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10 >> 0 >> 1 >> 2 >> 3 >> 4 >> PICTURE START
11 >> 0 >> 1 >> 2 >> 3 >> 4 >> THE NEW WAVE Much was changing America had new leader (JFK) Europe was liberated in their thought process Attitudes changed towards sex, fashion, politics, books, art, and movies were changing and were being discussed more openly In the film world, the first rumblings of change came about in France with the NEW WAVE, whose influence reached Hollywood
12 >> 0 >> 1 >> 2 >> 3 >> 4 >> Hollywood at the brink! At the start of the 60s: Writer s Guild on strike (equitable contracts and share of profits of films sold to TV) Screen Actor s Guild demanded a raise to minimum salaries and a share in TV residuals. BOTH won their cases...but contributed to the near ruin of Hollywood
13 Hollywood overtaken Studios were insecure and having financial difficulties Many studios were taken over by multi-national companies: Paramount was rescued by GULF + WESTERN INDUSTRIES Warner Bros merged with SEVEN ARTS LTD (a TV company that became Warner Bros Seven Arts) MGM shifted its interests to real estate MCA (Music Corporation of America) acquired Universal-International Studios The Bank of America adsorbed United Artists through its Transamerica Corporation subsidiary United Artists had great directors that they convinced to cross over (John Sturges ~ the Great Escape, Blake Edwards ~ The Pink Panther Studios became administrative centres and they were losing their individual stamp. To fill the gap, independent producers became more common. They would show up to the studios with the whole package...director, script, writers and marketable stars Although the structure of the industry had changed, most of the pictures stilled followed the genre pattern initiated by the studios in their heyday. Musicals, westerns, romantic comedies >> 0 >> 1 >> 2 >> 3 >> 4 >>
14 >> 0 >> 1 >> 2 >> 3 >> 4 >> The Movie Going Habit Going to the movies was dying Each film had to attract its own audience ALOT of $$$ was spent on advertising and promotion. Many blockbuster films (Cleopatra, Roman Holiday, The Fall of the Roman Empire) nearly bankrupt the studios.
15 >> 0 >> 1 >> 2 >> 3 >> 4 >> Up and Down Hollywood began to experience rise and fall in popularity. Fox made a mint with Sound of Music...then lost it all with Dr. Doolittle... More YOUTH oriented films were making it. Hollywood had a new audience year olds
16 >> 0 >> 1 >> 2 >> 3 >> 4 >> The new generation The younger generation expressed a growing aversion to traditional values. Hollywood began taking risks on younger and more experiential directors. Sex, Drugs, Violence and Rock and Roll was in demand in the films.
17 The s word and Violence with the demise of the Production Code, the limits of language, topics and behaviour were considerable widened. Films started to depict violence in a more brutal and graphic manner (like Bonnie Clyde) Films however did not really make reference to civil rights or Vietnam DIRECTLY, but much of the underlining themes were directly related to that...the Graduate >> 0 >> 1 >> 2 >> 3 >> 4 >>
18 >> 0 >> 1 >> 2 >> 3 >> 4 >> B becomes Z (well sometimes) Roger Corman begins making Z movies Films on a tiny budget in rented studios He formed American International Made low biker movies (Peter Fonda) Dennis Hopper directed Easy Rider earned 35 milliona
19 >> 0 >> 1 >> 2 >> 3 >> 4 >> Angry Young Men An emergence of Playwrights, novelists, and film makers (in England) who were labelled as the Angry Young Men Many of their works dealt honestly and vigorously with working class life. Many films criticized the good life
20 >> 0 >> 1 >> 2 >> 3 >> 4 >> Bond and Spaghetti Many studios reduced their internal production and increased movie making outside of the country (hollywood was shrinking in size) Britain was a favourite 007 James Bond movies Dr. No was made for less than 1 million They got more expensive as they gained at the box office Thunderball became the 6 th highest earning movie of the decade pulling in 26 million dollars
21 >> 0 >> 1 >> 2 >> 3 >> 4 >> Clint Spaghetti westerns are named that because they were made in Italy Made Clint Eastwood a star Westerns became a love of the american people...tv picked up several series (Rawhide, Bonanza)
22 FRENCH NEW WAVE Was called la nouvelle vague Several young critics on the influential magazine Cahiers du Cinema decided to take practical action in their battle again the content of French productions by making films themselves. The leading figures of the group were Francois Truffaut, Jean-Luc Godard, Alain Resnais, Claude Chabrol, etc. The French New Wave directors turned their backs on conventional filming methods. They took to shooting in the streets with hand held cameras, and with very small teams, using jump cuts, improvisation, deconstructed narratives, and quotes from literature and other films. The young directors, producers, and actors captured the life of early 1960s France ~ especially Paris ~ as it was lived by its young people. However, towards the end of the 1960s due to strikes and aggressiveness antiestablishmentarianism many of the French filmmakers started to add conventional filmmaking techniques to their films. Only a hand full became increasing political and radical (Godard) >> 0 >> 1 >> 2 >> 3 >> 4 >>
23 Bonnie and Clyde 1967 Directed by Arthur Penn One of the most influential movies in its amoral attitude toward the outlaw, seen from a modern psychological and social viewpoint, Bonnie and Clyde also depicts a graphic violence rare in mainstream films of the time. A MAJOR turning point in film~! Awards: Best supporting actress Estelle Parsons Best Cinematography >> 0 >> 1 >> 2 >> 3 >> 4 >>
24 They re young, they re in love, and they kill people That was the effective publicity line used to promote the movie Movie was about the 20s and 30s ( the same era that enjoyed gangster films that you could not sympathize with them) They are portrayed as heroic and as romantic ~ STAR-CROSSED LOVERS caught up in a whirl of violence and passion. The black comedy moves toward the much imitated memorable ending: hundreds of bullets pump into the pair, who die in slow motion. The script was offered to Jean-Luc Godard and Francois Truffaut, who turned it down, although the influence of the French New Wave is evident in the direction of Arthur Penn. >> 0 >> 1 >> 2 >> 3 >> 4 >>
25 Breathless (A Bout De Souffle) Jean-Luc Godard Shot like a B movie Attempts to recapture the directness and economy of the American gangster movie by the superb use of location shooting, jump cuts, and a hand held camera. The cinematographer Raoul Coutard, who worked on many of the French New Wave films, was pushed around in a wheelchair, and used as a camera dollie, following the characters down the street and into buildings. In order to achieve an immediacy in the performance, Godard cued the actors, who were not allowed to learn their lines, during the takes. A former critic, Godard consciously broke film conventions but at the same time paid homage t what he regarded as worth emulating in Hollywood cinema. >> 0 >> 1 >> 2 >> 3 >> 4 >>
26 Paying Homage Jean-Luc Godard s Bande a Part (1964) A spontaneous synchronized dance in a cafe ~ a scene to which Quentin Tarantino paid homage in Pulp Fiction >> 0 >> 1 >> 2 >> 3 >> 4 >>
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