S o u t h - We s t U n i v e r s i t y. Neofit Rilski. Blagoevgrad

Transcription

1 S o u t h - We s t U n i v e r s i t y Neofit Rilski Blagoevgrad Faculty of Arts Field of higher education: 8. Arts Area of professional practice:8.4. Theatre and Film Arts Degree title: Bachelorof Arts Degree Programme:Film and TV Editing Duration:Four year Type of education:fulltime Informational package ON THE USAGE OF THE EUROPEAN CREDIT TRANSFER AND ACCUMULATION SYSTEM IN THE COUNTRIES OF THE EUROPEAN UNION (ECTS) PURPOSE: Each institution, which uses ECTS, creates an Informational Package for its potential partners. The Informational package is aimed to assist the academic transfer of students and teachers from partner institutions by providing: - Accurate information concerning priorities and educational opportunities of a particular university, faculty and degree programme. - Transparency of the curriculum and the taught disciplines, which aims to facilitate the right choice of the applicants and the students in each of the Degree Programmes. - Information on application procedure, registration, organisation and implementation of the educational process for obtaining a new degree in a particular university programme. FILM AND TV EDITING DEGREE TITLE: Bachelorof Arts PROFESSIONAL QUALIFICATION: EDITOR DURATION: 4 YEARS TYPE OF EDUCATON: FULLTIME Specialization in the field of film and TV editing, more profound knowledge about editing compositions, structure of film and television products, specialization in sound editing, acquiring new editing technologies, additional knowledge in the area of film picture, contemporary directing, commercials. Specialty Film and TV editing a period of 6 years. Guarantee the high quality of training are habilitated lecturers and leading experts from film and television production.

2 Students acquire deeper knowledge in the field of theory of contemporary film language, contemporary editing compositions, new technologies and the development of the contemporary manners of representation in audiovisual art forms. The adequate theoretical and practical preparation provides them with the opportunity to excel in all structures of television and film-making as well as to participate in foreign productions. The curriculum and the teaching schedules are formed in regard to the demands of The Law of Higher Education, The European Credit Transfer and Accumulation System and the Rules for Educational Activity of SWU Neofit Rilski. The type of education is fulltime. Students graduate by defending their graduate work. - Practical task fictional film, documentary, TV Programme - Thesis; - Discussion and public defens Good training is guaranteed by a country through curricula developed under the system of accumulation and transfer of credits in higher education and on the other by the renovation and modernization of facilities. Form of learning is regular. Students complete a thesis defense: - Practical - feature film or novel, documentary, television broadcast video; - Written theoretical work; - Discuss and public defense Those students, who have successfully graduated with master s degrees, are posited to posses advanced knowledge of a specialized body of theoretical and practical topics, which provides them the right to continue their education and pursue a doctoral degree in the field of arts. CURRICULUM Speciality: Film and TV Editing First year Autumn Semestre Mandatory disciplines: ECTS credits Spring Semestre Mandatory disciplines ECTS creditsи Basics of Film and TV Directing Part I Basics of Cinematography Part I Editing Theory Part I History of Cinema Part I Sports Elective disciplines (Student choose 4 disciplines from group I ) Elective disciplines: introduction to Adobe premiere Director s Conception of the Project Optics, Film and TV Technique History of Fine Arts Part I Basics of Composition Film Analysis Modern Bulgarian Literature Уintroduction Television Technique and Technology Basics of Film and TV Directing Part IІ Basics of Cinematography Part IІ Editing Theory Part IІ History of Cinema Part IІ Sports )Elective disciplines (Students choose 3 disciplines from group II ) Elective disciplines: Basics of Adobe premiere Director s Script Lighting History of Fine Arts Part IІ Basics of Film Dramaturgy Film and TV Sound Technology Bulgarian Literature of XX Century Basics of Television Technique and Technology Practice Total 30 Общо 30 Second year third semester ECTS fourth semester ECTS

3 Mandatory disciplines: credits Mandatory disciplines: credits Documentary Directing Part I Documentary Cinematogtaphy Part I Editing of documentary forms Part I History of Cinema Part IІІ Sports Documentary Directing Part IІ Documentary Cinematogtaphy Part IІ Editing of documentary forms Part IІ History of Cinema Part IV Sports Elective disciplines (Student choose 4 disciplines from group IІІ ) Introduction of Digital Editing Scientific Film Directing Introduction of Composition (Photography) Film and TV Equipment Basics of Film Production Documentary Film: Dramaturgy Audio Equipment: Microphones Video Editing Technology Terminology of Cinema third year fifth semester Mandatory disciplines: Feature Editing Part I Editing. New Digital Technologies Part I Film Production Elective disciplines (Student choose 4 disciplines from group.v ) Sound Design TV design Sound in Feature Cinema Film Shooting Register TV Magazine Bulgarian Cultural History during XX Century TV Drama and TV Series Fourth year seventh semester Mandatory disciplines: Elective disciplines (Student choose 4 disciplines from group IV ) Basics of Digital Editing TV Directing Basics of Photocomposition TV Dramaturgy TV Journalism Editing: Electronic Formats Music Design Multicam Editing Modern Photography Practice Total 30 Total 30 7,5 ECTS credits sixth semester Mandatory disciplines: Feature Editing Part IІ Editing. New Digital Technologies Part IІ Short Films Editing Elective disciplines (Student choose 4 disciplines from group.vi ) Introduction Directing in TV Studio. Video Mixer Introduction of After Effects Sound Effects Technology Theory and Practice of Communication Art management Original Musical Score Aspects of Education Film New Aspects of Visual Anthropology Modern Bulgarian Cinema 7,5 ECTS credits Total 30 Total 30 ECTS credits Eighth semester Mandatory disciplines: ECTS credits Editing. Modern Trends in Feature and Documentary CinemaPart I Editing. New Digital Technologies Part IІІ TV Drama Elective disciplines (Student choose 4 disciplines from group VІІ ) Directing in TV Studio. Video Mixer Sound Digital Postproduction Visual Effects. Adobe After Effects Dubbing Modern World Cinema Film Adaptation Set Design in Commercials 7,5 Editing. Modern Trends in Feature and Documentary CinemaPart IІ Editing. New Digital Technologies Part IV Advertising and Music Video Editing Undergraduate Practice. Creating and Development of Film Project. Thesis defense or a state exam 8,0 10,0

4 Total 30 Total 30 TOTAL 4 years: 240 credits Annotations of Disciplines Basics of Film and TV Directing Part I Teaching/Credit hours /of study/ per week: Semestre: І Lecturer: prof.rumyana Petkova, Department of Television, Theatre and Cinema Art, Course in Basics of Film and TV Directing Part I am including an initial set of knowledge about the communicative process for audio-visual media, space-vremivite arts, the place and role of the director in the creation of audiovisual product; need to develop visual and emotional memory, observation, creativity, ability to talk through action, word and picture. Content: Cinema as a synthetic art. Cinema and other arts. Media and Arts. Audiovisual product creators. The film director's place in creation and realization of the audio-visual project. The film director as an artist. The film director as a specialist in the audio-visual technology. The film director as a psychologist and manager of the project realization. The skills, which the director has to possess, develop and maintain - taste, style, curiosity, general knowledge, life experience, professional experience, educational background.perspective. Life attitude, philosophical attitude and civil attitude. Observation, visual and emotional memory. Sense of detail, space and time. Rhythm. Imagination. Form and Content. Narrative elements. Event level and expression level. Means of expression on event level (what we see and what we hear). Education process includes analytical approach to lecture materials based on comparative analysis, theoretical analyses and analyses on art works. Basics of Cinematography Part I Teaching/Credit hours /of study/ per week: Semestre: І Lecturer: prof. Pavel Milkov, Department of Television, Theatre and Cinema Art, Operator in the audio- visual work is one of his main creation ers. Image captured by the operator to fix the result of hu to Divine but - creative work of the team and material inputs in the pro du cents. Since kinetic ma tograficheskata form of audio- visual pro izvedenie film and tele you Zia exists only on screen, the operator rests the responsibility for both photographic image quality we it and Fine compo stance the staff, the lighting, the nal s ness, color and certain special methods of shooting.the operator manages all kinosnimachna and tele vizionnatechnique directs the work of all subordinate units.creative work of the operator occurs in production conditions and require- k ca high professionalism, special kinematic togra Fitch our knowledge, spe cific skills, broad general culture method ing communication in mem pa, the ability to communicate with film and television director in the selection and arrangement of the footage.. Essence and role of film and television broadcaster. The main characteristic of the operator's job. Requirements for the general and his professional culture. Necessary skills to work with the team or set group. Invention of cinematography. Method of cinematography. First pictures of L.Lyumier, Georges Melies, R.Paul and others. Emergence of the profession of the operator. Imaging equipment operator in art: photographic properties of films ' specific features of movie camera and photo optics, receptions and

5 snimane.tvorchestvo technique camerawork. Art and technique of shooting the film. Creative work of the operator : professional ability, knowledge and skills. Specificity of creative production work by the operator over the pictures in gaming, chronicle - documentary, scientific and popular TV movie. History and development of cinematography art. Milestones schools directions. Great cinematography crisis and the first sound movies. The first issues of the color. The birth of television - competition and incentive, mutual influence. Three-D cinema, wide screen, wide format - problems. New technical and electronic devices and advanced features. Recent developments in plastic film. Trying to forecast and further steps of development. Information capabilities of film and television. "Direct" picture of the event and phenomenon. Choice and influence of technical devices. Optics and expressive capabilities. Creative organization of the shooting area. Working with operator team. Mounting thinking. Types of reporting. Cognitive-scientific and popular options. Specificity of scientific and popular science films. Requirements to the operator. Technical resources and creative capabilities. Expression of the internal laws of the processes and the resources of the operator. Artistic imaging opportunities and types of features in the feature film. Artistic pictorial formation of the film. Fine and expressions. Relevance and materiality of images. Creative production process to create the film. Creative organization of the shooting period. Practical exercises include the following components: capture 4 semester course and a task analysis of the films. Editing Theory Part I Teaching/Credit hours /of study/ per week: р Semestre: І Lecturer: Ass. Prof. Klavdia Kamburova, Department of Television, Theatre and Cinema Art, Course in Editing Theory Part I am includes an introduction to the basic concepts related to the initial development of the Editing, development of installation during the silent film and development mu.meets the main expressions of Editing - orientation in space, subassemblies, basic concepts related with frame mounting types, and their expression dramturgichnata option mounting types communication manufacturer. Cella is to teach the basic expressions of film language, which are the basis for the work in feature films, documentaries and television forms Development of the Editing during the silent movie. Main stages and influences on film language. Locations. Guidance in the space. Keeping sequence of direction. Continuity of a film shot.. Innovators - D. Griffith. Contribution to the development of assembly language. Innovators - S. Eisenstein, D. Vertov. Contribution to the development of film language. Film shot - types difference. Function of the frame. Function of the frame. Elements of the film shot. Connecting the shot. Ground rules for static images in motion footage using deformation Types Editing. The Movement in shot. Types of movements. Change in space and time. The specialists study fundamental postulates from the theory of film and television. Stylistic figures. Types. Form and content. Types of transitions.. Types of effects. Dramaturgical and Editing specifics for different types of EditingTypes of film time. Editing specifics. Cinematographic time. Types Editing and camera motions. Proportion of episode and connections between frames.editing errors - types, causes. Spatial and temporal errors. Errors in Editing the tempo and rhythm. The length of the frame as part of the rhythm of the film Practical exercises include the following components: capture 4 semester course and a task analysis of the films.

6 History of Cinema Part I Teaching/Credit hours /of study/ per week: р Semestre: І Lecturer: Prof. Alexander Grozev, Department of Television, Theatre and Cinema Art, Training course includes an introduction to the basic concepts related to individual national schools and stylistic trends and trends worldwide. Special attention is paid to the development of national cinematography with some decisive contribution to the evolution of film expression, but also a number of prominent figures - directors, cameramen, film playwrights and actors whose creative work has left a trace in the historical development of film. First steps of cinema. Early films by Louis Lumière. Georges Melies. Cinema in the first decade of the century. Early American cinema. Emergence of Cinema in Bulgarian lands. First camerawork in Bulgaria - the movie in Soviet Russia. Experiments with the sound in the cinema. French "poetic realism" Practical exercises include the following components: a written semester task analysis of film. All tasks are evaluated during the semester. The requirements for the semester are regular attendance, completion of assigned tasks and team participation. Basics of Film and TV Directing Part IІ Teaching/Credit hours /of study/ per week: Semestre: ІІ Lecturer: prof.rumyana Petkova, Department of Television, Theatre and Cinema Art, Students get acquainted with the features and elements of the narrative. Building image by abstract and concrete elements. Working with metaphors and symbols. Elaboration of theoretical problems, scriptwriting, practical tasks. Physical presence. Acting. Mise-en-scene.Costume, make-up, stage properties.location. Interior. Exterior. Astronomical time. Atmospheric time.physical relationships. Movement. Authentic sounds. Live music.dialogue. Practical exercises include the following components: capture 4 course and a semester assignment, writing the 4-5 scenario analyzes of films. Basics of Cinematography Part IІ Teaching/Credit hours /of study/ per week: Semestre: ІІ Lecturer: prof. Pavel Milkov, Department of Television, Theatre and Cinema Art, Operator in the audio- visual work is one of his main creation ers. Image captured by the operator to fix the result of hu to Divine but - creative work of the team and material inputs in the pro du cents. Since kinetic ma tograficheskata form of audio- visual pro izvedenie film and tele you Zia exists only on screen, the operator rests the responsibility for both photographic image quality we it and Fine compo stance the staff, the lighting, the nal s ness, color and certain special methods of shooting.the operator manages all kinosnimachna and tele vizionnatechnique directs the work of all

7 subordinate units.creative work of the operator occurs in production conditions and require- k ca high professionalism, special kinematic togra Graphic style of the film. Composition and drama. Features plastic frame, interconnection and interdependence of expressive means. Internal human installation setup. Tone and svetotonalno decision. Problems of tempo and rhythm. Stylistic and compositional unity of the frame phrase episode film. Composition and movement. Suggestion and preserve the atmosphere.svetopis. Basic plastic effects. Dramaturgy, composition, atmosphere and mood. Light unity in the frame, the phrase episode the film. Lighting and aperture. Light "key."basics of television lighting. Nature of perception on the small screen. Generally device television camera and fundamental differences of light-sensitive emulsion. Interval final eligible brightness. Lighting method and multi features. Natura decor, indoor and outdoor background. First problems with balance or nature. Working with mixed lighting. Photo in car, truck, plane, helicopter, boat, caravan. Practical exercises include the following components: a written semester task analysis of film. All tasks are evaluated during the semester. The requirements for the semester are regular attendance, completion of assigned tasks and team participation.. Editing Theory Part IІ Teaching/Credit hours /of study/ per week: р Semestre: ІІ Lecturer: Ass. Prof. Klavdia Kamburova, Department of Television, Theatre and Cinema Art, Course in Editing Theory Part I am includes an introduction to the basic concepts related to the initial development of the Editing, development of installation during the silent film and development mu.meets the main expressions of Editing - orientation in space, subassemblies, basic concepts related with frame mounting types, and their expression dramturgichnata option mounting types communication manufacturer. Cella is to teach the basic expressions of film language, which are the basis for the work in feature films, documentaries and television forms Development of the Editing during the silent movie. Main stages and influences on film language. Locations. Guidance in the space. Keeping sequence of direction. Continuity of a film shot.. Innovators - D. Griffith. Contribution to the development of assembly language. Innovators - S. Eisenstein, D. Vertov. Contribution to the development of film language. Film shot - types difference. Function of the frame. Function of the frame. Elements of the film shot. Connecting the shot. Ground rules for static images in motion footage using deformation Types Editing. The Movement in shot. Types of movements. Change in space and time. The specialists study fundamental postulates from the theory of film and television. Stylistic figures. Types. Form and content. Types of transitions.. Types of effects. Dramaturgical and Editing specifics for different types of Editing.Types of film time. Editing specifics. Cinematographic time. Types Editing and camera motions.proportion of episode and connections between frames.editing errors - types, causes. Spatial and temporal errors. Errors in Editing the tempo and rhythm.the length of the frame as part of the rhythm of the film Practical exercises include the following components: a written semester task analysis of film. All tasks are evaluated during the semester. The requirements for the semester are regular attendance, completion of assigned tasks and team participation.. History of Cinema Part IІ Teaching/Credit hours /of study/ per week: р Semestre: ІІ

8 Lecturer: Prof. Alexander Grozev, Department of Television, Theatre and Cinema Art, Training course includes an introduction to the basic concepts related to individual national schools and stylistic trends and trends worldwide. Special attention is paid to the development of national cinematography with some decisive contribution to the evolution of film expression, but also a number of prominent figures - directors, cameramen, film play Cinema under the sign of the swastika. Cinema in the Second World War. Resurrection of the documentary. Postwar cinema. The rise and decline of Italian neorealizam. French "New Wave". Copyright cinema as an alternative to Hollywood. "Fourth generation" directors in the Soviet cinema. Bulgarian cinema after the war. Practical exercises include the following components: a written semester task analysis of film. All tasks are evaluated during the semester. The requirements for the semester are regular attendance, completion of assigned tasks and team participation. Documentary Directing Part I Teaching/Credit hours /of study/ per week: р Semestre: ІІІ Lecturer: Ass. Prof. Kostadin Bonev, Department of Television, Theatre and Cinema Art, The course of Documentary Cinema Directing provides theoretical and practical knowledge about the nature of Documentary Cinema. The course includes the phases of the creative process from idea to final audio - visual product. The course explains the specifics of the documentary filmmaking and the difference from the feature cinema. In practical classes students will try to learn the principles how to construct logical and evocative narrative with Documentary expression. Characteristics of documentary filmmaking. Documentary genres The script in documentary filmmaking. About the form of a documentary script.the Script code. The Documentary project. Annotation, Synopsis, Treatment. Motivation. The relationship between the writer, director and producer. The preproduction. Transforming the Reality into film-reality. The Compressed reality.the Film Narrative and Film Action. The time in the Documentary Film.The viewpoint of the documentary. Subjectivity and objectivity of the film narrative.the conflict in the Documentary Practical exercises include the following components: capture 4 course and a semester assignment, writing the 4-5 scenario analyzes of films. Documentary Cinematogtaphy Part I Teaching/Credit hours /of study/ per week: р Semestre: ІІІ Lecturer: ass.prof.dr. Tsvetan Nedkov., Department of Television, Theatre and Cinema Art, In theoretical and plan ical students learn the basics of the theory of cinema and television, the technique for their implementation, the basics of organiza da organization and technology of television and fil movo production. Students receive training provider to manage all kinosnimachna and tele vizionna technique to guide the work of all subordinate units. Creative work of the operator occurs in production conditions and require- k ca high professionalism,

9 special kinematic togra Fitch our knowledge, spe cific skills, broad general culture method ing communication in mem pa, that provide activities in the discipline Nature and role of film and television broadcaster. The main characteristic of the operator's job. Requirements for the general and his professional culture. Necessary skills to work with the team or set group. Intuition and solutions. Handwriting and style. Specificity of creative production work by the operator over the pictures in gaming, chronicle - documentary, scientific and popular TV movie. History and development of cinematography art. Milestones schools directions. Great cinematography crisis and the first sound movies. The first issues of the color. The birth of television - competition and incentive, mutual influence. Three-D cinema, wide screen, wide format - problems. Information capabilities of film and television. "Direct" picture of the event and phenomenon. Five questions for classic documentarian. Intelligence event phenomenon fact. Understanding of the issues. Choice and influence of technical devices. Optics and expressive capabilities. Creative organization of the shooting area. Working with operator team. Mounting thinking. Types of reporting. Genre characteristics. Handling noise. sound effects. Speech and music. Cognitive-scientific and popular options. Specificity of scientific and popular science films. Requirements to the operator. Necessary aptitudes, knowledge and skills in relation to the areas of creative production activity. Technical resources and creative capabilities. Expression of the internal laws of the processes. Practical exercises include the following components: capture 4 course and a semester assignment, writing the 4-5 scenario analyzes of films. Editing of documentary forms Part I Teaching/Credit hours /of study/ per week: р Semestre: ІІІ Lecturer: Ass. Prof. Klavdia Kamburova, Department of Television, Theatre and Cinema Art, Editing course in documentary forms II am considered the basic concepts related to the principles at work in documentary, archival material, editing, interviews, voice test. Different characteristics of the different forms and characteristics during installation. Students learn different ways of installing documentary form specific shapes tv - news, journalism, portrait and more. Scientific and popular film themes audiences, specifics. Species. Place in TV shows Custom film - types, thematic areas. Use of sound and music. USED advanced technology. Portrait - types, visual development, sound decision. Portrait of age izevstna personality, contemporary, historical figure.work on the current political matarial - perspective conflict. Building an image with text and sound expressions. Features of editing. Documentary film themes structuring the material characteristics of the installation. Combining archival and contemporary material. Izpolazvane of new technologies in the documentary. Igrazhdane an overall rhythm and assembly editing.similarities and differences in the interpretation of the reality of the film and TV images. Changed reality. Subjective and obektivan perspective. Documentary film as an image of the real world. Structure of the material. Construction of tempo and rhythm.objective and subjective reflection of the information in documentary form. Manipulation of the material.documentaries and elements of gaming reconstruction. Combining fiction and documentary footage. Practical exercises include the following components: capture 4 course and a semester assignment, writing the 4-5 scenario analyzes of films. completion of assigned tasks and team participation History of Cinema Part IІІ Teaching/Credit hours /of study/ per week: р

10 Semestre: ІІІ Lecturer: Prof. Alexander Grozev, Department of Television, Theatre and Cinema Art, Training course includes an introduction to the basic concepts related to individual national schools and stylistic trends and trends worldwide. Special attention is paid to the development of national cinematography with some decisive contribution to the evolution of film expression, but also a number of prominent personalities Flourishing of national cinematography. Search stylistic diversity. Bulgarian cinema to 70-90d. Tarkovsky, Konchalovsky, Shukshin. Japanese cinema. Copyright cinema as an alternative to Hollywood. Practical exercises include the following components: a written semester task analysis of film. All tasks are evaluated during the semester. The requirements for the semester are regular attendance, completion of assigned tasks and team participation. Documentary Directing Part IІ Teaching/Credit hours /of study/ per week: р Semestre: ІV Lecturer: Ass. Prof. Kostadin Bonev, Department of Television, Theatre and Cinema Art, The course of Documentary Cinema Directing provides theoretical and practical knowledge about the nature of Documentary Cinema. The course includes the phases of the creative process from idea to final audio - visual product. The course explains the specifics of the documentary filmmaking and the difference from the feature cinema. In practical classes students will try to learn the principles how to construct logical and evocative narrative with Documentary expression. The nature of the Film Characters. The components of the Film Character. The term Collective Character.The photographer Director s eye in Documentary cinema. The Documentary Composition. Exposition, Nodus, Peripeteia, Culmination, Denouement, Final. Documentary Editing. The Film Episode. The rhythm of the Film. The Human in the Documentary. Practical exercises include the following components: a written semester task analysis of film. All tasks are evaluated during the semester. The requirements for the semester are regular attendance, completion of assigned tasks and team participation. Documentary Cinematogtaphy Part IІ Teaching/Credit hours /of study/ per week: р Semestre: ІV Lecturer: ass.prof.dr. Tsvetan Nedkov., Department of Television, Theatre and Cinema Art, In theoretical and plan ical students learn the basics of the theory of cinema and television, the technique for their implementation, the basics of organiza da organization and technology of television and fil movo production. Students receive training provider to manage all kinosnimachna and tele vizionna technique to guide the

11 work of all subordinate units. Creative work of the operator occurs in production conditions and require- k ca high professionalism, special kinematic togra Fitch our knowledge, spe cific skills, broad general culture method ing communication in mem pa, that provide activities in the discipline Construction of the frame and parallel to the visual arts. Ratio and parameters. Basic composite film making. Plans and principles of the determination of the scale of the image. Perspective and foreshortening. Dynamics and kinetics. Angle and angular range. Deformation of the perspective distortion of movement, visual atmosphere and air perspective Movement of the object. Setup, mizankadar. Movement and statics. Prolonged movement - time and space. Rapid and slow motion. Inversion, decomposition and phase shift. Retention and focus. Camera movement. View linking view. Tripod and handheld shooting. Schwenck and fast panoramas. Transient cache-shvenkove. Dolly. Zooming in and out, escorting and monitoring, Dolly panorama. Cranes and crane movements. Shooting aircraft.deflection of the image. Optical distortion. Softness and softirane, filters, curved optical surfaces and mirrors. Change of technology. Solarize and psevdosolarizatsiya. Optical tricks. Reconciliation of other exposures.from drama to build the image. Gradual and gradation. Refrain. Ellipse. Unity of the presentation, skip the unimportant.summarizing broadcast material. Discussion on television and film. Practical exercises include the following components: capture 4 semester course and a task analysis of the films. Editing of documentary forms Part IІ Teaching/Credit hours /of study/ per week: р Semestre: ІV Lecturer: Ass. Prof. Klavdia Kamburova, Department of Television, Theatre and Cinema Art, Editing course in documentary forms II am considered the basic concepts related to the principles at work in documentary, archival material, editing, interviews, voice test. Different characteristics of the different forms and characteristics during installation. Students learn different ways of installing documentary form specific shapes tv - news, journalism, portrait and more. Scientific and popular film themes audiences, specifics. Species. Place in TV shows Custom film - types, thematic areas. Use of sound and music. USED advanced technology. Portrait - types, visual development, sound decision. Portrait of age izevstna personality, contemporary, historical figure.work on the current political matarial - perspective conflict. Building an image with text and sound expressions. Features of editing. Documentary film themes structuring the material characteristics of the installation. Combining archival and contemporary material. Izpolazvane of new technologies in the documentary. Igrazhdane an overall rhythm and assembly editing.similarities and differences in the interpretation of the reality of the film and TV images. Changed reality. Subjective and obektivan perspective. Documentary film as an image of the real world. Structure of the material. Construction of tempo and rhythm.objective and subjective reflection of the information in documentary form. Manipulation of the material.documentaries and elements of gaming reconstruction. Combining fiction and documentary footage. Practical exercises include the following components: capture 4 semester course and a task analysis of the films. History of Cinema Part IV Semestre: ІV Teaching/Credit hours /of study/ per week: р

12 Lecturer: Prof. Alexander Grozev, Department of Television, Theatre and Cinema Art, Training course includes an introduction to the basic concepts related to individual national schools and stylistic trends and trends worldwide. Special attention is paid to the development of national cinematography with some decisive contribution to the evolution of film expression, but also a number of prominent personalities "Czech miracle." Milos Forman, Jiri Menzel. Works of Federico Fellini. The work of Ingmar Bergman. The works of Luis Bunuel. "Migration" topic. Bulgarian animation school. Development of documentary cinema. Contemporary Bulgarian cinema. Practical exercises include the following components: capture 4 semester course and a task analysis of the films. Feature Editing Part I ECTS-credits 7.5 Teaching/Credit hours /of study/ per week: р Semestre: V Lecturer: Ass. Prof. Klavdia Kamburova, Department of Television, Theatre and Cinema Art, The course of ifeature Editing Part In of slot forms an introduction to the basic concepts related to work on the feature material - space, time, dialogue, sound dramaturgy. The basic concepts related to the principles at work in the construction of the episode, mounting phrase igrazhdane complete works - fiction and television. The sound in the film and its impact on the film language. Main groups sound. Building an image by means of sound. Construction of psychological and social characteristics of the image through the film details. Film detail as a key element in building the image. Genres - types and Editing specifics. Features of Editing in different genres. Specificity in the use of plans, types of Editing volume.length of the frame associated with the genre feature. Specifics of the frame in terms of dramaturgy, film language, sound. Building episodes. Construction of Film episode. Features for working with dialogue, sound, tempo and rhythm. Spatial characteristics. Features Mounting style.film detail - types, functions, sign frame. Matter of detail for construction of the film image, temper the character haraktrea film space. Specifications of different genres.movie time - species dramatugichna and installation specifics. Ways of working with film time - visual and auditory. Specifications of work rezlichnite krupnosti, installation types, camera movements.forms of expression of film time - objective and subjective. Forms of expression of film time - visual and audible expressions.film Space - genre and assembly spetsifika.nachini construction of film space. Building through sound and movement of the camera. Drama and genre specificity. Construction of film space through sound and details. Forms of expression of space - deductive and inductive way.tempo and rhythm - specificity. Ways to build momentum and rhythm with episodes and overall work. Influence of sound money. Practical exercises include the following components: capture 4 semester course and a task analysis of the films. Editing. New Digital Technologies Part I Teaching/Credit hours /of study/ per week: р Semestre: V Lecturer: Stefka Chipeva, Department of Television, Theatre and Cinema Art,

13 Includes an introduction to the basic concepts related to new trends in contemporary cinema - themes expressions. The basic concepts related to the principles at work in the use of modern tools and mounting styles associated with new technology, drama and film language. New versions of Avid. Capabilities of the new software. Opportunities in the field of installation, sound effects, color koretsii.function Steady Glide, securing the Motion Tracking (tracking movement) and Stabilization (Image Stabilization)"Effect" audio dissolve "in real time. Practical exercises include the following components: capture 3 semester course and a task analysis of the films. Film Production Teaching/Credit hours /of study/ per week: р Semestre: V Lecturer: Ass. Prof. Klavdia Kamburova, Department of Television, Theatre and Cinema Art, The course of post-production film includes an introduction to the basic concepts related to working with negative and installation of audiovisual work captured on negative Lena types of bands, features in making a film copy of the installer's work in the laboratory. Film - winner of image and sound. Types of films - 35 mm, S 35 mm, the 16 mm, S16 mm. Specifics of the editing at work by 35 mm, S 35 mm, the 16 mm, S16 mm. Laboratory. of photographic processes. Negative processes. Positive processes. Negative editing. First gaming copy, mass printing. International phonograms. Practical exercises include one semester. Feature Editing Part IІ ECTS-credits 7.5 Teaching/Credit hours /of study/ per week: р Semestre: VІ Lecturer: Ass. Prof. Klavdia Kamburova, Department of Television, Theatre and Cinema Art, The course of ifeature Editing Part In of slot forms an introduction to the basic concepts related to work on the feature material - space, time, dialogue, sound dramaturgy. The basic concepts related to the principles at work in the construction of the episode, mounting phrase igrazhdane complete works - fiction and television. Movement in the frame. Features when working with images in motion. Specificity for different krupnosti. Drama genre and specificity. Problems with dialogue. Construction of the first and second term. Features in the construction of the film image. Building an image by means of dialogue and sound.dialozhna scene - species specific genre. Features the work of dialogue. Dialogue and relationship with other sound sredstva.vidove dialogue. Dialogue as part of the construction of the image. Building characteristics of the image through dialogue. Types of dialogue. Construction of psychological and social characteristics of the characters. Construction of Film episode. Elements of the episode. Installation transitions - visual and audible. Construction of tempo and rhythm. Film transitions - species. Use, effects, sound, dialogue, film details. Film

14 transition as part of the mounting style of the work.sound types - synchronous recording nahsinhron, playback. Dubbing film. Features for handling different types of ozvuchavane.rough cut - Specifics on film and video. Options for restructuring episodes. Mixing - preparation, specificity of video and film. Making sound phonograms. Balance between dialogue and other audio components. Practical exercises include the following components: capture 4 semester course and a task analysis of the films. Editing. New Digital Technologies Part IІ Teaching/Credit hours /of study/ per week: р Semestre: VІ Lecturer: Stefka Chipeva, Department of Television, Theatre and Cinema Art, Includes an introduction to the basic concepts related to new trends in contemporary cinema - themes expressions. The basic concepts related to the principles at work in the use of modern tools and mounting styles associated with new technology, drama and film language. Setting the 3D effects in real time: Warp, Picture-in-Picture, Corner Pinning, Shapes, Video Titles.Keing in alpha channel in real time.compositing of unlimited layers.effect of Fluid Film video.chromacurve и ChromaGraph. Practical exercises include the following components: capture 3 semester course and a task analysis of the films. Short Films Editing Teaching/Credit hours /of study/ per week: р Semestre: VІ Lecturer: Ass. Prof. Klavdia Kamburova, Department of Television, Theatre and Cinema Art, The course includes an introduction to basic concepts related short film and television forms. This kind of forms are widely used in both television and feature films and documentaries with forms. Their specificity require knowledge both in content and in the formats relating to broadcasting and presentation of film and television works, as well as more widespread use of this type of forms on the web. Nature and use of short forms in the film and television industry. Basic formats when working with short forms. Film and television standards. Trailer. Structure, design and application. Specificity by genre drama. Short forms in television. Main parameters and standards. Differences of short forms according to the type of television.new trends in work on short forms associated with new technology.. Producing trailer, trailer distribution announcement.preparation, editing features, overall design of short forms.sound and music in short forms.. Species. Features use in documentary Practical exercises include the following components: installation of a semester course and task analyzes of films, decoupage, mounting additional exercises. ECTS-credits 7.5 Editing. Modern Trends in Feature and Documentary CinemaPart I Teaching/Credit hours /of study/ per week: р

15 Semestre: VІІ Lecturer: Ass. Prof. Klavdia Kamburova, Department of Television, Theatre and Cinema Art, The course includes an introduction to the basic concepts related to new trends in contemporary cinema - themes expressions. The basic concepts related to the principles at work in the use of modern tools and mounting styles associated with new technology, drama and film language. To introduce students to the principles, characteristics and new means of expression in the assembly; To prepare students to work with new technologies and changes in contemporary film and TV trends; To prepare students for their future work as editors of the most recent expression in movies and TV forms; СSimilarities and differences in the interpretation of reality TV and movie images. New issues and challenges of contemporary cinema.tv image as a reflection, mirror, copy or distortion of reality. The color of the frame as the carrier of psychological, theatrical, social characteristic. Objective and subjective reflection of the information in tv shows.classification of the visual elements of the short."new dogma" - a new trend and editing structure. Potential editing points. Connection with the European road network, rhythm and osbenostite the film really is.new mounting styles and trends in film and television. Scanning film image - replacement of reality.reconstruction in documentary film and TV series. Species. Ways to savrzavne the elements of fiction and documentary.rapid editing base in a drama and expression.digital effects. Drama and visual interaction. Principles of implementation in different mounting stylesanalysis of the film "Dogville" or movie with innovative film language. Function, structure, characterization and application of modern construction styles in film and television. Genre specifics.new styles and technologies. Practical exercises include the following components: installation of a semester course and task analyzes of films, decoupage, mounting additional exercises. Editing. New Digital Technologies Part IІІ Teaching/Credit hours /of study/ per week: р Semestre: VІІ Lecturer: Stefka Chipeva, Department of Television, Theatre and Cinema Art, Includes an introduction to the basic concepts related to new trends in contemporary cinema - themes expressions. The basic concepts related to the principles at work in the use of modern tools and mounting styles associated with new technology, drama and film language. Working with videos having different resolutions of a timeline.ability to work with the digital negative (ID) in on-line mode.multi-chamber assembly in real time (9 sources SD, 3 sources HD).Breakdown DV material into scenes. Practical exercises include the following components: capture 3 semester course and a task analysis of the films. TV Drama Teaching/Credit hours /of study/ per week: р Semestre: VІІ

16 Lecturer: Prof. R. Petkova, Department of Television, Theatre and Cinema Art, The course of TV Drama provides theoretical and practical knowledge about the nature of TV Programs. The course includes the phases of the creative process from idea to final audio - visual product. The course explains the specifics of the TV Programs and its difference from Cinema. In practical classes students will try to learn the principles how to construct logical and evocative narrative. Characteristics of TV Directing. TV genresthe script in TV Programs. About the form of the script. Directing in Studio.The TV project of Drama and Series. Annotation, Synopsis, Treatment. Motivation.The viewpoint of the TV Drama. Subjectivity and objectivity of the narrative. Directing in TV DramaDirecting in TV SeriesDirecting in TV Comedies Directing in programs for Children. Practical exercises include the following components: capture 1 course and a semester assignment, writing the script 2. Editing. Modern Trends in Feature and Documentary CinemaPart IІ ECTS-credits 8.0 Teaching/Credit hours /of study/ per week: р Semestre: VІІІ Lecturer: Ass. Prof. Klavdia Kamburova, Department of Television, Theatre and Cinema Art, The course includes an introduction to the basic concepts related to new trends in contemporary cinema - themes expressions. The basic concepts related to the principles at work in the use of modern tools and mounting styles associated with new technology, drama and film language. To introduce students to the principles, characteristics and new means of expression in the assembly; To prepare students to work with new technologies and changes in contemporary film and TV trends; To prepare students for their future work as editors of the most recent expression in movies and TV forms; Virtual reality as an imitation of reality and pseudo.actual facts and their implications in the documentary form. Fact as an opportunity to interpret documentary event. Television as a means of information and manipulation. The new type of TV viewers - Challenges and psychological characteristicscinema in the context of contemporary theories of mass communication.chronotope. Martin and Bakhtin's theory of chronotope. Edinting intervention in the frame. Species. Possibilities of new technologies. Subjectively and objectively start."technological poetics" of new media.key features of the new media. Andre Bazin and ontological approach to the nature of the film.virtuality and cyberculture. Structural changes in the short.interchangeability of mounting structures. Practical exercises include the following components: installation of 4 semester course and a task analysis of the films, decoupage, mounting additional exercises. Editing. New Digital Technologies Part IV Teaching/Credit hours /of study/ per week: р Semestre: VІІІ Lecturer: Stefka Chipeva, Department of Television, Theatre and Cinema Art,

17 Includes an introduction to the basic concepts related to new trends in contemporary cinema - themes expressions. The basic concepts related to the principles at work in the use of modern tools and mounting styles associated with new technology, drama and film language. Feature Video Archive. Moving Mattes in real time.tools tsvetokorektsii a professional level in real time.2d and 3D titers.tools for creating graphics and titers Practical exercises include the following components: capture 3 semester course and a task analysis of the films. Advertising and Music Video Editing Teaching/Credit hours /of study/ per week: р Semestre: VІІІ Lecturer: Ass. Prof. Klavdia Kamburova, Department of Television, Theatre and Cinema Art, To familiarize students with the basic rules and principles in the preparation of video and advertising. To develop skills related to knowledge of music, symbolism, construction skills, musical sense, aesthetic taste, use of a number of new technologies. Students learn different ways of subassemblies, work with symbols and symbolic frames to produce a single product. Types of video as music. Effects and tools for building video.editingand features when working with music.plot clip. Features of work with playback. Selection effects. Use of modern technology and mode of action. Clip-classical music, opera video.advertising types - general, a collective group. Introduction to types of ads, their messages and specific psychological characteristics. Advertising by lifecycle. Types of ads based on the psychological characteristics of the viewer, a popular psychological impact ways of structuring the life cycle of the ad. Advertising - the psychology of perception. Features impact. Specificity of the means of expression in the preparation of the components of advertising - vision, sound, text. Highlighting the advertising product. Features of the types of ads. Advertising product as a positive and negative impact. Negative publicity. Advertising messages with social, political, and economic problems.music and sound. Features sound design. Types of music. Text as part of the ad. Effects used as part of a specific advertising message.editing technology advertising. Preparation and assembly using new technologies and specificity of viewers message.detail as part of creating a visual impression. The use of effects such as dramatic element.features of musical styles and choice of mounting style. Tempo and rhythm - construction of drama, visual and musical inspiration. Shape, color and symbolism of the image text in the video as the main dramatic element in the construction of visual images. Shape, color and symbolism of the image in the ad. Contribution and impact of color and character to the viewer. Practical exercises include the following components: installation of 4 semester course and a task analysis of the films, decoupage, mounting additional exercises. Introduction to Adobe premiere Teaching/Credit hours /of study/ per week: р Semestre: І Lecturer: Stefka Chipeva, Department of Television, Theatre and Cinema Art,