MAN'S VOICE (V.O.) Today I will find it. Today I will get her back.
|
|
|
- Lorraine Parker
- 5 years ago
- Views:
Transcription
1 THE KILL SWITCH
2 MAN'S VOICE (V.O.) Today I will find it. Today I will get her back. FADE TO: INT. ELEVATOR CAR - ASCENDING A tall man in a black coat, a matching panama hat, and leather gloves, stands inside. Grief and anger has mapped his face. His eyes, though, remain uncharted. The name is. He's 43. The car stops. The door opens. An Asian MAID, 26, steps in dragging a cleaning cart with her. MAID (as friendly as a kitten) Good morning. Luca doesn't even look at her. She shrugs, then demands 7. (V.O.) If you trust anyone in this building, you may as well start french-kissing snakes. The Maid holds the broom handle. MAID May I ask you which floor you're going to, sir? (Without looking) Seventeen and a half. MAID (chuckles) Sorry, sir, this building doesn't have such floor. And Maids don't have swords. The friendly look on the Maid's face disappear. She unsheathes a samurai sword out of the broom. Then strikes like lightening. Luca dodges it skillfully. A super epic combat plays out in front of our eyes within the confinement of the elevator car. The maid is a sword master. But Luca is way faster. Maid swings and misses. Luca traps her sword with his foot against the wall. She tries to pull it free once. Twice. The third time, Luca tricks her and releases the sword.
3 Her strong pull puts her off balance for a second, which is all Luca needs to break her neck with a sidekick. He hides her body inside the cleaning cart. The elevator reaches floor number 7. A heavy, old man, in a suit boards the car. He looks like a. He flashes Luca a friendly smile. No reaction from Luca. Bob demands 13. (V.O.) I triangulated Alessa's last call. She was in this building no doubt. Chances are she's still here. In that Goddamned floor. ALESSA (V.O.) (FLASHBACK) Luca, baby, come and get me out of here. These people are crazy. I found that floor. (crying) I wish I hadn't, baby. I wish I hadn't-- No, please n-- Luca grinds his teeth to the memory of her shaking voice. You don't happen to know where floor seventeen and a half is, do you? Wha--? Must be between floor seventeen and eighteen, I assume. Luca gives a mocking smile. I hope you will keep your sense of humour. Luca kicks the kill switch with his heel, and elbows Bob hard on the nose. What the fuck! How do you get to that floor! You're crazy. There is no such floor. Help! Somebody help! Bob reaches for the kill switch, but Luca grabs his hand.
4 I don't have time to break your fat fingers. But I can take a second to make you blind. Luca grabs Bob's head with both hands and presses his eyeballs with his thumbs. Stop, please, stop. Where is the fucking floor! (sobs) I don't know. I swear. Luca crashes one eyeball. Bob screams. He punches and kicks to no avail. You're running out of eyeballs, man. The secret panel. You need a code. (sobs) I don't know the fucking code. I swear. (V.O.) People breathe air. They breathe lies. Luca puts more pressure on the remaining eyeball. Zulu alpha five six ford eight. Luca grabs him by the collar and slams him against the elevator panel. The secret panel. Bob, holding his bleeding eye socket with one hand, franticly punches in a series of numbers with the other. The car light turns into a blue glow. The numbers panel flips. A more elaborate panel replaces it. Luca shoves Bob aside. He enters the code. A mechanism WHIRLS loudly. The car starts to move horizontally. (V.O.) It was too easy. Something was off. Luca produces a feet-tall, well-oiled revolver.
5 The car stops. Bob gives Luca the finger. (V.O.) I guess I just french-kissed a snake. The door slides open. Luca jumps at Bob and holds him as a shield against the raging bullets coming his way. Fat and blood splashes out as Bob's body takes in the hot slugs. Luca starts shooting back from under Bob armpit. The shooting goes on for a moment, then it abates. (V.O.) It was my fault she got involved. I brought an angel to a devils fight. Luca drops "swiss cheese" Bob. He checks the side of his chest. His hand comes back red with blood. He punches the panel. The door closes. FEMALE VOICE (V.O) (automated) Warning. You have ninety seconds to enter a valid code. Luca's back slides against the wall as he collapses to the floor, leaving behind a thick trace of blood. He pulls a photo out of his pocket. (V.O.) I can still remember the smell of her breaths as she whispers her sweet, seductive words in my ears. FEMALE VOICE (V.O) Warning. You have sixty seconds to enter a valid code. He notices a thick pen in Bob's pocket. He picks it up. He weighs it. Too heavy for a pen. He scrutinizes it. (V.O.) I couldn't care less about those bastards plans. I just want my Alessa back.
6 He finds a removable cap covering a flashlight. He twists it. It turns on and emits an ultraviolet light. He frisks Bob. He finds a small book. He flips the pages. FEMALE VOICE (V.O) Warning. You have thirty seconds to enter a valid code. There is a suspicious three blank pages in the end. He points the flashlight at the pages. It reveals a secret writing. The codes. He finds level seventeen and a half. He enters the sequence. FEMALE VOICE (V.O) (CONT D) Moving to level seventeen and a half. Please be patient. The car moves again. Luca reloads his revolver. ALESSA (V.O.) (FLASHBACK) Luca, I want you to show me all the cities in the world. I will take a picture in each one of them. And buy a souvenir. Luca strains to stand on his feet. He fights to keep his eyes open. Lost too much blood. ALESSA (V.O.) (FLASHBACK) (CONT D) Luca... Stay with me, baby, the night is still young. The door opens, so do Luca's eyes. He storms out. O.S. Gun shots. Shouts. Glass breaking. More gun shots. Rapid fire. MR. OPTIMISTIC (O.S.) I think I got him. MR. WET-PANTS (O.S.) What you mean "you think?" MR. OPTIMISTIC (O.S.) He's not moving any more. MR DEAD (O.S.) I'm gonna check him out, you pussies. (then) Fuck!
7 The chaos resumes. Guns. Shouts. Breaking sounds. Then absolute silence floods the place. BANG! Gun shot. (O.S.) Alessa!... Alessa!... Alessa baby where are you? MR DEAD (O.S.) (gurgling) Your bitch is dead. Luca drugs himself back into the car. Shot to hell. Barely moving. He punches the wall in frustration. He cries. ALESSAAAA! He falls on his knees. He cocks his revolver. Puts it to his head. Starts squeezing the trigger. Luca? ALESSA (O.C.) FADE TO BLACK THE END
PEOPLE WHO LIE. written by. Xavier Gonzalez
PEOPLE WHO LIE written by Xavier Gonzalez REVISION 10 xgonzalez93@yahoo.com January 15, 2009 Copyright 2009 All Rights Reserved FADE IN: INT. THERAPIST'S OFFICE- DAY (Tall, okay looking, well groomed,
On Hold. Ste Brown.
On Hold by Ste Brown (c) 2015 ste_spike@yahoo.co.uk FADE IN: INT. HOUSE - DAY A bare, minimal house. Nothing out of place. (early 30s) stands in front of the hallway mirror in trousers and shirt. He stares
Dust and Roses. electricsatori.
Dust and Roses By electricsatori electricsatori@gmail.com FADE IN: EXT. NEVADA DESERT TOWN - DAY - EST. SUPER: 1847 Wind whips sand across the faded buildings. Not a single person strolls through the streets.
Confessions. by Robert Chipman
Confessions by Robert Chipman FADE IN. EXT. ST. PATRICK S CHURCH - NIGHT HARWOOD (37), walks up the steps to the Gothic church with both hands in his sweatshirt pockets. Rain pours down and drenches Brian
IT GAZES BACK. Jon Barton. April 2010
IT GAZES BACK By Jon Barton April 2010 FADE IN: INT. S LIVING ROOM - NIGHT It is a dark and stormy night. Thunder RUMBLES outside. A MALE FIGURE lies on the floor in the middle of the dark, cluttered,
RICKEV & AMOS. Written by. Robert Saldivar
& Written by Robert Saldivar Address Phone Number FADE IN: EXT. BLEEDING FALCON SHIP - EVENING The ship hovers thousands of feet above land, engulfed in the clouds. MALE VOICE (O.S.) You think you can
Have You Seen Him? Jason Bullock
Have You Seen Him? By Jason Bullock 2013 This screenplay may not be used or reproduced without the express written permission of the author. Jason Bullock jason@backwardsmanproductions.com FADE IN INT.
The Girl without Hands. ThE StOryTelleR. Based on the novel of the Brother Grimm
The Girl without Hands By ThE StOryTelleR Based on the novel of the Brother Grimm 2016 1 EXT. LANDSCAPE - DAY Once upon a time there was a Miller, who has little by little fall into poverty. He had nothing
GUS. Written by. Daniel Walker. Second Draft February 22nd, 2018
Written by Daniel Walker Second Draft February 22nd, 2018 Copyright(c) 2018 This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission
Re(t)con. written by. Moustache de Plume
Re(t)con written by Moustache de Plume Address Phone E-mail FADE IN: EXT. CONVENIENCE STORE - NIGHT Two THUGS, male, twenties, horse-play in the parking lot. There are no other people around. A guy, late
FREEZER. Jayden Creighton. Copyright 2008
FREEZER By Jayden Creighton Copyright 2008 jayden.creighton@hotmail.com The screen SURGES to life, cast in a cold blue pallor. A thin blanket of haze surrounds a young man, (16). The camera looms over
AFTER MOM'S FUNERAL. Julio Weigend
AFTER 'S FUNERAL by Julio Weigend INT. APARTMENT - NIGHT A small, modest living space. Middle-class. The front door opens. (23) steps in. He's dressed in a black suit and looks miserable. His phone buzzes.
The Departure Lounge. Craig Cooper-Flintstone. 09/12/09
The Departure Lounge By Craig Cooper-Flintstone 09/12/09 craigcooper1@sky.com FADE IN: INT. LUXURY DEPARTURE LOUNGE - DAY The huge windowless room bustles with activity. People sitsome chatter- others
Happy/Sad. Alex Church
Happy/Sad By Alex Church INT. CAR Lauren, a beautiful girl, is staring out the car window, looking perfectly content with life. Ominous, but happy music plays. She turns and smiles to look at Alex, the
Cupidity. Mike Shelton. Copyright 2007
Cupidity By Mike Shelton Copyright 2007 shelton.mike@gmail.com EXT. OFFICE BUILDING - DAY Moderately heavy foot traffic moves along the sidewalk, and numerous people enter and exit through a bank of revolving
BLACK SHADOW by John Francisco Navas
BLACK SHADOW by John Francisco Navas John Francisco Navas Luzalma Productions 88 S. 3 RD Street, Suite 310 San Jose, California 95113 408.843.6007 Registered WGA No.: 1264918 jnavas@luzalma.com 2008 1.
No Clowning Around. Jeffrey Dean Langham
No Clowning Around by Jeffrey Dean Langham j_langham@hotmail.com (c) 2016. This work may not be used for any purpose without the expressed written permission of the author FADE IN: EXT. SIDEWALK - DAY
Ronnie & Julie. Simon Colligan.
Ronnie & Julie By Simon Colligan Copyright Simon Colligan 2010 simon@colliganweb.co.uk INT. CASINO. CARVALHO (20) slim brunette, works one of the CRAPS tables. BELUGIO (20) medium build, athletic male,
ANKOU. written by. Anica Moore
ANKOU written by Anica Moore Scripped scripped.com July 18, 2011 Copyright (c) 2010-2011 All Rights Reserved EXT. THE YEAR IS 1874 AT AN OLD ENGLISH TAVERN IN ESSEX, LONDON ENGLAND - NIGHT FADE IN: The
DELUSION. Justin Swartz
DELUSION by Justin Swartz 2017 Justin Swartz All rights reserved. Justin A. Swartz 440 N. Lombard Street Dallastown, PA 17313 (717) 683-6202 robojammies@gmail.com 2 FADE IN INT. EXAMINATION ROOM - DAY
PUNCTURE WOUNDS. Written by. Tim Wolfe
PUNCTURE WOUNDS Written by Tim Wolfe Copyright 2011 Flannelserenity7@aol.com Small. Cluttered. Papers everywhere. Crumpled sheets overflowing the trashcan. Seated at a small table, furiously banging keys
LUNCH WITH JOHN. Written by. Max Landis
LUNCH WITH Written by Max Landis INT. FANCY RESTAURANT - DAY Grace (Patton Oswalt) sits alone at a table. He seems nervous. His food is there in front of him, untouched. People all around talk, laugh;
SEXUAL PERVERSITY IN AÑO NEUVO Ross Peter Nelson Playwright s Phone Number. A 12-year-old elephant seal. The alpha male. EDDIE EDDIE EDDIE EDDIE EDDIE
SEXU PERVERSITY IN AÑO NEUVO Ross Peter Nelson Playwright s Phone Number A 12-year-old elephant seal. The alpha male. A 6-year-old male elephant seal. A 7-year-old male elephant seal. ( and are standing
THE BENCH. Shawn Martin
THE BENCH by Shawn Martin EXT. PARK - AFTERNOON The sky is blue and many clouds are in air. It s warm with very little wind blowing. Few birds are chirping and the sun is hiding behind a few clouds. (20s)
THEY BURN. Written by. Nathan Hill
THEY BURN Written by Nathan Hill nathanhill1999@yahoo.co.uk Copyrighted 2016. FADE IN: ON BLACK: SUPER: NORTH CAROLINA 1974 INT. INTERROGATION ROOM- AFTERNOON, fat 50-something man, thin black slicked
Lit Up Sky. No, Jackson, I reply through gritted teeth. I m seriously starting to regret the little promise I made
1 Lit Up Sky Scared yet, Addy? the most annoying voice in existence taunts. No, Jackson, I reply through gritted teeth. I m seriously starting to regret the little promise I made myself earlier tonight.
INT. BERNIE'S PRIVATE DETECTIVE OFFICE -- DAY (1942)
Poison or Lead - A Crime Noir Copyright 2012 Rob Milliken (Rob@YourDayHasArrived.com) INT. 'S PRIVATE DETECTIVE OFFICE -- DAY (1942) The scene is of 's office. Although it's daytime, the office is dark
(C) Copyright 2011 MAY THE BEST MAN WIN
(C) Copyright 2011 MAY THE BEST MAN WIN FADE IN: EXT. ALL NITER BAR - NIGHT The NEON SIGN of the All Niter bar flickers on and off. The parking lot is way less than half empty. A slow night for sure. INT.
A trip to Zoo (short) by Anthony Hudson 'alffy' Third Draft Copyright All Rights Reserved
A trip to Zoo (short) by Anthony Hudson 'alffy' Third Draft Copyright 2006. All Rights Reserved Anthony 'alffy' Hudson Email: buckrogers_10@hotmail.com 1. FADE IN. INT. TRAIN STATION The Station is busy
CHANGING TUNE. Written by. Baron Andrew White
CHANGING TUNE Written by Baron Andrew White baronwhite44@googlemail.com FADE IN. INT. A BEDROOM - DAY A man in his mid twenties (Adam Griffin) is sitting at the foot of an immaculately made bed in a perfectly
HAUNTED MASKED SERIAL KILLER. Written by. D. R. Whiteley
HAUNTED MASKED SERIAL KILLER Written by D. R. Whiteley Address Phone Number FADE IN: INT. FLORIDAN MUSEUM - AFTERNOON, SECURITY GUARD, EARLY TWENTIES, goes on a tour of her new job at the Floridan Museum.
WOODLAND GIRL. Written by. Simon K. Parker
WOODLAND GIRL Written by Simon K. Parker Copyright 2017 This screenplay may not be used or reproduced without the express written permission of the author. simon@simonkyleparkerscripts.co.uk EXT. FOREST
A THANKSGIVING TO REMEMBER. Adam Rocke.
A THANKSGIVING TO REMEMBER By Adam Rocke adam@adamrocke.com www.adamrocke.com INT. DINING ROOM - NIGHT Eight-seat rectangular table holds a THANKSGIVING FEAST. Someone went through a ton of trouble to
YOU LL BE IN MY HEART. Diogo dos Santos Figueira. Leiria, Portugal
YOU LL BE IN MY HEART By Diogo dos Santos Figueira diogo_quaresma20@hotmail.com Leiria, Portugal FADE IN: EXT. S MANSION - NIGHT It s a rainy cold night. The winds blows strong, the trees seem to dance
A Sound of Thunder Pre-Intermediate Level Story
A Sound of Thunder Pre-Intermediate Level Story The sign on the wall seemed to to be moving under a thin film of warm water. Eckels closed his eyes for a moment, the sign burned in his mind: TIME SAFARI,
THE ROOM OF DOORS. by Writer 161
THE ROOM OF DOORS by Writer 161 THE ROOM OF DOORS / 161 1 DARK SCREEN, a sexy woman s voice over a black screen. Hello? A beat. Where am I? A beat. ANYONE. FADE IN. INT. THE ROOM - DAY Kara lies on a rectangular
NO JOKE. Written by Dylan C. Bargas
NO JOKE Written by Dylan C. Bargas 1. OPENING - PITCH BLACK (VO) Where d we begin? A chilling hysterical laughter shears out. OPENING TITLE FADES IN/FADES OUT FADES IN: INT. HOUSE NIGHT Everyone is sitting
Sam Gregory. By Callan Woodhouse. Copyright (c)
Sam Gregory By Callan Woodhouse Copyright (c) 2015 Email - cwoodhouse99@outlook.com FADE IN: NIGHT. DUSTY VALLEY. Dust dances around on the valley floor as the wind blows. We reveal a group of FIVE COLD
Experimental Justice. Rita Cooper
Experimental Justice by Rita Cooper * THIS SCREENPLAY MAY NOT BE USED OR REPRODUCED FOR ANY PURPOSE INCLUDING EDUCATIONAL PURPOSES WITHOUT THE EXPRESSED WRITTEN PERMISSION OF THE AUTHOR. ritacooper@hotmail.ca
THE OTHER SIDE OF THE DOOR
148 THE OTHER SIDE OF THE DOOR BETSY PAUL C. Characters Renu : a nineteen year old girl, extremely interesting and attractive, than beautiful. Man : a six pack TDH (tall, dark, handsome) twenty six year
1 EXT. STREAM - DAY 1
FADE IN: 1 EXT. STREAM - DAY 1 The water continuously moves downstream. Watching it can release a feeling of peace, of getting away from it all. This is soon interrupted when an object suddenly appears.
WAR STORIES BRANCHING NARRATIVE SPEC SCRIPT SAMPLE WRITTEN BY ASCOT SMITH BASED ON FABLES# 28 (2004)
WAR STORIES BRANCHING NARRATIVE SPEC SCRIPT SAMPLE WRITTEN BY ASCOT SMITH BASED ON FABLES# 28 (2004) 2015 Ascotsmi at gmail dot com DIR: Bigby stands under a street lamp as he talks on a payphone. He keeps
The Salon by Okonkwo Johnson Stephen
The Salon by THE SALON by Address : sj.okonkwo@gmail.com Phone Number: 0818 594 0603 2016 The Salon 1. 1. INT. SALON - NIGHT Two men walk into a salon. Both men are dressed in a pair of jeans, a polo shirt
I fell into consciousness with a sudden, frightening, crash. My CHAPTER 1 THE CASE OF THE INFINITE BLACKTOP. Oakland, 2011
CHAPTER 1 THE CASE OF THE INFINITE BLACKTOP Oakland, 2011 I fell into consciousness with a sudden, frightening, crash. My eyes popped open into a line of bright white-hot pain. I couldn t see anything
By the bed is a large tray with the remnants of a feast. Strewn about the room are four pair of shoes, clothing, and some sex toys.
The beginning of SWING SET (from COME AGAIN) a comedy in one act by Rich Orloff Place: A hotel room Time: Saturday night Characters:, Joe s wife, Angela s husband, Tena s husband, Chuck s wife A hotel
A PACT. Richard F. Russell Copyright 2014
A PACT By Richard F. Russell Wordmstr007@aol.com 910-285-3321 Copyright 2014 FADE IN EXT TOWN SQUARE NIGHT Rain falls silvery through the light from streetlights on a small town square, deserted at this
SUBURBIA STEPHEN BROWN. Blyth, England
SUBURBIA By STEPHEN BROWN ste_spike@yahoo.co.uk Blyth, England FADE IN INT. FULLER S HOUSE - BEDROOM - DAY FULLER(28) and FULLER(25) sleep soundly in each others arms. Only their faces visible above the
DEADLY COMPANIONS. Pam Seckinpah
DEADLY COMPANIONS by Pam Seckinpah 2016 FADE IN: INT. TAXI (MOVING) - DAY CLOSE ON a compact mirror as DONAHUE fixes her face. THE nods at her designer valise. Going someplace nice? That's none of your
GIANT JOSEPHINE. David Ruzicka. Draft 1
GIANT JOSEPHINE By David Ruzicka Draft 1 Copyright Orlando, FL 2013 PROPERTY OF: DAVID RUZICKA 10501 DEMILO PLACE #308 ORLANDO, FL 32836 1 Characters JOSEPHINE Location s secondhand clothing store. Halloween
I start walking toward the bus stop,
Janice Greene I start walking toward the bus stop, tagging along behind some other kids, trying to blend in. They re laughing and talking nobody notices me. If I m lucky I ll stay invisible. Then I hear
METROPOLITAN. Written by. Nathan Hill
METROPOLITAN Written by Nathan Hill nathanhill1999@yahoo.co.uk CUT TO: EXT. SOUTH LONDON STREETS- DAY Council estate. Young hoods walk around in groups. Single mums. Old coffin-dodgers. England. London.
POSTCARDS. by The Mailman
POSTCARDS by The Mailman (c) 2019 FADE IN: INT. BAR - NIGHT (20s) and (20s), each dressed trendy casual, sit laughing in a booth. The table is cluttered with the remnants of nachos and wings. (between
2014 Hippo Talk Talk English. All rights reserved.
This is a work of fiction. Names, characters, places and incidents either are products of the author s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living
THE BADEST. twitter.com/sttitus
THE BADEST COPYRIGHT OF LATUNDE TOMIWA TITUS (C). 2013. THE SCRIPT SHOULD NOT BE PERFORMED DISTRIBUTED, PUBLISHED OR REPRODUCED WITHOUT THE PERMISSION OF THE WRITER. www.facebook.com/sttitus twitter.com/sttitus4193
As the elevators door slid open they spotted a duffel bag inside. Tommy pick it up and opened it There s a note inside of it I bet its from Robby
MYSTERY MALL Oh please like I really believe all those stupid stories bout your dad s and the rest of the mall being haunted when its close by some strange creatures Tommy the tiger cub frowned You d have
As Requested Author : Kitex989. As Requested
Anime: Digimon Characters: TK X Davis Contains: feeling, tickling, smelling, licking Running feeling my heart pounding I got to do this got to make it was all that was going through my head as I Davis
Christina Farley. new york
Christina Farley Scholastic Press new york Copyright 2017 by Christina Farley All rights reserved. Published by Scholastic Press, an imprint of Scholastic Inc., Publishers since 1920. scholastic, scholastic
(TWEETS FROM THE DEAD) PILOT. NOW IT BEGINS. by Jimmy Smith. Jimmy Smith P.O Box 385 Carriere Ms
(TWEETS FROM THE DEAD) PILOT. NOW IT BEGINS by Jimmy Smith Jimmy Smith P.O Box 385 Carriere Ms. 39426 601-990-6251 INT. NEWS STUDIO - NIGHT. Newscaster F30 is giving a special news bulletin. The unbelievable
The following interview appeared in Vibe Magazine. In it Tupac describes the shooting at the Quad Studios.
A new and updated version of what happened at the Quad Studios that night will be up shortly. New information has changed the 'story'' behind what really happened that night. The following interview appeared
Anxiety. Written by. Simon K. Parker
Anxiety Written by Simon K. Parker Copyright 2016 This screenplay may not be used or reproduced without the express written permission of the author. Simonkyleparker@hotmail.co.uk INT. SCHOOL CLASSROOM
A Change of Heart. Christiaan Barnard
A Change of Heart By Christiaan Barnard INT. DIVE BAR - NIGHT Dark, smoky and nearly empty. Smooth Jazz plays on the radio. A BARTENDER polishes beer mugs. (37), sad-sack, sits at the bar staring into
TWISTED THIEF. Written by. David Black
TWISTED THIEF Written by David Black davidblack@yahoo.co.uk FADE IN: EXT. TED S GIFTS & GAGS SHOP - NIGHT A quaint, old-fashioned village shop. A sign hangs above a door: TED S GIFTS & GAGS. Light shines
PATRIK HENRY BASS Illustrations by Jerry Craft SCHOLASTIC INC.
PATRIK HENRY BASS S Illustrations by Jerry Craft SCHOLASTIC INC. If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as unsold and destroyed
Show Me Actions. Word List. Celebrating. are I can t tell who you are. blow Blow out the candles on your cake.
Celebrating are I can t tell who you are. blow Blow out the candles on your cake. light Please light the candles on the cake. measure Mom, measure how tall I am, okay? sing Ty can sing in a trio. taste
Weaving Interp Selections. How will you increase the audience s knowledge on this theme?
Weaving Interp Selections Ask yourself these questions first: Why do you want to weave your material? What pieces are you using? What is your theme? What point/argument are you trying to make? How will
Mr James. by Stephen Brown Mr James
Mr James Mr James By by Stephen Brown 2017 ste_spike@yahoo.co.uk 1 FADE IN: INT. CLASSROOM. DAY The CHILDREN, all around 15 years old, shout and laugh. They congregate around desks in large groups. (early
Aphasia. by Beth Balousek. BlazeVOX [books] Buffalo, New York
![Aphasia. by Beth Balousek. BlazeVOX [books] Buffalo, New York](/thumbs/87/95857679.jpg "Aphasia. by Beth Balousek. BlazeVOX [books] Buffalo, New York")
Aphasia by Beth Balousek BlazeVOX [books] Buffalo, New York Aphasia by Beth Balousek Copyright 2008 Published by BlazeVOX [books] All rights reserved. No part of this book may be reproduced without the
Before the Storm. Diane Chamberlain. excerpt * * * Laurel. They took my baby from me when he was only ten hours old.
Before the Storm by Diane Chamberlain excerpt * * * Laurel They took my baby from me when he was only ten hours old. Jamie named him Andrew after his father, because it seemed fitting. We tried the name
The Last Stalker. Paul Donnelly. (808) A Holomua Place Honolulu, HI 96816
The Last Stalker by Paul Donnelly paul@pauldonnellyplays.com (808) 465-0602 2439A Holomua Place Honolulu, HI 96816 The Last Stalker Setting: s studio apartment near Scott Circle in Washington, DC. The
Burning bridges, Inspector 19
Terminal Island is one of the largest ports in the world that is located at the west end of Long Beach, California. The name Terminal Island comes from much of the country s commerce passing through its
BANG! BANG! BANG! The noise scared me at first, until I turned around and saw this kid in a dark-blue hockey jersey and a black tuque staring at me
BANG! BANG! BANG! The noise scared me at first, until I turned around and saw this kid in a dark-blue hockey jersey and a black tuque staring at me through the wire mesh that went around the hockey rink.
ENGLISH PAPER 1 (LANGUAGE)
ENGLISH PAPER 1 (LANGUAGE) (Maximum Marks: 100) (Time allowed: Three hours) (Candidates are allowed additional 15 minutes for only reading the paper. They must NOT start writing during this time.) --------------------------------------------------------------------------------------------------------------
Pennies on the Dollar. by Ryan Warren.
Pennies on the Dollar by Ryan Warren Rmwarren@lycos.com FADE IN: INT. OFFICE - EVENING Two men are sitting across from each other in a room. on the left. on the right. The room is littered with empty pop
Of Sound Mind and Body
Of Sound Mind and Body By Kate Fitzgerald Characters: Charles Willis...Middle aged man, reflective and conflicted. Casey Flynn...9th grade student, nervous at first, but bubbly and kind. Paul Schneider..Eighteen,
KARMA AND THE KING Brian Ingram
KARMA AND THE KING Brian Ingram Dyersburg, Tennessee Brianingram92@gmail.com Copyright (c) 2014 This screenplay may not be used or reproduced without the express written permission of the author 2 INT.
Beyond Treatment. Thorsten Loos
Beyond Treatment by Thorsten Loos FADE IN: INT. COUCH DOCTOR OFFICE - DAY A noticably haggard, troubled man sits in a wheelchair. His appearance is unkempt. Long hair, unwashed for weeks. Shabby clothes,
"A Place of Whispers" by Mark Newton. Current Revision: Dated February 15, :48:54 AM
"A Place of Whispers" by Mark Newton Current Revision: Dated February 15, 2011 09:48:54 AM (c) target1@gmail.com A Place of Whispers 1. 1 INT. MILL KITCHEN - NIGHT FADE IN: A dimly lit room. We can hear
THE GOOD FATHER 16-DE06-W35. Logline: A father struggles to rebuild a relationship with his son after the death of his wife.
THE GOOD FATHER 16-DE06-W35 Logline: A father struggles to rebuild a relationship with his son after the death of his wife. INT. OFFICE - DAY ANGLE ON a framed photo on the wall of a small office. The
THE CIVIL SERVANT. Ayodeji Oluwaseyi Isaac
THE CIVIL SERVANT by Ayodeji Oluwaseyi Isaac 09051448124 sicincayodeji@gmail.com FADE IN: INT. BAR- DAY The room is barely alive. Business just opened. Louis Armstrong's Weather bird hums softly BOBODE
With This Ring. Calvin J Walker
With This Ring By Calvin J Walker 1 EXT - HOUSE - MORNING 1 RIDGE, good-looking clean-cut African American male in his mid twenties, stands outside on the sidewalk by the passenger side of a rusted old
LORD HEAR ME ERIC CHANDLER
LORD HEAR ME By ERIC CHANDLER Copyright (c) 2017 This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permision of the author. Fade
SECRETS AND DIRTY LITTLE LIES. written by. Cindy L. Keller
SECRETS AND DIRTY LITTLE LIES written by Cindy L. Keller skyburg@hotmail.com FADE IN: INT. HOUSE - KITCHEN - DAY The room is dark except for the light from the refrigerator. (40s) attempts to put something
A giant stuffed mouse sits buckled in the passenger seat.
FADE IN: INT. A CAR - AFTERNOON A car is parked outside a house. A giant stuffed mouse sits buckled in the passenger seat. FRED leads a 10 year old girl out to the car. The little girl opens the car door
Medusa Script. Written By. Collin Cunningham Brendan McLaughlin Ethan Leisie Aiden Fry Erik Schulz. Based on INCEPTION
Medusa Script Written By Collin Cunningham Brendan McLaughlin Ethan Leisie Aiden Fry Erik Schulz Based on INCEPTION Address, N - a location of residence Phone Number, N - a registered numeral for telephone
We ve Only Got Forever. By William Everett Putnam. William Everett Putnam NE 108th St. Redmond, WA
We ve Only Got Forever By William Everett Putnam William Everett Putnam 20401 NE 108th St. Redmond, WA 98053 will.e.putnam@gmail.com (425) 891-9576 EXT. WARNER RESIDENCE -- DAY (A COUPLE DAYS AFTER CHRISTMAS)
Supporting Inferences with Exact Quotes from a Text
Supporting Inferences with Exact Quotes from a Text Definitions: Inference- a conclusion reached on the basis of evidence Quotation Marks- mark a persons speech and/or a quote from the text. Quotation-
YOU'LL MISS ME WHEN I'M GONE. Written by. Richard Russell
YOU'LL MISS ME WHEN I'M GONE Written by Richard Russell Wordmstr007@gmail.com 910-285-3321 Copyright 2015 FADE IN: Small, neat, filled with second-hand furniture, as good as it gets on a tiny budget. On
Ivana Mabry - poems -
Poetry Series - poems - Publication Date: 2007 Publisher: Poemhunter.com - The World's Poetry Archive (03-24-1990) live by the quote 'if at first you don't succeed...try, try again'...and if all else fails...
INSOMNIAC. an original screenplay by. David M Troop
INSOMNIAC an original screenplay by David M Troop dtroop506@gmail.com copyright by David M Troop 2015 FADE IN: OPENING TITLE SEQUENCE Titles fade in and out over black. (V.O.) Insomniac, you're on the
Heaven Only Knows. By Corey Sprague by Corey Sprague ALL RIGHTS RESERVED Duplication Prohibited
By Corey Sprague 1998 by Corey Sprague ALL RIGHTS RESERVED Duplication Prohibited Download your complete script from Eldridge Publishing http://www.95church.com/playdetails.asp?pid=158 -2- For Beth, with
The Unlikely Last Supper. Mark Moore
The Unlikely Last Supper by Mark Moore Copyright 2013 All Rights Reserved. mmrem24@yahoo.com FADE IN: INT. JAMES'S APARTMENT - MANHATTAN - NIGHT and eleven of his APOSTLES sit impatiently in the living
Jacob and Noah. his first stop: Main Street. As he carries his ladder he hums the tune to a song. At
Jacob and Noah Scene 1 Cameras will be capturing Jacob from both the front and back to give film full visual effect when put together. The movie timeline is in 1930, Jacob is brining his ladder down the
Mike Schlemper Fade. Fade. 1. my hair
Fade 1. my hair Derrick, you watched my hair grow until I could pull it back into one of those short little granola boy pony tails and you never said a word but smiled and smiled broader when you saw me
The Movies Written by Annie Lewis
The Movies Written by Annie Lewis Copyright (c) 2015 FADE IN: INT. MOVIE THEATER - NIGHT,, and, all of them 16, stand at the very end of a moderate line to the ticket booth. As they speak, they move forward,
Genesis and Catastrophe. A True Story
Genesis and Catastrophe A True Story "Everything is normal," the doctor was saying. "Just lie back and relax." His voice was miles away in the distance and he seemed to be shouting at her. "You have a
I AM OLDER NOW CLASS 2
I AM OLDER NOW COMPREHENSION PASSAGE 1 When I was a tiny tot, Small things made me cry a lot, Like when I fell and hurt my knee, Or when I saw a bumblebee! I m older, braver, stronger today, I often fall
Bunny : Hello children, my name is Bunny and Koala and I are the best of best of friends.
KOALA AND BUNNY PUPPET SHOW SCRIPT (Complete Version) The puppet show is adapted from Mr Al Smith, of Brisbane Australia s book KOALA AND BUNNY, Instilling Protective Behaviours in Children, however, we
Diego s. Umbrella Viva. La Juerga Lyrics
Diego s Umbrella Viva La Juerga Lyrics Das Borjka Crash land veteran Hey coach put me in Workers stand up Take me to Berlin Everybody realize Amare si aye And we'll wake up Borjka, fast lane Cambodian
Idiomatic Expressions
Idiomatic Expressions Idiom means language peculiar to a people or community or a class. It is the expression in the usage of a language that is peculiar to itself either grammatically or in having a meaning