Dr. Shi Chuan: Curriculum Vitae. Dr. SHI CHUAN

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Dr. SHI CHUAN Professor, Shanghai Theatre Academy Deputy Chair, Shanghai Film Association Board member, China Film Association Senior Consultant, Shanghai Cultural Development Foundation Executive

1 Dr. SHI CHUAN Professor, Shanghai Theatre Academy Deputy Chair, Shanghai Film Association Board member, China Film Association Senior Consultant, Shanghai Cultural Development Foundation Executive Academic Director, Shanghai Film Museum Add: Room 409, the Library Building, 630 Hua Shan Road, Shanghai , China Cell: / riverstone@vip.126.com Sina Microblog: Sina Blog: Douban Blog: Time Blog: EDUCATION: Ph.D. Department of Film Studies, Chinese Arts Academy, China M.A. Department of Chinese Literature, Southwest University, China B.A. Department of Chinese Literature, Southwest University, China EMPLOYMENT: Jul.1990-Aug.1993, Secretary, General Office of Bei Bei District Government, Chong Qing May.1995-Jun.1996, Assistant Editor in Chief, Editor in Chief office, Si Chuan TV Station Jul.1996-Feb.2014, Associate professor, professor and Dean Assistant at Film-TV School, Shanghai University Mar.2014-Present, Professor, Shanghai Theatre Academy/Director of Institute of Cinematic Arts ACADEMIC VISITING: Jan.-Jun.1998, Senior Visiting Scholar, Baruch College, City University of New York, USA Apr.2002, Senior Visiting Scholar, Connecticut College, USA Mar.2005, Visiting lecturer, Penang College, Malaysia Mar.-Jun.2006, Senior Visiting Scholar, Department of Media Studies at Auckland University, NZ May 2006, Visiting lecturer, Otago University, Canterbury University, NZ Jul.2006, Keynote Speaker, Academic Forum at Kwangju International Film Festival, Korea May 2008, Keynote Speaker, Department of Cultural Studies, Hong Kong Polytechnic Univ. 1 / 5

2 Feb.-Apr.2012, Senior Visiting Scholar, Cinema & Theater Museum at Waseda University, Japan Dec.2013,Senior Visiting Scholar, National Arts University of Tai Wan PROFESSIONAL SERVICE: Jan.-Jun.1996, Co-writer and Unit Director, TV Documentary Si Chuan Native in Tibet (10 episodes) , Programmer, Shanghai International Film Festival , Jury Member, Beijing University Student Film Festival Jun.-Oct.2005, Executive Producer, Documentary Film Cinematic Memory Apr.-Jun.2007, Producer and Director, TV Documentary Master Xie Jin (18 episodes) 2007, Executive Producer, Feature Film Cherries. 2008, Producer, Feature Film Park Shanghai. 2009, Executive Producer, Feature Film Return Tickets 2012, Executive Producer, Feature Film sweetheart Chocolate Mar.2013-Present, Executive Academic Director, Shanghai Film Museum ,Jury Member, Media Awards of Chinese Film HONERS AND AWARDS: 1998, the Second Class Award by Chinese TV Broadcasting Association for the 10 Episodes TV Documentary Si Chuan Native in Tibet, Co-writer and Unit Director 2000, Education Excellence Award by City Government of Shanghai for Translation Directing Film and Television (Fu Dan Univ. Press, Shanghai), Translator and Editor 2006, Special Contribution Award by Hawaii International Film Festival for the Documentary Film Movie Memory, Executive Producer 2008, Nominated by Competition Section of Moscow International Film Festival for the Feature Film Park Shanghai, Producer 2010, The Best director, Asian New Talent Award by Shanghai International Film Festival for the Feature Film Return Tickets, Executive Producer 2011, the Best Original screenplay and the Best Supporting Actress by Taiwan Golden Horse Award for the Feature Film Return Tickets, Executive Producer 2012, the Organizing Committee Award by China Film Media Award for the Feature Film Return Tickets, Executive Producer 2013, the Organizing Committee Award by Kwangju International Film Festival (Korea) for the Feature Film sweetheart Chocolate, Executive Producer 2 / 5

3 REFEREED PUBLICATIONS: JOURNAL ARTICLES: Dancing with the Market and the Industry: Interview Mrs. Fu Wen-xia,The Executive director of Shanghai International Film Festival, Vol. 5, 2016, Contemporary Cinema A Study on Xie Jin s Diary in 1950s, Vol. 2, 2016, Contemporary Cinema An Interview and Biography of Yang Shu-peng s Movies, Vol. 1, 2016, Contemporary Cinema Vernacular Storytelling and the Tradition of Lyricism: A dialogue on Shanghai Film in 1930s Vol.3, 2016, Cinematic Studies A Negotiation of Chinese language Cinemas: Re-Writing of Cinema History, Subjectivities and Minority Film in China, Vol. 10, 2015, Contemporary Cinema An Interview and Biography of Zhong Xing-huo s Movies, Vol. 7, 2015, Contemporary Cinema From Urban Other to a Heres of Shanghai Classical Film: Studies on Zhong Xing-huo s Filmic Performance, Vol. 7, 2015, Contemporary Cinema Trans-national Adaption and East Asian Expression: An reading on MISS GRANY Vol.2, 2015, Film Art Rewriting the Chinese Film History in Overseas,Vol. 8, 2014, Contemporary Cinema The Review of Wu Zhaodi s Movie and his Filmography, Vol. 1, 2014, Contemporary Cinema A Blind Spot in Film History: The Postwar Takeover of the China Film United, Vol.1, 2014, Film Art On the Market of Lost in Thailand, Vol. 2, 2013, Contemporary Cinema An Interview and Biography of Huang Shuqin s Movies, Vol. 5, 2013, Contemporary Cinema Rethinking Family Ethical Films: the Mirror of Families, Re-Construction of Emotion The Study of Film Production, Distribution and Projection of the China Film United Vol.7, 2012, Contemporary Cinema A Discussion on Son of the Stars, Vol.6, 2012, Contemporary Cinema A Discussion on Lee s adventure, Vol.12, 2011, Contemporary Cinema Xu Sangchu s Concept and Practice of Film management and his Biography Vol.12, 2011, Contemporary Cinema A discussion on The Piano in a Factory, Vol.7, 2011, Contemporary Cinema Cross-border, Identity and the expression of everyday life culture, Vol.4, 2011, Film Art Excuse and Rebirth: the founding of the Nation owned Shanghai Film Studio, Vol.5, 2010, Film Art The Carnival of Grass-roots: An Analysis of Disorderliness in Contemporary Film Criticism Vol.6, 2010, Literature and Art Studies On Luo Jizhi s Career of Film, Vol.8, 2009, Contemporary Cinema A Discussion on Examination 1977, Vol.4, 2009, Contemporary Cinema 3 / 5

4 Post-Annalistic Historical Narrative: Multivariant Genre and In-deep Interpretation, The Strategy of Presenting National-ness in Korean Cinema through The Host Vol.4, 2009, Contemporary Cinema Vol.3, 2007, Film New Works An Interpretation of Northerners Characters in Hong Kong Films, Vol.6, 2007, Art Studies Yu Ling: A Name Remains in Memory, Vol.8, 2007, Film New Works The Longest Night at Shanghai: An Adult Fable in a Globalized Metropolitan Vol. 4, 2007, Film Art On the Branding and Characteristics of Shanghai International Film Festival Vol.9, 2007, Arts Criticism Singing in Electric Shadows: A Survey of Chinese Musicals. In Roger Garcia ed. Asia Sings: A Survey of Asian Musical Films, Udine, Italy: Centro Expressioni Cinematografiche, 2006 Introspection and Reconstruction: Review of the Centennial Celebration of Chinese Cinema and the 2005 Annual Conference of ACSS, Vol. 17, No.1, Spring/Summer 2006, Asian Cinema Constructing the Myth of Liberation: Comparison of the Ideology of Red Detachment of Women and Glory Vol.5, 2006, Contemporary Cinema Re-read Wu Yigong: Historical Opportunity and Realistic Dilemma of a Poetic Cinema, Vol.2, 2006, Contemporary Cinema Adaptation of the Chinese Classical: inheriting and Re-contracture the Classical Literature, Vol.256, April, 2006, Hong Kong Literature A Brief Survey to the Chinese Pirated DVD Industry, Vol.3, 2006, Arts Studies The Poetic Realism: Zhao dan s Performance Art, Vol. 4, 2005, Film New Works Zhang Junxiang s Personality and the Left Wing Film Validity, Vol. 4, 2005, Contemporary Cinema From a Folklore to a Revolutionary Classic, Vol. 3, 2005, Contemporary Cinema Ding Yinnan s Historical Film, Vol. 2, 2004, Arts Studies Film Author and Context Conflicts in Sun Yu s Film, Vol. 4, 2004, Contemporary Cinema Studies on Audience and Production Management System in the Period of 1949 to 1966, Vol. 3, 2003, Film Art Zheng Zhengqiu s Films as Mass Culture Products, Vol. 2, 2003, Contemporary Cinema Naming of Now Generation and Generation Codes, Vol.4, 2001, Journal of Shanghai University Studies on Chinese Film History since 1949 to 1966, Vol. 6, 2001, Film Art The Export Thoughts of Xia Yan, Vol. 5, 2000, Journal of Beijing Film Academy BOOKS: 4 / 5

5 Chinese New Literature Series, , Vol. 5 Film Scripts, (jointly editor in Chief), 2009 Shanghai Literature and Art Publishing House. Production and Directing the Short Film and Video, 2006, China Cinema Press, Beijing Script Collection of the Xie Jin s Feature Film (jointly editor in Chief), 2006 Shanghai University Press Biography for Mr. Xu Sangchu, 2006, China Cinema Press Beijing Contemporary Chinese Film Theory (Editor in Chief) 2005, Culture and Arts Press Beijing A New perspective for the studies of Chinese Film History (Editor in Chief) 2002, Xuelin Press Shanghai Chinese New Generation Film in the multiple contexts (Editor in Chief) 2001, Xuelin Press Shanghai Directing Film and Television (Translation) 1997, Fudan University Press, Shanghai 5 / 5

New York University A Private University in the Public Service

New York University A Private University in the Public Service Class Title Listed as Instructor Contact Information Class Time Course Description Chinese Film and Society Chinese Film and Society V33.9540001