Some characters may be understudied. Understudies will not perform the role unless the principal is out.

Transcription

1 Beauty and the Beast, the musical AUDITIONS Monday, November 28, :00-9:00 p.m. Tuesday, November 29, 2016, 3:00-7:15 p.m. Wednesday, November 30, 2016, 3:00-6:00 p.m. Audition results will be posted on Thespian Facebook on 12/4/16 and on the PCHS Theatre callboard on 12/5/16. NOTE: Musical Production of Beauty and the Beast Some characters may be double cast. Actors will split performances if this occurs. Double cast actors will share an ensemble role that they will play during their off performance. Some characters may be understudied. Understudies will not perform the role unless the principal is out. Timeline November 28, 2016 November 29, 2016 November 30, 2016 December 4/5, 2016 December 7, 2016 January 6, 2017 March 21, 2017 April 5, 2017 at 6:00 p.m. April 7, 8, 14, 15 at 7:00 p.m. April 8, 15 at 1:30 p.m. April 13, 6:00 p.m. Choral & Solo Vocal, Monologue, & Interview Audition Callback Audition Dance Audition- wear clothes to move in and jazz or ballet shoes, or tennis shoes, no bare feet Cast List posted Rehearsal Begins Rehearsal Resumes Preview Show- Tuesday Elderly & Student Group Sales performance Show Performances Show Performances & post matinee tea party for kids Show performances early show to accommodate families MONDAY, 11/28, 3:00-8:00 p.m. INITIAL AUDITION Group Vocal, Monologue & Solo Vocal Audition Song, musicianship check, and interview (all are required, unless auditioning for dance only) 3:00-3:15 Fill out paperwork, warmup physical & vocal together, ask questions if needed 3:15-3:45 ALL: Record vocal range with BR/Ruth/ Thespian Officer 4:00-4:45 Choral vocal attached to this packet. All must attend the entire session. 4:45-5:00 Review solo vocal audition songs in small groups with accompanist 5:15-8:00 Monologue & Solo Vocal Audition, musicianship check, and interview **Sign up for 6 minute time slots posted on callboard Arrive 15 minutes before your assigned time 1

2 IMPORTANT: if you are not able to sing the choral harmony sections you WILL NOT advance to the solo part of the audition. See exception for DANCE ONLY below. ENSEMBLE MUSIC IS INCLUDED IN THIS PACKET Additional solo and callback music is available by the theatre callboard across from choir room #19 m just girls together in 3-part, separately from guys, vocal integrity + strength just guys together in 2-part, separately from girls, vocal integrity + strength #19 m , SATB, 4-part all together, looking for good vowels + breathing Exception DANCE ONLY: if you are auditioning for dance only- you would be eligible to be in the Be Our Guest and Human Again numbers ONLY. Others who are completing the entire audition process are also eligible to be in the Be Our Guest and Human Again numbers as well. For Dance Only: Please attend the audition on 11/30 from 3:00-6:00p.m. Please arrive early and complete paperwork. You will complete the dance audition, improvisation, and be asked to answer interview questions. Tuesday, November 29, 3:00-7:15 p.m. Callback Singing & Readings. Names will be posted on the Theatre callboard and on the Thespian Facebook on 11/28 evening or 11/29 morning for those who are needed today and what they are needed to do. Callback music is listed below and available at the theatre callboard. Callback Readings are available at the theatre callboard, at and on the Thespian Facebook. Please be prepared to read from the script and sing if called back. It is to your best advantage to learn as much of the music as possible ahead of time (not just the part you want) and to prepare the readings ahead of time. 2:55-3:05 Warm-up together 3:05-3:35 Work with others who are callback. You may not have work time with everyone, you will need to be well prepared yourself. 3:35-3:50 review songs with accompaniment and ask questions 4:00-7:15 songs and readings WEDNESDAY, 11/30, 3:00-6:00 DANCE AUDITION- ALL CALLED Dress in appropriate clothing that you can move in. NO jeans, short skirts or flip-flops. NO BARE/STOCKING FEET. Wear jazz, ballet, or tennis shoes. Dance audition will consist of: *Improvisation with strong character choices and facial expressions. *1 musical theatre/jazz dance combination *Ballet style turns, leaps, kicks, short combination *gymnastics (optional) 2

3 Required Monologue: Please prepare a 30 second-1 minute comedic or dramatic monologue from a full-length play, one act play, film, or short story. The monologue should be memorized and staged. The character should be interesting and make strong choices. Make sure that you have clearly defined your objective (what you want) and are pursuing it in your monologue. Large characterization is encouraged. Required Vocal Audition: Please read audition requests carefully and be prepared for your full audition. Pick up musical selections outside PCHS choir room at the theatre callboard. All actors called back should be prepared to also sing original audition material if called for. CHARACTERS / RANGE / VOCAL SCOPE Belle G3 to F5 strong bridge, ease in all Beast A3 to F4 no fear Gaston A3 to F4 no doubt Lumiere A3 to F#4 crisp singing + diction Mrs. Potts G3 to E5 older character singing Cogsworth D3 to E4 character singing Babette C4 to D5 character Wardrobe C4 to D5 colorful character Chip D4 to D5 youthful voice LeFou B3 to G4 strong singer D'Arque F3 to F4 strong counterpart Maurice Bb3 to Db4 age of character, acting ENSEMBLE #19 m47-50 just girls together in 3-part, separately from guys, vocal integrity + strength just guys together in 2-part, separately from girls, vocal integrity + strength #19 m , SATB, 4-part all together, looking for good vowels + breathing GIRLS SOPRANO #9 m , looking for character, humor, range, courage ALTO #16a m44-65, looking for dramatic solo quality, your break into head GUYS ALL #9 m 13-43, looking for your French interpretation, crisp diction, clarity of voice too! TENOR #5 m71-90, looking for courage, range, characterization BARITONE #3 m28-43, looking for age range, tender dramatic, clarity of lower range CALLBACK MUSIC Belle #7 m 37b-105 Belle + Beast #19 m Beast #10 m

4 Maurice #3 m28-43 Maurice + Belle #3 m78-98 Gaston #5 m LeFou #17 m57-64 D'Arque #14 m73-87 ALL 3, Gaston, D Arque, LeFou: #14 m Bab (top), Pots (mid), Chip (bot) #13 m Ward (top), Lum (mid), Cogs (bot) #13 m ALL 6: #13 m36-173, each on own solo + 2pt singing Mrs Potts, Lumiere, Babette, Wardrobe, Chip, Cogsworth Required Musicianship Check: To be included in your individual audition timeslot. Auditionees will be tested in the following areas: ear test: recall (3-5 notes), pitch matching (3 notes), sight reading (3 measures) Required Interview: Please take a look at the rubric for the total audition and familiarize yourself with the expectations for this production in the areas of COMMITMENT, WORK ETHIC, RESPONSIBILITY, ATTITUDE, and INTEGRITY. You will be asked 1-2 questions regarding these areas during your individual audition. Callback: Vocal callback material is available now outside the PCHS choir room by the theatre callboard. Reading callback material is also outside the PCHS choir room by the theatre callboard, at and on the Thespian Facebook page. You may or may not be asked to sing these songs on 11/29. You may also be asked to sing initial audition music again on 11/29. There will be 30 minutes to work with other characters who are called back to sing/act with prior to performing your callback on 11/29. Know your part; you may not get to work with everyone. It is to your advantage to learn callback music for multiple roles, put the odds in your favor for attaining a role. Preparation for roles: It is not enough to just sing the song assigned to a character. If you are serious about obtaining a role, you should stage the song as the character when you perform, no matter which role you are hoping for. It is also necessary to do this for the callback music when you are singing with another person, to the best of your ability in the time given. You will want to consider how the character would perform the song. Standing and singing as yourself is NOT to your advantage. There will be many students trying to obtain these roles and it is best to show the directors what you are capable of doing with a role; how else will they know? If you are interested in roles beyond the musical selections provided, you must incorporate how you see the other character(s) you are interested in into the music you are assigned to sing. 4

5 SCRIPT/Show Recording The script will not be available to you ahead of time, other than the assigned readings. You can watch various production excerpts of this show on youtube to get a feel for the script. There is a full show recording on youtube as well, available in individual song files. WE NEED INTRUMENTAL PLAYERS, RECRUIT YOUR FRIENDS! Contact Ruth Schubarth to schedule audition, cell or journey.ruth@msn.com Instrumentation: BASS 1 CELLO 1 HORN 1 PIANO 1 SYNTHESIZER 1 PERCUSSION BELL TREE, CASTANETS, CHIMES, CROTALES, CYMBAL, GONG, LOUD SLEIGH BELLS, MARIMBA, MARK TREE, ORCHESTRA BELLS, PIATTI, POP GUN, RATCHET, SUSPENDED CYMBAL, 1 TAMBOURINE, TEMPLE BLOCKS, TIMPANI, TRIANGLE, VIBES, WOOD BLOCK, XYLOPHONE REED 1 FLUTE, PICCOLO 1 REED 2 ENGLISH HORN, OBOE 1 REED 3 BASS CLARINET, CLARINET, FLUTE 1 A CHANGE IN ME 1 TRUMPET 1 VIOLIN CONTACT FOR QUESTIONS & HELP Mrs. BR carrie.barnhardt@asd20.org Ruth Schubarth cell/text or journey.ruth@msn.com Acting Coaches Brandon Flanery Kody Maynard kody.maynard@asd20.org Voice Teachers Ruth Schubarth Cindy Saunders Dance Take classes at local studios in ballet, jazz, and whatever you are interested in. Summit Danceworks- studio where Debi Spencer works offers classes. 5

6 Beauty and the Beast AUDITION RUBRIC- specific breakdown: Please write name and answer questions 1 and 2 on TWO forms!!! Name 1. Please list: Choir/band/orchestra/vocal or instrumental lessons experience below (list experience outside of school as well): 2. List acrobatics skills Monologue (total 20) clear objective 4 strong character 4 articulation 2 volume 2 facial expression theatrical 2 connected to character 2 confidence 2 commit to material chosen 2 Vocal solo (total 25) impression/followed directions in audition pkt 10 voice quality range of voice strength 5 clarity/pleasantness 4 richness/technique 2 character/style 2 personality/humor 1 breathing 1 Musicality (total 20) ensemble parts - 10 accuracy 5 within ensemble 5 musicianship - 10 ear test - recall 3 pitch matching 3 sight reading 4 6

7 Interview Total (total 20) (during individual audition) Commitment 4 (FOCUS, focus on the project, dedication, ability to give everything you ve got in rehearsal and performance, time management- show, homework, family, other things) Work Ethic 4 (drive, take direction, individual & group performance reaches desired level in desired timeframe as communicated by directors) Responsibility 4 (on time, completion of assignments when due, everything is ready on time, TAKING CARE OF YOURSELF CLAUSE: sleeping, no alcohol, smoking or recreational drugs, prescription drugs only as really needed, vitamins, vocal health habits lots of water, little/no caffeine, little/no refined sugar, white flour, white rice or processed foods, use preventative matters to prevent illness- wash hands, use hand cleaner, don t share drinks/food. Attitude 4 (RESPECT, kind to others, considerate of others feelings, acting in a professional manner, respecting student & adult leaders) Integrity 4 (treatment of others, doing the right thing when no one is looking, selfcontrol, directors can trust you to be consistent & deliver what is agreed upon ) Total Interview 20 Dance (15) Showmanship 5 Facial expression 2 Committed body 2 Incorporation of style 1 Learning ability 5 Picks up choreography quickly 2 Pays attention to the detail of the movement 3 Technique 5 Upper body/arms 2 Lower body/ feet 2 Overall body control 1 Ballet Skills (1 low -3 high) Acrobatics demo: Total Dance 15 TOTAL 100 7

8 Rehearsals/Performances/Time, Financial, & Volunteer Commitments Time Commitment: The show runs April 5, 7, 8, 13, 14, 15, Rehearsal will begin December 7, 2016 after school. Ensemble singing (all characters) will take place 12/7: 3:00-6:30 12/ 8: 3:30-7:00 12/12: 3:30-6:30 12/14: 12:30-4:30 12/15: 12:30-4:30 Rehearsal will resume January 6, Rehearsal will be every day from 3:00-6:30 or 7:00 p.m. occasionally shorter, not all actors will be needed every day. You will receive a detailed schedule every 2-3 weeks. Rehearsal may also be held on Saturday mornings. During the last four weeks of the show rehearsals will be every day, except Sunday. There is a public preview March 21, There will be several mandatory dress rehearsals Feb 25, March 4, 11, 18 (all Saturdays) and March 1, 2, 3, 6, 7, 8, 9, 10, 13, 14, 15, 16, 17, 20, 21, 22, 23, April 3, 4, 11. Some conflicts may be worked around, however regular practices that conflict with rehearsals are not acceptable. There will NOT be rehearsal during spring break or on March 24, You are expected to attend all scheduled rehearsals if at all possible; TWO unexcused absences will result in your dismissal from the cast. Tech Time Commitment: You will be required to work the technical aspects of the show for 28 hours (4 full Saturdays) Tech work calls will be assigned and will be mostly on Saturdays; you will have to trade with another actor from the show or send a qualified, self-motivated replacement, who is over 12 years of age, and has completed a signed liability form if you cannot make your work time. If you are assigned to Saturday morning rehearsals, you must still complete all your tech hours during the afternoons or on days you are not called. Tech workdays will begin in January. If the tech hours are not completed, you may NOT perform. Financial & Volunteer Commitment: There is a required $300 production fee plus 2 hours of family volunteer time for each cast member. Family members may also volunteer for an additional 8 hours to reduce their production fee to $200 and further may sell advertisements for an additional fee reduction. Details will follow in your contract if you are cast. 8

9 Audition Sign-up for 11/28/16, MONDAY REQUIRED: Monologue, Solo Vocal audition song(s), musicianship check, interview Please sign up for earliest times first. 5:15 5:21 5:27 5:33 5:39 5:45 5:51 5:57 6:03 6:09 Break 6:24 6:30 6:36 6:41 6:47 ONLY SIGN HERE ONCE ALL ABOVE TIME SLOTS ARE FULL 6:53 6:59 7:05 7:11 9

10 7:17 7:23 Break 7:35 7:41 7:47 7:53 10

11 7:59 8:05 8:11 8:17 8:23 8:29 8:35 8:41 8:47 8:53 8:59 More slots will be added for Tuesday, 11/29 at 3:30 p.m. if needed: Please add your name here if you would like to audition and all other time slots are filled above