CIEE Global Institute Rome
|
|
- Gabriella Hubbard
- 5 years ago
- Views:
Transcription
1 CIEE Global Institute Rome Course name: Discovering Rome through Cinema Course number: CINE 3001 ROIT Programs offering course: Rome Open Campus (Communications, Journalism and New Media Track) Language of instruction: English U.S. semester credits: 3 Contact hours: 45 Term: Spring 2019 Course Description Rome, the Eternal City, has been and still is a source of inspiration for many Italian film directors. In fact, Rome is not only the capital of Italy but also the capital of the Italian film industry. Many successful movies have used Rome as the setting of their story, or are based on a script that was crucially inspired by the city in the first place. The course will focus on films made during the Neorealist period from 1944 through the 1950s the artistic movement that made Italian cinema world famous and continues to be influential today. Among the films we will watch and analyze are works by such directors as De Sica, Rossellini, Fellini, Pasolini, Moretti, and Sorrentino. By observing how these films have portrayed Rome and its people in a variety of ways, students have the opportunity, 1) to learn about the main social and cultural developments in 20th-century Italy and how they shaped Rome s urban environment, and 2) to explore how the Neorealists images of the city in turn have structured the perception of Rome inside and outside Italy to this very day. Learning Objectives This course will allow students to: Analyze the relationship between Italian post-wwii cinema and its historical and social context Understand the social implications of Italian Neorealist cinema through the representations of (Roman and Italian) society that the films convey Develop sophisticated and convincing interpretations of films watched Demonstrate a clear knowledge of the specific vocabulary and methods of film analysis
2 Demonstrate the ability to research and critically analyze film reviews published in national and international media Recognize, within the city of Rome, locations and sites popularized by Italian and international cinema Understand economic and legal issues as applied to movie shooting in Rome Course Prerequisites No specific prerequisites are needed for this course, besides a general interest in cinema as a cultural and social product. Methods of Instruction This course will combine lectures, class debates, walking tours, press reviews and conversations with guest speakers. Assessment and Final Grade Weekly Written Assignments: 25% Oral Presentation: 25% Final Exam: 30% Class Participation: 20% Course Requirements Weekly Film Reviews Students will be asked to write a weekly film review (5 in total) by analyzing, interpreting and commenting on specific movies with clear references to the directors poetics, the historical and cultural context, and the technical specifications, as discussed in class. The professor will provide extensive and precise guidelines.
3 Oral Presentation Presentations will be delivered during the last week of classes. Each student will present on a film that has not been the subject of a weekly film review. Presentations will provide background knowledge about the film s production and critical reception, and offer an interpretation of the work. The interpretation should include an analysis of how Rome is represented in the film. Final Exam Students will take a final exam at the end of the course. The exam (multiple choice test and short essays) will cover all topics discussed and analyzed in class. Participation Participation is valued as meaningful contribution in the digital and tangible classroom, utilizing the resources and materials presented to students as part of the course. Meaningful contribution requires students to be prepared in advance of each class session and to have regular attendance. Students must clearly demonstrate they have engaged with the materials as directed, for example, through classroom discussions, online discussion boards, peer-to-peer feedback (after presentations), interaction with guest speakers, and attentiveness on cocurricular and outside-of-classroom activities. Attendance Policy Regular class attendance is required throughout the program, and all unexcused absences will result in a lower participation grade for any affected CIEE course. Due to the intensive schedules for Open Campus and Short Term programs, unexcused absences that constitute more than 10% of the total course will result in a written warning. Students who transfer from one CIEE class to another during the add/drop period will not be considered absent from the first session(s) of their new class, provided they were marked present for the first session(s) of their original class. Otherwise, the absence(s) from the original class carry over to the new class and count against the grade in that class. For CIEE classes, excessively tardy (over 15 minutes late) students must be marked absent. Attendance policies also apply to any required co-curricular class excursion or event, as well as to Internship, Service Learning, or required field placement. Students who miss class for personal travel, including unforeseen delays that arise as a result of personal travel, will be marked as absent and unexcused. No make-up or re-sit opportunity will be provided.
4 Attendance policies also apply to any required class excursion, with the exception that some class excursions cannot accommodate any tardiness, and students risk being marked as absent if they fail to be present at the appointed time. Unexcused absences will lead to the following penalties: Percentage of Total Course Hours Missed Equivalent Number of Open Campus Semester classes Minimum Penalty Up to 10% 1 content classes, or up to 2 language classes 10 20% 2 content classes, or 3-4 language classes More than 20% 3 content classes, or 5 language classes Participation graded as per class requirements. Participation graded as per class requirements; written warning Automatic course failure, and possible expulsion Please note this schedule is subject to change if opportunities arise to enhance the curriculum. Weekly Schedule Week 1 Rome Through Cinema Readings: Bondanella, Part Two: Chapter 3 Masters of Neorealism: Rossellini, De Sica, and Visconti (pp ); Marcus, Italian Film in the Light of Neorealism, Chapter Two: De Sica s Bicycle Thieves: Casting shadows on the visionary city. Session 1 Introduction to the Course The syllabus will be presented and reviewed, with emphasis on assessment methods and course requirements. How Rome has been one of the iconic locations of Italian cinema since the end of World War II. Screenings: scenes from several films and from Martin Scorsese s documentary My Voyage to Italy(2001). The Postwar Era in Rome: Neorealism A watershed in the evolution of modern cinema: the moment in Italian
5 cinema known as Neorealism. After World War II and the end of the Mussolini regime, Italian cinema stimulated social, political and cultural change. Themes, poetics, styles, main directors and emblematic examples will be analyzed and interpreted. Introduction to The Bicycle Thieves (1948), directed by Vittorio de Sica. Screening and debate: The Bicycle Thieves (1948) Assignment due: Film Review 1 Bicycle Thieves (1948) Week 2 Rome in Cinema: Reality versus fairy tale. Readings: Bondanella, Part Two: Chapter 5 The Break with Neorealism (pp ); Kezich T., Federico Fellini. His life and work, Chapter 3: Rome; Chapter 11: Discovering Italy; Chapter 15: It All Happened in Five Minutes The White Sheik; Chapter 18: Reality is a Fairy Tale; Chapter 21: A Kindly Soul of the Streets The Nights of Cabiria. Session 1 Rome, the Open City : Sceneries, symbols and stories from Neorealism to the break with it. By analyzing scenes from movies by Roberto Rossellini (Rome, Open City, 1945), Luchino Visconti (Bellissima, 1951) and Federico Fellini (The White Sheik, 1952, and The Nights of Cabiria, 1957) students will be able to recognize and interpret the symbolic role of specific locations and buildings in Rome, while analyzing historical and cultural elements of change in Italian cinema, beyond social realism. Session 2 Film screenings and debate: Bellissima (1951) by Luchino Visconti, and Roman Holiday (1953) the romantic comedy directed and produced by William Wyler. Both films were shot on location and at Cinecittà Studios. The critical reception will be analyzed through reviews published in Italian and international newspapers and magazines. Session 3 Field Study: Cinecittà Studios. Built in 1937 during the Fascist era, the studios are considered the hub of Italian cinema. Historical and political aspects will be discussed during this session. Assignment due: Film Review 2 Bellissima or Roman Holiday
6 Week 3 Rome in Pasolini s Films Readings: Bondanella, Part Three: The Golden Age of Italian Cinema. Chapter 8. Neorealism s Legacy to a New Generation and the Italian Political Film (pp ); Rhodes G.D. Stupendous, Miserable City: Pasolini s Rome. Excerpts. Session 1 Pier Paolo Pasolini: cinema, literature and politics The biography, poetics and aesthetics of Pasolini will be analyzed through his poems and essays, in order to understand the complexity of his cinema. Film screening and debate: Accattone(1961) and excerpts from Mamma Roma (1962), written and directed by Pier Paolo Pasolini. Critical reception will be analyzed through reviews published in Italian and international newspapers and magazines. Session 2 Walking tour: Students will participate in an interactive tour to the locations used as setting for De Sica s masterpiece and for the film Pasolini dedicated to Rome, among them Piazza Vittorio, the Quadraro and the Pigneto neighborhoods, and the Church of San Giovanni Bosco. Assignment due: Film Review 3 Accattone Week 4 Rome at the heart of two landmark films: La Dolce Vita and La Grande Bellezza Readings: Bondanella, Part Three: The Golden Age of Italian Cinema Fellini: The Director as Superstar. (pp ). Kezich T. Federico Fellini. His life and work, Chapters 21, 22,23, 24, 25, 26 on La Dolce Vita. Interviews and reviews published in Italian and international newspapers and magazines on The Great Beauty. Session 1 Fellini s and Sorrentino s Rome: magic and dreams Two different journeys through Rome to explore and discover the city s and Italy s cultural transformations from the 1960s up to the present. Rome plays a key role in these two films that attracted major international
7 attention. Fellini s La Dolce Vita (1960) became synonymous with Art Cinema, Sorrentino s The Great Beauty (2013) won the Oscar for Best Foreign Film in the 2014 Academy Awards. Session 2 Film screening and debate: La Dolce Vita (1960) by Federico Fellini, and The Great Beauty (2013) by Paolo Sorrentino. The critical reception will be analyzed through reviews published in Italian and international newspapers and magazines. Session 3 Walking Tour: Students will participate in an interactive tour of the locations used as setting for Fellini s and for Sorrentino s film, such as St. Peter s Square, Castel S. Angelo and the Tiber banks, the Trevi fountain, Piazza Navona, Via Veneto. Assignment due: Film Review 4 La Dolce Vita (1960) or The Great Beauty (2013). Week 5 Laughter and Tears in Rome: The Commedia all Italiana. Readings: Bondanella, Part Three, Chapter 7: Commedia all Italiana Comedy and Social Criticism (pp ; ; Part Four: Generational Change in the Contemporary Italian Cinema, Chapter 16: The third wave. Nanni Moretti (pp ); Paolo Virzì (pp ). Session 1 Italian-style Comedy An overview of the most popular film genre in Italy, from its legacy to Neorealism to its subsequent reinvigoration, modernization and personalization over a span of 40 years. Key figures, models, codes will be studied, analyzing scenes from different movies by Monicelli (Big Deal on Madonna Street, 1958), by Scola (We All Loved Each Other Very Much, 1974), and by Virzì (Caterina in the Big City, 2003; Your Whole Life Ahead of You, 2008). Walking Tour: Students will participate in an interactive tour of locations where several scenes from Italian comedies were shot. Session 2 The Cinema of Nanni Moretti
8 An independent, opinionated and humorous film perspective on Italian society by a Roman-born filmmaker. Scenes from his most important films. Film screening and debate: Habemus Papam (We Have a Pope), The critical reception will be analyzed through reviews published in Italian and international newspapers and magazines. Assignment due: Film Review 5 Habemus Papam (We Have a Pope) Week 6 (Re)viewing Rome: a multifaceted portrait of the city Session 1 Your movie about Rome Oral presentations and debate. This session will be dedicated to contrasting and comparing the images of the city constructed by the different movies examined during the course, and the current representations of Rome through international cinema. Students will be encouraged to reflect upon their own perception of the city before and after the course. Readings Session 2 Final Exam Bondanella P. A History of Italian Cinema. London and New York: Continuum, Print. Kezich T. Federico Fellini. His life and work. New York: Faber and Faber, Print. Marcus M. Italian film in the light of Neorealism. Princeton: Princeton University Press, Print. Rhodes G.D. Stupendous, Miserable City: Pasolini s Rome. University of Minnesota Press, Print.
9 Media Resources Accattone (1961) Pier Paolo Pasolini Bellissima (1951) Luchino Visconti Big Deal on Madonna Street (1958) Mario Monicelli Caterina in the Big City (2003) Paolo Virzì Her All Life Ahead (2008) Paolo Virzì La Dolce Vita (1960) Federico Fellini Mamma Roma (1962) Pier Paolo Pasolini My Voyage to Italy (2001) - Martin Scorsese s documentary Roman Holiday (1953) William Wyler Rome, Open City (1945) Roberto Rossellini The Bicycle Thieves (1948) Vittorio De Sica The Nights of Cabiria (1957) Federico Fellini The White Sheik (1952) Federico Fellini Un Americano a Roma (1954) Stefano Vanzina We All Loved Each Other Very Much (1974) Ettore Scola We Have a Pope (2012) Nanni Moretti Further reading materials will be assigned on a week-by-week basis. Professor will provide a complete list of complementary readings, media sources and articles published in national and international media in order to stimulate class debates and activities.
CIEE Global Institute Rome
CIEE Global Institute Rome Course name: The Great Beauty: Pride and Politics in the Italian Film Industry (in English) Course number: CINE 3002 ROIT (ENG) Programs offering course: Rome Open Campus (Communications,
More informationCIEE Global Institute Rome
CIEE Global Institute Rome Course name: The Great Beauty: Pride and Politics in the Italian Film Industry Course number: CINE 3002 ROIT Programs offering course: Rome Open Campus (Communications, Journalism
More informationCIEE Global Institute - Copenhagen
CIEE Global Institute - Copenhagen Course name: Literature and Life of Hans Christian Andersen Course number: LITT 2103 CPDK Programs offering course: Copenhagen Open Campus Open Campus Track: Language,
More informationCIEE Global Institute - Copenhagen
Course name: Course number: Language of instruction: U.S. semester credits: 3 Contact hours: 45 Term: Fall 2018 CIEE Global Institute - Copenhagen Literature and Life of Hans Christian Andersen LITT 2103
More informationCIEE Global Institute Paris Contemporary French Cinema (in English)
CIEE Global Institute Paris Course name: Contemporary French Cinema (in English) Course number: CINE 3001 PCFS (ENG) Programs offering course: Paris Open Campus (Communications, Journalism and New Media
More informationCIEE Global Institute Rome
CIEE Global Institute Rome Course name: Music, Media and Public Sphere Course number: (GI) COMM 3005 ROIT Programs offering course: Rome Open Campus (Communications, Journalism and New Media Track) Language
More informationCIEE Global Institute Paris
CIEE Global Institute Paris Course name: Contemporary French Cinema Course number: CINE 3001 PCFS (ENG) Programs offering course: Paris Open Campus Open Campus track: Communications, Journalism and New
More informationGlobal Institute Rome
Global Institute Rome Course name: Music and Society Course number: (GI) MUSI 2001 ROIT Programs offering course: Open Campus Open Campus track: Language, Literature and Culture Language of instruction:
More informationHistory of Italian Cinema (lecture) History of Italian Cinema (Screening)
Class code ICINE-UT-1103-001 (20056) History of Italian Cinema (lecture) Monday 3:00pm-5:45pm Room: Pisa ICINE-UT-1103-002 (20057) History of Italian Cinema (Screening) Room: Pisa Monday 6:00 pm- 8:00
More informationBOSTON UNVERSITY STUDY ABROAD PADUA Galleria S. Lucia Padova tel
BOSTON UNVERSITY STUDY ABROAD PADUA Galleria S. Lucia 1 35100 Padova tel. 049. 653030 Course: CAS IT 403 History of Italian Cinema Instructor: Giulia Lavarone, Ph.D Instructor e- mail: lavarone@bu.edu
More informationCIEE Global Institute London
CIEE Global Institute London Course name: British Women s Literature Course number: LITT 3002 LNEN Programs offering course: London Open Campus (Literature and Culture Track) Language of instruction: English
More informationCIEE Global Institute - Madrid
CIEE Global Institute - Madrid Course name: New Spanish Cinema Course number: FILM 3101 MASP (ENG) Programs offering course: Open Campus Open Campus Track: Language, Literature and Culture Track Language
More informationCIEE Global Institute London
CIEE Global Institute London Course name: Music, Media and Public Spheres Course number: (GI) COMM 3004 LNEN Programs offering course: London Open Campus (Communications, Journalism and New Media Track)
More informationP21L.011, The Film Experience Prof. David Thorburn Lecture Notes
P21L.011, The Film Experience Prof. David Thorburn Lecture Notes Lecture 19 -- Italian Neorealism I. The Opening of Bicycle Thieves The multiplicity principle II. Historical Context WW II Italian film
More informationCIEE Global Institute Paris
CIEE Global Institute Paris Course name: 20th Century French Literature (in English) Course number: LITT 3002 PAFR (ENG) Programs offering course: Paris Open Campus (Language, Literature and Culture Track)
More informationMajor Film Movements English 344L Class Unique Number: 34845
Major Film Movements English 344L Class Unique Number: 34845 Spring 2010 PAR 105 Tuesdays and Thursdays, 5:00-6:30pm (Screenings: Wednesdays 7:00-9:00pm) Instructor: Donna Kornhaber Office: Calhoun 18
More informationCIEE Global Institute - Santiago de Chile
CIEE Global Institute - Santiago de Chile Course name: Music, Media and Public Spheres Course number: (GI) COMM 3004 STCH Programs offering course: Open Campus Open Campus Track: Communications, Journalism,
More informationCLC 3301G/IT 3340G - ROME: THE ETERNAL CITY
CLC 3301G/IT 3340G - ROME: THE ETERNAL CITY Winter 2014 Anti-requisite(s): CLC 2100/Ital 2100 Extra Information: 3 hours, 0.5 course. Classes: Monday 1:30-11:30 Wednesday 9:30-10:30 Office hours: Tuesday
More informationFilm Appreciation Prof. Aysha Iqbal Department of Humanities and Social Science Indian Institute of Technology, Madras
Film Appreciation Prof. Aysha Iqbal Department of Humanities and Social Science Indian Institute of Technology, Madras Good morning. Lecture - 07 Traditions in World Cinema Italian Neo-Realism (Refer Slide
More informationCIEE Global Institute Rome
CIEE Global Institute Rome Course name: Music, Media and Public Sphere Course number: (GI) COMM 3005 ROIT Programs offering course: Rome Open Campus (Communications, Journalism and New Media Track) Language
More informationARTH 1112 Introduction to Film Fall 2015 SYLLABUS
ARTH 1112 Introduction to Film Fall 2015 SYLLABUS Professor Sra Cheng Office Hours: Mon 10:00-11:00 am, Office: Namm 602B Tu/Th 9:00 am-10:00 am Email: scheng@citytech.cuny.edu (best way to contact me)
More informationFrench / French New Wave Cinema: Sources and Legacies. Fall 2009 TR 3:30-4:45 Dey Hall 202. Projections: T 6 p.m.
French 373.001/373.601 French New Wave Cinema: Sources and Legacies Fall 2009 TR 3:30-4:45 Dey Hall 202 Projections: T 6 p.m. Dey Hall 202 Prof. Hassan Melehy office: Dey Hall 224 office hours: TR 2-3,
More informationIB Film, Textual Analysis Film Title: The Bicycle Thieves (Vittorio De Sica, 1948) Sequence Chosen: 1:21:25-1:26:25. Session May 2019 Word Count: 1748
IB Film, Textual Analysis Film Title: The Bicycle Thieves (Vittorio De Sica, 1948) Sequence Chosen: 1:21:25-1:26:25 Session May 2019 Word Count: 1748 Introduction The film I have chosen is a classic 1948
More informationArticle on Internet: The Cinema of Poetry Pier Paolo Pasolini
THE AMERICAN UNIVERSITY OF PARIS/ FALL 2013 COURSE TITLE: POETRY AND CINEMA COURSE CODE: FM 2093 PROFESSOR: Dr. Lawrence Pitkethly CLASS PERIOD: Thursday 16.55 for 2 periods OFFICE HOURS: Monday 14.00-15.00
More informationAUBURN UNIVERSITY SYLLABUS
AUBURN UNIVERSITY SYLLABUS 1. Course Number: EDMD 5100-6100 Course Titles: Credit Hours: 3 semester hours Prerequisite: Upper Class Division Undergraduate Corequisite: None 2. Date Syllabus Prepared: December
More informationFILM AND VIDEO STUDIES (FAVS)
Film and Video Studies (FAVS) 1 FILM AND VIDEO STUDIES (FAVS) 100 Level Courses FAVS 100: Film and Video Studies Colloquium. 1 credit. Students are exposed to the film and video industry through film professionals.
More informationCIEE Global Institute Paris
CIEE Global Institute Paris Course name: The Unconscious Eye: Psychoanalysis and the Visual Arts Course number: PSYC 3101 PAFR Programs offering course: OC Summer Language+Culture, Summer Psychoanalysis+Culture
More informationCollege of the Desert
College of the Desert Introduction to Theatre (Dual Enrollment) Units 3 Instructor: Allyson Sawyer (M.A. in Theatre) Contact: asawyer@psusd.us (951) 505-7391 Office Hours: Wednesdays during 6 th Period
More informationItalian Courses, Spring 2012
Italian Courses, Spring 2012 Undergraduate Courses ROIT 21205-01 PRE-STUDY ABROAD W 4:30-5:45 Alessia Blad This one-credit course begins the week after spring break; it is designed for students planning
More informationCourse: Film, Higher Level (HL)
Longview High School International Baccalaureate Diploma Programme 2010 2011 Course Syllabus for Year 1 Student: Grade: Course: Film, Higher Level (HL) Teacher: Kathy Lancaster Longview High School International
More informationCINE 212 Film History II Post-World War II Fall 2013
CINE 212 Film History II Post-World War II Fall 2013 Professor: Email: Course URL: Office Hours: R.L. (Randy) Rutsky rlrutsky@sfsu.edu https://ilearn.sfsu.edu Monday 4-6, and By Appointment COURSE OUTLINE
More information2018 WI Peterborough
DEPARTMENT OF CULTURAL STUDIES TRENT UNIVERSITY CUST 2581H: INTRODUCTION TO FILM II: FILM MOVEMENTS, FILM HISTORY 2018 WI Peterborough Professor Joshua Synenko Email: joshuasynenko@trentu.ca Telephone:
More informationSEMESTER AT SEA COURSE SYLLABUS
SEMESTER AT SEA COURSE SYLLABUS Voyage: Summer 2013 Discipline: Media Studies MDST 2502: Introduction to Mediterranean Cinema after 1945 Division: Lower division Faculty Name: Ernesto R. Acevedo-Muñoz
More informationCIEE GLOBAL INSTITUTE - MADRID
CIEE GLOBAL INSTITUTE - MADRID Course name: Course number: Programs offering course: Language of instruction: U.S. Semester Credits: Contact Hours: Term: Instructor: New Spanish Cinema FILM 3101 MASP Open
More informationFilm 100A-1: Introduction to the Moving Image Brandeis University Spring 2019
Film 100A-1: Introduction to the Moving Image Brandeis University Spring 2019 Instructor: Linda Liu, Ph.D. Email: laliu@brandeis.edu Teaching Assistant: Drew Flanagan, Ph.D. Email: dflanaga@brandeis.edu
More informationFilm 100: Introduction to the Moving Image Brandeis University Spring 2018
Film 100: Introduction to the Moving Image Brandeis University Spring 2018 Instructor: Dr. Linda Liu Email: laliu@brandeis.edu Course Assistant: Kurt Cavender Email: kcavende@brandeis.edu Class Meetings:
More informationCIEE GLOBAL INSTITUTE - MADRID
CIEE GLOBAL INSTITUTE - MADRID Course name: Course number: New Spanish Cinema FILM 3101 MASP (ENG) Programs offering course: Madrid Open Campus Language, Literature and Culture Track Language of instruction:
More informationBASIC FILM PRODUCTION (CINEMA 24) City College of San Francisco
BASIC FILM PRODUCTION (CINEMA 24) City College of San Francisco Fall 2016 Course Information Document Date/Semester 15 August 2016/Fall Semester Course Number and Title CINE 24, Sec 001 (CRN 72415): Basic
More informationPhilosophy of Art and Aesthetic Experience in Rome PHIL 277 Fall 2018
Philosophy of Art and Aesthetic Experience in Rome PHIL 277 Fall 2018 Instructor: Dr. Stefano Giacchetti M/W 3.40-4.55 Office hours M/W 2.30-3.30 (by appointment) E-Mail: sgiacch@luc.edu SUMMARY Short
More informationGerman Associate Professor Lorna Sopcak (Chair, on leave spring 2016)
German Associate Professor Lorna Sopcak (Chair, on leave spring 2016) Departmental Mission Statement: The Department of German develops students understanding and appreciation of the world through the
More informationEnglish 108: Romanticism and Apocalypse
COURSE DESCRIPTION: English 108: Romanticism and Apocalypse Like many people today, British Romantic writers worried about the demise of humankind and the planet, but also hoped for a regenerative revolution
More informationCIEE in Prague, Czech Republic. Technology, Totalitarianism, and the Individual Course Code:
CIEE in Prague, Czech Republic Course Title: Technology, Totalitarianism, and the Individual Course Code: PHIL 3001 PRAG / CEAS 3005 PRAG Programs offering course: CES, CNMJ Language of instruction: English
More informationSan José State University School of Music and Dance MUSC 147C, Advanced Choral Conducting, Spring 2015
San José State University School of Music and Dance MUSC 147C, Advanced Choral Conducting, Spring 2015 Instructor: Office Location: Telephone: Email: Office Hours: Class Days/Time: Classroom: Prerequisites:
More informationDAA 3684 Dance Performance Spring Semester, 2017
DAA 3684 Dance Performance Spring Semester, 2017 NOTE: This syllabus is subject to change at the discretion of the Professor. A new syllabus will be issued by the Professor should major changes occur.
More informationENG 026:Introduction to Film
ENG 026:Introduction to Film General Information: Term: 2019 Summer Session Instructor: Staff Language of Instruction: English Classroom: TBA Office Hours: TBA Class Sessions Per Week: 5 Total Weeks: 5
More informationTransfer Model Curriculum
Transfer Model Curriculum CCC Major or Area of Emphasis: Film, Television, and Electronic Media CSU Major or Majors: Radio-Television-Film, Television-Film, Television, Video, Film, and Electronic Arts
More informationDr. Brigitta Wagner. Imag(in)ing the Capital: Berlin in Cinema. Language of instruction: ECTS-Credits: 4
Name: Email address: Course title: Track: Language of instruction: Contact hours: Dr. Brigitta Wagner berlinreplay@gmail.com Imag(in)ing the Capital: Berlin in Cinema B-Track English 48 (6 per day) ECTS-Credits:
More informationHISTORY 3800 (The Historian s Craft), Spring :00 MWF, Haley 2196
HISTORY 3800 (The Historian s Craft), Spring 2008. 9:00 MWF, Haley 2196 Instructor: Dr. Kenneth Noe, 314 Thach. Telephone: 334.887.6626. E-mail: . Web address: www.auburn.edu/~noekenn.
More informationDIABLO VALLEY COLLEGE CATALOG
FILM, TELEVISION, AND ELECTRONIC MEDIA FTVE Toni Fannin, Dean Applied and Fine Arts Division Business and Foreign Language Building, Room 204 Possible career opportunities Students majoring in FTVE enter
More informationCIEE Global Institute London
CIEE Global Institute London Course name: Music, Media and Public Spheres Course number: (GI) COMM 3004 LNEN Programs offering course: London Open Campus (Communications, Journalism and New Media Track)
More informationMUSIC 111 -Learning How to Listen-
MUSIC 111 -Learning How to Listen- ROMEO_JAZZ HISTORY and DEVELOPMENT_CRN 72416_Spring 2018 COURSE INFORMATION Professor James J. Romeo C-109 / 388-2809 jjromeo.com jromeo@sdccd.edu San Diego Mesa College
More informationDigital Video Arts I Course Outline
Fall 2012 Arts Media Entertainment Advisory Committee Meeting Digital Video Arts I Course Outline Locations: Approvals: Instructors: ROP Center Logan HS Irvington HS UC A-G F Art Credit Barbara Feist Rich
More informationUndergraduate Course Descriptions
Undergraduate Course Descriptions TA 1004*: PERFORMING ARTS FIRST-YEAR EXPERIENCE A common experience course required of all new Theatre & Cinema students. Restricted to majors only. TA 2014[*]: INTRODUCTION
More informationCIEE Global Institute Berlin
CIEE Global Institute Berlin Course name: German Fairy Tales: Grimm Brothers to the Present Course number: LITT 3003 BRGE Programs offering course: Berlin Open Campus (Language, Literature and Culture
More informationDuke Ellington School of the Arts
Duke Ellington School of the Arts Music Department Course Syllabus Course: Vocal Techniques 1-4 Credit: One Carnegie Unit each year Course Description Vocal Techniques is an ongoing (three or four year)
More informationOffice: Krannert Level Office Hours: MW 12:00-12:50 Meeting time: MWF, 11-11:50 Classroom: Armory 242
THEATRE 170: FUNDAMENTALS OF ACTING Instructor: Sara B.T. Thiel E- mail: bolandt2@illinois.edu Office: Krannert Level 4-101 Office Hours: MW 12:00-12:50 Meeting time: MWF, 11-11:50 Classroom: Armory 242
More informationDigital Video Arts 1. Course Codes. Industry Sector Arts, Media, and Entertainment. Career Pathway Design, Visual, and Media Arts
Digital Video Arts 1 Page 1 of 6 Digital Video Arts 1 Course Codes Mission Valley ROP: CBEDS: 5717 Industry Sector Arts, Media, and Entertainment Career Pathway Design, Visual, and Media Arts Academic
More information200 level, and AHPH 202
Disclaimer: This is an indicative syllabus only and may be subject to changes. The final and official syllabus will be distributed by the instructor during the first day of class. The American University
More informationTechnical Sponsor. presents. an Acek s.r.l. production in association with
presents an Acek s.r.l. production in association with Technical Sponsor INTERNATIONAL DISTRIBUTION ADRIANA CHIESA ENTERPRISES Via del Corso, 42-00186 Rome (Italy) Tel.(+39) 06 8086052 Fax(+39) 06 80687855
More informationUniversity of Iowa All-University String Orchestra Guidelines 025:162, MUS: 3184
University of Iowa All-University String Orchestra Guidelines 025:162, MUS: 3184 Professor: Dr. William LaRue Jones Email: william-jones@uiowa.edu Office: 153 MW Office Hours: MWF 1:30-3:00, or by appointment
More informationAmerican Popular Music: Course Syllabus
American Popular Music: Course Syllabus Instructor: E-mail: Office: Office Hours: Phone: Textbook American Popular Music: From Minstrelsy to MP3, Larry Starr and Christopher Waterman, 2nd ed. Prerequisites
More informationEN Perspectives and Movements in Cinema
EN12005 - Perspectives and Movements in Cinema View Online [1] Adair, G. 1995. Mizoguchi. Flickers: an illustrated celebration of 100 years of cinema. Faber and Faber. [2] Adair, G. 1995. Ozu. Flickers:
More informationMusic Introduction to Music
Music 110 - Introduction to Music EHFA 152 Recital Hall Instructor: Dr. Andrew Fowler Phone: (843) 349-2512 Email: afowler@coastal.edu Music: Brief (w/5 CD Brief Set Case) Edition: 7th Author: Kamien Edition:
More informationCourse Syllabus: MENG 6510: Eminent Writers, Ralph Waldo Emerson
Course Syllabus: MENG 6510: Eminent Writers, Ralph Waldo Emerson Instructor: Dr. John Schwiebert Office: EH #457 Phone: 626-6289 e-mail: jschwiebert@weber.edu Office hours: XXX, or by appointment Course
More informationCIEE Global Institute Berlin
CIEE Global Institute Berlin Course name: German Fairy Tales: Grimm Brothers to the Present Course number: LITT 3003 BRGE Programs offering course: Berlin Open Campus (Language, Literature and Culture
More informationThe Michigan State University Orchestras
The Michigan State University Orchestras Kevin Noe, Music Director College of Music Michigan State University East Lansing, Michigan Syllabus 2014-2015 An audition is required for placement into one of
More informationSyllabus MUS Piano Class I page 1
Syllabus MUS 111 C01 - Piano Class I Fall and Spring Semesters Instructor: John Shipley Office Hours: I do not have an office at WNC to meet students in, but you can contact me before class in the piano
More informationRTV3320 ELECTRONIC FIELD PRODUCTION
INSTRUCTOR INFORMATION CLASS & LAB MEETINGS COURSE OBJECTIVE STUDENT LEARNING OUTCOMES PREREQUISITES EQUIPMENT ROOM TEXTBOOK COMPUTER & SOFTWARE ATTENDANCE, TARDINESS, AND LATE ASSIGNMENT UNIVERSITY Instructor:
More informationFS 102: The History of Film, Spring 2018
FS 102: The History of Film, Spring 2018 CLASS: M/F, 3:10-4:10 pm LAB: W, 3:10-5:30 pm Mueller Theater, McKelvey Student Center Dr. Andrew Ade Office: 407 Thompson-Clark adeaw@westminster.edu Office hours:
More informationCIEE Global Institute Paris
CIEE Global Institute Paris Course name: The Unconscious Eye: Psychoanalysis and the Visual Arts Course number: PSYC 3001 PCSU Programs offering course: Open Campus / Psychoanalysis+Culture Language of
More informationSan José State University School of Music and Dance MUSC 147A, Beginning Conducting, Fall 2014
San José State University School of Music and Dance MUSC 147A, Beginning Conducting, Fall 2014 Contact Information Instructor: Dr. Jeffrey Benson Office Location: Music 262 Telephone: (408) 924-4645 Email:
More informationFI: Film and Media. FI 111 Introduction to Film 3 credits; 2 lecture and 2 lab hours
FI: Film and Media FI 111 Introduction to Film This course provides students with the tools to analyze moving image presentations in an academic setting or as a filmmaker. Students examine the uses of
More informationCourse Requirements The class meets once a week for three hours of lecture, discussion and screenings. Attendance is obligatory.
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE DEPARTMENT OF CINEMA AND TELEVISION ARTS CTVA 210: Film and Television Esthetics Fall 2018 3 units # 11991 Manzanita Hall 100 Thursdays 8:00 am - 10:45 am Class
More informationSyllabus Woodwind Studios: MUAP 3201/3202 Fall 2018
Syllabus Woodwind Studios: MUAP 3201/3202 Fall 2018 Dr. Timothy Bonenfant Dr. Constance Kelley Dr. Jeff Womack Professor Associate Professor Professor Carr EFA 217 Carr EFA 294 Carr EFA 216 486-6029 486-6032
More informationWuhan University SUMMER 2018
General Information ENG 026:Introduction to Film Term: 2018 Summer Session Class Sessions Per Week: 5 Instructor: Staff Total Weeks: 4 Language of Instruction: English Total Class Sessions: 20 Classroom:
More informationDIABLO VALLEY COLLEGE CATALOG
Film, television, and electronic media FILM, TELEVISION, AND ELECTRONIC MEDIA FTVE Toni Fannin, Interim Dean Applied and Fine Arts Division Business and Foreign Language Building, Room 204 Possible career
More informationThe Debates around Realism in the Korean Cinema
The Debates around Realism in the Korean Cinema Kim Soh-youn The Colonial Period: The Dialectic of Proletarianism and Realism Whether addressing overall history or individual films, realism characterizes
More informationThe Cincinnati Bible Seminary of the Cincinnati Christian University. Course Syllabus
The Cincinnati Bible Seminary of the Cincinnati Christian University HIST 570 Protestant Reformation (3 semester credit hours) Rick Cherok, Ph.D. Fall 2014 Office Phone: 5132448198 Email: rick.cherok@ccuniversity.edu
More informationCourse Description: Analysis of selected, significant motion pictures of the world's cinema, from the silent period to the present.
1 MST 225 04 Fall 2016 Film Appreciation Syllabus attributes : GFA credits: 3.0 Instructor: Wil Davis wilrdavis@gmail.com Class Time / Location: Tuesdays 6:30 8:15 PM Petty Building 213 Course Description:
More informationItalian Neorealism & Indian Parallel Cinema. History of Film by Nevin, Julian,and Valerie.
Italian Neorealism & Indian Parallel Cinema History of Film by Nevin, Julian,and Valerie. Review of Film Noir Overview Italian Neo-realism - Origins Italian Neo-realism Characteristics Indian parallel
More informationExistentialist Metaphysics PHIL 235 FALL 2011 MWF 2:20-3:20
Existentialist Metaphysics PHIL 235 FALL 2011 MWF 2:20-3:20 Professor Diane Michelfelder Office: MAIN 110 Office hours: Friday 9:30-11:30 and by appointment Phone: 696-6197 E-mail: michelfelder@macalester.edu
More informationMusic Appreciation. Syllabus. Course Overview
Syllabus Music Appreciation Overview This one-semester elective course is intended as a practical, hands-on guide to help you understand, discuss, and appreciate music more knowledgeably. You will explore
More informationThe Michigan State University Orchestras Kevin Noe, Music Director-Conductor College of Music Michigan State University East Lansing, Michigan
The Michigan State University Orchestras Kevin Noe, Music Director-Conductor College of Music Michigan State University East Lansing, Michigan Syllabus PLACEMENT An audition is required for placement into
More informationFilm Studies (FILM_S)
Film Studies (FILM_S) 1 Film Studies (FILM_S) FILM_S 1000: Introduction to Film for Non-Majors Introduction to terms and concepts for film analysis, including miseen-scene, cinematography, editing, sound
More informationMUH 2051: Music Cultures of the World Fall pm-1pm
MUH 2051: Music Cultures of the World Fall 2011 12pm-1pm Catherine Williams ccw10c@appstate.edu (919) 414-0835 Office hours (Musicology Office, Longmire): MWF 10am-12pm and by appointment. TA: Harry Potter
More informationRequirements for a Music Major, B.A. (47-50)
Music The Whitworth Music Department strives to be a community of musicians that recognizes creativity as an essential aspect of being created in God s image and a place where individual and community
More informationCIEE Global Institute Berlin
CIEE Global Institute Berlin Course name: Brecht and Revolutionary Theater Course number: THES 3001 BRGE Programs offering course: Berlin Open Campus (Language, Literature and Culture Track) Language of
More informationBEGINNING VIDEO PRODUCTION. Total Classroom Laboratory/CC/CVE
Career Education BEGINNING VIDEO PRODUCTION DATE: 2016-2017 INDUSTRY SECTOR: PATHWAY: CBEDS TITLE: Arts, Media and Entertainment Sector Design, Visual and Media Arts Introduction to Media Arts CBEDS CODE:
More information2017 Summer Session: May 31 June 28 Course Synopsis Requirements Class participation and short critical responses:
2017 Summer Session: May 31 June 28 Meeting time: Weekdays 11:00am-12:40pm Location: TBA Prof. Ulrich E. Bach, PhD. ubach@wesleyan.edu Office and office hours: TBA Course Synopsis In the 1960s and early
More informationRTV3305: Investigative Reporting Spring 2014 Tuesday, Period 4-6 (10:40am-1:40pm) Weimer Hall Room 3024 RTV3305.wordpress.com
RTV3305: Investigative Reporting Spring 2014 Tuesday, Period 4-6 (10:40am-1:40pm) Weimer Hall Room 3024 RTV3305.wordpress.com I N S T R U C T O R Kevin Hull Office: Office Hours: E-Mail: Twitter: Webpage:
More informationBarkley Hendricks, Sweet Thang,
Barkley Hendricks, Sweet Thang, 1975-76 HONR 279C: African American Art Theory: Exploration/Expressions of Identity Professor Jefferson Pinder E-mail: kmcmilla@umd.edu For urgent situations--jpinder1@umd.edu
More informationPre-Requisite: Prerequisite includes MUT 2117 Music Theory IV with a grade of C or higher.
Instructor: Dr. Laura Joella, Director of Orchestral Studies joella@fau.edu, 561-297-2262, office: A&L 235 Office Hours: TBA, and by appointment. Please check the Faculty Information link on BlackBoard
More informationCourse Proposal for Revised General Education Courses MUS 2555G INTERACTING WITH MUSIC
1. Catalog Description Course Proposal for Revised General Education Courses MUS 2555G INTERACTING WITH MUSIC a. Course level: MUS 2555 G b. Title: Interacting with Music c. Meeting/Credit: 3-0-3 d. Term:
More informationSyllabus Woodwind Studios: MUAP 1202/2202 Spring 2018
Syllabus Woodwind Studios: MUAP 1202/2202 Spring 2018 Dr. Timothy Bonenfant Dr. Constance Kelley Dr. Jeff Womack Associate Professor Associate Professor Associate Professor Carr EFA 217 Carr EFA 294 Carr
More informationIntroduction to Western Music
MUS 302L / EUS 307M MWF 11-11:50am MRH 2.608 Introduction to Western Music Fall 2016 Instructor: Bethany McLemore Email: mclemorebeth@gmail.com Follow me on Twitter! @Bethany302L Skype ID: mclemorebeth
More informationBritish Literature I: Culture in Con(text) English 261/001: British Literature up to 1800 Spring Semester 2013
1 British Literature I: Culture in Con(text) English 261/001: British Literature up to 1800 Spring Semester 2013 Instructor: Sreya Chatterjee Office: G-05, Colson Hall-D Office Hours: Tuesday and Thursday,
More informationElementary & Secondary School Programmes 2016/2017
Elementary & Secondary School Programmes 2016/2017 Brought to you by the people behind the Toronto International Film Festival TIFF provides students and educators with innovative ways to explore the moving
More informationTheatre and Cinema Arts
Theatre and Cinema Arts Theatre and Cinema Arts The Department of Theatre and Cinema Arts offers the Bachelor of Arts in Theatre Arts with four emphasis areas: Acting/Directing, Design, Playwriting/Screenwriting,
More informationGerman Department Course Selection Guide. Fall 03
German Department Course Selection Guide Fall 03 German 101: Beginning German Section I: M, W, Th 8:30-9:40 am Section II: T, W, F 9:50-11:00 am Mr. Kruse, TBA Why German? As European unification continues
More informationBritish Cinema: From Hitchcock to Morvern Callar. London Term, Fall 2007 Steve Macek, Instructor
British Cinema: From Hitchcock to Morvern Callar. London Term, Fall 2007 Steve Macek, Instructor Though it is today enjoying a tremendous renaissance, the British film industry has long been overshadowed
More information