The Power Filmmaking Kit
|
|
- Gertrude Lane
- 5 years ago
- Views:
Transcription
1
2 The Power Filmmaking Kit Make Your Professional Movie on a Next-to-Nothing Budget Jason J. Tomaric AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY TOKYO Focal Press is an imprint of Elsevier
3 Acquisitions Editor: Elinor Actipis Associate Acquisitions Editor: Michele Cronin Publishing Services Manager: George Morrison Project Manager: Mónica González de Mendoza Assistant Editor: Robin Weston Marketing Manager: Rebecca Pease Cover Design: Joanne Blank Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright 2008, Jason J. Tomaric. Published by Elsevier, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier s Science & Technology Rights Department in Oxford, UK: phone: (+44) , fax: (+44) , permissions@ elsevier.co.uk. You may also complete your request online via the Elsevier homepage ( by selecting Customer Support and then Obtaining Permissions. Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data Tomaric, Jason. The power filmmaking kit : make your professional movie on a next-to-nothing budget / Jason Tomaric. p. cm. Includes index. ISBN (pbk. : alk. paper) 1. Motion pictures Production and direction. 2. Low budget motion pictures. I. Title. PN P7T dc British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: For information on all Focal Press publications visit our website at Printed in the United States of America Working together to grow libraries in developing countries
4 UNIT 1 DEVELOPMENT 1 Timeline 1 Chapter 1: The Script 3 Introduction 3 Writing Your Own Script 4 Developing the Idea 4 Setting up Your Space 7 Developing a Premise 7 Step 1: Fiction or Nonfiction 7 Step 2: Genre 8 Step 3: Format 8 Step 4: Plot Type 10 Optioning Material 10 Working with a Writer 11 Story Structure 12 The A Plot 12 Act 1 12 Act 2 13 Turning Point 14 Act 3 14 Subplots 15 The gasp moments 16 Writing a script 16 Title 18 Theme 18 Logline 18 Treatment 18 Outline 19 Script 20 Creating Characters 21 iii
5 Box: Making Original Characters 22 Activities 23 Formatting Guidelines 23 Tips for Writing Successfully 27 Box: Resources for Writers 29 Writing on a Budget 30 Rewrites 31 Protecting Your Script 32 Optioning a script 32 UNIT 2 PREPRODUCTION 34 Timeline 34 Chapter 2: Preproduction 37 Introduction 37 Setting Up an Office 39 Legal Consultations 39 Release Forms 40 Books 41 Box: Preproduction 41 iv Chapter 3: Budgeting 43 Introduction 43 Raising Money 43 Box: Business Formulas 44 Budgeting 45 Cast and Crew 49 The Business Plan 50 Forming a Company 52 Managing the Budget 54 Budget Categories 55 Chapter 4: Scheduling 61 Introduction 61 Step 1: Lining the Script 62 Step 2: Scene Breakdown Sheets 62 Step 3: Determine the Number of Shooting Days 64 Step 4: Making the Daily Schedule 68 Step 5: Finalizing the Schedule 73 Step 6: During Production 73 Contact List 73 Call Sheets 73
6 Chapter 5: Insurance 77 Introduction 77 Insurance Types 77 General Liability Insurance 77 Cast Insurance 78 Film and Video Tape Insurance 78 Equipment Insurance 78 Worker s Compensation 78 Errors and Omissions Insurance 78 What Do You Really Need? 79 Certificate of Insurance 81 Chapter 6: Locations 83 Introduction 83 Finding Locations 83 Location scouting tips 86 Box: Information and Advice for Shooting in London 87 Locations to avoid 89 Securing a Location 89 Community Relations 93 Permits 93 Working in a community 93 Activity 97 Filmmakers code of conduct 97 Film Commissions 98 During Production 102 v Chapter 7: Auditioning Actors 105 Introduction 105 Finding an Audition Space 106 Attracting Actors to the Audition 106 Box: Casting Resources 107 Working with Casting Agencies 109 How to Conduct an Audition 109 The first audition 109 Monologs 113 The second audition 113 The third audition 114 Box: Audition Warning Signs 115 Activity 116 After the Auditions 116
7 vi Chapter 8: The Crew 121 Introduction 121 Crew Positions 121 The Producers 122 The Production Department 122 The Director of Photography (DP) and the Camera Crew 124 The Grip Department 126 The Electric Department 127 The Art Department 128 The Prop Department 129 The Hair and Makeup Department 129 The Wardrobe Department 129 The Audio Department 130 The Stunts/Special Effects Department 130 The Transportation Department 130 Postproduction 131 How to Hire the Crew 131 Crew Structures 131 The Ultrasmall Crew Structure 133 The Basic Crew Structure 135 Finding Qualified Crew Members 135 Paying Crew Members 138 Money 138 Deferred Payment 139 Credit 139 Box: Contracts and Deal Memos 142 Crew Wages 142 Chapter 9: Unions and Guilds 145 Introduction 145 Screen Actors Guild 147 Student film agreement 148 Short-film agreement 148 Ultra-low-budget agreement 148 Modified low-budget agreement 148 Low-budget agreement 149 Diversity casting incentives 149 Background actor incentive 149 Writers Guild of America 150 Writers Guild Low-Budget Contract 150 IATSE (International Alliance of the Theatrical Stage Employees) 151 Directors Guild of America 152 Box: Guild and Union Contact Information 153
8 Chapter 10: Equipment 155 Introduction 155 Cameras 156 Video vs Film 156 Shooting Film 157 Film Formats 157 Buying Film 160 Film Workflow 162 Traditional postproduction 162 Digital postproduction Digital postproduction mm color production lab costs mm color production lab costs 165 Box: Benefits and Drawbacks of Shooting Film 166 Shooting Video 166 Standard Definition : 3 Aspect Ratio Interlaced Frames 168 Box: Benefits and Drawbacks of Shooting Video 168 High Definition p 169 Box: Television standards i/p 171 Camcorder Purchasing Tips 171 Camera Support 172 Lighting 175 Tungsten 176 Fluorescent 176 HMI 177 Soft boxes 177 Light Kits 178 Lighting Support 178 Gels 179 Diffusion 179 Microphones 180 What Do You Really Need? 180 Low-Budget Alternatives 181 Approaching a Rental Facility 182 Box: Vendor Contact Information 183 vii Chapter 11: Production Design 187 Introduction 187 Props 189
9 Wardrobe 190 Building Sets 192 Set Dressing 194 Creating a Time Period 196 UNIT 3 PRODUCTION 200 Timeline 200 Chapter 12: Production 203 Introduction 203 Box: Getting Ready for Production 203 A Day on Set 204 Sample Production Schedule 208 Box: Order of On-Set Commands 209 Safety 210 Organization of Shots 211 viii Chapter 13: Acting 213 Introduction 213 Tips for the Director 213 Activities 215 Tips for the Actor 216 Box: Subtext 219 Acting Techniques 220 The Stanislavsky System 220 The Meisner Technique 221 The Chekhov Technique 222 Backstory 222 Chapter 14: Directing 225 Introduction 225 Directing during Preproduction 226 Reading the Script 226 Determining Coverage 227 Storyboarding 229 Rehearsing Actors 232 Rehearsal 1 Understanding the Story 232 Rehearsal 2 Creating the Characters 237 After the Second Rehearsal 238 Rehearsal 3 Scene Specifics 238 Overrehearsing 239 Exercises during Rehearsals 240
10 Working with the Crew during Preproduction 240 Activities 242 Directing during Production 242 Blocking the Scene 243 Directing Actors 244 Directing the Subtext 246 Directing Extras 247 Balancing Acting with the Technical Tools 249 Directing the Crew 249 Directing the Camera 251 Directing Problems 253 Directing during Postproduction 254 Chapter 15: Cinematography 257 Introduction 257 Working with a Director of Photography 257 Shooting Styles 259 Dogme Cinema Verité 259 Polished 260 The roving camera 260 The Camera 260 Choosing the Lens 261 Prime Lenses 261 Zoom Lenses 261 The Five Rings of Power 262 Ring 1 Focus 262 Pulling Focus 263 Ring 2 Focal Length 265 Ring 3 The Iris: Exposure 266 Ring 4 Macro Focus 267 Ring 5 Back Focus 268 Lens Care 268 Camera Settings 269 Shutter Speed 269 Gain 270 White Balance 270 Box: Color Temperatures 271 Working with the Frame 273 Aspect Ratios 273 Letterbox 273 Pan and Scan 273 Rules of Composition 273 Shot Types 278 ix
Linear Circuit Design Handbook
Linear Circuit Design Handbook Linear Circuit Design Handbook Hank Zumbahlen with the engineering staff of Analog Devices AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO
More informationProducing and Directing the Short Film and Video
Producing and Directing the Short Film and Video THIRD EDITION David K. Irving and Peter W. Rea ELSEVIER AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY.
More informationPractical Recording Techniques. Fifth Edition
Practical Recording Techniques Fifth Edition Practical Recording Techniques The Step-by-Step Approach to Professional Audio Recording Fifth Edition Bruce Bartlett Jenny Bartlett AMSTERDAM BOSTON HEIDELBERG
More informationThe Videomaker Guide to Video Production. Fourth Edition
The Videomaker Guide to Video Production Fourth Edition The Videomaker Guide to Video Production Fourth Edition From the Editors of Videomaker Magazine Introduction by Matt York, Publisher/Editor Preface
More informationAbleton Live 8 and Suite 8
Ableton Live 8 and Suite 8 Ableton Live 8 and Suite 8 Create, Produce, Perform Keith Robinson AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY TOKYO Focal
More informationDigital Filmmaking For Kids
Digital Filmmaking For Kids Digital Filmmaking For Kids by Nick Willoughby Digital Filmmaking For Kids For Dummies Published by: John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030 5774, www.wiley.com
More informationNOW THEREFORE, in consideration of the mutual covenants and conditions herein contained, the parties hereto do hereby agree as follows:
NOW THEREFORE, in consideration of the mutual covenants and conditions herein contained, the parties hereto do hereby agree as follows: ARTICLE 1 RECOGNITION AND GUILD SHOP 1-100 RECOGNITION AND GUILD
More informationFILM CREW WHO S WHO. Job Position Descriptions and Important Skills
FILM CREW WHO S WHO Job Position Descriptions and Important Skills OVERVIEW According to a study conducted by stephenfollows.com, the average film employs 588 crew members based on the 50 highest grossing
More informationFILM CREW JOB DESCRIPTIONS This is a partial list and explanation of typical roles on the filmmaking team.
FILM CREW JOB DESCRIPTIONS This is a partial list and explanation of typical roles on the filmmaking team. PRODUCTION STAFF: PRODUCTION DEPARTMENT: Casting Director Works closely with the director to cast
More informationBEGINNING VIDEO PRODUCTION. Total Classroom Laboratory/CC/CVE
Career Education BEGINNING VIDEO PRODUCTION DATE: 2016-2017 INDUSTRY SECTOR: PATHWAY: CBEDS TITLE: Arts, Media and Entertainment Sector Design, Visual and Media Arts Introduction to Media Arts CBEDS CODE:
More informationPortable. Video: ENG and EFP. Third Edition. Norman J. Medoff and Tom Tanquary FOCAL PRESS. Boston Oxford Johannesburg Melbourne New Delhi Singapore
Portable Video: ENG and EFP Third Edition Norman J. Medoff and Tom Tanquary FOCAL PRESS Boston Oxford Johannesburg Melbourne New Delhi Singapore Table of Contents 1 Introduction 1 ENG AND EFP: THE WORLD
More informationThe process of animating a storyboard into a moving sequence. Aperture A measure of the width of the opening allowing light to enter the camera.
EXPLORE FILMMAKING NATIONAL FILM AND TELEVISION SCHOOL Glossary 180 Degree Rule One of the key features of the continuity system to which most mainstream film and television has tended to adhere. A screen
More informationProducer s Guide to Working with SAG-AFTRA on a Student Film
Producer s Guide to Working with SAG-AFTRA on a Student Film SAG-AFTRA Signatory Producers have access to the world s most talented and professional performers for their projects, but becoming signatory
More informationARTICLE 24. Terms and Conditions for Multi-Camera Prime Time Dramatic Pilots, Presentations and Series
ARTICLE 24 Terms and Conditions for Multi-Camera Prime Time Dramatic Pilots, Presentations and Series 24-101 Programs Covered Except as otherwise provided herein, this Article 24 covers multi-camera dramatic
More informationFilm and Television. Program Learning Outcomes. Certificate Program Certificate not applicable.
219 Definition The popular culture of the twentieth century is forever marked by the amazingly rapid advancements in the mediums of film and television. We have become a civilization influenced by visual
More informationBasic TV Technology: Digital and Analog
Basic TV Technology: Digital and Analog Fourth Edition Robert L. Hartwig AMSTERDAM. BOSTON. HEIDELBERG LONDON. NEW YORK. OXFORD PARIS. SAN DIEGO. SAN FRANCISCO SINGAPORE. SYDNEY TOKYO ELSEVIER Focal Press
More informationForeword...xxiii Introduction... 1 Part I: Filmmaking and Storytelling Part II: Gearing Up to Make Your Film... 47
Contents at a Glance Foreword...xxiii Introduction... 1 Part I: Filmmaking and Storytelling... 7 Chapter 1: So You Want to Be a Filmmaker...9 Chapter 2: Genres in General...19 Chapter 3: Penning and Pitching
More informationDEGREE IN CINEMATOGRAPHY
FILM DIRECTION MAJOR PHOTOGRAPHY AND CAMERA DIRECTION MAJOR EDITING, POST-PRODUCTION AND SOUND MAJOR ABOUT US AT BANDE À PART WE ORIENT YOUR TRAINING AS FILM MAKER AND WE ENHANCE YOUR TALENT THROUGH THE
More informationTheatre, Cinema, & Film Production. Segment One EXAM REVIEW
, Cinema, & Film Production Segment One EXAM REVIEW Unit 1 Introduction to Film Theory 01.00 Module One 01.01 Impact of Film 01.02 Film: A Definition What are the correlations between theatrical forms
More information[ PRODUCERS PACK] 1 PRODUCERS PACK Union House Theatre
The producer is responsible for putting together and supervising the entire production: obtaining the rights to the play/musical; raising/administering the money; booking a theatre and making sure it s
More informationCarol A. Lombardini Direct: As of August 1, 2012
ALLIANCE OF MOTION PICTURE & TELEVISION PRODUCERS 15301 Ventura Boulevard, Building E, Sherman Oaks, CA 91403 Tel: 818.995.3600 Fax: 818.285.4450 www.amptp.org Carol A. Lombardini Direct: 818.935.5930
More information$0.10 for KS fees (ten percent) $0.20 for deliverable rewards (twenty percent) $0.70 for producing what you raised funds for (seventy percent)
Kickstarter budget plan for Dream Out Loud. Project Scope: To produce a broadcast quality film about U2 s fans, exploring their connection to the music, the band and each other. The film is to be shot
More information2017 MICHIGAN SKILLS USA CHAMPIONSHIPS TASK AND MATERIALS LIST. SKILL OR LEADERSHIP AREA: Television Video Production
2017 MICHIGAN SKILLS USA CHAMPIONSHIPS TASK AND MATERIALS LIST CONTEST LOCATION: JW Marriott 235 Louis Campau St. NW Grand Rapids, MI 49503 (616) 242-1500 http://ilovethejw.com/ SKILL OR LEADERSHIP AREA:
More information**PLEASE SIGN PAGE 10**
SCREEN ACTORS GUILD AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS ( SAG-AFTRA ) INFORMATION SHEET AND APPLICATION SHORT FILM LETTER AGREEMENT FOR THE 2017 EASTERSEALS DISABILITY FILM CHALLENGE TITLE:
More informationLegally Responsible Party (Producer): SAMPLE
SCREEN ACTORS GUILD-AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS INFORMATION SHEET AND APPLICATION SHORT FILM AGREEMENT TITLE: FILMMAKER: Legally Responsible Party (Producer): SS/Fed.ID#: Address:
More informationA Tapeless Workflow in Iceland by Stephanie Argy
A Tapeless Workflow in Iceland by Stephanie Argy When Icelandic athlete and entertainer Magnus Scheving set out to create the children s series LazyTown, he knew he wanted the show to have a whimsical
More informationActive Minds Bonus Chapter
Active Minds Bonus Chapter Lights! Camera! ACTION! This creative project puts your children into the director s chair as they work together or on their own to create cinematic magic. intact. Want more
More informationDigital Video Arts 1. Course Codes. Industry Sector Arts, Media, and Entertainment. Career Pathway Design, Visual, and Media Arts
Digital Video Arts 1 Page 1 of 6 Digital Video Arts 1 Course Codes Mission Valley ROP: CBEDS: 5717 Industry Sector Arts, Media, and Entertainment Career Pathway Design, Visual, and Media Arts Academic
More informationEntry Level Assessment Blueprint Television Production
Entry Level Assessment Blueprint Television Production Test Code: 3427 / Version: 01 Specific Competencies and Skills Tested in this Assessment: Safety Demonstrate safe handling of lighting instruments
More informationHow to be a Good Location Manager and Scout
How to be a Good Location Manager and Scout The Role of the Location Manager and Location Scout The Location Manager is responsible for the finding and securing locations to be used and coordinating the
More informationAnother Chance. The Crew Director: Philippe Andre Script writer: Philippe Andre Producer: Anna Checa Producer Manager: Anna Checa Music: Roger Sanchez
1 Main Information Title: Artist: Roger Sanchez Album: First Contact Released date: 31 July 2001 Genre: House videoclip Runtime: 4 min 56 Country: USA Language: English The Crew Director: Philippe Andre
More informationTony Dolan. Programs. Nuts and Bolts of Creating Effective Video for Ethics Training Tony Dolan. 20 years in Film and Broadcast
Nuts and Bolts of Creating Effective Video for Ethics Training Tony Dolan Tony Dolan 20 years in Film and Broadcast News gathering crew for ABC, CBS, NBC, 60 Minutes, etc Producer/Director/editor of dozens
More informationMarga Collect. Revised. January, 2018 ACADEMY OF MOTION
Marga aret Herric k Library Collect tion Policy Revised January, 2018 ACADEMY OF MOTION PICTURE ARTS AND SCIENCES Table of Contents I. Academy Mission... 2 II. Introduction... 2 III. Scope and Philosophy...
More informationFILM AND VIDEO STUDIES (FAVS)
Film and Video Studies (FAVS) 1 FILM AND VIDEO STUDIES (FAVS) 100 Level Courses FAVS 100: Film and Video Studies Colloquium. 1 credit. Students are exposed to the film and video industry through film professionals.
More informationIndependent Film Producer s Business and Legal Affairs Checklist
Independent Film Producer s Business and Legal Affairs Checklist 2009 By John W. Cones, J.D. Table of Contents Introduction................................................. 2 Setting Up a Film Development
More informationTTC Catalog - Film Production (FLM)
2018-2019 TTC Catalog - Film Production (FLM) FLM 101 - Filmmaking Fundamentals Lec: 3.0 Lab: 0 Credit: 3.0 This course is an introduction to film technology and theory. Students will learn technical,
More informationJefferson Parish Film Industry Incentives Program. 1. Purpose and Description of Jefferson Parish Film Industry Incentive Rebate Program
Jefferson Parish Film Industry Incentives Program 1. Purpose and Description of Jefferson Parish Film Industry Incentive Rebate Program A. The purpose of this program is to encourage growth and investment
More informationOVERVIEW OF THE MOVIE BUSINESS
OVERVIEW OF THE MOVIE BUSINESS p r e s e n t e d b y S t e p h e n C. S o h C O L I N N G & P A R T N E R S L L P M a y 2 0 1 6 CONTENTS 1. Introduction 2. Stages 3. Chain of Title 4. Creative Control
More informationAmi Zins, Film Coordinator WHO IS THE FILM INDUSTRY AND WHY ARE THEY IN SUCH A HURRY?
www.filmoakland.com filmoakland@filmoakland.com 150 Frank H. Ogawa Plaza, Ste. 8215 Oakland, CA 94612 Tel. 510.238.4734 Fax 510.238.6149 Hotline 510.238.FILM Welcome to Oakland s SHOWBIZ scene! The following
More informationPRODUCTION HANDBOOK NEW YORK FILM ACADEMY. Tel: Fax: East 17th Street New York, NY 10003
ONE-YEAR PROGRAM FILMMAKING PRODUCTION HANDBOOK NEW YORK FILM ACADEMY 100 East 17th Street New York, NY 10003 Tel: 212-674-4300 Fax: 212-477-1414 Email: film@nyfa.edu www.nyfa.edu OVERVIEW OF ONE-YEAR
More informationVIDEO PRODUCT DEVELOPMENT
VIDEO PRODUCT DEVELOPMENT PURPOSE To evaluate each contestant s preparation for employment and to recognize outstanding students for excellence and professionalism in the field of television/video production.
More informationThe viewfinder p. 24 Indicators p. 25 Audio circuits p. 26 Power p. 26 Camera arrangements p. 29 Controlling the camera p. 29 Handling your camera p.
Preface to the third edition p. xi What is this book all about? p. xi Who is the book written for? p. xi Do I have sufficient equipment? p. xii Isn't all this equipment complicated to use? p. xii Why do
More informationEntry Level Assessment Blueprint Audio-Visual Communications Technology
Entry Level Assessment Blueprint Audio-Visual Communications Technology Test Code: 3005 / Version: 01 Specific Competencies and Skills Tested in this Assessment: Photography Operate an SLR (single lens
More informationDefinition of Terms AD (Assistant Director): Avail: Back to One: Background Actor: Background Coordinator: Booking: Basecamp: Bump: Call Time:
Definition of Terms AD (Assistant Director): The staff who will direct you on set. AD s are the right hand of the director at a shoot. Avail: A casting director asking a background actor if he/she is available
More informationVideo and Audio in elearning
Video and Audio in elearning Presented to ASTD elearning SIG Allan Kobernick, Ed. M. Blue Sky Productions 610-277 277-27752775 allan.kobernick@blueskyvideo.com Agenda Introductions Me You Types of Audio
More informationLOCATION OWNER S GUIDE
LOCATION OWNER S GUIDE What you need to know if a production company comes calling Millions of dollars are added to the state s economy each year by film and video production companies and commercial still
More informationCOMPULSORY. different learning styles with emphasis on experiential techniques. Therefore, delivery may include workshop-based. Framework.
COMPULSORY Course: Introduction to Film Industry and Television Industries (compulsory) DURATION: 50 contact hours + 50 self study equivalent to 4 ECTS/ECVET Credits (1 ECTS/ECVET credit = 25 hours). This
More informationAudio-Visual Communications
Job Ready Assessment Blueprint Audio-Visual Communications Test Code: 2005 / Version: 01 Measuring What Matters Specific Competencies and Skills Tested in this Assessment: Photography Operate a still camera
More informationEQUIPMENT & FACILITIES POLICY INFORMATION CSULB Department of Film & Electronic Arts updated January 23, 2017
EQUIPMENT & FACILITIES POLICY INFORMATION CSULB Department of Film & Electronic Arts updated January 23, 2017 All students are expected to abide by all rules and regulations as established in the Film
More informationMotion Picture Studio Production Technicians Local 849 of the IATSE
Motion Picture Studio Production Technicians Local 849 of the IATSE JOB DESCRIPTIONS The following is a brief overview of the job descriptions for each department covered by Local 849. This list should
More informationCITY OF LOS ANGELES CIVIL SERVICE COMMISSION CLASS SPECIFICATION POSTED JUNE VIDEO TECHNICIAN, 6145
CITY OF LOS ANGELES CIVIL SERVICE COMMISSION CLASS SPECIFICATION POSTED JUNE 1999 04-26-96 VIDEO TECHNICIAN, 6145 Summary of Duties: Operates municipal access equipment for City departments, City Council
More informationClean Code.
Clean Code Robert C. Martin Series The mission of this series is to improve the state of the art of software craftsmanship. The books in this series are technical, pragmatic, and substantial. The authors
More informationby Ryan Harrold illustrated by Doreen Gay-Kassel
by Ryan Harrold illustrated by Doreen Gay-Kassel by Ryan Harrold illustrated by Doreen Gay-Kassel Copyright by Harcourt, Inc. All rights reserved. No part of this publication may be reproduced or transmitted
More informationSTUDENT PRODUCTION JOBS
23 Jan 2018 1 STUDENT PRODUCTION JOBS The following are summary descriptions of the duties and time commitments of various Student Production Jobs. Detailed descriptions can be found in the Conservatory
More informationTEST SUMMARY AND FRAMEWORK TEST SUMMARY
Washington Educator Skills Tests Endorsements (WEST E) TEST SUMMARY AND FRAMEWORK TEST SUMMARY THEATRE ARTS Copyright 2016 by the Washington Professional Educator Standards Board 1 Washington Educator
More informationTV BUDGET A. RESEARCH & DEVELOPMENT SCH.NO. DETAIL NO. RATE QTY. UNITS TOTAL
TV BUDGET A. RESEARCH & DEVELOPMENT SCH.NO. DETAIL NO. RATE QTY. UNITS TOTAL Sponosrship E A1 Research Materials A2 Presenter search A3 Research interns A4 Website development A5 Website content maintainance
More informationFlorida Department of Education CURRIUCULUM FRAMEWORK. Digital Television and Media Production
Florida Department of Education CURRIUCULUM FRAMEWORK December 2001 Program Title: Occupational Area: CIP Number Grade Level Length Certification Digital Television and Media Production Industrial Education
More informationSyllabus Snapshot. by Amazing Brains. Exam Body: CCEA Level: GCSE Subject: Moving Image Arts
Syllabus Snapshot by Amazing Brains Exam Body: CCEA Level: GCSE Subject: Moving Image Arts 2 Specification at a Glance The table below summarises the structure of this GCSE course: Assessment Weighting
More informationFilmmakers Premier League Application Form
Filmmakers Premier League- 2012 CATEGORY OF PARTICIPATION 5Shiftsfilmproject Application Form Call: Anupam Choudhury 9739118631 Bangalore 21daysanimationproject NAME OF APPLICANT First Name Middle Name
More informationENTERTAINMENT LAW 101 A Crash Course on Legal Issues Arising in the Animation Industry
ENTERTAINMENT LAW 101 A Crash Course on Legal Issues Arising in the Animation Industry Friday, March 4, 2011 Paul Chodirker and Bob Tarantino, Heenan Blaikie LLP 1 Agenda Introduction Pre-production (chain-of-title,
More informationKey Concepts. General Rules
numbers This handout explains general rules for using numbers in academic writing. Note: Although the most common applications are covered, reference your style manual for specific formatting instructions.
More informationDigital Video Arts I Course Outline
Fall 2012 Arts Media Entertainment Advisory Committee Meeting Digital Video Arts I Course Outline Locations: Approvals: Instructors: ROP Center Logan HS Irvington HS UC A-G F Art Credit Barbara Feist Rich
More informationICG 669 MEMBERSHIP APPLICATION PACKAGE
GENERAL INFORMATION FOR APPLICANTS Applicants must be legally entitled to work in Canada by virtue of either a Canadian Citizenship, Permanent Residency Status or a Working Visa. Temporary Work Permits
More informationFinal Act Drama. Theater / Dance / and other special skills
Final Act Drama Stage Production Audition Form NAME EMAIL PHONE # PHONE2 # M / F GRADE HEIGHT (must be in at least 1 st grade to audition) PARENT NAME: PARENT NAME: ATTACH PHOTO HERE Show Experience: Have
More informationLesson Plan. Building A Resume INTO ACTIVITY. CAREERS IN THE ENTERTAINMENT INDUSTRY Grades 8 to 12 UNIVERSAL STUDIOS HOLLYWOODSM
Grades 8 to 12 CALIFORNIA STATE STANDARDS English-Language Arts Content Standards Grades 8-12; Writing: Focus Standard 1.0 Writing Strategies 8 1.4, 1.6; 9-10 1.5, 1.9; 11-12 1.1, 1.9 Focus Standard 2.0
More informationTelevision Production
Teacher Assessment Blueprint Television Production Test Code: 5186 / Version: 01 Copyright 2013 NOCTI. All Rights Reserved. General Assessment Information Blueprint Contents General Assessment Information
More informationDEVELOPMENT. Development Story & Other Rights Continuity & Treatment 1300
DEVELOPMENT Development 1100 Story & Screenplay Producers Unit Directors Unit Budget Preparation Accounting Legal Office Overhead Transportation Research Travel/Living Additional Expenses Story & Other
More informationDesign Plans Online. Resources > Season of Excellence.
Focus on Film In this session we ll discuss how to be in control of your production. Assessment Criteria Production Design Plan Production Exercises Lessons from the Season of Excellence Design Plans Online
More informationTELEVISION BROADCASTING II (591)
DESCRIPTION Television Broadcasting is designed to provide students with the advanced knowledge and skills related to the television broadcasting industry. Topics include camera operation, audio systems,
More informationProducer s Guide to Working with SAG-AFTRA on a Modified Low Budget Theatrical Motion Picture
Producer s Guide to Working with SAG-AFTRA on a Modified Low Budget Theatrical Motion Picture SAG-AFTRA Signatory Producers have access to the world s most talented and professional performers for their
More informationTitle: In Real Life Budget Dated: January 27, 2017 Prodco: Quirkgirl Productions, Inc. Shooting Dates: August 22 - September 9, 2017
Title: In Real Life Budget Dated: January 27, 2017 Prodco: Quirkgirl Productions, Inc. Shooting Dates: August 22 - September 9, 2017 Note: All costs are Canadian costs. 01 STORY RIGHTS N/A 1 1 Flat 0 01
More informationSummer. Final Review Book Mysterious Dates. Pei Hsi Lee
Summer 09 Final Review Book Mysterious Dates MFA Candidate in the School of Motion Pictures, Television and Acting Area of Emphasis/ Directing July 23 rd 2009/ 11am 1pm Location: 466 Townsend, 2nd Floor
More informationNATIONAL DIPLOMA: FILM AND TELEVISION PRODUCTION Qualification code: NDFM08 - NQF Level 6
NATIONAL DIPLOMA: FILM AND TELEVISION PRODUCTION Qualification code: NDFM08 - NQF Level 6 Campus where offered: Arts Campus Important notification to new applicants: Students who intend to enrol for this
More informationRelease Forms. 75 Videotape Consent Form 76 Videotape, Photographic and Sound Release 77 Model Release 78 Audiovisual Department Release Form
Release Forms 75 Videotape Consent Form 76 Videotape, Photographic and Sound Release 77 Model Release 78 Audiovisual Department Release Form From the Complete Book of Forms copyright 2004 Videomaker Magazine
More informationCO-PRODUCTION STATUS APPLICATION FORM UNDER THE EUROPEAN CONVENTION ON CINEMATOGRAPHIC CO-PRODUCTION
QUEENSGATE, 23 DOCK RD, GALWAY, IRELAND CO-PRODUCTION STATUS APPLICATION FORM UNDER THE EUROPEAN CONVENTION ON CINEMATOGRAPHIC CO-PRODUCTION Guidance Notes Co-production agreement means the European (Council
More informationTELEVISION (VIDEO) PRODUCTION
The following rules are for the state contest only. Students/Teams that qualify for the national contest need to adhere to the rules and guidelines for that national contest. The rules can be found in
More informationStudents will be able to properly manage classroom equipment and follow safety procedures.
1 TV Production 3, SEM 1 DOE: 8201030 Course Review Unit 1: Classroom Procedures and Lab Safety Students will be able to properly manage classroom equipment and follow safety procedures. 04.01 Follow classroom
More informationARTICLE 10. Minimum Salaries and Working Conditions of Directors Employed on "Free TV Pictures" Network Prime Time Shows*
ARTICLE 10 Minimum Salaries and Working Conditions of Directors Employed on "Free TV Pictures" 10-101 Minimum Salaries The minimum salaries and working conditions of employment set forth in the following
More informationCentrepointe Studio Theatre 2013 Facility Fees
Centrepointe Studio Theatre 2013 Facility Fees Centrepointe Studio Theatre is a 199-seat, multi-configurable space, boasting state-of-the-art lighting and sound systems, a sprung floor and retractable
More informationCinematography Third Edition
We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with cinematography third
More informationDEPARTMENT OF DRAMA (DR)
DEPARTMENT OF DRAMA (DR) Accredited by the National Association of Schools of Theatre 344 STONE CENTER Department Head: Randal Blades Professor: Clements Associate Professor: Blades, Peck Assistant Professors:
More informationCentrepointe Studio Theatre 2015 Facility Fees
Centrepointe Studio Theatre 2015 Facility Fees Centrepointe Studio Theatre is a 199-seat, multi-configurable space, boasting state-of-the-art lighting and sound systems, a sprung floor and retractable
More informationADVANCED MULTI-CAMERA TELEVISION WORKSHOP
ADVANCED MULTI-CAMERA TELEVISION WORKSHOP CTPR 484 Syllabus Fall 2017 Class Number: 18590D Meets Wednesday. 7:00 p.m. to 11:00 p.m. August 23, 2017 to November 29, 2017 8/23-10/29 Stage 1 11/1-11/29 Instructors:
More informationBendigo Theatre Company Inc. POSITION DESCRIPTIONS INDEX
INDEX Production Manager 2 Stage Manager 3 Assistant Stage Manager 4 Director 5 Assistant Director 6 Musical Director 7 Choreographer 8 Rehearsal Pianist 9 Set Designer 10 Set Construction Coordinator
More informationTelevision Broadcasting II
EXAM INFORMATION Items 33 Points 48 Prerequisites TELEVISION BROADCASTING 1 Grade Level 11-12 Course Length ONE SEMESTER DESCRIPTION Television Broadcasting is designed to provide students with the advanced
More informationThe Mechanics of Film Part One
page 2 page 3 Teacher's Notes The Mechanics of Film Part One Grades: 7-12 Duration: 21 mins Timing Information Minutes Topic 00:01 Start Mechanics of Film 00:44 Pre production 02:15 Budget and Raising
More informationPolymer Technology Dictionary
Polymer Technology Dictionary Polymer Technology Dictionary Tony Whelan MSC, Consultant Formerly Director London Polymer Consultants Ltd New Southgate, London, UK SPRINGER-SCIENCE+BUSINESS MEDIA, B.V First
More informationRental Information. Smothers Theatre Raitt Recital Hall Lindhurst Theatre
Rental Information Smothers Theatre Raitt Recital Hall Lindhurst Theatre 24255 Pacific Coast Highway Malibu, CA 90263 Phone: 310.506.4079 Fax: 310.506.4556 http://arts.pepperdine.edu/facilities Paul.Vacchiano@Pepperdine.edu
More informationINDUSTRY OVERVIEW: MEDIA
What is Media? INDUSTRY OVERVIEW: MEDIA Media is a broad term that ecompasses many sectors and occupations. Generally speaking, the purpose of media is to communicate some kind of message to a target audience.
More informationKRZYSZTOF KIEŒLOWSKI FACULTY OF RADIO AND TELEVISION
KRZYSZTOF KIEŒLOWSKI FACULTY OF RADIO AND TELEVISION Krzysztof Kieslowski Faculty of Radio and Television at the University of Silesia in Katowice offers RTV International Studies in English in the fields
More informationTheatrical Planning Guide & Theatrical Chain Of Command
Theatrical Planning Guide & Theatrical Chain Of Command Flexitrol Lighting Company 311 East Main Street Carnegie, PA 15106 412-276-3710 www.flexitrol.com About The Flexitrol Planning Guide If you only
More information"Bloody Movie" BUDGET 12 hr-shoot day / 5 day week
"Bloody Movie" BUDGET 12 hr-shoot day / 5 day week Producer: Joe Smith Director: David Ways Writer: Chris Schrieber Executive Producer: Beth Pocket, Larry Gelt DGA, WGA, SAG, IATSE, TEAMSTERS Budget Dated:
More informationDepartment of Cinema/Television MFA Producing
Department of Cinema/Television MFA Producing Program Requirements University Requirement UNIV LIB University Library Information Course (no credit, fee based, online) Required Courses CTV 502 Cinema-Television
More informationPROFESSIONAL SERVICES SCHEDULE TABLE OF CONTENTS
FEDERAL SUPPLY SCHEDULE PRICE LIST PROFESSIONAL SERVICES SCHEDULE Advertising and Integrated Marketing Solutions (AIMS) Information Technology Services (IT) TABLE OF CONTENTS GSA Contract Data Table of
More informationBASIC FILM PRODUCTION (CINEMA 24) City College of San Francisco
BASIC FILM PRODUCTION (CINEMA 24) City College of San Francisco Fall 2016 Course Information Document Date/Semester 15 August 2016/Fall Semester Course Number and Title CINE 24, Sec 001 (CRN 72415): Basic
More informationCut and paste your Assumptions page here
BUDGET $ 11-00 SCREENPLAY 5,075.00 12-00 PRODUCERS UNIT 25,000.00 13-00 DIRECTION 50,000.00 14-00 CAST 4,200.00 15-00 ATL TRAVEL & LIVING TOTAL ABOVE-THE-LINE 84,275.00 20-00 ATMOSPHERE 3,300.00 21-00
More informationMotion Picture, Video and Television Program Production, Post-Production and Distribution Activities
The 31 th Voorburg Group Meeting Zagreb Croatia 19-23 September 2016 Mini-Presentation SPPI for ISIC4 Group 591 Motion Picture, Video and Television Program Production, Post-Production and Distribution
More informationAlumni Equipment Rental and Facility Use Policy
Alumni Equipment Rental and Facility Use Policy This document outlines the policy and procedures for the rental and use of equipment and facilities of the L.A. Film Studies Center (LAFSC) by its alumni.
More informationFilmmaker Assistance Program Guidelines and Application
Filmmaker Assistance Program Guidelines and Application North West Studio (Northwest Territories, Alberta, Saskatchewan, Manitoba & Nunavut) The National Film Board of Canada North West Studio Filmmaker
More informationRadiology for Undergraduate Finals and Foundation Years
MasterPass Radiology for Undergraduate Finals and Foundation Years key topics and question types Tristan Barrett, Nadeem Shaida and Ashley Shaw Foreword by Adrian K Dixon Radiology for Undergraduate Finals
More information