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1 Michael Edward Edgerton Associate Professor of Music Composition c/o Mr. Zhao Ke; International Exchange Division Guangxi Arts University; 7th Jiaoyu Rd. Nanning, Guangxi P.R.China cell: EDUCATION 1996 to 1999 Postdoctoral Fellow, The National Center for Voice and Speech 1988 to 1994 D.M.A. (Doctorate in Musical Arts), Music Composition, The University of Illinois 1985 to 1987 M.M. (Masters of Music), Music Composition, Michigan State University 1979 to 1984 B.A. (Bachelor of Arts), Vocal Performance, The University of Wisconsin-Parkside TEACHING EXPERIENCE Current and Previous Positions 2015 to current The Guangxi Arts University, Department of Music Associate Professor Teach courses in composition Composer-in-Residence 2011 to 2014 The University of Malaya, Department of Music Associate Professor Teach courses in Composition I & II, Form & Analysis (incl. species counterpoint), Contemporary Vocal Ensemble, Introduction to Psychoacoustics; direction of graduate theses. Introduce international contemporary music performance series; direct Merle Noir, a voice group dedicated to contemporary music; and supervise new music performances by student composers. Academic Service includes Higher Degrees Committee (JIT), Academic Committee Member (JKA) and Music Division Committee. Tasked with development of DMA and MM degree programs in composition and performance. Led Musicology Search Committee. Served on PhD Committee Viva Voce (Oral Examination). Tasked with implementation and development of an innovative High Impact Research Center, The ICVR (International Center for Voice Research), a multi-site consortium devoted to the interdisciplinary study of voice. Supervision of graduate and undergraduate theses, topics including: localization in blind, blinded and sighted persons (audiology); acoustics of the angklung; acoustics of the ukulele; timing characteristics in piano performance emotion; singer s formant in Chinese- Malaysian classically trained singers; classification scheme of reinforced harmonic production; investigation of subharmonic production of the violin; multimodal tracking of bowed string instruments to 2011 Private Instruction; England, Estonia, Finland, France, Germany, Sweden 2007 Composer-in-Residence; University of Teesside, Institute of Digital Innovation 2006 to 2007 Leverhulme Composer-in-Residence; University of Abertay Dundee 2001 Visiting Faculty of Music; Conservatory of Music in Joensuu, Finland 1999 Instructor of Music; Southwestern College in San Diego, CA 1996 to 1999 Postdoctoral Fellow; The University of Wisconsin Madison 1995 Visiting Instructor in Music; Yonsei University in Seoul, South Korea 1988 to 1991 Instructor and Teaching Assistant; The University of Illinois at Urbana 1985 to 1988 Teaching Assistant; Michigan State University 1 Of 13_Edgerton _2016 August

2 Courses Taught Composition Contemporary Vocal Ensemble Contemporary Chamber Players Introduction to electronic music theory & techniques Introduction to Psychoacoustics Acoustic Ecology (listening comprehension, The World Soundscape Project, perception, sound & aoucstic design) Modules within Cognitive Psychology (aural perception, acoustics, audiology) Music Theory and Practice I - IV Aural Skills I - IV Form & Analysis (including species counterpoint) Fundamentals of Music Musicianship I - IV Musicianship for General Elementary Teachers Public Speaking Rhetoric (RHET tutoring in writing skills) Private instruction in voice (Students of contemporary voice included soloists: Almut Kühne, Kornelia Brugmann, Angela Rademacher-Wingerath, Rebekka Uhlig, Jan Heinke, among others) AWARDS, HONORS & RECOGNITION Recognition for Composition ST EXCELLENT AWARD, 5th China-Asean Composition Competition, THRUSH 2007 FIRST PRIZE, Kompositionspreis der Landeshauptstadt Stuttgart, Tempo Mental Rap 2007 SEMIFINALIST, Composition Contest of the Netherlands Radio Choir, Kalevi Matus 2003 SÉLECTION, 5 th Dutilleux International Composition Compétition, 1 Sonata 2001 SÉLECTION, 31 st Festival Synthese Bourges, The Elements of Risk in Creation 1996 FIRST PRIZE, MacDowell Club, Unspoken Crime 1993 SELECTION, Friends and Enemies of New Music, Net/Byrinth: Rec. Study I 1989 SELECTION, Midwest Composers Symposium, A Penny for the Young Guy 1987 THIRD PRIZE, National Federation of Music Clubs, Ai 1987 HONORABLE MENTION, National Federation of Music Clubs, Dwellers of the Southwest 1986 FIRST PRIZE, Michigan State Univ-Orchestral Composition Contest, The Final Diary of a Branch Award, Grant, Fellowship, Commission, Selection, Invitation, Miscellaneous 2016 Commission for new work. Proxima Centauri and Musicacoustica Festival. Commission for new work for percussion and electronics to be premiered during the Musicacoustica Festival in 2016 in Beijing Acceptance to International Symposium (competitive award). My composition Wassermann was accepted for performance Toronto International Electroacoustic Symposium (unable to attend ) Invitation for performance and Lecture. The Art of Voice Synthesis conference & expert meeting, workshop & concert (11, 12 & 14 May 2016) in Amsterdam. Organized by Dr. Julia Kursell & Dr. Hannah Bosma. Support was provided by University of Amsterdam: Computational Linguistics, Musicology, Amsterdam School for Cultural Analysis ASCA; Royal Netherlands Academy of Arts and Sciences KNAW; Orgelpark, Organ Studies Vrije Universiteit Amsterdam; STEIM, Amsterdam Recipient Major Grants (2nd party support). Via Loadbang, The Guangxi Arts University & the 2016 China-ASEAN Music Week received support from by Mid Atlantic Arts Foundation through USArtists International in partnership with the National Endowment for the Arts and the Andrew W. Mellon Foundation Recipient Major Grants (2nd party support). Via Chris Tonelli & the International Institute for Critical Studies in Improvisation at Memorial University, Edgerton received funding (travel, stipend, per diem) for a week-long residency to train a choir and give concerts from the Social Sciences and Humanities Research Council of Canada. 2 Of 13_Edgerton _2016 August

3 2016 Commission for new work. Guangxi University of the Arts. A new composition (The Lanke Mountain) to be premiered during the 2016 China-ASEAN Music Week in Nanning Commission for new work. Guangxi Symphony Orchestra. A new composition (Concerto for Orchestra). To be premiered by the Guangxi Symphony Orchestra; Cai Yang, conductor at the Guangxi National Palace Concert Hall in January Biographical Inclusion in Marquis Who s Who in the World 2016 (33rd Edition) 2015 Grant to attend and participate in the 2015 International Gugak Workshop in Seoul Commission for new work. Guangxi Arts University. New work to be premiered during the 2015 China-ASEAN Music Week (#93 Opening of the Guangxi Blossom, for fl., vl. & pno) 2015 Commmission for new work. Guangxi Arts University. New work to be premiered during the 2015 China-ASEAN Music Week (#92_In silence, I hide my loudest scream) by the China- Asean Youth Orchestra, conducted by Michael Edward Edgerton. Guangxi National Palace concert hall Deutscher Musikeditionspreis»Best Edition 2014«(this is an award to the organizers of the Party Pieces Project to honor the centenary of John Cage, for which I composed part #74 of the meta-composition) 2014 Inclusion. Who's Who in the World (Marquis Who's Who LLC) BabelScores Reading Panel 2013: Compositions selected for inclusion in catalogue 2013 GfZK Galerie für Zeitgenössische Kunst Leipzig: Exhibition of music score in Art Gallery Party Pieces Project - Exhibition of the scores in the Museum of Contemporary Art in Leipzig 2013 FAS PR 2013 (Puerto Rican sound art fair, Oct 3-26, 2013): Anaphora selected for performance and exhibition 2013 University of Malaya Research Grant (under the umbrella Exploring New Theories, Concepts and Pedagogical Insights Between Sound And Gesture, research looking at Vortices in Phonation 2013 Forum Zeitgenössischer Musik Leipzig [FZML]: Composition in the Party Pieces Project included in a publication titled Book for No-Thing 2013 SNIM Call for Works: The Oak of Mambre shortlisted 2012 to 2013 Forum of Contemporary Music Leipzig FZML (Germany & USA): Invitation to compose new work for John Cage centenary - The»Party Piece Project«2012 NYFA/Stichting RIO New York/Netherlands composer exchange: Ensemble Ekmeles performed the world premiere of Azure Suite by Edgerton in Brooklyn 2011 Deltart residency (Romania): Travel and Residential Grant 2010 Maisons Daura in St-Cirq-Lapopie (France): Travel and Residential Grant 2009 Künstlerhaus Eckernförde (Germany): composed The Garden of Risk (un jardin épineux) 2009 City of Oulu (Finland): commissioned The Book of One Man Dead, for Timo Kinnunen 2009 Kulturstiftung Dresden: commission of Cataphora & support to train vocalist Jan Heinke 2009 Kulttuurivoimala Culture Power Station: commission for installation at Oulu city Silo 2009 Visiokonsultit Ay: Grant to assist performance of light/sound installation at Oulu city Silo 2009 City of Oulu, Technical and Social Dept: Grant to assist installation at Oulu city Silo 2008 Kemi City Council: Grant to assist commission sound design for triennale Kontakt Bastu Nelimarkka Museum (Alajärvi): Residential Grant (composed two works and gave 3 seminars) 2008 Küng Blockflöte (Schaffhausen): Commissioned Balkan Dances for Quartet New Generation 2008 Künstlerwohnung Chretzeturm (Stein am Rhein, Switzerland): Stipend to prepare A Marriage of Shadows for premiere 2007 Institute for Digital Innovation (The University of Teesside): Commission for AVFest Knowledge Transfer Grant: Assisted AHRC Standard Grant Application (Bristol & Abertay) 2000 to 2007 The Leverhulme Trust: Artist-in-Residence at the University of Abertay Dundee 2006 University of New Mexico: Supported travel/lodging at SCI conference for premiere & lecture 2006 Univ of Cal-Santa Cruz: Travel/lodging support for performance at Music for the Third Ear 2006 California Institute of the Arts: Funded travel/lodging for performance and lectures 2005 Paul Sacher Stiftung: Research Grant of the Paul Sacher Foundation 2005 International Congress of Voice Teachers 6 th Conference: Invited Presenter (did not attend) 2005 Baldreit Stipendium (Baden-Baden): Finalist Presentation Travel & Accommodation support 2005 Borderl-ne, New Music Festival Malmö, & the Malmö Academy of Music: Fully funded travel and lodging to attend premiere of Regret of a Noiseless Sundering by the Stockholm Saxophone Quartet 2004 Visualization of Context Driven Topologies-Digitizing the Non-Digital: Participant 2003 The American-Scandinavian Foundation: Grant to support performance of excerpts of Creation 3 Of 13_Edgerton _2016 August

4 of the World in the School of Music at the Luleå University of Technology (Sweden). Grant involved training student performers, conducting rehearsals and presenting two seminars 2003 Visby International Center for Composers (Island of Gotland): Grant recipient 2003 Cons Superior de Música Joaquín Rodrigo (Valencia): Support for Lectures, travel and lodging 2002 The European Union, State of Sachsen & Capitol City Dresden: Commissioned a new work 2001 The Arts Council of North Karelia: Residential grant to compose StringQuartet #1 and Koli; Presented one lecture at the University of Joensuu and directed a semester-long vocal ensemble at the Joensuu Conservatory of Music 2001 Humboldt University: Grant to conduct research on Nonlinear Phenomena 2001 Förderband e.v./kulturbüro in Berlin: Commission for Ur-Sprung, an excerpt from Creation of the World, premiered during RESERVOIR V in Der Kleiner Wasserspeicher in Berlin 2000 Polli Talu Arts Center: Composed Kalevi Matus, gave workshops at schools and performance 2000 Akademie Schloss Solitude: Residential grant to conduct research on extended vocal techniques in Germany, ca to 1990 primarily with Hanna Aurbacher-Liska, author of Die Stimme in der Neuen Musik and member of the Schola Cantorum Stuttgart, directed by Clytus Gottwald. The research was intended as primary source material for The 21st-Century Voice 1999 The University of California San Diego (CRCA): Served as Visiting Scholar to conduct research for The 21st Century Voice (Scarecrow Press, 2005) and directed a chamber vocal group to 1999 The National Center for Voice and Speech: A 3-year Postdoctoral Fellowship. Studied voice science (acoustics and physiology) for The 21 st -Century Voice. Applied research projects were focused on topics: reinforced harmonics, chant, ingressive airflow phonation, vocal violence to 1999 Scientific American: Commissioned article The Throat Singers of Tuva 1998 American Composers Forum Chicago: Composers Commissioning Program recipient 1987 American Composers Forum Chicago: Composers Commissioning Program recipient 1996 to 1999 National Center for Voice and Speech: Recipient of Postdoctoral Fellowship 1996 Arts Midwest: Recipient of a Meet-The Composer grant 1996 Kittredge Fund: Grant recipient 1995 David Billman: Composed Songs of Vent for multi-percussion on commission from Billman. Residencies 2011 Deltart residency (Romania): Composed 2 sonata & did an audio-visual reinterpretion of I Am Sitting in a room by Alvin Lucier 2011 Steim (Amsterdam): Developed prototype of lingual-palatal controller 2010 Maisons Daura in St-Cirq-Lapopie: Composed Folk Songs 2010 Hotel25 (Berlin): Developed Blood-Sugar-Breath, a performance of the extra-normal voice 2009 Künstlerhaus Eckernförde (Germany): Composed The Garden of Risk (un jardin épineux) 2009 Culture Power Station in Kemi, Finland: Composed The Book of One Man Dead 2008 Nelimarkka Museum in Alajärvi, Finland: Composed Yellow Room, Desolate Land, le Critérion (revision) & offered semester-long course on modern music at local school, culminating in a performance at the Nelimarkka Museum 2008 Künstlerwohnung Chretzeturm (Stein am Rhein): Composed A Marriage of Shadows 2007 The University of Teesside, Institute of Digital Innovation: Composed A Marriage of Shadows 2006 to 2007 The University of Abertay Dundee, Scotland: Composed fragmenta Scotia, conducted psychoacoustic research with Dr Ken Scott-Brown, gave seminars and led a performance group culminating in a performance at St. Paul s Cathedral in Dundee Paul Sacher Stiftung in Basel (research stipend): Studied the spectral research of Grisey 2003 Luleå University, School of Music (Piteå): Performed excerpts from Creation Of The World 2001 The Arts Council of North Karelia (Finland): Composed String Quartet #1 and Koli 2000 Polli Talu Arts Center in Vatla, Estonia: Composed Kalevi Matus and offered workshops 2000 Akademie Schloss Solitude (Stuttgart): Conducted research for The 21 st Century Voice 1999 The University of California - San Diego, CRCA: Did research for The 21 st Century Voice 1996 to 1999 The University of Wisconsin Madison: Conducted research for The 21 st Century Voice 1996 Atlantic Center for the Arts: Recipient of Associate Artist (did not attend) 1995 Hanyang University (Seoul): Composed XHAIN, wrote three papers and gave three lectures 1994 Indiana University, Latin American Music Center: Directed A Broken Collaboration 1994 Southold Dance Theater: Served as guest composer/performer and offered lectures 4 Of 13_Edgerton _2016 August

5 GUEST LECTURES, WORKSHOPS, SEMINARS, CONFERENCES, EXHIBITION 2016 Lecture during The Art of Voice Synthesis conference & expert meeting, workshop & concert (11, 12 & 14 May 2016) in Amsterdam. Organized by Dr. Julia Kursell & Dr. Hannah Bosma Lectures and workshops at Memorial University (St. John s, Canada). Edgerton received funding (travel, stipend, per diem) for a week-long residency to train a choir and give concerts from the Social Sciences and Humanities Research Council of Canada Sonata (video recording by Moritz Ernst) played during Arts, Humanities, and Complex Networks 5th Leonardo satellite symposium at NetSci2014, taking place in Berkeley at the Clark Kerr Campus of the University of California, on Tuesday, June 3, Shanghai Conservatory of Music: Presented compositions & research; gave composition lessons 2013 University of Malaya: Presentation at ISEE_2nd International Symposium on Ethnomusicology and Ethnochoreology, November Miller Theater in NYC Exhibition of the scores in the Party Pieces Project on 17th of October 2013; FAS PR 2013 (Puerto Rican sound art fair, October 3-26, 2013) - Composition (Anaphora) selected for performance/exhibition (INTERNATIONAL) Sala de las Artes, Universidad del Sagrado Corazón, San Juan, PR GfZK Galerie für Zeitgenössische Kunst Leipzig - Exhibition of music score in Art Gallery - Party Pieces Project - Exhibition of the scores in the Museum of Contemporary Art in Leipzig, from 22 August to 15 September SEGI College (Kuala Lumpur): Directed performance and participated in discussion, June UiTM (Kuala Lumpur): Presented seminar to composition students, November KreativAgentur (Berlin): Presented at Pecha Kucha - 20 Frames x 20 Seconds, November SEGi College (Kuala Lumpur). Lectured on my music, July 5th 2011 Universiti Putri Malaysia: Presented at International Conference on Music Research 2011 'Music and Memory 2011 KreativAgentur (Berlin): Gave workshop on the extra-normal voice, August Karl v Maria Weber Hochschule (Dresden): Presented two lectures - Extra-normal voice & musical tension, March Quiet Cue (at Staalplaat Records, Berlin): Gave workshop on modern vocal technique, March 2010 Freie Universität (Berlin) in Languages of Emotion - Voice, Mimesis, and Emotion: Presented lecture on Musical Tension in Nonharmonic Sonorities, December 2010 Maisons Daura (Saint Cirq Lapopie): Gave lecture on composition and performance, August 2010 Elektroakustische Musik hören, Technische Uni (Berlin): Lectured on Electronic Voices, April 2010 Hotel25 (Berlin): Gave weekly Seminars on the creative use of the extra-normal voice, spring 2009 Koskullskulle Kören (Sweden): Led seminars focused on contemporary voice, September 2009 The University of Oulu (Finland): Presented seminar focused on the extra-normal voice, April 2008 Alajärvi Folk High School: Delivered three presentations: 1 st Edgerton compositions; 2 nd overview of contemporary music; 3 rd the extra-normal voice, October November 2008 Music Institute in Alajärvi (Finland): Directed a community group, October - November 2008 The conservatory of Music in Lugano: Presented activities with practice-led research, February 2007 York University: Presented my compositions and research, October 2007 Conservatory of Music in Malmö: Presented my compositions and research, September 2006 The University of Abertay: Lectured on composition, November 2006 Music for the Third Ear April in Santa Cruz, Festival: Lectured on my compositions 2006 John Donald Robb Composers Symposium, U of New Mexico (2006 SCI): Lectured on my compositions and research, April 2006 California Institute of the Arts: Gave three Presentations, April 2005 Borderl-ne, New Music Festival Malmö, at the Malmö Academy of Music: Gave presentation 2005 Baldreit Stipendium: Gave presentation on my compositions 2003 Luleå University, School of Music (Piteå, Sweden): Presented two lectures: Controlled use of nonlinear phenomena and scaled multidimensional phase space in contemporary music & Extra-normal voice production 2003 Conservatorio Superior de Música Joaquín Rodrigo (Valencia) Conference I Curso de Teoria y Composicion Musical: Presented on multidimensional networks, acoustics, perception rd Biennial International Conference on Voice Physiology and Bioacoustics (ICVPB in Denver): Presented Controlled Use of Nonlinear Phenomena in Contemporary Vocal Music 2002 Trans_Media Academy Real-Time & Presence: Presented creative and research activities 5 Of 13_Edgerton _2016 August

6 2001 4th International Conference-Generative Art (Milan): Presented The Influence of Nonlinear Dynamics and the Scaling of Multidimensional Parameter Spaces in Instrumental, Vocal and Electronic Composition and Rebekka Uhlig performed Anaphora 2001 Technischen Universität (Berlin): Presented electronic/computer interfaces with voice 2000 Music Academy (Tallinn, Estonia): Lectured on art & science and voice 2000 University of North London, One Culture conference: Gave presentation on palatal mapping 2000 York University: Presented seminars on my compositions and research 2000 College Art Association, National Conference (NYC): Served as Panelist on Impact of the Arts on Sciences, and presented collaboration with scientist Steven Tasko 1999 Center for Research in Computing and the Arts (CRCA), University of California San Diego: Presented lecture on the use of voice research on musical composition 1999 EAA/ASA/DAGA Joint Conference: Gave poster presentation on overtone singing 1998 National Center for Voice and Speech Conference: Presented talk on (imitated-tibetan) chant 1998 International Phonosurgery Conference, appointed as Guest Faculty: Presented research on extended voice and a poster on overtone singing; co-hosted workshops on overtone singing with Rollin Rachele 1998 Northwestern University: Led colloquium on extended vocal techniques 1997 CSU-Stanislaus, Constructions of the Human Conference: Presented talk on Corporeality of the Embodied Voice 1996 Mount San Jacinto College: Presented two-day seminar on contemporary voice 1996 University of Redlands, Composers Forum: Gave presentation of composition and research 1995 Hanyang University (Seoul, South Korea): Lectured on contemporary music and voice 1994 Indiana University, Latin American Music Center the 1 st Inter-American Composition Workshop Words and Music Conference: Gave workshops on contemporary voice & presented music theater work, A Broken Collaboration 1994 Southold Dance Theater: Gave lecture on my work and performance PUBLICATION & PRESS Compositions BABELSCORES #86 2 Sonata, for alto flute ( ) #85.a_Ari(rang), for soprano sax (2010) #80 Keltainen huone, for choir (2008) #77 A Marriage of Shadows, for flute (a.fl), Alto (tenor) sax, percussion, gtr, voice (2008) #74 illusions, for e.hn, cl, bn, hn, tpt, tbn, pno, vla (2006) #73 adjusting to beams falling, for flute and violoncello (2006) #72 Tempo Mental Rap, for guitar (2005) #70 1 sonata, for piano (2004) #66 Sangītaśiromani, for 7 strings (vln & vla) (2002) #65 Tractatus I, for solo oboe (2002) #64 String Quartet #1, for string quartet (2002) #62 Anaphora, for solo voice (2001) #58 Kalevi Matus, for choir (2000) #56 le Critérion, for woodwind quartet (fl, ob, cl, bsn) (2000/2008) #55 Mamre, for violin (2000) #54 Friedrich s Comma, for two voices (1999) #39 A Holy Person Falls into the Nile as a Pelican, for clarinet and horn (1997) #35 Apposte Messe, for air-driven organ (1996) #23 XHAIN, for piano duo (1995/2008) #22 Regret of a Noiseless Sundering, for saxophone quartet (1995) C. ALLEN PUBLICATIONS #25 Songs of Vent (6 00), instrumentation: multi-percussion solo (1995) COMPONISTENWERK #80.b. Yellow Room (Keltainen huone), for choir (2008) CONNERS PUBLICATIONS/C.P. PRESS PUBLICATIONS #49 KOSMOS, volume two on reinforced harmonics, for one to four voices (1998) #48 KOSMOS, volume one on articulation, for one to four voices (1998) 6 Of 13_Edgerton _2016 August

7 #46 Azure Suite (4 30) for soprano and overtone singer (1998) #45 Taffy Twisters (6 05) for voice and percussion (1998) #43 Sirens (8 21) for four to forty voices (1998) #41 Lingua-Palatal #1 (3 28), for two voices (1997) #27 Mountain Songs (4 01), for solo voice (1995) FORUM ZEITGENÖSSISCHER MUSIK LEIPZIG [FZML] #87 Party Pieces Project, for orchestra (2013) PRB PRODUCTION #78 Balkan Dance, for 4 blockflöte (tenor, bass F, grossbass C, Subbass F) (2008) T.U.B.A. PRESS #05 Ai, for trumpet, trombone, tuba (1987) UETZ VERLAG #09 Unspoken Crime, for violin, violoncello and piano (1988) SCARECROW PRESS #62 Anaphora, for solo voice (2001) [excerpt in The 21 st Century Voice] #54 Friedrich s Comma, for two voices (1999) [in The 21 st Century Voice] Recordings MODERN CHORAL MASTERPIECES. 441 Hz Chamber Choir, Dux Records, 2015 (incl. #80, Yellow Room). THE 21ST CENTURY VOICE AUDIO EXCERPTS. Rowman & Littlefield (324 pp.). Lanham: MD, November excerpts illuminating principles outlined in RAVEN, LE CORBEAU. Escargot ma non troppo, Paris, 2012 (with Frederique Bruyas). ALLES AUΒER GEWÖHNLICH. Auditivvokal Dresden, Dresden 2012 (incl. Anaphora) ELECTRONIC VOICES. Galerie SPHN, Berlin, Digital Online Media Homepage of Michael Edward Edgerton: Myspace: Last.FM: Youtube: Vimeo: Reverb Nation: Book Edgerton, M. Music within the Continuum. Lambert Academic Publishing (72 pp.). Saarbrücken: Germany, Edgerton, M. The 21 st Century Voice, 2nd edition. Rowman & Littlefield (324 pp.). Lanham: MD, December Edgerton, M. The 21 st Century Voice. Scarecrow Press (224 pp.). Lanham: MD, February Articles & book chapters 34. Herbst, C., Anuar, K., Edgerton, M. (2014). A Distinct Mode of High Pitched Singing. Submission forthcoming. 33. Edgerton, M., Auhagen, W. (2014) Decoupled Violin Production - Perception. Submission forthcoming. 32. Edgerton, M.E., Hashim, N., Auhagen, W. (2014) A Case Study of Scaling Multiple Parameters by the Violin. Musicae Scientiae. Published at SAGE OnlineFirst Sept Edgerton, M.E. (2014). How Avian Dynamics can illuminate the Relationship between Messiaen and Birdsong. Journal of Musicological Research. In review. 30. Edgerton, M.E. (2013). Music within the Continuum: decoupling parameters within scaled and multidimensional networks; a story of bifurcations, fission/fusion, dissonance/consonance. Perspectives of New Music. In review. 29. Edgerton, M.E. (2013). Party Pieces Project, excerpt #74. In Book for No-Thing (ed. TC Heyde and Sebastian Vaske). Leipzig: Forum Zeitgenössischer Musik Leipzig. 28. Edgerton, M.E. (2014). The Extra-Normal Voice. In The Oxford Handbook of Singing (ed. John Nix). Oxford: Oxford University Press. 27. Edgerton, M.E. (2013). The Oak of Mambre #79 for double bass (text and score). Revista Música Hodie, Goiânia, 13:1, Edgerton, M.E. (2014). The Extra-Normal Voice: EVT in Singing. In Perspectives on Teaching Singing: a celebration of Vocal Pedagogy in the 21 Century (ed. Scott Harrison and Jessica O Bryan), Dordrecht: Springer Publishing. 7 Of 13_Edgerton _2016 August

8 25. Edgerton, M.E., Tan, S., Evans, G., Jang, M. H., Kim, B. K., Loo, F. Y., Pan, K. C., Hashim, N., Amin, J. (2013). Pitch profile of the Glottal Whistle. Malaysian Journal of Science, 32:1, Edgerton, M.E. (2012). Notational Practice of Complex Music. Revista Música Hodie, Goiânia, 12:2, Edgerton, M.E. (2012). AuditivVokal. In Festschrift 5 Jahre AuditivVokal Dresden. Dresden: Verein KunstAuditiv Dresden e.v., Edgerton, M.E. (2012). Desynchronized and Scaled, Multidimensional Networks: Acoustics and Perception. Music and Memory. UPM Book Series on Music Research IV. Edited by Gisa Jähnichen and Julia Chieng. Serdang: UPM Press. 21. Edgerton, M.E. (2010). Messiaen and Birdsong A Consideration of Avian Dynamics. In Olivier Messiaen: The Centenary Papers (ed. Judith Crispin and Karey Harrison). Newcastle upon Tyne: Cambridge Scholars Press, 2010, Edgerton, M.E. (2008). Zappa Speaks Again_the Tempo Mental Rap Variations. In New Music and Aesthetics in the 21st Century, (ed. Claus-Steffen Mahnkopf). Hofheim/Taunus: Wolke Verlag, 6, Neubauer, J, Edgerton. M, and Herzel, H. (2004). Non-Linear Phenomena in Contemporary Vocal Music. Journal of Voice, 18:1, Edgerton, M.E., Neubauer, J., Herzel, H. (2003). Nonlinear Phenomena in Contemporary Musical Composition and Performance. Perspectives of New Music, 41:2, Edgerton, M.E. (2003). A Short Description Of The Influence Of Scale-Free Networks In The 1 Sonata, For Piano. Complexity Digest, 2003:51 (Dec. 22, 2003) ( 16. Edgerton, M., Bless, D., Thibeault, S., Fagerholm, M., Story, B. (2002). The Acoustic Analysis of Reinforced Harmonics. Unpublished. 15. Edgerton, M.E., Neubauer, J., Herzel, H. (2001). The Influence of Nonlinear Dynamics and the Scaling of Multidimensional Parameter Spaces in Instrumental, Vocal and Electronic Composition. In Proceedings of the 4th intl conference Generative Art 2001, (ed. Celestino Soddu) Milano: Milan Polytechnic University Press. 14. Levin, T., and Edgerton, M. (2000). Four videofluroscopic images from the article, The Throat Singers of Tuva (originally published in Scientific American, September 1999). P.M. Magazine. 13. Edgerton, M.E. (1999). Multiple Sound Sources of the Vocal Tract. National Center for Voice and Speech; Status and Progress Report, 13, Edgerton, M.E. (1999). Palatal Sound: A Comprehensive Model of Vocal Tract Articulation. Organized Sound, 4:2, Edgerton, M.E. (1999). Energy, Power, Wisdom: Examined Sound Production, Form, Process. Unpublished manuscript. 10. Levin, T., and Edgerton, M. (1999). The Throat Singers of Tuva. Scientific American, 281:3, Levin, T., and Edgerton, M. (1999). Featured Article; The Throat Singers of Tuva. Scientific American website at: (Supplemented with audio and video recordings, including a vast array of linking pages.) 08. Levin, T., and Edgerton, M. (1999). Le Chant des Touvas. Pour la Science (Paris), 265, Levin, T., and Edgerton, M. (1999). Die Obertonsänger von Tuwa. Spektrum der Wissenschaft. 06. Levin, T., and Edgerton, M. (1999). Los cantores diafónicos de Tuva. Investigación y Ciencia, 278, Edgerton, M.E. (1996). Physiology of the Vocal Tract. Hanyang University Music Research Journal. 04. Edgerton, M.E. (1996). Suprasegmental Elements. Hanyang University Music Research Journal. 03. Edgerton, M.E. (1996). Extended Vocal Techniques. Hanyang University Music Research Journal. 02. Edgerton, M.E. (1994). Sonatina Seconda of Ferrucio Busoni. Unpublished Doctorate of Musical Arts dissertation project. 01. Edgerton, M.E. (1994). The Late Piano Works of Franz Liszt. Unpublished Doctorate of Musical Arts dissertation project. Books, Reviews, Interviews, Essays, Media about my Work Books b.13. Jacomucci, Claudio, ed. Modern Accordion Perspectives #2 Critical selection of accordion works composed between 1990 and 2010 (2014, Edizioni Tecnostampa, Loreto) ISBN: b.12. Josel, Seth (2014/5). The Techniques of Guitar Playing. Bärenreiter Verlag Kassel [discuss #72, Tempo Mental Rap] b.11. Barabasi, Laszlo (2013). Network Science. Published as Creative Commons at: barabasilab.neu.edu/networksciencebook/. (discussing my composition the 1 sonata, for piano; accessed 2013_05_15) 8 Of 13_Edgerton _2016 August

9 b.10. Pocci, Vincenzo (2013). Pocci Catalog: the Guide to the Guitarist s Modern and Contemporary Repertoire. Catalog of the repertoire since 1900 for guitar solo, guitar in chamber music and guitar with orchestra. VP Music Media. (re: #72. Tempo Mental Rap) b.09. Giovanazzi, Lena (2012). Stimmig 10 Vokalexkursionen. diploma thesis (University of Applied Sciences Mainz). b.08. Crump, Melanie Austin (2008). When Words Are Not Enough: Tracing the Development of Extended Vocal Techniques in Twentieth-Century America. DMA Dissertation. The University of North Carolina at Greensboro. b.07. Campagnolo, Gianluca (2008). New Complete Method for Clarinet: Clarinet Repertoire. Edizione C.D.B, Italia. b.06. Slaby, Z. + Slaby, P (2007). The Encyclopedia of the World of Another Music (Svìt jiné hudby 2). Prague: Volvox Globator Publishing House, (vol 2), pp ISBN: b.05. Weber-Lucks, Theda (2003). KörperStimmen. Eine Untersuchung zur Ästhetik Vokaler PerformanceKunst mit einer gendervergleichenden Perspektive. Technische Universität Berlin. b.04. LaFarga, Manuel (2003). Manuales Auditivo-Vocales; vol. 5 La Voz y el Canto. Cullera: Manuel LaFarga Marqués. b.03. LaFarga, Manuel (2003). Manuales Auditivo-Vocales; vol. 9 Manual de Psicoacústica. Cullera: Manuel LaFarga Marqués. b.02. Wilson, Steven (2002). Information Arts, Intersections of Art, Science, Technology. Cambridge: The MIT Press. b.01. Chandra, Arun (1989). On the construction of the passing of time in music. Thesis (D. M. A.)--University of Illinois at Urbana-Champaign. Film & Radio m.04. Thielicke, Stefan (2013). CAGE100, The Party Pieces Project. Trailer [100 composers - 1 piece] with TC Heyde, artist director FZML and Sebastian Vaske, dramatic advisor [document my participation in this project]. m.03. Wilczewska, Anna (2012). DVD: 411 Hz Chamber Choir. The video recording was made during the concert entitled Serioso-Giocoso that took place in St Barbara s Church in Gdansk on 14 June The concert is an artistic component of Anna Wilczewska s PhD programme in choir conducting, which was realized at the Faculty of Choir Conducting, Music Education and Eurhythmics at the Stanislaw Moniuszko Academy of Music in Gdansk. The promoter of Anna s programme is Prof. Dr. Waldemar Górski. The PhD thesis is entitled The Importance of Contemporary Classical Music in a Choir s Repertoire. The Analysis of Compositions Characterised by the Innovative Musical Language. m.02. Giovanazzi, Lena (2012). Stimmig 10 Vokalexkursionen. Magister Arbeit Thesis Film (M.A. equivalent) Mainz: University of Applied Sciences Mainz. [including my work as composer, performer and teacher] m.01. Williams, Robyn (2004). It's a Small World. ABC Radio (Australia), Saturday 19 June, Reviews r.11. Keuk, Alexander (2010). Wohlfühlabend mit Musik - Dienstagssalon in Hellerau mit dem Ensemble "AuditivVokal". Musik in Dresden r.10. Klempnow, Von Bernd (2012). Orgasmus für Sopran solo Sächsische Zeitung, 2012 Februar 20. r.09. Riitahuhta, Heikki and Henrika Pihlajaniemi (2009). Valoa Kulttuurisiilossa. Valo. 1/2009, pp r.08. Emmerson, Simon (2008). Michael Edward Edgerton, The 21st-Century Voice Contemporary and Traditional Extra-Normal Voice. Scarecrow Press, Lanham, MD, ISBN X.. Organised Sound, 13, pp r.07. Köppen, Ulrich (2008). Eloquent gestures full of tension. Stuttgarter Nachtrichten r.06. Lund, Hans-Jörg (2008). Search for new styles of expression (2008). Reutlinger General-Anzeiger r.05. Terrel, Elizabeth (2007). The 21st Century Voice: Contemporary and Traditional Extra-Normal Voice by Michael Edward Edgerton in The Voice and Speech Review, Issue 5, Voice and Gender r.04. Tonelli, Chris (2006). Michael Edward Edgerton, The 21 st Century Voice: Contemporary and Traditional Extra- Normal Voice (Scarecrow Press). Review. Musicworks, 95 (summer 2006). r.03. Grimmel, Werner M (2004). A Quattro, zeitgenössische streichquartette bei den rottenburger tagen für neue musik Neue Zeitschrift für Musik 3 -Mai/Juni 2004 r.02. Eidenbenz, Michael (2004). Vier Streicher und eine Musik ein Rezept, das bis heute mundet radiomagazin 25/2004 (Swizerland) r.01. Strauß, Botho (2001). Inszenierung von Michael Edward Edgerton und Rebekka Uhlig 27. und 28. Julii. Theater der Zeit: Organ des Verbandes der Theaterschaffenden der DDR. Verband der Theaterschaffenden der DDR Theater. Nos. 5-6, 2001, p. 52. Press newspaper, journal, report, program, etc. p.01. Abertay, The University of. Press Release for immediate use_14 March 2007_Michael Edward Edgerton wins the Kompositionspreis der Landeshauptstadt Stuttgart 2007 p.02. Abertay, The University of. White Space The Journey Continues p.03. Aiheesta, Lisää. Toppilan kulttuurisiilon rahoitus vielä auki. Kaleva.Plus.Kulttuuri. March 17, Of 13_Edgerton _2016 August

10 p.04. American Scandanavian foundation. Public Project Grants p.05. Answers.com. New Complexity p.06. ASCI. 12 year report p.07. AVFest08. A Marriage of Shadows p.08. Berman, Joan Saks. Momentum and Memento (blog), review on performance of Tempo Mental Rap p.09. Förderband Kulturinitiative Berlin. Reservoir V. p.10. Fritschi, Edith. Ein Amerikaner aus Berlin in Stein in Schaffhauser Nachtrichten, January 9, p.11. Heinilä, Sari. uden musiikin Säveltäjä ohjaa nuoret elämyksiin Järviseutu, 19 November p.12. Hoover, Jeffrey. Composition Pedagogy: Writing Vocal Music. Composer USA, series IV, Vol 13, Number 2, summer p.13. Kataja, Johanna. Nelimarkka-museon oppilaskonsertti soi kokeellisen musiikin merkeissä. Ilkka, 21 November p.14. Krumova, Kremena. Accordian Composition by American Premieres in Japan. The Epoch Times. May 26, 2009, p. 82. p.15. Landeshauptstadt Stuttgart. Pressedienst, p.16. Leverhulme Trust. Institutional Awards made by the Trustees in July 2006 p.17. MacPherson, D. Collective Consciousness. Proceedings of Qi and Complexity. Consciousness Reframed 2004, 6 th International Research Conference. Beijing China, November p.18. MacPherson, Deborah L. AAG Position Paper p.19. Mil I Una Veus. Selección de Textos p.20. Mügge, Jens. Obertontage in Dresden webblog ( 16. September p.21. MSU Alumni Association. MSU Spartans in the News p.22. MSU Newsletter. Spartans on the Move p.23. North Texas, The University of, college of Music, James Scott (Dean). Annual Report, p.24. Ortega, Marcella. Composers to converge at UNM for symposium Daily Lobo. 3/30/06. p.25. Sarrala, Hannu and Helena Laakso. Amerikkalainen Kemissä. Pohjolan Sanomat. May 3, 2009, pp p.26. Smedley, J. Physics 104: Vocal Formants Laboratory p.27. Sramek, Christoph. 4. Sende(r)musik. Neue Musik im MDR-Studio, Tuesday 11 May 2004 p.28. Unknown. By the Throat Folk Roots Nos (Vol. 21 Nos. 7-8) January-February 2000, pp p.29. Unknown. Kiinnostava säveltäjävieras Alajärvellä Järvi Pohjanmaan Torstai (no 43) 23 October p.30. Unknown. Kiinnostavan säveltäjän yleisöluentoja Alajärvellä Järvisentu 15 October p.31. Unknown. Korpereinsatz mit Sogwirkung Südwestpresse Rottenburger Post 6 April p.32. Unknown. Uuden musiikin huippunimi Alajärvellä Järviseutu Sanomat, 15 October p.33. Unknown. Yhteisöllisyys asuinalueen voimavarana Kulttuurikahvit Toppilan monipalvelukeskuksessa. Oulu 15, March 6, p.34. Van Ryssen, S. The 21 st -century Voice. Contemporary and Traditional Extra-Normal Voice. Review. Leonardo, December p.35. Wikipedia. Extended Techniques p.36. Wikipedia. Michael Edward Edgerton p.37. Wikipedia. New Complexity p.38. Wikipedia. Types of Throat Singing Broadcast Interviews i.03. Kalvos & Damian's New Music Bazaar, Show #547 ( i.02. ABC radio in Australia, Interviewed for the program The New Science of Networks, "It's a Small World", that was broadcast on ABC radio in Australia. Influenced by the new science of "scale-free" networks, my 1 sonata was featured as part of a program discussing the new science of scale-free networks. i.01. KXLU (88.9 in Los Angeles), Interviewed by Bonnie Barnett on her radio program devoted to new music RESEARCH Current Research Interests Brass, String and Voice Acoustics Contemporary Performance Techniques for voices and instruments Music Theory focused on developing an harmonic theory of the extra-complex sonority (A tone featuring a perceptual shift from an ordinary tone with a single pitch, to sonorities featuring 2 or more pitches, subharmonics, unusual timbral change, independent ratios of pitch/noise, etc), guided through spectral 10 Of 13_Edgerton _2016 August

11 typology and morphology criteria and resting upon perceptual criteria (consonance/dissonance, resolution, proximity, fission/fusion) Perception and Cognition of Music Music Notation Mapping Desynchronized and Multidimensional Topologies in Instrumental and Vocal Sound Production Biomimesis and the application of nonlinear phenomenon in sonification Complexity Recent Collaborations: Dr. Christian Herbst (voice science); Prof Wolfgang Auhagen (systematic musicology); Assoc Prof Stefanie Stefanie Shamila Pillai (linguistics); Prof Kartini Ahmad (audiology); Prof Jongman Cho (bowed string tracking). SERVICE Appointed as Reviewer for Czech Science Foundation Appointed as Reviewer for Musicae Scientiae COMPOSITIONS ORCHESTRA/SINFONIETTA #94 Concerto for Orchestra (2015) #87 Party Pieces Project [Group IV, #24], for orchestra (2013) Premiere: Ensemble Either/Or with Richard Carrick, conductor; Miller Theatre in NYC; 2013_10_17 #84 The Garden of Risk, for sinfonietta (2009/2012) #42 Pyramid of Unas, for orchestra and six voices (1998 revision needed) #01 The Final Diary of a Branch, for orchestra (1985) Premiere: Michigan State University Symphony Orchestra; Kevin Rhoades, conductor; Wharton Center for the Performing Arts; 1986_01_15 OPERA/MUSIC THEATER #33 No!!!, for two voices, rope climbers and drummers (1996) Premiere: Gail Hoak, Sean Sheldrake & students of San Jacinto Comm College; Mt San Jacinto Community College; 1996 #21 A Broken Collaboration, for solo actor, 3 voices, electric guitar and cello (1994) Premiere: the University of Illinois New Music Ensemble at the Channing-Murray Foundation; 1994 #19 The 15th Century Walled Garden Apokatastasis, for solo percussion, mosh pit, geodesic dome, car hoods, rocks, metal and other objects (1993) #18 The Electric Meat Factory, for soprano, chanter, guitar, percussion, wall bass, electronic tape, spatialization in a three-story house played as an instrument (1993) Premiere: directed by Edgerton in Champaign, Illinois; 1993 #17 Fracture Zone: Clipperton et Ragusii, an underwater drama designed to be performed within the Clipperton Transform Fault in the Pacific Ocean (1993) #16 Fama Fraternitatis, for solo voice, assorted instruments, dancers and tunnelers (1992) Premiere: the University of Illinois New Music Ensemble, Mike Edgerton, soloist at the Studio Theater in the Krannert Center for the Performing Arts; 1992 #11 Hour History, an opera for four principal actors, 11 male voices, percussion ensemble (1989) Premiere: at the Krannert Center in Urbana, Illinois by The University of Illinois New Music Ensemble, The University of Illinois Contemporary Vocal Ensemble with David Billman, conductor & William Brooks, director of vocal ensemble; Ray Caton and Aaron Claessens, lighting directors; Scott Mandrell, production manager; Michael Edward Edgerton, director; 1992_12_03-04 LARGE ENSEMBLE #85 Folk Songs, for voices and chamber ensemble (2010/2013) Premiere: Ensemble Joueurs de Musique de Chamber; Centre d'art Contemporain, Maison des Arts Georges Pompidou, Cajarc, France; 2010_11_25 #75 fragmenta Scotia, for large chamber ensemble and voice (2007) CHAMBER ENSEMBLE #96 The LanKe Mountain, for 6 instruments (cl., tpt., perc., pno., vla., db.) (2016) #93 Opening of the Guangxi Blossom, for trio instruments (fl., vl. & pno) (2015) #92 In Silence, I hide my loudest scream, for 9 instruments (a.fl., b.cl., tpt., tbn.,perc., vl. 1 & 2, vla., vlc) (2015) 11 Of 13_Edgerton _2016 August

12 #90 Noise is interrupting my practice: Silence is when my reaction is quiet. Silence is my protest against the way things are, for piano and amplification (2014) #89 The Return of Takhi, the last Feral Horse, for bass cl, trumpet, trombone, voice (2014) #78 Balkan Dances, for 4 blockflöte (tenor, bass F, grossbass C, Subbass F) (2008) Premiere: Quartet New Generation in Schaffhausen, Switzerland; 2008_09_27 #77 A Marriage of Shadows, for flute (a.fl), Alto (tenor) sax, percussion, gtr, voice (2008) Premiere: ensemble Ars Nova & Angela AVFest08 in Middlesbrough, UK; 2008_03_03 #74 illusions, for e.hn, cl, bn, hn, tpt, tbn, pno, vla (2006) #73 adjusting to beams falling, for flute and violoncello (2006) #67 Kut, for sheng (or accordion/oboe), female voice, violin (2002) Premiere: Rebekka Uhlig at Piteå University (Sweden); 2003_10_17 #66 Sangītaśiromani, for 7 strings (vln & vla) (2002) #64 String Quartet #1, for string quartet (2002) Premiere: Kairos Quartet, 18. Tage für Neue Musik Rottenburg (am Neckar) A Quattro! - Festival für Streichquartett Kulturverein Zehntscheuer E.V. Rottenburg am Neckar; 2004_04_04 #63 Koli, for string quartet and bass voice (2001) #57 Samsara, for twenty strings (2000) #56 le Critérion, for woodwind quartet (fl, ob, cl, bsn) (2000/2008) #52 Pakji Studies, for wind, brass and percussion (1999) #51 Twelve Miniatures, for wind, brass and piano (1999) Premiere: l'ensemble Décadanse joint le groupe Coma (Grande Bretagne) au parc Jean Hugo, à Lunel; 2000_05_28 #50 Pakji, for wind ensemble (1999) #44 Agwara-Nanga-Wolof, for steel pans, African drums, brass and saxophone (1998) Premiere: Western Illinois University Percussion Ensemble and soloists, conducted by Dr. Richard Cheadle in Macomb, Illinois; 1998_02_15 #39 A Holy Person Falls into the Nile as a Pelican, for clarinet and horn (1997) Premiere: Michelle Doyle-Ronkin, clarinet; Jeremy Ronkin, horn in Green Lake, Wisconsin; 1998_02_13 #38 Circles et Articulation, for trumpet & piano (1997) Premiere: Laura Halfield and Bo-Kyung Kim in Madison; 1997_11_24. #37 l histoire du petit Heure, for percussion ensemble (1997) Premiere: Western Illinois University New Music Ensemble; Richard Cheadle, conductor #31 On Music, for flute and viola (1996) #28 Lincoln Shrine, for marimba and violin (1995) Premiere: Reading by Kristy Cheadle and János Négyesy at the University of California-San Diego; 1998 #23 XHAIN, for piano duo (1995/2008) #22 Regret of a Noiseless Sundering, for saxophone quartet (1995) Premiere: Stockholm Saxophone Quartet, during the Borderline Festival in Malmö, Sweden; 2005_04_28 #15 Net/Byrinth: Rec. Study 1, for trumpet, horn, and trombone (1991) Premiere: read by The Friends and Enemies of New Music in New York City; 1992 #14 Michelle , for bass clarinet, b. sax, tuba, double bass, trap set (1991) Premiere: the University of Illinois New Music Ensemble, conducted by David Billman at the University of Illinois; 1992 #13 Whose Land? (16 13) rock band and tape (1990) Premiere: Mango Zowies at the Urbana Civic Center during an interdisciplinary collaboration between Native American artist/activist Charlene Teeters and Mike Edgerton; 1991 #12 The Hidden Thunder of Screaming Souls, for voice and viola (1989) Premiere: Patricia Repar (voice) and Claudia Watson at the Channing-Murray Foundation; 1990 #09 Unspoken Crime, for violin, violoncello and piano (1988) Premiere: Claudia Watson, Sarah Weisman, Drew Krause at the University of Illinois in Urbana; 1998_11_24 #08 Expansions 1a, for flute, clarinet, bass clarinet and bassoon (1988) Premiere: University of Illinois New Music Ensemble; 1988 #06 Current: The Eternal Mystery, for percussion ensemble (1987) Premiere: Michigan State University Dance Ensemble Concert, Dixie Durr choreographer; 1986 #05 Ai, for trumpet, trombone, tuba (1987) Premiere: Kim Walker, tpt; Curtis Olsen, tbn; Phil Sinder, tuba at Michigan State University; 1987 #03 A Penny for the Young Guy, for narrator, voices, winds, brass, strings (1986) Premiere: Michigan State University New Music Ensemble; 1987 #02 Dwellers of the Southwest, for tenor and mixed ensemble (1986) SOLO INSTRUMENT #91 THRUSH, for solo piano (2015) #86 2 Sonata, for alto flute (2012) 12 Of 13_Edgerton _2016 August

13 Premiere: Mats Moeller at the University of Malaya; 2012_12_03 #85.a_Ari(rang), for soprano sax (2010) Premiere: Phillipe Arnaudet; Centre d Art Contemporain, Maison des Arts Georges Pompidou, Cajarc; 2010_11_25 #83 The Book of One Man Dead, for free-base accordion (2009) Premiere: Timo the 9th International Festival 'Creative' in Hidegaya, Tokyo in Kanagawa Hall; 2009_05_31 #79 The Oak at Mambre, for doublebass (2008) Premiere: Matthias Bauer im BKA Berlin; 2010_03_09 #72 Tempo Mental Rap, for guitar (2005) Premiere: Stefan Östersjö at John Donald Robb Composers Symposium at UNMexico (SCI Conference); 2006_04_05 #71 Art from the Edge of the World, for oboe (2005) Premiere: Simon Strasser during Unerhörte Musik; 2005_06_14 #70 1 sonata, for piano (2004) Premiere: Moritz Ernst at University of Malaya s Experimental Theater; 2014_01_04 #65 Tractatus I, for solo oboe (2002) #55 Mamre, for violin (2000) Premiere: Chatschatur Kanajan, Violin at Galerie SPHN, Berlin; 2000_11_18 #47 Schreistimme, for bayan (1998) Premiere: Stas Venglevski at Joyce Parker Productions in Milwaukee; 1999_09_11 #35 Apposte Messe, for air-driven organ (1996) Premiere: Gary Verkade at Carthage College; 1998_10_17 #32 Giants, for solo violin (1996) #30 by the way, your name makes music, for xylophone (1996) #26 David, not too Syl (i), for vibraphone (1995) Premiere: Caleb Herron at the University of Alaska Fairbanks; 2008_04_17 #25 Songs of Vent, for multi-percussion solo (1995) #20 The Night of Brahman-The Dance of Fire, for solo violin (1994) #04 Expansions, for piano (1986) Premiere: Deborah DeWitt at Michigan State University; 1986 CHORAL/VOCAL #97 Lingua-Palatal #2, for 4 voices and amplification (2016) #95 The Old Folks at Home, for solo voice (2016) #88 abaga baʁatur, for choir (2014) #85.b_mélodie Coréen, for voice and piano (2012) #82 Cataphora lulus brevicum, for solo voice (2009) Premiere: Jan LauschRausch-Festival (7. Dresdner Internationale Obertontage); 2009_09_12 #81 Desolate Land, for choir (2008) #80 Keltainen huone (Yellow Room), for choir (2008) Premiere: Alajärvi Community and Music School Choir at the Nelimarkka Museum; 2008_11_24 #76 DRAFT 1/25/2002, for solo voice and two female speaking voices (2007) Premiere: Merdan Kadyrov solo; Poppy Brewer, Aden Eike, voices; St. Paul s Cathedral in Dundee, Scotland; 07_07_05 #68 prāna, for four solo voices and non-stable drone (2002) Premiere: by students (Liina Ockenström, Marjo Pääkkönen, Teija, Kormilainen, Salla Seppä) at the Conservatory of Joensuu; 2001_10_25 #62 Anaphora, for solo voice (2001) Premiere: Rebekka Uhlig during Reservoir V in Berlin; 2001_07_27-28 #61 Divergence, for two voices and electronics (2001) Premiere: Rebekka Uhlig and Juergen Neubauer during Reservoir V in Berlin; 2001_07_27-28 #60 Cantor s Dust, for solo voice and electronics (2001) Premiere: Rebekka Uhlig during Reservoir V in Berlin; 2001_07_27-28 #58 Kalevi Matus, for choir (2000) Premiere: Chamber Choir of the Universität der Künste at the Castle Sans Souci in Potsdam, Miriam Sohor (conductor), Angela Rademacher, solo; 2002_06_23 #54 Friedrich s Comma, for two voices (1999) Premiere: Angela Rademacher & Hanno Koloska at Universität der Kunste, Berlin; 2002_09_26 #49 KOSMOS, volume two on reinforced harmonics, for one to four voices (1998) #48 KOSMOS, volume one on articulation, for one to four voices (1998) #46 Azure Suite, for soprano and overtone singer (1998) Premiere: Ekmeles, First International Composers Exchange, Our Lady of Lebanon Cathedral, Brooklyn; 2012_10_13 #45 Taffy Twisters, for voice and percussion (1998) Premiere: Steve Tasko and Kristy Cheadle at UW Madison; 1998_04_01 13 Of 13_Edgerton _2016 August