A Profile of European Film Viewers
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1 A Profile of European Film Viewers European Commission Study EAC/08/2012 Ref. Ares (2012) /06/
2 Consumer survey 4,608 Europeans 4-50 y.o. from Es, De, Fr, It, Pl, GB + Cr, Dk, Li, Ro demographics (age, gender, educa2on, etc.) equipment (devices, telco/media/film services) habits (entertainment, film consump2on) editorial preferences (genre, theme, origin, 2tles) marke2ng preferences (distribu2on and promo2on) opinion (open ques2ons, prospec2ve proposals) 2
3 Film database Na2onal (6) European (20) US Studio (6) BO hits - arthouse recent - old 3
4 Survey Facts 4
5 Film most widespread medium 5
6 29% film fans, 49% film likers 6
7 Film a social entertainment time 99% watch films to 'entertain themselves and have fun' 96% to 'spend some nice 9me with family or friends 7
8 Top-of-mind 3 preferred films 8
9 US films the most watched 9
10 EU film: distribution and promo! 10
11 National films heard-seen-liked 11
12 US films heard-seen-liked 12
13 EU films heard-seen-liked 13
14 Need for dubbing/subtitling 14
15 Platforms used to watch films 100% 80% 60% 40% 20% 0% 15
16 Platforms frequency of use 16
17 Reasons for free downloads 17
18 Platforms per film (1 st screening) 18
19 Starting to research film 19
20 Criteria to choose films 20
21 Online sources for film 21
22 Interest in marketing innovation Being able to watch films on Video on Demand services from the day they are released in cinemas instead of having to wait several months 18% 50% Having the opportunity to watch films in cinemas associated with a broader experience including special guests, a cocktail or a party 17% 49% Being able to watch films on Video on Demand services before they are released in cinemas 16% 46% Being able to reserve tickets for films I would like to see in a cinema and wait until enough tickets have been reserved to be able to play the film 12% 40% Having the opportunity to go to the cinema without knowing in advance which film will be shown to me 9% 33% Being able to participate in the financing of films by spending a few euros on film project I would like to support, before it starts shooting 7% 30% 22
23 Interest in European initiatives 23
24 Viewer profiles MOVIE ADDICTS (24%): young tech savvy urban people (digital napves), watch and like all sorts of films MOVIE SELECTIVES (22%): well educated working middle- aged adults, especially like European films 24
25 Viewer profiles MOVIE ADDICTS (24%): young tech savvy urban people (digital napves), watch and like all sorts of films MOVIE SELECTIVES (22%): well educated working middle- aged adults, especially like European films BLUCKBUSTER LOVERS (16%): average people mainly going for US films 25
26 Viewer profiles MOVIE ADDICTS (24%): young tech savvy urban people (digital napves), watch and like all sorts of films MOVIE SELECTIVES (22%): well educated working middle- aged adults, especially like European films BLUCKBUSTER LOVERS (16%): average people mainly going for US films HIT GRAZERS (21%): young women who will go for a film that speaks to them incl. European MOVIE INDIFFERENTS (16%): hard to get them interested in films at all, watch some commercial films though 26
27 Discussion 27
28 Marketing strategies Objective Content Distribution Promotion Price Movie addicts heavy- users, ambassadors diverse online, easy, fast, cheap engaging, online, social, buzzy cost- efficient Movie selectives heavy- users, loyal supporters distinctive theatre, DVD, PPV informative, self- service, online, deep club Blockbuster lovers light- users, likers commercial multiplex, TV, online mind- blowing, mainstream, online affordable Hit grazers medium- users, friends accessible online, TV human, online, social, radio, TV cheap Movie indifferents light- users, discoverers blockbuster TV mind- blowing, mainstream free 28
29 Key objectives editorial keep European film different and diverse, with a bit more European blockbusters 29
30 Key objectives editorial keep European film different and diverse, with a bit more European blockbusters distribu2on get European films easily accessible at affordable prices on new plaxorms, turn older plaxorms into premium experience 30
31 Key objectives editorial keep European film different and diverse, with a bit more European blockbusters distribu2on get European films easily accessible at affordable prices on new plaxorms, turn older plaxorms into premium experience promo2on social networks for viral- early buzz, informapon websites for search and selecpon 31
32 Thank you! 32
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