobleman LORD MONTAGUE LORD, the Montagues son MERCUTIO, Romeo s friend, Romeo s cousin, Juliet s cousin FATHER LAWRENCE, a priest FATHER JOHN, Father

More information

Chapter 1: Introduction

Chapter 1: Introduction Chpter : Introduction Slides to ccompny the textbook, First Edition, by, John Wiley nd Sons Publishers, 7. http://www.ddvhid.com Copyright 7 Instructors of courses requiring Vhid's textbook (published

More information

I slump down under my favourite tree, the one that s taller than Billy s, and look out

I slump down under my favourite tree, the one that s taller than Billy s, and look out Green Country I ve got a secret and I m so excited! Actually, I ve got two secrets and that makes me feel really happy inside. What are you grinning at, Debbie? my brother Billy asks. Nothing. I don t

More information

PRACTICE FINAL EXAM T T. Music Theory II (MUT 1112) w. Name: Instructor:

PRACTICE FINAL EXAM T T. Music Theory II (MUT 1112) w. Name: Instructor: Music Theory II (MUT 1112) w Nme: Instructor: PRACTICE FINAL EXAM Prt-writing (45 minutes; 40%) Complete the prtil progression below with pproprite chord symbols. (There my be more thn one correct nswer.)

More information

Hansi Szokoll. The Iowa Review. Robert Wexelblatt. Volume 24 Issue 1 Winter. Article 30

Hansi Szokoll. The Iowa Review. Robert Wexelblatt. Volume 24 Issue 1 Winter. Article 30 The Iow Review Volume 24 Issue 1 Winter Article 30 1994 Hnsi Szokoll Robert Wexelbltt Follow this nd dditionl works t: http://ir.uiow.edu/iowreview Prt of the Cretive Writing Commons Recommended Cittion

More information

The Tap Dancing Mermaid By Tessa Bide First published in Great Britain by Tessa Bide in Copyright Tessa Bide 2015 The right of Tessa Bide to be

The Tap Dancing Mermaid By Tessa Bide First published in Great Britain by Tessa Bide in Copyright Tessa Bide 2015 The right of Tessa Bide to be The Tp Dncing Mermid By Tess Bide First published in Gret Britin by Tess Bide in 2015. Copyright Tess Bide 2015 The right of Tess Bide to be identified s the uthor of this work hs been sserted by her in

More information

The Media. Business. Sports. 1 Correct the labels on the webpage. 2 Look at Activity 1 again and complete. Rob: That s right. New Role for Hermione.

The Media. Business. Sports. 1 Correct the labels on the webpage. 2 Look at Activity 1 again and complete. Rob: That s right. New Role for Hermione. The Medi 1 Correct the lels o the wepge Busiess 2 Look t Activity 1 gi d complete Mom: This ews wepge looks good How do Tht s 3 you use it? Ro: It s esy If you wt to fid out how Sports Mom: Oh, OK Now,

More information

Answers to Exercise 3.3 (p. 76)

Answers to Exercise 3.3 (p. 76) Answers to Exercise 3.3 (p. 76) First of ll, check to see tht you hve weighted your dtset with the vrible WTCORRCT (see Figure 2.5 on p. 52 for how to do this). Once this hs been done, you then need to

More information

TAP 413-1: Deflecting electron beams in a magnetic field

TAP 413-1: Deflecting electron beams in a magnetic field TAP 413-1: Deflecting electron bems in mgnetic field Circulr control Mgnetic fields re often used to steer bems of chrged prticles, in situtions from teleision tube to lrge-scle prticle ccelertor. The

More information

Chapter One The night is so cold as we run down the dark alley. I will never, never, never again take a bus to a funeral. A funeral that s out of town

Chapter One The night is so cold as we run down the dark alley. I will never, never, never again take a bus to a funeral. A funeral that s out of town Chapter One The night is so cold as we run down the dark alley. I will never, never, never again take a bus to a funeral. A funeral that s out of town. Open the door! Jess says behind me. I drop the key

More information

Common Human Gestures

Common Human Gestures Common Human Gestures C = Conscious (less reliable, possible to fake) S = Subconscious (more reliable, difficult or impossible to fake) Physical Gestures Truthful Indicators Deceptive Indicators Gestures

More information

Sketch. The Boy in the Compost. Dave Oshel. Volume 35, Number Article 14. Iowa State College

Sketch. The Boy in the Compost. Dave Oshel. Volume 35, Number Article 14. Iowa State College Sketch Volume 35, Number 3 1969 Article 14 The Boy in the Compost Dave Oshel Iowa State College Copyright c 1969 by the authors. Sketch is produced by The Berkeley Electronic Press (bepress). http://lib.dr.iastate.edu/sketch

More information

UNIT TOPIC LANGUAGE. The Arts. Travel & Holidays. Education, Work & Leisure Activities. City Life. Technology. Nature. Health

UNIT TOPIC LANGUAGE. The Arts. Travel & Holidays. Education, Work & Leisure Activities. City Life. Technology. Nature. Health CONTENTS 1 pp.4-23 2 pp.24-41 3 pp.44-63 4 pp.64-81 5 pp.84-103 6 7 pp.124-143 8 pp.144-161 Modern Movies Books for Everyone Tste of the rts Culture for the Young The Orient Express Where to Sty? Tking

More information

1. acquiring 2. compilation 3. cornerstone 4. concise 5. comprehensive 6. advancement

1. acquiring 2. compilation 3. cornerstone 4. concise 5. comprehensive 6. advancement Unit 8 reding 1. PRE-READING Discuss. How often do you use dictionry? Do you think tht compiling dictionry is demnding tsk? Why/Why not? 2. READING FOR GIST Red the text without pying ttention to the missing

More information

On Hold. Ste Brown.

On Hold. Ste Brown. On Hold by Ste Brown (c) 2015 ste_spike@yahoo.co.uk FADE IN: INT. HOUSE - DAY A bare, minimal house. Nothing out of place. (early 30s) stands in front of the hallway mirror in trousers and shirt. He stares

More information

Contents 2. Notations Used in This Guide 6. Introduction to Your Projector 7. Using Basic Projector Features 30. Setting Up the Projector 17

Contents 2. Notations Used in This Guide 6. Introduction to Your Projector 7. Using Basic Projector Features 30. Setting Up the Projector 17 User's Guide Contents 2 Nottions Used in This Guide 6 Introduction to Your Projector 7 Projector Fetures... 8 Quick nd Esy Setup... 8 Esy Wireless Projection... 8 Flexible Connectivity... 9 Connect with

More information

ECE 274 Digital Logic. Digital Design. Datapath Components Registers. Datapath Components Register with Parallel Load

ECE 274 Digital Logic. Digital Design. Datapath Components Registers. Datapath Components Register with Parallel Load ECE 274 igitl Logic Multifunction Registers igitl esign 4. 4.2 igitl esign Chpter 4: Slides to ccompny the textbook igitl esign, First Edition, by Frnk Vhid, John Wiley nd Sons Publishers, 27. http://www.ddvhid.com

More information

This is a vocabulary test. Please select the option a, b, c, or d which has the closest meaning to the word in bold.

This is a vocabulary test. Please select the option a, b, c, or d which has the closest meaning to the word in bold. The New Vocabulary Levels Test This is a vocabulary test. Please select the option a, b, c, or d which has the closest meaning to the word in bold. Example question see: They saw it. a. cut b. waited for

More information

CHANGING TUNE. Written by. Baron Andrew White

CHANGING TUNE. Written by. Baron Andrew White CHANGING TUNE Written by Baron Andrew White baronwhite44@googlemail.com FADE IN. INT. A BEDROOM - DAY A man in his mid twenties (Adam Griffin) is sitting at the foot of an immaculately made bed in a perfectly

More information

Romeo and Juliet. a Play and Film Study Guide. Student s Book

Romeo and Juliet. a Play and Film Study Guide. Student s Book Romeo and Juliet a Play and Film Study Guide Student s Book Before You Start 1. You are about to read and watch the story of Romeo and Juliet. Look at the two pictures below, and try to answer the following

More information

Michael Jordan s High Jinx Show

Michael Jordan s High Jinx Show In 2011 Michel took the show stge further dding his ssistnt Tmsyn nd the High Jinx Dncers. He produced nd directed the show in Blckpool nd hs hd gret cclim with mny hugely successful summer sesons, including

More information

The Ten Minute Tutor Read-a-long Book Video Chapter 10. Yellow Bird and Me. By Joyce Hansen. Chapter 10 YELLOW BIRD DOES IT AGAIN

The Ten Minute Tutor Read-a-long Book Video Chapter 10. Yellow Bird and Me. By Joyce Hansen. Chapter 10 YELLOW BIRD DOES IT AGAIN Yellow Bird and Me By Joyce Hansen Chapter 10 YELLOW BIRD DOES IT AGAIN I pulled my coat tight as I walked to school. It'd soon be time for heavy winter boots. I passed the Beauty Hive as I crossed the

More information

A Veil of Water By Amy Boesky

A Veil of Water By Amy Boesky A Veil of Water By Amy Boesky It is cold out. We are standing outside on the lawn, which is stiff and crunching under out boots. My aunt is crying. No one asks why. My aunt is a big woman, and the tears

More information

The wonders of the mind. The way we are. Making a difference. Around the world. Module 1. Module 2. Module 3. Module 4

The wonders of the mind. The way we are. Making a difference. Around the world. Module 1. Module 2. Module 3. Module 4 Module 1 The wonders of the mind Unit Grmmr Voculry Pronuncition 1 Super rins Tense revision: present tense forms Tense revision: pst tense forms 2 Mind over mtter Pssives review Pssive continuous tenses

More information

Family Business, 2 When I was just a kid, my daddy took over the family business from his daddy. We were distillers from long back, carefully guarding

Family Business, 2 When I was just a kid, my daddy took over the family business from his daddy. We were distillers from long back, carefully guarding Family Business, 2 When I was just a kid, my daddy took over the family business from his daddy. We were distillers from long back, carefully guarding the secret of our family recipe from any prying eyes.

More information

For public transport information phone Bus 415. Easy access on all buses. Middleton Alkrington Middleton Junction Chadderton Oldham

For public transport information phone Bus 415. Easy access on all buses. Middleton Alkrington Middleton Junction Chadderton Oldham From 23 April Minor timetble chnges to Mondy to Sturdy dytime journeys. Dytime journeys on Sundys nd public holidys re now run by Stgecoch Bus Esy ccess on ll buses Alkrington Junction Chdderton Oldhm

More information

Unit 10: I don t feel very well

Unit 10: I don t feel very well Unit 10: I don t feel very well 10 1 The story: We meet Clire, phrmist, nd Greg, ustomer t the phrmy. Greg initilly goes to the phrmy to get something for hedhe, ut then he flls for Clire nd goes k repetedly

More information

SEATTLE OPERA ANNUAL FUND IMPACT REPORT 2014/15

SEATTLE OPERA ANNUAL FUND IMPACT REPORT 2014/15 SEATTLE OPERA ANNUAL FUND IMPACT REPORT 2014/15 Der Friends, Why do you love Don Giovnni? Are you swept in by his chrm? Or do you delight in his punishment? He s n enigm: both cptivting nd repellnt. Tht

More information

VISUAL IDENTITY GUIDE

VISUAL IDENTITY GUIDE VISUAL IDENTITY GUIDE contents Bsic Section Visul Identity System Bsic Prt Appliction Section Visul Identity System Appliction Prt 1.1 Logo System Design 1.1.1 Stndrd Color Grphics of The Logo 1.1.2 Stndrd

More information

pyjamas Listen and stick. Then listen again and say. Listen and circle. Then ask and answer. Listen and write. Then sing.

pyjamas Listen and stick. Then listen again and say. Listen and circle. Then ask and answer. Listen and write. Then sing. Clothes :0 I m wering pple skt. I m not wering green trousers. ht Are you wering lue shoes? No, I m not. Wht do you know? Yes, I m. :0 Listen nd olo. Then sy. jket T-sht skt dress shoes trousers soks I

More information

Suppressed Again Forgotten Days Strange Wings Greed for Love... 09

Suppressed Again Forgotten Days Strange Wings Greed for Love... 09 Suppressed Again... 01 Forgotten Days... 02 Lost Love... 03 New Life... 04 Satellite... 05 Transient... 06 Strange Wings... 07 Hurt Me... 08 Greed for Love... 09 Diary... 10 Mr.42 2001 Page 1 of 11 Suppressed

More information

Time: 1 hour 45 minutes. Section A: Reading. Read the text below and answer Questions 1 4 on the question paper.

Time: 1 hour 45 minutes. Section A: Reading. Read the text below and answer Questions 1 4 on the question paper. Paper 1: Fiction and Imaginative Writing Time: 1 hour 45 minutes Section A: Reading Read the text below and answer Questions 1 4 on the question paper. This is an extract from a short story. Lord Arthur

More information

When it comes to creating music, composers like to push the limits. Get ready to hear how!

When it comes to creating music, composers like to push the limits. Get ready to hear how! When it comes to creting music, composers like to push the limits. Get redy to her how! Ntionl Symphony Orchestr Young People s Concert Ankush Kumr Bhl, conductor Mriss Regni, NSO violinist nd host Dvid

More information

Chapter 1 Kirren Island. Blood Ties - Introduction

Chapter 1 Kirren Island. Blood Ties - Introduction Blood Ties - Introduction Tom looked at his mother. She was smiling. Her voice was so calm and ordinary. 'Yes, that's the best thing,' she continued. 'I'll get my knife and kill her. She'll go to God.

More information

BBC LEARNING ENGLISH Gulliver's Travels 4: Voyage to Brobdingnag

BBC LEARNING ENGLISH Gulliver's Travels 4: Voyage to Brobdingnag BBC LEARNING ENGLISH 's Travels 4: Voyage to Brobdingnag This is not a word-for-word transcript LANGUAGE FOCUS: Conditionals My name is. Let me tell you the story of my second voyage, to the strange land

More information

As the elevators door slid open they spotted a duffel bag inside. Tommy pick it up and opened it There s a note inside of it I bet its from Robby

As the elevators door slid open they spotted a duffel bag inside. Tommy pick it up and opened it There s a note inside of it I bet its from Robby MYSTERY MALL Oh please like I really believe all those stupid stories bout your dad s and the rest of the mall being haunted when its close by some strange creatures Tommy the tiger cub frowned You d have

More information

LOGOMANUAL. guidelines how to use Singing Rock logotype. Version 1.5 English. Lukáš Matěja

LOGOMANUAL. guidelines how to use Singing Rock logotype. Version 1.5 English. Lukáš Matěja LOGOMANUAL guidelines how to use Singing Rock logotype In cse of ny questions, contct our grphic designer Lukáš Mtěj +420 775 282 064 luks.mtej@singingrock.cz Version 1.5 English PRIMARY LOGOTYPE Primry

More information

œ œ œ œ œ œ œ seal on your 2003, Matt Maher. Published by OCP Publications, 5536 NE Hassalo, Portland, OR All rights reserved.

œ œ œ œ œ œ œ seal on your 2003, Matt Maher. Published by OCP Publications, 5536 NE Hassalo, Portland, OR All rights reserved. ONTEMPORRY SONS OF FITH Keybord SMPLE From collection Welcome to Life Songbook #12156, ompct isc #12051 Text bed on Song of Songs INTRO (q = c 120) 4 3 4 3 / % REFRIN Melody (mle voice) *Hrmony (femle

More information

Genesis and Catastrophe. A True Story

Genesis and Catastrophe. A True Story Genesis and Catastrophe A True Story "Everything is normal," the doctor was saying. "Just lie back and relax." His voice was miles away in the distance and he seemed to be shouting at her. "You have a

More information

Contents 2. Notations Used in This Guide 6. Introduction to Your Projector 7. Using Basic Projector Features 29. Setting Up the Projector 16

Contents 2. Notations Used in This Guide 6. Introduction to Your Projector 7. Using Basic Projector Features 29. Setting Up the Projector 16 User's Guide Contents 2 Nottions Used in This Guide 6 Introduction to Your Projector 7 Projector Fetures... 8 Quick nd Esy Setup... 8 Esy Wireless Projection... 8 Flexible Connectivity... 9 Connect with

More information

UNIT 4 MODERN IRISH MUSIC - PART 3 IRISH SONGS

UNIT 4 MODERN IRISH MUSIC - PART 3 IRISH SONGS UNIT 4 MODERN IRISH MUSIC: Song Lyrics ONE - U2 Is it getting Or do you feel the Will it make it on you now You got someone to You say One love, One life When it's one In the night One love, We get to

More information

beetle faint furry mind rid severe shiver terrified 1. The word ' ' describes something that has a lot of hair, like a cat or a rabbit.

beetle faint furry mind rid severe shiver terrified 1. The word ' ' describes something that has a lot of hair, like a cat or a rabbit. Stories A serious case My friend is afraid of spiders. This isn't very unusual; a lot of people are afraid of spiders. But my friend isn't just afraid of spiders, she is totally, completely and utterly

More information

4 Food, glorious food!

4 Food, glorious food! 4 Food, glorious food! Show wht you know! Listening 1 14 CD2 Wht food words n you rememer? Listen nd tik ( ) the food words you her. Wednesdy fternoon 2 15 CD2 Listen gin. Who sid it? 1 We ll mke Trte

More information

Pro Series White Toner and Neon Range

Pro Series White Toner and Neon Range WHEN YOU REGISTER YOUR PRODUCT Pro Series White Toner nd Neon Rnge Discover New Dimension in Colour printing for grment decortion, signge nd design Pro7411WT White Toner (CMYW) A4 printer Pro8432WT White

More information

Sweet Bun Blues Chapters 1 & 2 1 by Rita Falk (Original title: Dampfnudelblues, dtv: 2011)

Sweet Bun Blues Chapters 1 & 2 1 by Rita Falk (Original title: Dampfnudelblues, dtv: 2011) Rit Flk Stem-bred Blues A Bvrin crime thriller 256 Pges Sweet Bun Blues Chpters 1 & 2 1 by Rit Flk (Originl title: Dmpfnudelblues, dtv: 2011) Rights Sold: Frnce, Turkey, Ltvi, Hungry ISBN 978-3-423-24850-1

More information

THE CIVIL SERVANT. Ayodeji Oluwaseyi Isaac

THE CIVIL SERVANT. Ayodeji Oluwaseyi Isaac THE CIVIL SERVANT by Ayodeji Oluwaseyi Isaac 09051448124 sicincayodeji@gmail.com FADE IN: INT. BAR- DAY The room is barely alive. Business just opened. Louis Armstrong's Weather bird hums softly BOBODE

More information

YOU LL BE IN MY HEART. Diogo dos Santos Figueira. Leiria, Portugal

YOU LL BE IN MY HEART. Diogo dos Santos Figueira. Leiria, Portugal YOU LL BE IN MY HEART By Diogo dos Santos Figueira diogo_quaresma20@hotmail.com Leiria, Portugal FADE IN: EXT. S MANSION - NIGHT It s a rainy cold night. The winds blows strong, the trees seem to dance

More information

Contents 2. Notations Used in This Guide 6. Introduction to Your Projector 7. Using Basic Projector Features 28. Setting Up the Projector 15

Contents 2. Notations Used in This Guide 6. Introduction to Your Projector 7. Using Basic Projector Features 28. Setting Up the Projector 15 User's Guide Contents 2 Nottions Used in This Guide 6 Introduction to Your Projector 7 Projector Prts nd Functions... 8 Projector Prts - Front/Side... 8 Projector Prts - Top/Side... 9 Projector Prts -

More information

I SPY WITH LITTLE EYES I SPY WITH MY LITTLE EYES. By Katie Drew

I SPY WITH LITTLE EYES I SPY WITH MY LITTLE EYES. By Katie Drew I SPY WITH MY LITTLE EYES I SPY WITH By Katie Drew RN MY LITTLE EYES By Katie Drew 7-12 years 36 Page 29 Throughout this book are lots of pictures of eyes. Can you find them all? Write your answer in the

More information

CPSC 121: Models of Computation Lab #2: Building Circuits

CPSC 121: Models of Computation Lab #2: Building Circuits CSC 121: Models of Computti L #2: Building Circuits Ojectives In this l, ou will get more eperience with phsicl logic circuits using The Mgic Bo. You will lso get our first eposure to Logisim, tool for

More information

I AM OLDER NOW CLASS 2

I AM OLDER NOW CLASS 2 I AM OLDER NOW COMPREHENSION PASSAGE 1 When I was a tiny tot, Small things made me cry a lot, Like when I fell and hurt my knee, Or when I saw a bumblebee! I m older, braver, stronger today, I often fall

More information

The Upturned Face. Stephen Crane

The Upturned Face. Stephen Crane Stephen Crane Table of Contents...1 Stephen Crane...2 i 1 Stephen Crane This page copyright 2002 Blackmask Online. http://www.blackmask.com "What will we do now?" said the adjutant, troubled and excited.

More information

ENGLISH ENTRANCE EXAMINATION

ENGLISH ENTRANCE EXAMINATION ENGLISH ENTRANCE EXAMINATION For Entry into Form III (Year 7) 2016 Name:.. Date of Birth:.. Today s Date:. Your Present School:... Time Allowed: 1 Hour Instructions: Fill in your name, date of birth, today

More information

ear ear ear ear Multiple Meaning Words: Grade 3 to 5 More Teaching Tools at the organ of hearing in people and some other animals

ear ear ear ear Multiple Meaning Words: Grade 3 to 5 More Teaching Tools at  the organ of hearing in people and some other animals Multiple Meaning Words: Grade 3 5 ear ear ear ear the organ of hearing in people and some other animals We hear with our ears. sense of hearing When her shouts reached our ears, we ran in the direction

More information

Contents 2. Notations Used in This Guide 6. Introduction to Your Projector 7. Using Basic Projector Features 29. Setting Up the Projector 16

Contents 2. Notations Used in This Guide 6. Introduction to Your Projector 7. Using Basic Projector Features 29. Setting Up the Projector 16 User's Guide Contents 2 Nottions Used in This Guide 6 Introduction to Your Projector 7 Projector Fetures... 8 Quick nd Esy Setup... 8 Esy Wireless Projection... 8 Flexible Connectivity... 9 Connect with

More information

Section I. Quotations

Section I. Quotations Hour 8: The Thing Explainer! Those of you who are fans of xkcd s Randall Munroe may be aware of his book Thing Explainer: Complicated Stuff in Simple Words, in which he describes a variety of things using

More information

56 Fiction Prose Red Lighting and Some Jazz Ryan Woods

56 Fiction Prose Red Lighting and Some Jazz Ryan Woods 56 Fiction Prose Red Lighting and Some Jazz Ryan Woods I find myself, as I step through the shaded door, suddenly in a world entirely different from the one I left behind outside. Jazz, continuous jazz.

More information

Today I am joyful. My mood is first-rate. My friend s sleeping over, she said she can t wait. My freckles are popping, the sun is so bright.

Today I am joyful. My mood is first-rate. My friend s sleeping over, she said she can t wait. My freckles are popping, the sun is so bright. Directions: Circle or highlight the examples of alliteration in these excerpts from Today I Feel Silly & Other Moods that Make My Day by Jamie Lee Curtis: Today I am joyful. My mood is first-rate. My friend

More information