Reading a poem aloud: metre. Richard Dury Bergamo, 29 th October 2008
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1 Reading a poem aloud: metre Richard Dury Bergamo, 29 th October 2008
2 4-beat verse GI-ra GI-ra TON- DO
3 4-beat verse GI-ra GI-ra TON- DO CAS- CA il MON- DO
4 4-beat verse GI-ra GI-ra TON- DO CAS- CA il MON- DO RING a RING o RO- SES
5 4-beat verse GI-ra GI-ra TON- DO CAS- CA il MON- DO RING a RING o RO- SES a POCK-et -FUL of PO- SIES
6 4-beat verse GI-ra GI-ra TON- DO CAS- CA il MON- DO RING a RING o RO- SES a POCK-et -FUL of PO- SIES a-tish- OO a-tish- OO
7 4-beat verse GI-ra GI-ra TON- DO CAS- CA il MON- DO RING a RING o RO- SES a POCK-et -FUL of PO- SIES a-tish- OO a-tish- OO we ALL FALL DOWN (X)
8 4-beat verse Gi ra gi ra ton do Ring a ring o ro ses A pock et full of po sies
9 4-beat verse / x / x / / Gi ra gi ra ton do Ring a ring o ro ses A pock et full of po sies
10 4-beat verse / x / x / / Gi ra gi ra ton do / x / x / / Ring a ring o ro ses A pock et full of po sies
11 4-beat verse / x / x / / Gi ra gi ra ton do / x / x / / Ring a ring o ro ses x / x / x / / A pock et full of po sies
12 Derek Attridge, Poetic Rhythm. An Introduction (Cambridge University Press, 1995) Derek Attridge, The Rhythms of English Poetry (Longman, 1982)
13 5-beat verse: iambic pentameter That time will come and take my love a- way (64)
14 5-beat verse: iambic pentameter / That time will come and take my love a- way (64)
15 5-beat verse: iambic pentameter / / That time will come and take my love a- way (64)
16 5-beat verse: iambic pentameter / / / That time will come and take my love a- way (64)
17 5-beat verse: iambic pentameter / / / / That time will come and take my love a- way (64)
18 5-beat verse: iambic pentameter / / / / / That time will come and take my love a- way (64)
19 5-beat verse: iambic pentameter x / x / x / x / x / That time will come and take my love a- way (64)
20 Variation 1: inversion / x As an un- per- fect ac- -tor on the stage (23)
21 Variation 1: inversion / x x / As an un- per- fect ac- -tor on the stage
22 Variation 1: inversion / x x / x / x / x / As an un- per- fect ac- -tor on the stage
23 Variation 1: inversion / x x / x / x / x / As an un- per- fect ac- -tor on the stage (23) Look- ing on dark- ness which the blind do see (27)
24 Variation 1: inversion / x x / x / x / x / As an un- per- fect ac- -tor on the stage (23) / x Look- ing on dark- ness which the blind do see (27)
25 Variation 1: inversion / x x / x / x / x / As an un- per- fect ac- -tor on the stage (23) / x x / Look- ing on dark- ness which the blind do see (27)
26 Variation 1: inversion / x x / x / x / x / As an un- per- fect ac- -tor on the stage (23) / x x / x / x / x / Look- ing on dark- ness which the blind do see (27)
27 Variation 2: two beats together (i) / / x x
28 Variation 2: two beats together (i) / / x x And troub- le deaf heav n with my boot- less cries (29)
29 Variation 2: two beats together (i) / / x x / / / And troub- le deaf heav n with my boot- less cries (29)
30 Variation 2: two beats together (i) / / x x / / / / / And troub- le deaf heav n with my boot- less cries (29)
31 Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (29)
32 Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (29)
33 Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29)
34 Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29) as the death bed where- on it must ex- pire (73)
35 Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29) / / / / as the death bed where- on it must ex- pire (73)
36 Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29) / / / / / as the death bed where- on it must ex- pire (73)
37 Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29) x x / / x / x / x / as the death bed where- on it must ex- pire (73)
38 Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29) x x / / x / x / x / as the death bed where- on it must ex- pire (73)
39 Problem cases x / x / x / x / x / In pro- cess of the seas- ons I have seen x / x / x / Three Ap- ril per- fumes in three hot Junes burned (104)
40 Problem cases x / x / x / x / x / In pro- cess of the seas- ons I have seen x / x / x / x / x / Three Ap- ril per- fumes in three hot Junes burned (104)
41 Problem cases x / x / x / x / x / In pro- cess of the seas- ons I have seen x / x / x x / / / / Three Ap- ril per- fumes in three hot Junes burned (104)
42 Problem cases x / x / x / x / x / In pro- cess of the seas- ons I have seen x / x / x x / x / / Three Ap- ril per- fumes in three hot Junes burned (104)
43 So your sweet hue which me- thinks still doth stand (104)
44 x / x / / x / So your sweet hue which me- thinks still doth stand (104)
45 x / x / x x / x / So your sweet hue which me- thinks still doth stand (104)
46 x / x / / x x / x / So your sweet hue which me- thinks still doth stand (104)
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