Guide to the Billy Strayhorn Master Editions Collection

Transcription

1 University of Chicago Library Guide to the Billy Strayhorn Master Editions Collection University of Chicago Library

2 Table of Contents Acknowledgments Descriptive Summary Information on Use Access Restrictions on Use Citation Biographical Note Scope Note Related Resources Subject Headings INVENTORY

3 Descriptive Summary Title Strayhorn, Billy, Master Editions. Collection Date Size Repository Abstract 10.5 linear feet (7 boxes) Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 6067 U.S.A. The Billy Strayhorn Master Editions Collection contains finale scores and parts generated by music editing software, derived directly from his handwritten manuscripts. There are also reprints of a signed photograph of Strayhorn. Acknowledgments The Billy Strayhorn Master Editions Collection was processed and preserved as part of the Uncovering New Chicago Archives Project, funded with support from the Andrew W. Mellon Foundation. Information on Use Access The collection is open for research. Restrictions on Use The collection requires written permission from Billy Strayhorn Songs, Inc. for reproduction of any kind. Citation When quoting material from this collection, the preferred citation is: Strayhorn, Billy, Master Editions. Collection, [Box#, Folder#], Special Collections Research Center, University of Chicago Library Biographical Note William "Billy" Strayhorn was born in Dayton, Ohio on November 29, He spent part of his childhood in Hillsborough, North Carolina. His family eventually moved to Pittsburgh, Pennsylvania, where he studied classical music at the Pittsburgh Musical Institution.

4 At the age of 2, he submitted a musical composition titled "Something to Live For" to Duke Ellington, who subsequently recorded it with Strayhorn as the pianist. Strayhorn worked as the pianist in Mercer Ellington's orchestra for a short time, but left to join Ellington's band as associate arranger and second pianist. He stayed with Ellington for nearly thirty years and they collaborated on more than 200 items, including "Take the 'A' Train," "Satin Doll," and the theme from Anatomy of a Murder. Strayhorn also contributed to other recordings by Cootie Williams, Bigard, Johnny Hodges, the Ellingtonians, the Coronets, Louie Bellson, Ben Webster, and Clark Terry. He composed the song "King Fought for the Battle of 'Bam" for Martin Luther King, Jr., and was also an influence of Lena Horne. In 1946, Strayhorn received the Esquire Silver Award for outstanding arranger. Invited by the Duke Ellington Jazz Society, in 1965 he presented a concert, using only his own work, at New York's New School of Social Research. Billy Strayhorn died in New York on May 1, Scope Note The Billy Strayhorn Master Editions Collection contains finale scores and parts generated by music editing software, derived directly from his handwritten manuscripts. Some of the scores were never performed during Strayhorn's lifetime. There are also reprints of a signed photograph of Strayhorn. Related Resources The following related resources are located in the Department of Special Collections: Chicago Jazz Archive Subject Headings Strayhorn, Billy Ballets -- Excerpts, Arranged Big band music -- Scores and parts Instrumental ensembles -- Scores and parts Jazz Jazz vocals Piano music (Jazz) Suites (Jazz ensemble) -- Scores and parts 4

5 Turner, Lana, Songs and music University of Chicago. Chicago Jazz Archive Waltzes (Piano) INVENTORY "After All," 1941 "Agra," 1964 Folder "All Day Long," circa 1951 "All Too Soon," 1957 "Bagatelle," circa 1956 "Ballad for Very Tired and Sad Lotus Eaters," circa 1956 "Bli-Blip," 1957 "Blood Count," circa 196 "Blue Bird of Delhi," "Blue House," "Blue House," circa 1941 "Blue Star," circa 1941 "Blues in Orbit," circa 1959 Folder 5

6 "Boll Weevil Ballet," score only, 1946 "Boo-Dah," circa 195 "Brown Betty," 1948 "Cashmere Cutie," circa 1957 "Chelsea Bridge," 1941 "Clementine," 1941 "Day Dream," "Dirge," "Drop Me Off at Harlem," "The Eighth Veil," 1946 "Everything But You," 1957 "Ev'rything's Copasetic!," score only, 1962 Folder "Fantastic Rhythm," piano only, 194 "Feet on the Beat," circa 1955 "Flame Indigo," score only, 1941 "Flamingo,"

7 "A Flower is a Lovesome Thing," circa 1946 "The Flowers Die of Love," piano only, 195 "Fol-de-rol-rol: Beggar's Holiday," score only, circa "Grievin'," "Hip," score only, "The Hipper-Bug," score only, 1941 'I Ain't Got Nothing But the Blues," 'I Didn't Know About You," "I Got it Bad (And That Ain't Good)," circa 1950 "I'm Just a Lucky So-and-So," 1957 "Isfahan," 196 Folder "It Don't Mean a Thing (If it Ain't Got That Swing)," circa 194 "Jo, score only," circa 1941 "The Kissing Bug," 1945 "Lana Turner [Charpoy],"

8 "Let Nature Take its Course," piano only, 195 "Lonely Again (Lush Life)," score only, circa 198 "Lost in Meditation," "Love, Love," piano only, "Lozit," score only, circa "Matinee, score only," circa 1945 "Mid-Riff," circa "Newport Jazz Festival Suite," 1956 "Nutcracker Suite," 1960 "On the Wrong Side of the Rail Road Tracks," score only, circa 1946 Folder "Orson (Theme for Helen)," circa 1951 "Overture to a Jam Session," circa 1946 "Passion Flower," circa 1941 "Passion Flower," circa 1945 "Passion Flower," circa

9 "Peer Gynt Suites 1 & 2," 1960 "A Penthouse on Shady Avenue," piano only, 195 "Pentonsilic," circa 1941 Folder "Perfume Suite," "Pomegranate: A Drum is a Woman, score only," circa 1957 "Portrait of a Silk Thread," circa 1944 "Pretty Girl [Star-crossed Lovers]," score only, 1956 "Rain Check," 1941 "La Sacre Supreme," circa 1944 "Smada," circa "Snibor," circa 1947 "So This is Love," piano only, 194 "Something to Live For," score only, 1942 Folder "Sophisticated Lady," 1956 "Suite for the Duo," 1966 "Sweet & Pungent," circa

10 "Swing Dance," circa 1962 "Take the "A" Train," 1941 "Take the "A" Train," 1957 "Theme from Anatomy of a Murder," score only, "Tiffany," score only, circa "Tonk," "U.M.M.G. (Upper Manhattan Medical Group)," circa 1954 "Valse," circa 19 4 Reprint, signed photo of Billy Strayhorn,