1044 W. Bryn Mawr Chicago, IL OUR MISSION. To do white hot drama, in a tiny black box, with a little red twist

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1 1044 W. Bryn Mawr Chicago, IL OUR MISSION To do white hot drama, in a tiny black box, with a little red twist facebook.com/redtwisttheatre twitter.com/redtwisttheatre Redtwist Theatre is a not-for-profit 501(c)3 organization Please turn off your cell phones during performance. Out of respect for the actors, please do not access your cell phones for any reason during the show. This program/production is partially supported by grants from The Richard H. Driehaus Foundation The Gaylord and Dorothy Donnelley Foundation The Illinois Arts Council, a state agency

2 About Redtwist Theatre Redtwist Theatre, formerly Actors Workshop Theatre, embarked upon its first production as an itinerant company in 1994 with Simon Gray s Otherwise Engaged. AWT incorporated as a non-profit 501(c)3 corporation in May It produced five more plays before moving to its current home in the vibrant Bryn Mawr Historic District of the Edgewater neighborhood in Chicago in the fall of Redtwist s first show in Edgewater, Praying Small, opened in September It was designated as a Critic s Choice by the Chicago Reader and was extended two times by popular demand. Michael Colucci, the founder of Redtwist Theatre, is the Artistic Director. His producing partner and wife, Jan Ellen Graves, is the Managing Director. In addition to acting, she directed the critically-acclaimed The American Clock by Arthur Miller and the Jeff-recommended plays Geezers and Aura, by company member, Tommy Lee Johnston. Michael s direction of All My Sons, Les Liaisons Dangereuses, Three Hotels, That Face, and Broken Glass was also critically-acclaimed and Jeff-recommended. During Redtwist s time at the Bryn Mawr location, its productions have received 42 Jeff nominations and won 9 Non-Equity Jeff Awards including one for Best Production for Man from Nebraska in As of March 1, 2008, AWT s corporate name officially changed to Redtwist Theatre. Please visit for current information on our events and productions. Josh Altman Elizabeth Argus Michael Colucci Johnny Garcia Jacqueline Grandt Jan Ellen Graves THE COMPANY KC Karen Hill Tommy Lee Johnston Aaron Kirby E. Malcolm Martinez Daniel McNamara Peter Oyloe Brian Parry Allison Queen Mary Reynard Debra Rodkin Kathleen Ruhl Michael Sherwin Staff Michael Colucci, Artistic Director Jan Ellen Graves, Managing Director Johnny Garcia, Development Outreach Coordinator Kevin McDonald, Literary Manager Catherine Miller, Casting Director Charles Bonilla, Box Office Manager Tommy Lee Johnston, Scott Woldman, Resident Playwrights Karli Blalock, Resident Sound Designer ( season) Eric Luchen, Resident Scenic Designer ( season) Robert Eric Shoemaker, Resident Props Designer ( season) Allison Smith, Resident Costume Designer ( season) Board Andrew Lasser, Chair Michael Colucci, Irene Condon, Jenéne Francis, Carol Scheidenhelm 2

3 Welcome to Redtwist! This is our 11th full season, featuring the theme of Rising from the Ashes, with an eclectic mix of provocative plays that address the concept of emerging from a watershed experience. This season covers a wide swath of territory, from overwhelming national tragedies like 9/11 (Another Bone, a world-premiere by Cathy Earnest) and the Great Depression (The American Clock, Arthur Miller s buried treasure) to highly personal crises such as serious illness (I And You by Lauren Gunderson, the 2014 ATCA/Steinberg-winner for Best New Play) and a cataclysmic career meltdown at the peak of fame (Red by John Logan, the 2010 Tony-winner for Best Play). Each of these great plays will be staged right in this storefront in its own unique way. In addition, Redtwist has invited some exciting young companies to co-produce provocative new plays in our GC series, which stands for Guest Company. Upcoming productions include Norma and the Maniac from the OverUnder Collective (opens February 21), Scissortail from Adapt Theatre (opens May 2) and The Summer of Daisy Fay from New American Folk Theatre (opens July 11). Check our website for more information about these shows. The Chicago storefront theatre experience is unique and has become an iconic brand worldwide. There are small theatres in every corner of the globe, but there is nothing quite like what has happened here and continues to happen every night for nearly half a century, and it is this: a relentless stream of exciting young companies producing powerful plays with terrific actors in very intimate spaces for over four decades non-stop. On any evening year-round, you can choose from among five or ten dazzling storefront experiences. As we embark upon our second decade in this Bryn Mawr Avenue storefront, Redtwist is proud to continue this unique tradition of Chicago theatre. We didn t blaze the trail, but we intend to keep it hot. In addition to placing you right on top of the action in a great play, we purposely aim to provide a clean, hospitable space, from our lobby to our restrooms to the theatre itself, as well as large, comfy chairs. And so, while Redtwist is small, we hope your experience here is extra-large. Thanks for coming to Redtwist! Michael Colucci, Artistic Director 3

4 CAST in order of appearance Caroline...Grace Melon Anthony...Rejinal Simon Voice of Mom... Holly Allen Caroline U/S...Abby Pajakowski Anthony U/S...Eric Gerard (performs starting Jan. 2) Place and time: Here and now. The running time is approximately 85 minutes, no intermission. I and You was first produced in a rolling world premiere by Marin Theatre Company (California), Olney Theatre (Maryland), and Phoenix Theatre (Indiana) as part of the National New Play Network s Continued Life program. Originally commissioned and developed by South Coast Repertory. Produced by special arrangement with Playscripts, Inc. ( PRODUCTION STAFF Director...David Prete Assistant Directors... Hannah E. Fisher, Samuel Zeisel Stage Manager... * Allison Queen Assistant Stage Manager... Lauren A. Miller Scenic Designer...Sarah JHP Watkins Scenic Assistants... Matt Fabian, Eric Luchen, Gabrielle Rivera, Frank Sjodin Lighting Designer... Zoe Mikel-Stites Costume Designer... Allison Smith Sound Designer...David Prete Properties Designer... Robert Eric Shoemaker ASM/Production Assistant... Melissa Nelson Dramaturg... Kevin McDonald Casting Director... Catherine Miller Graphics/Marketing/Programs/Photos... *Jan Ellen Graves Box Office Manager... Charles Bonilla Box Office Associates...*E. Malcolm Martinez, *Johnny Garcia Associate Producer... *Johnny Garcia Producers...*Michael Colucci, *Jan Ellen Graves *Redtwist Company Member Resident Designer/Staff Special thanks to Nothwestern University, Exposition Flooring Design Center, Inc. and The Saints. 4

5 CAST PROFILES Grace Melon (Caroline) is making her Redtwist debut. Credits include THE IROQUOIS, BRIGHTON BEACH MEMOIRS u/s (Raven Theatre), THE DIARY OF ANNE FRANK (Metropolis Performing Arts Centre), THE BOOK THIEF u/s (Steppenwolf Theatre), MOMENT (Steep Theatre, Jeff Nomination-Best Ensemble) and THE COPPERHEAD (City Lit Theatre). This summer, Grace played the role of Heather in Stephen Cone s new film HENRY GAMBLE S BIRTHDAY PARTY. She is a high school senior at Chicago Academy for the Arts and is represented by Gray Talent Group. Rejinal Simon (Anthony) is thrilled to share in this experience with Redtwist after graduating from The Theatre School at DePaul University with a BFA in Acting. He was previously a part of the crew of THE WHALESHIP ESSEX as an undertsudy. He is looking forward to playing in AND IN THIS CORNER...CASSIUS CLAY with Stageone Family Theatre in Louisville,KY. Abby Pajakowski (Caroline U/S) is very grateful to work with Redtwist and the team of I AND YOU after recently graduating from Northwestern University. Recently in Chicago, she debuted THE KING, a two-person clown show that she co-created and performed in. She was also seen in A MIDSUMMER NIGHT S DREAM AT MOODY S PUB as Bottom. Abby s favorite NU credits include directing SWEENEY TODD and performing as a member of Griffin s Tale Children s Repertory and The Titanic Players Improv. She is continually experimenting with performance of self, clowning, and audience participation. Thanks to David and Redtwist for this opportunity! Eric Gerard (Anthony U/S) Recently graduated from the Black Box/ The Academy. This is Eric s first show with Redtwist, and second show in Chicago theatre. Eric was last seen on stage as Leroy in Laura Nessler s OUTSIDE AGITATORS. He recently worked with Columbia and Northwestern student fill directors. COMING SOON TO REDTWIST Red by John Logan Directed by Steve Scott Feb 7 to Mar 8, 2015 (Previews Feb 4, 5, 6) 2010 winner of six Tony Awards, including Best Play about master expressionist painter, Mark Rothko, the artistic process, his aggressive young assistant, and the artist s own massive ego. The American Clock by Arthur Miller Directed by Jan Ellen Graves Apr 18 to May 17, 2015 (Previews Apr 15, 16, 17) Miller elevates the resilient spirit of everyday people through song and story, during the nation s worst crisis of the 20th century. Based, in part, on Hard Times by Studs Terkel. Good People by David Lindsay-Abaire Directed by Matt Hawkins Jun 27 to Aug 2, 2015 (Previews Jun 24, 25, 26) A funny, poignant, and almost subversive look at what it really means to be down on your luck. 5

6 STAFF/CREW PROFILES (in alphabetical order) Charles Bonilla (Box Office Manager) thinks he s beginning his seventh year with Redtwist, but why keep count? He s looking forward to once again greeting patrons on their way to another great year of quality productions. Make it the best ever by remembering to turn off your cell phone. Michael Colucci (Producer) is the founder and Artistic Director of Redtwist Theatre, and has directed many of the plays here, including BROKEN GLASS, THAT FACE, EQUUS (2010), WHO S AFRAID OF VIRGINIA WOOLF?, THREE HOTELS, A VIEW FROM THE BRIDGE, LES LIAISONS DANGEREUSES, ALL MY SONS and PRAYING SMALL. He has also been seen on stage at Redtwist as Harry Hyman in BROKEN GLASS, Dr. Sweet in BUG, Martin in THE GOAT, OR WHO IS SYLVIA?, George in WHO S AFRAID OF VIRGINIA WOOLF?, Eddie Carbone in A VIEW FROM THE BRIDGE, and Joe Keller in ALL MY SONS. In addition, Michael has worked at various theatres in Chicago, including Court, Victory Gardens, TimeLine, and American Blues. He is also a member of the Jeff Committee s Artistic and Technical Team. Hannah E. Fisher (Assistant Director) is currently a senior at Northwestern studying Theatre and English with a module in Devising/Adapting. Last year, she received a grant from Northwestern to adapt and direct SONG OF MYSELF, which was performed outside in the spring. She is greatful to have this opportunity to work with David, Sammy, and the entire team. Jan Ellen Graves (Producer, Design, Marketing) has appeared in many Redtwist shows including ANOTHER BONE, CLYBOURNE PARK, A BODY OF WATER, THE CRIPPLE OF INISHMAAN, THE LARAMIE PROJECT: TEN YEARS LATER, MAN FROM NEBRASKA, A DELICATE BALANCE, THREE HOTELS, EQUUS, DOUBT, WHO S AFRAID OF VIRGINIA WOOLF?, and ALL MY SONS. Some favorite Chicagoland stage roles include M Lynn in STEEL MAGNOLIAS, Ilona in SHE LOVES ME and Sister Robert Anne in NUNSENSE I and II. She recently directed the world premiere of GEEZERS by Tommy Lee Johnston, and looks forward to directing Arthur Miller s THE AMERICAN CLOCK later in this season. Zoë Mikel-Stites (Lighting Designer) Coming to the end of her first year in Chicago, Zoë is very excited to be designing her first production at Redtwist Theatre. A transplant from Florida, she has had the opportunity to design AS YOU LIKE IT with Cave Painting Theatre, ALICE INVENTS A LITTLE GAME with Forget Me Not, DEATH TRAP with Citadel Theatre, TAKE ME OUT with Eclectic Full Contact Theatre and THE AURORA PROJECT with Otherworld Theatre Co.. Her upcoming work includes POINT AND SHOOT (Cold Basement Dramatics), KLINGON CHRISTMAS CAROL (Commedia Beauregard), and SPINNING IN TO BUTTER (Eclectic Full Contact Theatre). Catherine Miller (Casting Director) is a freelance theatre artist whose work has been seen in Chicago, San Diego and New York. As Casting Director for Redtwist, credits include GEEZERS, ANOTHER BONE, I AND YOU, and our upcoming production of RED. Her credits as a dramaturg include ANOTHER BONE at Redtwist, THE MEDIUM at Taksu Theatre, the West Coast Premiere of [TITLE OF SHOW] at Diversionary Theatre, and PASSION at Ion Theatre. She has interned with The Old Globe and La Jolla Playhouse. Catherine proudly holds a BFA in Dramaturgy/ Criticism from The Theatre School at DePaul. 6

7 STAFF/CREW PROFILES (continued) Lauren A. Miller (Assistant Stage Manager) previously stage managed SHIP- WRECKED! and THE SIZE OF THE WORLD, and was ASM for ANOTHER BONE at Redtwist. Lauren is a proud company member of The Keegan Theatre in Washington, DC where she most recently was Assistant Director/dramaturg for HAIR. Keegan stage managing credits: CABARET (Helen Hayes nominated), ALL MY SONS, SPRING AWAKENING (Helen Hayes nominated), LAUGHTER ON THE 23RD FLOOR, A SHADOW OF HONOR (World Premiere), NOISES OFF, A MAN OF NO IMPOR- TANCE, DANCING AT LUGHNASA, and assistant director on THE CRUCIBLE. She has worked at several Virginia theaters which she no longer has room to list. She is a 2009 graduate of Loyola University Chicago with B.A.s in History and Theatre. David Prete (Director) worked as an actor, director, and writer in New York for fifteen years before moving to Chicago to attend Northwestern s MFA Directing program. Chicago directing credits include, FAT PIG (Steppenwolf Garage) THREE SISTERS (AD Steppenwolf), PURPLE HEART, JAILS, HOSPITALS & HIP- HOP (Northwestern). Chicago acting credits: Eddie Fuseli in THE GOLDEN BOY (Griffin), Glenn Gould in WHAT TO LISTEN FOR (Side Project), Hastings in RICHARD III (Next, 2015). Prete graduated from the New Actors Workshop where he studied with Mike Nichols, Paul Sills and George Morrison. He has acted Off-Broadway, and co-founded Water Theatre Company where he worked as an actor and producer. W.W. Norton published both his novels: Say That to My Face (2003) and August and Then Some (2012). Allison Queen (Stage Manager) has served as the stage manager for ANOTHER BONE, GEEZERS, LOOK BACK IN ANGER, BEFORE DEATH DO US PART, HAPPY, 44 WAYS, ELEMENO PEA, MEN EXPOSED, PLEASE SAY YES, CLYBOURNE PARK, DRUNK & READY, REVERB, DATES FROM HELL, PURPLE HEART, THE GLASS MENAGERIE, THE LARAMIE PROJECT: TEN YEARS LATER, and OPUS. She was also assistant stage manager for A BODY OF WATER, and production assistant for THE CRIPPLE OF INISHMAAN. She received her BFA in stage management from the University of Oklahoma in 2008 and moved to Chicago. She has worked with many Chicago theaters which she no longer has room to list. Robert Eric Shoemaker (Props Designer) is Resident Props Designer at Redtwist Theatre, which includes several Jeff Recommended productions. Eric has designed props for other companies including The Hypocrites. His playwriting has been staged at City Lit Theatre, American Theater Company, Horizon Theater Company, 3 Brothers Theater, and others, including two productions of his prize-winning musical PLATH/HUGHES. He is a journalist and poet published in Newcity, Artisan Magazine, and the Pulitzer Center on Crisis Reporting. Eric is an honors graduate from the University of Chicago. Allison M. Smith (Costume Designer) is pleased to be joining Redtwist Theatre as Resident Costume Designer for their season. Most recently she designed MIKE AND SETH and MILES AWAY with the Side Project, where she has previously designed HELLO FAILURE, and F.X. Kroetz s THROUGH THE LEAVES and REQUEST CONCERT, among others. In Chicagoland her other recent credits include HOW TO SUCCEED IN BUSINESS[ ] and YOU RE A GOOD MAN CHARLIE BROWN (Wilmette Center for the Arts), NEXT FALL (AstonRep), and POOL(NO WATER) (Vitalist Theatre). She studied costume design and artistry at Knox College, where she was also a Post-Baccalaureate Fellow ( ). 7 continued...

8 STAFF/CREW PROFILES (continued) Sarah JHP Watkins (Scenic Designer) is excited to debut her work at Redtwist with I AND YOU. Sarah s scenic design work has been seen around Chicago recently in Two Pence Theatre Company s WOMEN BEWARE WOMEN at The Den Theatre, and The New Colony s ORVILLE & WILBUR DID IT! at Signal Ensemble Theatre. She s also worked for Step Up Productions, The Side Project, The Music Theatre Company, Haven Theatre and at the Steppenwolf Garage to name a few. Her design work was exhibited at the 2012 Prague Quadrennial in the Czech Republic. Sarah teaches design courses at Northwestern University. Training: MFA in Stage Design for Scenic Design (Northwestern University); BA in Theatre and Studio Art (Hope College). Note from the Director In 1863, Walt Whitman read his brother s name on a list of Union Army casualties and immediately traveled from New York to Fredericksburg to find him. After searching Virginia hospitals for three days, Walt came across his brother whose jaw had been slightly scraped by a shell, though the rest of his body was untouched. Walt then shared his brother s tent on the front line and helped medics treat wounded soldiers. He eventually went back to Washington and worked as a military nurse, changing soldiers dressings, holding their hands, listening compassionately, and developing a love and kinship with them. Walt left New York in search of his brother and found him in the eyes of every soldier he met. In their mangled bodies he felt the Civil War s impact on America and its democratic experiment on an individual and collective level: The war on one body was a war on all; the enslavement of one meant the enslavement of all. At the bedsides of these soldiers, Whitman began writing about the common air, and the possibility of unity in spite of the duality that was destroying his country individual by individual. In Song of Myself, he tried to define that unity -not only national unity, but the kind of unity written about 2500 years before the Civil War in texts such as the Tao Te Ching or the Upanishads: the unity of all things dead and alive. Whitman always made unity his primary subject. In 1881 he wrote, my dearest dream is for an internationality of poems and poets binding the lands of the earth closer than all treaties and diplomacy. It s a damn good dream. And I think we all have some version of it, some desire to feel, no matter where we go and no matter what face we look into, we are with our people. It s a concept so simple to grasp and so difficult to execute. I mean if you re anything like me, you can despise someone when their Facebook post rubs you wrong, or when their phone goes off in a theater (seriously Brothers and Sisters, for the sake of humankind, turn that thing off). But in spite of our tendencies to push people away and to put our faith and identity in only one sect of society, unity remains a worthwhile endeavor. When we forget that, we can become very dangerous. I don t know why you ve come here tonight, but the reason we ve invited you is that our dear playwright Lauren Gunderson has used her writing to join the ancient tradition of defining unity, and the actors, designers, stage managers, producers, box office attendees, interns, stage hands, my assistants and myself, want to join this tradition with you. If only for a moment. 8

9 About the Playwright Lauren M. Gunderson (Playwright) is a playwright, screenwriter and short story author from Atlanta, GA. She received her BA in English/Creative Writing at Emory University, and her MFA in Dramatic Writing at NYU Tisch, where she was a Reynolds Fellow in Social Entrepreneurship. Her work is published by Playscripts and Samuel French. She was awarded the prestigious Steinberg/ATCA New Play Award for her play, I AND YOU (also a Susan Smith Blackburn finalist) which was an NNPN Rolling World Premiere. BAUER, commissioned by San Francisco Playhouse, premiered there and in NYC at 59E59 in Her play SILENT SKY (Jane Chambers Award finalist) premiered at South Coast Rep in 2011 and TheatreWorks in Silicon Valley. Her city rolling world premiere of EXIT, PURSUED BY A BEAR, was featured in American Theatre Magazine and The Week, and has reached 20 communities across the US winning Best Comedy accolades. Her first musical, THE AMAZING ADVENTURES OF DR. WONDERFUL AND HER DOG! was commissioned and premiered by The Kennedy Center, and is becoming a series of children s books published by Amazon. EMILIE: LA MARQUISE DU CHATELET DEFENDS HER LIFE TONIGHT was commissioned and premiered at South Coast Rep in 2009, and has run across the country and in England. FIRE WORK was developed at The O Neill National Playwrights Conference, was the 2011 winner for Aurora Theatre s Global Age Project, and premiered at Theatre First in She wrote the book for the Harry Connick Jr. musical THE HAPPY ELF. Her work has received national praise and awards including the Steinberg, Susan Smith Blackburn finalist, a Jane Chambers Award finalist, and winner of the Berrilla Kerr Award for American Theatre, Global Age Project, Young Playwright s Award, Eric Bentley New Play Award and Essential Theatre Prize (twice). She is now under commission from The Denver Center and CentralWorks, and has been commissioned by South Coast Rep (3 times), Berkeley Rep, Crowded Fire, The Alliance Theatre s Collision Project, Marin Theatre Company, Actors Express Theatre, Dad s Garage Theatre, Theatrical Outfit, City University of New York and Synchronicity Performance Group. Exotic Custom Fishing Rods Custom Golf Clubs Exotic Feather Weaves High Strain Graphite Shafts Machined Wood Handles Grandt Industries Follow the Leader... Proudly Made in the USA Multi Flex and Kick Point Custom Winding &Weaving Hickory Look Graphite Shafts Grandt Graphite Rod Blanks Stiff, Standard, Senior Shaft Designs 24 years of dedicated service to the sportsman with Total Commitment To Quality Unconditional Lifetime Warranty 20% Discounts Applied to Redtwist Customers Mention Redtwist and Save 9 Specializing in Split Bamboo Filament Wound Extra Stiff Fresh & Saltwater Series Swing Speed Designed Shafts

10 THANK YOU to our valued supporters over the past year Anonymous Ed Bachrach Barbara & Eric Burgess Michael Colucci Jenéne Francis Grandt Industries $500+ (Contributor) Anonymous Andrea Atlass & Ken Kuehnle Charles Bonilla Cathy Earnest Mary Louise Haddad & Sam Perry Cynthia Ho Paul Kaufman Debra Rodkin Thomas Rothing The Rubber Consortium Smokey Mountain Music Mark Zajackowski Special thanks to $12,000+ (Visionary) The Richard H. Driehaus Foundation $5000+ (Sustainer) The Gaylord and Dorothy Donnelley Foundation $2500+ (Partner) Illinois Arts Council, a state agency Robert & Rose Wagner $1000+ (Supporter) Brian Parry & Carol Wilson for their van donation. Chris Bruzzini for his vehicle donation. The Saints for upgrading our lights, sound, and street visibility over the past four years. Other donors & in-kind donations Alepu Properties Kenneth Anderson Keith Beck Charles Bonilla Paul Bonilla Anne Borish Chris Bruzzini Robert Calvin Vickii Coffey Margaret Coke David Cooper Shelley Daniels Gail Edmonds Cheryl Golemo Michael Gordon Roland Hansen Amy Hilliard Alicia Hynes Ronald A Greene Memorial Fund Fred Howayeck & Kate O Connor Andrew Lasser & Claire Simon John Mahoney Marla Persky $250+ (Colleague) Alden & Suzanne Cohen Will & Lynn Cooper Duggan Bertsch, LLC Dorian Bezanis Bernie Dowling Jill Graham Michael & Mona Heath KC Karen Hill Dede Kokolis Lorraine E. Robinson Donna Tickman Karen & Frank Schneider Nico Stanculescu World Forum Events James A. Venskus Michael Jackson Susan Lannin Alex Levy Julia Leamanczyk Cathy Lorber Jeremy Lynn Janet MacDougall Jerry Miller Neil Miller Jim Mohr Martha Moseley Richard Moseley Judy Muench Jeff & Leslie Newcorn Paul Pasulka Carlos Perez Mark Pounovich Sara Reusswig Nance Rohloff Barbara & Robert Richards Kathleen Ruhl The Saints Kit & Carol Scheidenhelm Susan Schwartzwald Pauline Taylor $100+ (Friend) Carol Black Pat Blumen Judith Carson Robert Cyganowski Sam & Marlene Dollahan Miriam Ex Denise Fiducia Jeff Finlay Susan & Harlan Haimes James & Lois Hobart Stehpanie Jones John Keller Pete & Joy Kottra Gwendolyn Meadows Kay Moody Henry Moya Angela & Charles Platt Jerry Proffit Jane Hall Rodkin Sue Spreiter W.H. & T.J. Van Houten Volstead Media Barbara & David Westby Pat Wozny David Shrewsbury Glenn Sladcik Mary Solt Christine Stanwyk Kyle Stover Dick & Phyllis Tholin Tasha Weiss Redtwist Board of Directors Redtwist Company Members 10

11 MAINSTAGE PRODUCTIONS on Bryn Mawr Another Bone (2014) Geezers (2014) Look Back in Anger (2014) Happy (2014) Elemeno Pea ( ) Clybourne Park (2013) The Beautiful Dark (2013) Reverb (2013) A Body of Water (2013) Purple Heart (2013) Broken Glass (2012) The Glass Menagerie (2012) The Cripple of Inishmaan (2012) The Laramie Project: Ten Years Later (2012) Opus ( ) Elling (2011) That Face (2011) Bug (2011) Man from Nebraska (2011) Shining City (2011) Lobby Hero (2010) A Delicate Balance (2010) Equus (2010) The Pillowman ( ) Lettice and Lovage (2009) Waiting for Godot (2009) The Ride Down Mount Morgan (2009) Aura (2009) The Goat, or Who is Sylvia? (2009) Marvin s Room (2009) Shadowlands (2008) Glengarry Glen Ross (2008) True West (2008) Doubt (2008) Who s Afraid of Virginia Woolf? (2008) Three Hotels (2007) A View from the Bridge (2007) Les Liaisons Dangereuses (2007) Equus (2007) Otherwise Engaged (2007) Proof (2006) Proving Mr. Jennings (2006) The Beauty Queen of Leenane (2006) Loose Knit (2006) Abandonment (2006) Life s Tremors (2005) All My Sons (2005) Praying Small (2005) The American Clock (2005) The Last Yankee (2004) Broken Glass (2004) Liars & Angels (2004) Praying Small (2003) Coupons valid before or after Redtwist show only 10 % Discount on show nights Dine in before show or call during intermission for pickup immediately after show Must present a show program card or confirmation to receive discount. Two locations: N. Broadway (at Bryn Mawr), W. Montrose (at Lincoln), HOURS: 11am-10pm 11

12 Coupons valid before or after Redtwist show only Receive a 15% dining discount on show nights Valet service available any time directly across the street Must present a show program or confirmation to receive discount. One discount per table, not valid with any other promotion. Reservations recommended Visit Little India before or after the show for a 20% dining discount (with this program or confirmation) 1109 W Bryn Mawr (1 block west of Redtwist) Open daily 11am to 11pm, BYOB 15 % Discount on show nights Across the street on SE corner at Winthrop Must present a show program or confirmation to receive discount. Get a 10% Discount on show nights Must present a show program or confirmation to receive discount W. Bryn Mawr, Chicago (773) (just a few doors east) The best little sandwich and ice cream shop in the city, with wifi and fireplace Terrific paninis and deli sandwiches, dazzling desserts, fabulous ice cream sundaes, and gourmet coffee 12