Preview Only. Legal Use Requires Purchase. After You've Gone. instrumentation. Optional Alternate Parts C Flute. Conductor 2nd E% Alto Saxophone

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1 Conuctor 1st E% Alto Saxophone 2n E% Alto Saxophone 1st B% Tenor Saxophone 2n B% Tenor Saxophone E% Baritone Saxophone 1st B% Trumpet 2n B% Trumpet r B% Trumpet 4th B% Trumpet Wors by HENRY CREAMER Music by TRNER LAYTON Arrange by AVI BERGER instrumentation 1st Trombone 2n Trombone r Trombone 4th Trombone Guitar Chors Guitar iano rums Optional Alternate arts C lute Tuba Horn in (oubles 1st Trombone) 1st Baritone T.C. (oubles 1st Trombone) 2n Baritone T.C. (oubles 2n Trombone) r Baritone T.C. (oubles r Trombone) revie Only Legal se Requires urchase

2 Wors by HENRY CREAMER Music by TRNER LAYTON Arrange by AVI BERGER NOTES TO THE CONCTOR I suggest the irector an players listen to the original recoring o trumpeter Roy Elrige playing ith rummer Gene rupa on Ater You ve Gone. It is a blisteringly ast trumpet eature recoring release in 196 an is truly spectacular. My arrangement is inspire ater this classic chart, but eatures the rumset. There is a hal-time section at measure 89 ith a unison line or the trumpet 2, trombone 1 an rhythm section players. The players shoul think an play as one: meaning articulation, phrasing, concept an sing eel are all very critical in this section. Here are a e suggestions or your rehearsals an a great perormance: This arrangement keeps the breakneck tempo an chromaticism o the original chart, but re-assigns the solo uties to the rums. One o the most unusual characteristics o this arrangement is that the ensemble accompaniment is sot, so that the rummer ill play sot or most o the piece. The overall structure: one chorus rum call an response ith ensemble, one chorus unison soli call an response ith ensemble, open rum solo, S to the last hal o the rum call an response ith ensemble, rum solo builing to inal chors. Since the ensemble is sot, the rum responses shoul also be sot. The rummer shoul unerstan hat is going on in the ensemble an yet solo ith the reeom o a small group. The time to open up is uring the extene solos. Remember that long solos like this shoul tell a story. on t give it all aay in the beginning. As izzy Gillespie use to say, Save something or the next chorus. Special care shoul be taken by the horns to tune an balance the chors. Many are issonant, but alays have a relationship o tension an release. Each part is quite meloic an resolves in a logical ay, thereore each player shoul listen to his/her on part an play it ith conviction like it is the meloy. In the ast tempo section, all notes shoul be accente except eighth note lines (hich shoul be playe slurre) an here there are slurs marke. ronounce accents make the charts clean an singing. The accents are essential! eep the volume lo ith slight cresceni as the meloies ascen an slight iminueni as they escen. This ill give the lines shape an make them more conversational, hich is the point o jazz. The hal time section shoul be relaxe an unerstate. lay ith a lo volume an lots o accent an jazz eeling. Most o all have un ith this. The rummer is the key element in this chart an shoul igure out ho to o something that is spectacular an musical to make the arrangement complete. revie Only Legal se Requires urchase avi Berger

3 Jazz or Young eople Series These charts are base on repertoire rom the Jazz or Young eople Curriculum, a multimeia jazz appreciation curriculum. Jazz or Young eople Curriculum Let Wynton Marsalis elcome your stuents into the inectious energy o sing. As the voice behin the Jazz or Young eople Curriculum, he brings the music to lie through vibrant auio examples, lively activities, an narration ille ith armth an humor. Intene primarily or 4th 9th graers, this multimeia kit is esigne or both musicians an non-musicians an provies lexible lessons that can be taught in one semester-long unit or in shorter, iniviual units. the box. your stuents to the joy o jazz. Each curriculum kit inclues: $ (lus $15 shipping an hanling) A 10-C set (incluing one C-ROM) o nely recore music perorme by the LCJO an special guests. An in-epth Teaching Guie that leas eucators step-by-step through each lesson: explaining jazz styles, musical concepts, historical inormation, an key jazz igures; suggesting participatory activities an cross-curricular links; proviing aitional resources an integrating the National Stanars or Music Eucation. A set o 0 Stuent Guies inclues ocuse listening charts, un activities, historical summaries, biographies, an photographs that reinorce musical concepts. A vieo that enlivens the classroom experience by taking stuents behin the scenes at the curriculum recoring session. Jazz or Young eople Curriculum Online.jazzoryoungpeople.org This eucational ebsite supplements the Jazz or Young eople Curriculum ith original auio an vieo clips, classic photographs, engaging biographies, an ynamic activities that enliven jazz or stuents o all ages. A great resource or any teacher, each online lesson eatures a Tips or Teachers section that oers an array o classroom activities an access to a orum that allos teachers to exchange their on lesson plans. Stuents, teachers, an jazz ans alike can enter the site at.jazzoryoungpeople.org. Jazz at Lincoln Center is a not-or-proit arts organization eicate to jazz. With the orl-renone Lincoln Center Jazz Orchestra, the Aro-Latin Jazz Orchestra, an a comprehensive array o guest artists, Jazz at Lincoln Center avances a unique vision or the continue evelopment o the art o jazz by proucing a year-roun scheule o perormance, eucation, an broacast events or auiences o all ages. These prouctions inclue concerts, national an international tours, resiencies, eekly national raio an television programs, recorings, publications, an annual high school jazz ban competition an estival, a ban irector acaemy, a jazz appreciation curriculum or chilren, avance training through the Juilliar Institute or Jazz Stuies, music publishing, chilren s concerts, lectures, ault eucation courses, ilm programs, an stuent an eucator orkshops. ner the leaership o Artistic irector Wynton Marsalis, Chairman o the Boar Lisa Schi, Executive irector atherine E. Bron an Jazz at Lincoln Center boar an sta, Jazz at Lincoln Center ill prouce hunres o events uring its season. In October 2004, Jazz at Lincoln Center opene reerick. Rose Hall the irst-ever perormance, eucation, an broacast acility evote to jazz. revie Only or more inormation, visit.jalc.org. Legal se Requires urchase

4 CONCTOR 26896S C lute (optional) 1st EÑ Alto Saxophone 2n EÑ Alto Saxophone 1st BÑ Tenor Saxophone 2n BÑ Tenor Saxophone EÑ Baritone Saxophone 1st BÑ Trumpet 2n BÑ Trumpet r BÑ Trumpet 4th BÑ Trumpet 1st Trombone 2n Trombone r Trombone 4th Trombone Guitar iano rums ast sing ç = Solo - Sticks 1 ATER YO VE GONE BELWIN-MILLS BLISHING COR., A ivision o ALRE BLISHING CO., INC. All Rights Reserve incluing ublic erormance To purchase a ull-length recoring o this piece, go to alre.com/onloas revie Only Wors by HENRY CREAMER Music by TRNER LAYTON Arrange by AVI BERGER 7 Legal se Requires urchase 8

5 Conuctor C lute Tpt. Tbn. no. rums ~9} Hat Hat.. b. b.. b... Hat b. Hat b. Hat. Hat n. Hat. ill aroun Ens. 9 n b b n b 10 N b b.. A.. A. b. 1. n b..... b. b n. n... b. 14 b n revie Only n b b n b 15. b.. N.... b.. b... b. 16 {17} b b b n b Legal se Requires urchase

6 Conuctor C lute Tpt. Tbn. no. rums... b.. b.... b.. n b b... A.. 22 n b b b b n 2 24 {25} N n n... n..... n... b n n b b b revie Only 0 b Legal se Requires urchase b b b 1 2

7 Conuctor C lute Tpt. Tbn. no. rums {}.. b... b.... b... n A n n b.. b... n.. b.. b b b n b b b 9 40 ˆ {41} b b revie Only 41 Legal se Requires urchase 42 b b b n 4 44

8 Conuctor C lute Tpt. Tbn. no. rums b b A b {49} b b b n b revie Only b.. b.... b.. n b b... A.. 54 n Legal se Requires urchase b n k. k. -. k. k. k

9 Conuctor C lute Tpt. Tbn. no. rums {57}..... b b.. 57 n b n b N b N b n b n N b b. N. b.... b. A. n. b. revie Only 62 Legal se Requires urchase b b..... b b. n. b. b. 64

10 Conuctor C lute Tpt. Tbn. no. rums {65} 65 n n n n n n n o + n No o + n o o o o 66 + n + n + n + n + n n n n n n n n n n 67 n o n o o o o o b o n n + n + n + n o o o o o o o revie Only n Legal se Requires urchase. n b b n Û

11 Conuctor C lute Tpt. Tbn. no. rums {7}.. b... b b n b b b b b b b n b b b b.. n.... b.. b.. revie Only Legal se Requires urchase b b b b b n n b b b b b b To Coa ı b b ~ ~

12 Conuctor C lute Tpt. Tbn. no. rums {81} n b b b n b Û Solo revie Only Legal se Requires urchase 87 88

13 Conuctor C lute Tpt. Tbn. no. rums Hal time å = 12 unison. soli H.H. unison Ḟ soli unison soli Ḟ unison Ḟ soli unison soli. unison soli Ḟ unison soli sim. 90 b b b b b b b b - N b N b N b N b N b N b N 92 b n 9 b b n b - n k - k - k k n k - - n - 94 n n n n n revie Only n Legal se Requires urchase 95 b b b b b b b n n n n n n n n n b n n n n n n n n n n 96

14 Conuctor C lute Tpt. Tbn. no. rums {97} A b n b b N b A b n b b A A A A b b b b n n n n b b..... b b 98 n n n n n n 99 n n N N N N N N N N N N N N N N 101 b b b b b b 102 b b b b b b b b b b revie Only b b n 10 Legal se Requires urchase b b b b b b b A n b b b b 104

15 Conuctor C lute Tpt. Tbn. no. rums {105} b b b b b b b n 108 n n n n n n 109 b b 110 n b b b n revie Only 111 ill Legal se Requires urchase 112

16 Conuctor C lute Tpt. Tbn. no. rums {11} b N n b N b b b b b b 115 b b. b. b. b b b b b k n. k. -. k. k. k. k. b k k b.. k.. - b.. k revie Only.. - Legal se Requires urchase 119 N N N N N N N b n. b. b n b n b n b n b n

17 Conuctor C lute Tpt. Tbn. no. rums {121} n k. k k. n k N N N N N N N b n b b b n b n b n b n b n A b b A b A b A b A b A b 125 n b b b n ouble eel n revie Only Û Û Û Û Û Û Û Û Legal se Requires urchase 126 Count in an Cue ˆ ouble time.s. ˆ al Coa Solo 127 (.S. a tempo)

18 Conuctor ı Coa C lute Tpt. Tbn. no. rums {128} b b b b 128 Solo rum solo 129 Time (Count in).. b. b.. b... b.. b.. b. Time. 10 b b b b Solo rum solo 12 Arco On cue N N b n b b E b maj7 A b 9 revie Only Legal se Requires urchase b 1 N b A n Bñ n b B b H 14 b

19 revie Only Legal se Requires urchase

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