Hymn Settings for the Contemporary Liturgical Ensemble Meinen Jesum Lass Ich Nicht

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1 20002E Meinen Jesum Lass Ich Nicht / Arr Jeremy S Bakken Hymn Settings for the Contemporary Liturgical Ensemble DO NOT COPY Meinen Jesum Lass Ich Nicht Arranged by Jeremy S Bakken FULL SCORE INSTRUMENTAL SCORES TERMS OF USE The purchaser of this product is permitted to use the PDF file according to the folloing restrictions: 1 Only the purchaser of this product may use it ith performing groups 2 The scores from the PDF file may be copied for use during the rehearsal and performance of the product 3 The use of this product is not transferable to another person, group, or institution ithout the ritten permission of the publisher

2 Introduction This hymn setting series is designed to accompany the congregation singing hymns of the Lutheran heritage using a variety of instruments, several of hich may be associated ith a contemporary ensemble (piano, guitar, bass, etc) The folloing scores are included: 1 Full Score: includes all instruments and guitar chords The full score is most useful to a conductor or perhaps to a keyboard player leading from the piano 2 Solo Instrument Scores: The setting has been ritten to include a solo instrument, and multiple transpositions have been provided for substituting instruments: C instruments: flute, violin, oboe B-flat instruments: clarinet, trumpet in B-flat E-flat instruments (some portions octave loer): saxophone in E-flat; some passages have been ritten an octave loer, others include optional cue notes an octave loer All parts include cue notes of the melody for optional doubling 3 Piano/uitar Score: Piano paired ith guitar chords uitar Score NOTE: the text has been purposefully omitted Jesus Sinners Does Receive is frequently paired ith this tune, but others are also paired ith it, such as Come, O Precious Ransom, Come Three accompaniment variations ith an introduction and interludes are provided in this setting, along ith instructions for here to navigate in the score to vary the order and number of times each setting is used over the course of accompanying an entire hymn uitar Chords:

3 Score 3 Instrument in C Piano uitar Pno q = c 108 (Introduction/Interlude) * (Pedal throughout ith chord changes) D sus Neu-verfertigtes Darmstaedtisches esang-buch, Darmstadt, 1699, alt arr Jeremy S Bakken DO NOT E m % COPY, A m Π*Only play this note hen playing optional melody for FIRST ALTERNATE and repeating from measure Northestern Publishing House All rights reserved 20002E

4 (Opt) Pno (Opt) Pno F n n n /B n n C/D DO NOT COPY MAIN SETTIN (Optional: doubling melody) 1 A m D sus D J J rit J 201 Northestern Publishing House All rights reserved 20002E

5 5 (Opt) Pno (Opt) Pno A m D sus D rit J J J E m A m D sus D Ó (Interlude) % D Northestern Publishing House All rights reserved 20002E

6 Pno Pno (Opt) Pno A m If going on to 26 or C/D F n n D sus n FIRST ALTERNATE E m Last time to Coda n (Optional: doubling melody) E m n Ó If repeating to 9 C/D C, 201 Northestern Publishing House All rights reserved 20002E

7 (Opt) Pno (Opt) Pno E m Œ C D Ó Œ C D/F E m J rit DC al Coda Œ Am(v2) D sus D (To beginning or measure 1) E m SECOND ALTERNATE * J *With guitar, piano optional If piano is not playing, play measure 33 donbeat (held for entire measure) first time only 201 Northestern Publishing House All rights reserved 20002E

8 Pno A m D sus D J rit Pno Pno E m (To measure 2 or 18) 0 DS al Coda 0 0 Ó D A m D sus D fi rit C/D ~~~~~~~~~~~~~~~~~~~ 201 Northestern Publishing House All rights reserved 20002E

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