Peter Meechan. Fragile Oasis. for Wind Orchestra 2013/4. Duration: c16 minutes. Instrumentation
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1 Peter Meechan Fragile Oasis or Wind Orchestra 201/4 Duration: c1 minutes Instrumentation Piccolo, 2 Flutes, 2 Oboes, 2 Bassoons Eb Clarinet, 4 Clarinets, Bass Clarinet, 2 Alto Saxohones (1 st doubling Sorano Saxohone), Tenor Saxohone, Baritone Saxohone 4 Trumets, 4 Horns, 2 Trombones, Bass Trombone, 2 Euhoniums, 2 Tubas String Bass Percussion (4 layers): Bass Drum, Bongos, Drum Set, Glockensiel, Marimba, Susended Cymbal, Tam-tam, Timani, Tubular Bells, Vibrahone, Xylohone Peter Meechan Music
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3 Peter Meechan Fragile Oasis or Wind Orchestra 201/14 Duration: c1 minutes Instrumentation Piccolo, 2 Flutes, 2 Oboes, 2 Bassoons Eb Clarinet, 4 Clarinets, Bass Clarinet, 2 Alto Saxohones (1 st doubling Sorano Saxohone), Tenor Saxohone, Baritone Saxohone 4 Trumets, 4 Horns, 2 Trombones, Bass Trombone, 2 Euhoniums, 2 Tubas String Bass Percussion (4 layers): Bass Drum, Bongos, Drum Set, Glockensiel, Marimba, Susended Cymbal, Tam-tam, Timani, Tubular Bells, Vibrahone, Xylohone Programme note Two anare ositions should be used or rehearsal mark V, one let and one right. These can be laced behind the band. They should move back ater their anare has inished at bar 22 At rehearsal mark W, the rd and 4 th trumets should be behind a tam-tam, laying in to the tam-tam. This will create a small reverb eect. At the end o bar 94, ercussion 2 and should not cut o with the rest o the band, and should roll through the etura Drum Set Key Peter Meechan Music
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5 Peter Meechan Fragile Oasis or Wind Orchestra 201/14 Programme Note Fragile Oasis is the name o a collective who describe themselves as a grass-roots articiatory initiative that connects the shared ersective o astronauts rom dierent countries and cultures with eole on Earth, encouraging all to work together so that our lanet is not only visibly beautiul, but beautiul or all. Many involved in the roject are astronauts on the International Sace Station (I.S.S.), who ost, on their website (htt:// many dierent details o their exeriments, hotos rom sace, and some incredible video ootage o our Earth. One such time lase video (a video made u many still images) was osted on their website by astronaut Ron Garan (htt:// in It is made u o images taken rom the I.S.S. o what Garan described as a coule o las around our Fragile Oasis beore coming back down [to Earth] and eatures all kinds o amazing views rom sace. Each o the ive sections o this work relate to an asect o the video either something literal or something more metahorical. The oening section, i: The lights rom Above, is a musical descrition o the view o the Aurora Australis rom above the lights. The second section, ii: The Storm rom Above (art i), is also a musical ortrayal o ortions o the video cli in this case the many lightning storms we see rom above. The storms that are so owerul on Earth aear as small bolts o electricity dancing through the clouds. The third section, iii: Freya, has its roots in ersonal amily tragedy. The name Freya derives rom a Norse goddess who was associated with both beauty and love, and in this central section I wanted to write music that not only acknowledged how ragile lie itsel is, but that every day o it counts and should be celebrated. iv: The Storm rom Above (art ii) is a again a reerence to the lightning storms, but also to the huge hurricanes we see in the video. It leads us to the inal section, v: The Oasis rom Above a descrition o the size and grandeur o Earth, our Fragile Oasis. Fragile Oasis is dedicated to Natalie Youson, in riendshi. This wind orchestra scoring was comleted in 2014 and was commissioned by a consortium o the ollowing bands: Agruación Músico-Cultural "Las Musas" de Guadalue (Murcia) José Ibáñez Barrachina Sain Band o the Coldstream Guards Major Darren Wolendale UK Borge Musikkors Sverre Stakston Olsrud Norway The Brooklyn Wind Symhony Je W. Ball, Artistic Director USA Dunshan Symhonic Wind Orchestra Adrian Schneider China Koninklijke harmonie Ste. Cecilia Zele Bart Picqueur Belgium Musikgesellschat Emmen Manuel Imho Switzerland University o Saskatchewan Wind Orchestra Darrin Oehlerking Canada Peter Meechan Music
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7 Piccolo Flute 1+2 Oboe 1+2 Bassoon 1+2 Clarinet in Eb or Natalie Fragile Oasis i: The Lights rom Above or Wind Orchestra A q = c.11 Peter Meechan 201/4 Clarinet 1+2 in Bb Clarinet +4 in Bb Bass Clarinet in Bb Sorano Saxohone Alto Saxohone 2 Tenor Saxohone Baritone Saxohone Trumet 1+2 in Bb Trumet +4 in Bb Horn 1+ in F Horn 2+4 in F Trombone 1+2 Bass Trombone Euhonium 1+2 Tuba 1+2 String Bass Percussion 1 Bass Drum/Bongos/Glockensiel/ Marimba/Susended Cymbal/ Timani/Tubular Bells Percussion 2 Bass Drum/Bongos/Marimba/ Susended Cymbal/Vibrahone/ Xylohone/Tam-tam Percussion Bass Drum/Glockensiel/Marimba/ Vibrahone/Xylohone Percussion 4 Bongos/Drum Set/Timani Marimba - sot sticks Vibes - sot sticks slash cymb tom high tom mid low drum set key hi hat (closed) /ride cymb snare tom mid high tom low bass drum Coyright Peter Meechan Music
8 Cl. +4 So. Sax. Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Cym. Vib.
9 12 B 7 Cl. +4 So. Sax. Tt Tt. +4 Hn. 1+ m m Euh. 1+2 Cym. Vib.
10 8 18 C m m oco Cl. +4 So. Sax. oco oco oco m So sax Tt. 1+2 Tt. +4 Hn. 1+ m Euh. 1+2 m oco Cym. oco Vib. oco oco
11 9 24 Cl. +4 So. Sax. Tt. 1+2 Tt. +4 cu mute Hn. 1+ mute mute Euh. 1+2 mute Cym. Sus Cymb Tam-tam Vib.
12 10 0 D Cl. +4 So. Sax. m Tt. 1+2 Tt. +4 Hn. 1+ mute mute Euh. 1+2 Cym. Glockensiel Vib.
13 E 11 Cl. +4 sub. oco a oco So. Sax. m sub. oco a oco oco a oco Tt. 1+2 Tt. +4 Hn. 1+ oen m m m oen sub. oco a oco Euh. 1+2 m sub. oco a oco sub. Glock. m m sub. oco a oco sub. oco a oco Vib. sub. oco a oco sub. oco a oco
14 12 42 m [balance with so sax] m [balance with so sax] m m [balance with so sax] Cl. +4 m m m So. Sax. m m m Tt. 1+2 Tt. +4 oen m Hn. 1+ m m m m m Euh. 1+2 Glock. oen m m m m m Vib. drum set m m m
15 48 1 Cl. +4 So. Sax. To Alto Sax. Tt. 1+2 Tt. +4 Hn. 1+ oen Euh. 1+2 Glock. Vib. Bass Drum m
16 14 F ree 5 1. m esress. Cl m esress. So. Sax. Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Cym. 4.. m m sus cym m m 1start slow - accel. Vib.
17 G 15 Cl m m So. Sax. m - esress. m Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Cym. 1+2 m m m m m Vib.
18 1 H 77 A temo Cl. +4 So. Sax. Alto Saxohone 1 m m m Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Cym. Vib. Marimba Vibes
19 8 I 17 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Cym. Sus Cym Tam-tam Vib.
20 18 89 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Cym. Glockensiel Vib.
21 95 J 19 m m Cl. +4 m m Tt. 1+2 m m Tt. +4 Hn. 1+ Euh. 1+2 m m Glock. Vib.
22 m Cl. +4 m m m m Tt. 1+2 m Tt. +4 Hn. 1+ m m m Euh. 1+2 m m Glock. m m Bass Drum m Vib. m m m
23 107 K 21 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 B. D. Vib.
24 22 ii: The Storm rom Above (art i) L 11 accel. e. = c.144 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 B. D. Vib. Sus Cym Bongos m ride cymb m
25 120 m M m 2 m Cl. +4 Tt. 1+2 mute m Tt. +4 Hn. 1+ Euh. 1+2 Bongos m m Cym. Vib.
26 N Cl. +4 m Tt. 1+2 mute Tt. +4 Hn. 1+ Euh. 1+2 mute m m m izz. m Bongos Cym. Vib. m Marimba Glockensiel m
27 25 1 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ mute m Euh. 1+2 Bongos m m Glock.
28 2 14 O Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Bongos Glock. snare - light sticks m
29 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ m dim. m. +4 dim. m m Euh. 1+2 Bongos Glock. Xylohone
30 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ m dim. m. dim. Euh. 1+2 Bongos Xyl. m dim.
31 P 15 m m 29 m m Cl. +4 m Tt. 1+2 Tt. +4 Hn. 1+ m m Euh. 1+2 Bongos Xyl. m m m Bongos m m ride cymb m
32 0 174 Q R Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ oen oen oen Euh. 1+2 m 2. m arco m Bongos Bass Drum - small sticks Xyl. toms - use contour as guide ad lib m
33 18 S 1 m Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 m m m B. D. m Xyl. Marimba m
34 2 191 T Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 B. D.
35 199 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 B. D.
36 4 20 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 B. D.
37 21 U 5 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 B. D. Xylohone
38 V 222 q = c.120 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 B. D. Xyl. 1. Fanare osition let 2. Fanare osition right 5 5 Bongos
39 W 228 much slower - ree 7 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 B. D. ree *lay behind tam-tam *create reverb eect (let each note ring) *judge dynamic in order to last duration o echo *kee original temo or 1ths m esress. oco [ ] Xyl. Vibrahone - bowed - balance with tam-tam trumets Vibrahone - bowed - balance with tam-tam trumets Bongos
40 8 X Y 29 1., m Cl. +4,, m m m, Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 B. D. Vib. Vib. Bongos
41 Z 251 ast - rall. oco a oco much slower - deliberate accel m 2. 9 Cl. +4 m m m Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 B. D. 1. much slower - deliberate, Vib. Vib. Bongos
42 40 iii: Freya AA 22 e = c.72 with rubato Cl. +4 (blend with clarinets) Tt. 1+2 Tt. +4 Hn solo m esress. Euh m B. D. Vib. Vib. Bongos Vibrahone - sot mallets
43 Cl. +4 m m m m Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 B. D. Vib. Vib. m Bongos
44 BB m m m m m m Cl. +4 m m m dim. m m dim. m m m Tt. 1+2 Tt. +4 Hn. 1+ m band osition dim. m dim. m m dim. m cu mute. m Euh. 1+2 B. D. Vib. m dim. m dim. m Tubular Bells Marimba m dim. m m dim. m 1. Vib. Bongos
45 CC 288 m 4 m m Cl. +4 m Tt. 1+2 Tt. +4 m m m m m oen m Hn. 1+. m Euh izz. m m Tub. B. m Vib. m Bongos Timani m
46 44 DD 298 ree m Cl ree m esress. m m,, m Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tub. B. arco m Sus Cym Vib. Tim. m
47 EE Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tub. B. Cym. Vib. Glockensiel Tim.
48 4 15 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tub. B. Cym. Glock. Tim.
49 17 FF 47 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tub. B. Cym. Glock. Tim.
50 48 19 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tub. B. Cym. Glock. Tim.
51 21 49 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tub. B. Cym. Glock. Tim.
52 50 2 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tub. B. Cym. Glock. Tim.
53 25 GG ree 51 Cl. +4 m m m Tt. 1+2 Tt. +4 Hn. 1+ m Euh m 1. - ree Tub. B. Cym. Glock. Tim.
54 52 iv: The Storm From Above (art ii) HH 28 e. = c.144 (e = e) Cl. +4 Tt. 1+2 Tt. +4 Hn solo - ree esress Euh. 1+2 Tub. B. Cym m Bass Drum Glock. Tim. Drum Set
55 8 II 5 1. m Cl m Tt. 1+2 m m m m Tt. +4 Hn. 1+ Euh. 1+2 Tub. B. B. D. Bongos m Xyl. ad lib ill sub. m
56 54 JJ 45 m m m 1+2 m 1+2 m Cl. +4 m m m Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 m m Tub. B. Bongos Xyl.
57 51 55 Cl. +4 m 8 8 m m 8 8 Tt. 1+2 m 8 8 m Tt. +4 Hn. 1+ m Euh m 8 m Tub. B m m Timani m Bongos Xyl.
58 5 KK 54 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tim. Bongos Xyl. Xylohone
59 LL 0 oco accel 57 Cl. +4 m m m Tt. 1+2 m Tt. +4 m Hn. 1+ m Euh. 1+2 m Tim. m m Bongos Xyl. m
60 58 MM v: The Oasis From Above 5 q = c.11 Cl. +4 (m) (m) div as required div as required Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 div as required Tim. Bongos Xyl. ad lib ( )
61 71 NN 59 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tim. Bongos Tam-tam Xyl. ad lib
62 0 77 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tim. T.-t. Xyl.
63 82 OO rall. PP broad 1 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tim. T.-t. Xyl. Bass Drum
64 2 Cl. +4 Tt. 1+2 Tt. +4 Hn. 1+ Euh. 1+2 Tim. T.-t. B. D. 89 QQ rall. a temo (q = c.11) rall. // m m no break (tam-tam and bass drum) no break (tam-tam and bass drum) ad lib ad lib ill dam
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College of Arts & Sciences
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