The Parting Glass. For promotional use only unlawful to copy or print. Traditional RANGES: Arranged by THOMAS JUNEAU

Transcription

1 The Parting Glass arr Juneau / TBB Voices with Piano and ot Flute or Violin The Parting Glass Traditional Arranged by THOMAS JUNEAU For romotional use only unlawful to coy or rint TBB Voices with Piano and Otional Flute or Violin Duration: 3:24 RANGES:

2 2 Notes The Parting Glass, a traditional Scottish and Irish folk song, is traditionally sung at the end of a gathering of friends. This setting reflects the tender, yet wistful feelings of a grou of friends who know that the time has been sent well in good comany. For romotional use only unlawful to coy or rint About the Arranger Hailed by critics as versatile and aealing, conductor and comoser Thomas Juneau is Director of Choral Activities at Saint Joseh s University where he conducts the University Singers, Chamber Singers and teaches voice and conducting. Dr. Juneau is also Music Director of Summit Chorale, currently in its 107th consecutive season of choral erformance and is also Director of the Woodbridge Community Chorus. Both choruses have erformed in many imortant venues including Carnegie Hall. His rofessional choir, the Juneau Vocal Alliance has earned international recognition for its erformance on the soundtrack to Frontera (2014) with music by Kenneth Laml, and the release of their debut album on Ravello Records,Visions Eternal, featuring sacred works by Dr. Juneau. He also guest conducts throughout the region, including at the famed Messiah Sing-In hosted by the National Choral Council that occurs annually at Lincoln Center. As a comoser, Dr. Juneau s works are ublished by a variety of comanies, including the Carl Fischer Music Comany, Hal Leonard Cororation, ECS Publishing and Walton Music. He has received numerous commissions throughout the United States, and his work has been erformed internationally.

3 The Parting Glass for TBB Voices with Piano and Otional Flute or Violin* 3 Flute or Violin Traditional Arranged by Thomas Juneau Andante con esressivo q = m For romotional use only Piano. m w. 4 m molto cantabile Tenor 1 Of all the mo - ney that ere I had, I sent it in good b b b b Bass 1 (otional) m molto cantabile Of all the mo - ney that ere I had, I sent it in good - m unlawful to coy or rint * The art for Otional Flute or Violin aears on. 11. Coyright 2016 by Carl Fischer, LLC. International Coyright Secured. All rights reserved, including erformance rights. WARNING! This comosition is rotected by Coyright law. To hotocoy or reroduce by any method is an infringement of the Coyright law. Anyone who reroduces coyrighted matter is subject to substantial enalties and assessments for each infringement. Printed in the U.S.A.

4 4 8 com b b b b - a - ny. And of all the harm that ere I ve done, a - las was done to com - a - ny. And of all the harm that ere I ve done, a - las was done to For romotional use only unlawful to coy or rint m none but me., m. m. none but me., b b b b Bass 2 w -., m m m

5 16 f. J. J And f m all I ve done for want of wit, to mem m - ry now I. J. J 5 And all I ve done for want of wit, to mem - ry now I b b b b f For romotional use only unlawful to coy or rint. J. J And all I ve done for want of wit, to mem - ry now I mf m m m w. J j -. j 20 can t re call. - So... fill to me the art - ing glass. Good - can t re - call. So fill to me the art - ing glass. b b b b. can t re - call. So fill to me the art - ing glass.. -.

6 night and joy be with you all.,. - b b b b and joy be with you all., For romotional use only unlawful to coy or rint and joy be with you all. w m mf 28 mf f marcato mf f con forza Of all my com - rades. b b b b - mf j Of Of all f con forza all f the com- rades that ere I had, they re the com- rades that ere I had, they re

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8 8 39 Maestoso con molto nobilmente q = 65 m dolce. J. J since it falls un - to my lot that I should rise while you should not, m dolce. J. J b b b b since it falls un - to my lot that since it falls un - to my lot that Maestoso con molto nobilmente q = 65 I should rise while you should not, m dolce. J. J I should rise while you should not,. J f m. J 43. U. For romotional use only I will rise and I will soft - ly call, Good U - b b b b. unlawful to coy or rint I will rise and I will soft - ly call, good U - I will rise and I will soft - ly call, good U m U w U

9 47 Adagio q = 60 Andante smorzando q = 68 w night and joy be with you all! 9 w b b b b night and joy be with you all.. For romotional use only unlawful to coy or rint night and joy be with you all Good Adagio q = 60 w Andante smorzando q = m. Good - night, good - m b b b b night,, m good Good - night, good - w. - night, good - night, good - m. j

10 10 55 & b b b b night. Adagio q = 60 w w Good night and joy be with you b b b b night. Good night and joy be with you night. Adagio q = 60 Good w w 8va For romotional use only unlawful to coy or rint.. night and joy be with you &. 59. w U all! mm.... w U b b b b all! all! mm.... w U.. U mm... U 8va. U

11 Flute or Violin Andante con esressivo q = 92 m m m The Parting Glass for TBB Voices with Piano and Otional Flute or Violin m Traditional Arranged by Thomas Juneau For romotional use only unlawful to coy or rint -. J m mf w J. J 39 Maestoso con molto nobilmente q = J - 45 Adagio q = 60 Andante smorzando q = U w Adagio q = 60 m Coyright 2016 by Carl Fischer, LLC. International Coyright Secured. All rights reserved, including erformance rights. w.. U - - -

12 TRADITION & INNOVATION Carl Fischer has a roud reutation for ublishing classic traditional choral music standards that have insired, educated and thrilled singers, choirs, congregations and audiences for years. The tradition continues in our choral music series as we resent new and exciting works designed to meet the understanding, abilities and tastes of worshiers and erformers today. For romotional use only unlawful to coy or rint The styles, texts, subjects and musical elements of each iece have been carefully weighed and the music, edited, arranged and written to meet a wide range of worshi styles and erformance situations. Writers for Carl Fischer are among the most outstanding and resected in this field of music. The standard of musical excellence we resent in each choral work is designed to meet the challenges faced by rofessional directors all over the world who wish to offer quality reertoire. We accet the challenge of roviding choral grous everywhere the music that fits their needs, thrills the soul and heightens the skills of every singer who erforms a Carl Fischer choral work. Building on our ast reutation, we continue to grow in offering variety and accessible music for church, school and rofessional choirs. ISBN UPC