1. Perfect 5th Minor 3rd Perfect 4th Minor 6th. 2. Perfect 8th Major 7 Tritone Minor 2nd

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1 Note: Extra examples have een added in this section. Actual tests ill have only 10 pts total for Ear training. 1. Ear Training: Each Example ill e played tice. A. Circle the interval you hear. 1. Perfect 5th Minor 3rd Perfect 4th Minor 6th 2. Perfect 8th Maor 7 Tritone Minor 2nd B. Circle the scale you hear. 3. Maor Natural Minor Harmonic Minor 4. Maor Natural Minor Harmonic Minor C. Circle the triad you hear. 5. Maor Minor Diminished 6. Maor Minor Diminished D. Circle the 5 note pitch series you hear E. Circle the rhythmic pattern you hear F. Circle the four items played incorrectly in the folloing melody. The error may invlove rhythm, pitch or oth. # 4 3 # Ó 3 # # Œ

2 1. Ear Training cont. G. Circle the melody you hear. 4 3 Œ Œ Œ Œ.. 2. Key Signatures A. Notate the Key signatures in oth trele and ass clefs for the folloing: \ B Maor F Minor B Minor D-flat Maor A Maor B. Identify the folloing Key signatures. # # # # # Maor Maor Maor Maor Maor minor minor minor minor minor 3. Intervals A. Identify these intervals y quality and numer. Use these areviations for quality- Perf. (Perfect) Ma.(Maor) Min.(Minor) or Dim.(Diminished) # # i.e. Perf 8

3 3. Intervals cont. B. Add the TOP note to complete the folloing intervals. Ma. 2nd Min. 7th Perf. 5th Ma. 6th Dim. 5th 4. Music History A. Circle the correct ansers. 1. What are the dates of the Modern period of music present Which of the folloing is a characteristic only assoiciated ith the Modern period of music dance suites expressiveness use of synthesized sounds ell defined forms 3. Which composer lived in the Classical period of music Grieg Scarlatti Bartok Mozart 4. Which instrument is only found in the modern era of music electric guitar harpsichord piano violin 5. Which composer lived in the Romantic period of music Handel Beethoven Schumann Gershin 6. Which of the folloing is a characteristic of the Baroque period of music Expressiveness Atonality Counterpoint Dissonance 5. Rhythm A. Add one note to complete the folloing measures J 3 8 C 8 6 r B.Write the correct Time Signature to complete each measure... 3

4 5. Rhythm cont. C. Circle five measures that have an incorrect numer of eats per the time signature. 3 3 c. 8 6 J J # J. 6. Match the term in the first column ith its definition in the second column. A. senza motion B. dolce to play expressively C. expressivo ith D. piu less E. prestissimo more F. poco a poco seetly G. tenuto little y little H. moto ithout I. meno as fast as possile J. con hold a note for its full value 7. Match the defintion on the right ith each of these musical forms on the left. Three part form ABACAD one part form a musical statement modified in a numer of ays to part form A. rondo B. theme and variation C. inary D. strophic E. ternary 4

5 8. Scales A. Anser the folloing questions: 1. A harmonic scale raises the scale degree a half step from the key signature. 2. Relative maors and minors share the same. Time signature Key signature 3. Circle - True or False A natural minor scale raises the 6th tone in the scale. B. Identify the scale degree of the folloing notes using the terms, tonic, dominant, sudominant leading tone super tonic and sumediant in this Maor key signature. # # # # # C. Write the requested note for the given key signatures. Rememer acciedentals need to e placed correctly G minor B Maor E-flat Maor F minor C-sharp minor sudominant leading tone sumediant supertonic dominant D. Circle the 2 incorrect notes in each of the folloing scales. C natural minor B harmonic minor # # # F-sharp harmonic minor # # # 5

6 8. Scales cont. E. Add to accidentals (Not key signatures) to complete each scale. Accidentals must e placed correctly on staff for credit. A-flat maor G-sharp natural minor D-flat maor 9. Triads ie. _C Ma_ A. Write the triads on the given root. # # minor diminished minor maor diminished B. Name the letter name, quality, (Dim, Ma or min,) and inversion, (root, 1st, 2nd) of each triad. _ROOT B. Circle the correct anser to these questions. 1. A plagal cadence is I V V I IV I 2. An authentic cadence is I V V I IV I 3. A half cadence is I V V I IV I 6

7 9.Triads cont. C. Use the numers of these triad examples to anser the questions elo. You may not use all of the triads to anser the questions # # # # # a. Which triad is the super tonic chord in B Maor. Which triad is in 2nd inversion c. Which triad is diminished d. Which triad is the sumediant chord in G maor e. Which triad is in 1st inversion 10. Circle or rite the anser. A. Which tempo is the sloest prestissimo andante largo B. Which tempo is fastest allegro allegretto vivace C. Match the Italian suffix ith the correct definition 1. -etto little 2. -ando the most 3. -issimo in the process of 7

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