Tafelmusik Baroque Summer Institute 2012
|
|
|
- Logan Wilcox
- 5 years ago
- Views:
Transcription
1 1 SCHEDULE SUMMARY All events are at the Faculty of Music, University of Toronto, unless otherwise noted. Note: Private lessons for vocalists are scheduled throughout the Institute. Private lessons for some of the wind players new to period instruments are scheduled on the 1st day and are indicated below. Other instrumental lessons are scheduled primarily on the days indicated below, with some exceptions lesson times will be assigned after you arrive. DAY 1: Sunday, June 3, :00-6:00 Registration (TBSI Office - Room 130) 11:00-1:30 Open Rehearsal for Faculty concerts (Walter Hall) 1:45-5:35 Orchestra/Ensemble placement auditions for instrumentalists 2:30-3:50 Flute 4:30-5:30 Oboe 5:15-6:45 Bassoon 2:00-5:15 Violin 2:30-4:00 Viola 2:30-4:30 Cello 4:00-5:15 Double bass 2:30-5:15 Harpsichord 3:30-5:00 Lute/Guitar 2:00-6:00 Bow distribution and modern violin/viola conversions (Miletic/Wedman - Room 130) 7:00-8:30 Lecture The Baroque: an introduction through art, architecture and music (Taurins - Walter Hall) 8:30-9:15 Introductions and Orientation (Walter Hall) 9:30 Gathering at Duke of York Pub DAY 2: Monday, June 4, :50-9:50 Performance Practice: The Basics #1 (Taurins) 10:00-12:30 Masterclasses: 10:00-12:00 Voice (General rep - Harvey), Flute (Guimond), Violin (Technique & General rep - Ahern, Lamon, Wedman), Viola (Jordan), Cello (Mahler), Bass (Sinclair), Harpsichord (Nediger) 10:00-11:00 Oboe (Abberger + private lessons 11:00-1:00) 10:30-12:00 Lute/Guitar (Harris) 11:00-12:30 Bassoon (Teresi + private lessons 10:00-11:00) 1:15-2:30 Lecture/Demo: Historical Bows (Stephen Marvin w/trevor Ewert) 1:00-3:00 Private lessons: fl & bsn (Guimond, Teresi)
2 2 1:30-4:30 Choir rehearsals (Taurins, Harvey) 1:30-3:00 Motet Choir (JS Bach Motet & JCh Bach Aria) 3:00-4:30 Sanctus Choir (Purcell, Schein, Bach Sanctus) 2:00-3:00/ Dance classes #1: vocalists, winds, continuo (Lajeunesse Zingg) 3:00-4:00 3:00-4:30 Orchestra rehearsal: Handel op. 6 (Lamon) 3:00-4:30 Continuo classes Lute/guitar, harpsichord/organ (Harris, Nediger, Fortin) 4:45-6:00 Lecture: Baroque theatre (Pynkoski) 8:00 CONCERT #1: Tafelmusik Baroque Orchestra & Chamber Choir w/ann Monoyios, soprano & Peter Harvey, TRINITY-ST. PAUL S CHURCH Telemann Suite from Wassermusik Lalande La grande pièce royale Rameau Excerpts from Les Indes galantes Vivaldi Concerto for 2 cellos in G Minor, RV 531 Handel Excerpts from Il parnasso in festa DAY 3: Tuesday, June 5, :50-9:50 Performance Practice: The Basics #2 (Taurins) 10:00-12:00 Voice (General rep - Monoyios), Flute (Guimond), Violin (Technique & General rep - Ahern, Lamon, Wedman), Cello (Mahler), Harpsichord (Nediger) 10:30-12:00 Oboe (Abberger), Viola (Jordan), Bass (Sinclair), Lute/Guitar (Harris) 11:00-12:30 Bassoon (Teresi + Freithaler & Morris private lessons 10:00-11:00) 1:00-2:00/ Dance classes #1: strings (Lajeunesse Zingg) 2:00-3:00 2:00-4:00 Choir rehearsal: Charpentier/Zelenka (Taurins) 2:15-5:15 Orchestra rehearsals (Lamon, Sinclair) 2:15 Campra/3:00 Fasch / 3:45 Lully / 4:30 Corelli (Lamon); 4:15 Brandenburg 3 (Sinclair) 1:30-3:30 Continuo coaching: Lute/guitar (Harris) 2:00-5:00 Continuo classes: Harpsichord/Organ (Nediger, Fortin) 4:30-6:00 Madrigal Ensembles: singers & continuo (Taurins, Harris, Harvey) 7:00-8:00 Instrumental Ensembles 7:00-9:30 Opera Workshop #1 (Pynkoski)
3 3 DAY 4: Wednesday, June 6, :50-9:50 Performance Practice: The Basics #3 (Taurins) 10:00-11:00 Combined winds (Guimond, Abberger, Teresi) 10:00-12:00 Voice (French rep - Monoyios), Violin (Early Italian rep - Ahern / French rep - Lamon), Cello (Mahler) 10:00-11:30 Harpsichord (Nediger) 10:30-12:00 Viola (Jordan), Bass (Sinclair), Lute/Guitar (Harris) 11:00-12:00 Flute (Guimond), Oboe (Abberger), Bassoon (Teresi) 1:00-2:00 Lecture: Tuning & Temperament for all musicians (Nediger) 2:15-4:15 Choir rehearsal: Sanctus Choir (Harvey, Taurins) 2:15 Schein / 2:50 Purcell / 3:45 Bach Sanctus 2:15-4:15 Orchestra rehearsal: Rameau (Lamon) 2:30-4:00 Continuo class Lute/Guitar & Harpsichord/Organ: Monteverdi (Harris) 4:45-6:00 Aria Ensembles: vocalists & instrumentalists (various faculty) 7:00-9:00 Opera Workshop #1 (Pynkoski) 7:15-8:45 Workshop: Injury prevention for instrumentalists (Ginette Hamel, physiotherapist) DAY 5: Thursday, June 7, :50-9:50 Performance Practice: The Basics #4 (Taurins) 10:00-12:00 Voice (French rep - Harvey), Violin (Early Italian rep - Ahern / French rep - Lamon) 10:30-12:00 Viola (Jordan) Flutists, oboists, bassoonists, cellists, bassists, lutenists/guitarists & harpsichordists have private lessons in place of masterclasses 12:00-12:30 Opera music rehearsals: Purcell King Arthur Act II solos (Monoyios) 12:15-1:15/ Dance classes #2: vocalists, conductors, winds, continuo 1:15-2:15 1:15-2:15 Bach Motet Orchestra rehearsal (Taurins) 2:15-4:15 Choir rehearsal: Motet Choir (Taurins, Harvey) 2:15 JS Bach /3:30 JCh Bach 2:30-4:30 Orchestra sectionals (various faculty) 4:15-5:15 Bach Brandenburg Orchestra rehearsal (Sinclair)
4 4 4:15-5:15 Bach Sanctus Orchestra rehearsal (Wedman) 4:45-6:00 Madrigal Ensembles: singers & continuo (Taurins, Harris, Harvey) 6:00-7:00 Opera music rehearsals: Purcell King Arthur Act II choruses / Dido Act III, sc 2 solos (Taurins) 7:00-8:00 Instrumental Ensembles (various faculty) 8:00-9:30 Film showing: The Galileo Project DAY 6: Friday, June 8, :50-9:50 Performance Practice: The Basics #4 (Taurins) 10:00-12:00 Opera Workshop #2 (Pynkoski) 10:00-12:00 Harpsichord (Fortin) 10:00-11:45 Flute (Guimond), Cello (Mahler) 10:15-11:45 Lute/Guitar (Harris) 10:30-12:00 Oboe (Abberger), Bassoon (Teresi), Bass (Sinclair) Violinists & violists have private lessons in place of masterclasses 12:00-1:00 Dance classes #2: Strings (Lajeunesse Zingg) 1:00-2:00 Charpentier solo auditions (vocalists) 1:00-4:00 Orchestra rehearsals (Lamon) 1:00 Lully / 1:45 Corelli / 2:30 Campra / 3:15 Fasch 1:00-4:00 Continuo coaching: keyboards (Nediger, Fortin) 2:15-4:00 Choir rehearsal: Sanctus Choir, inc. instrumentalists (Taurins, Harvey) 2:15 Purcell / 2:45 Schein / 3:20 Bach Sanctus 2:15-2:45 Opera music rehearsal: Dido Act III, sc 3 (Monoyios) 4:30-6:00 Aria Ensembles: vocalists & instrumentalists (various faculty) 7:30 The Annual Bach Bash All participants invited to join in a read-through of Bach St. Matthew Passion, led by Ivars Taurins with Ann Monoyios & Peter Harvey
5 5 DAY 7: Saturday, June 9, 2012 Early Music Imports in lobby 11:30 2:00 9:00-10:30 Class for conductors (Lamon) 9:30-11:45 Masterclasses: 9:30-11:30 Violin (Austro/German rep Wedman / Late Italian rep Nosky) 9:45-11:45 Voice (Handel ornamentation - Monoyios) 10:00-11:00 Cello (Mahler), Bass (Sinclair) 10:00-11:30 Viola (Jordan), Harpsichord (Nediger) 10:15-11:45 Oboe (Abberger) 10:30-11:30 Bassoon (Teresi) 12:00 CONCERT #2: Faculty Chamber WALTER HALL Weiss Introduzione & Allegro, from Sonata no. 45 for solo lute Telemann Fantasia for solo flute Telemann Sonata for 2 violins, bassoon & continuo, from Six Quatuors our Trios (1733) Clérambault Cantate "Pygmalion" Boccherini Sonata in C Major for cello & continuo Purcell Fantasia in 3 parts on a ground Peter Harvey, baritone Claire Guimond, flute / Dominic Teresi, bassoon Aisslinn, Nosky, Julia Wedman & Cristina Zacharias, violin Christina Mahler, cello / David Sinclair, bass Lucas Harris, lute, archlute & guitar Olivier Fortin & Charlotte Nediger, harpsichord 2:15-5:15 Orchestra rehearsal: Handel & Rameau (Lamon) 2:15-4:15 Choir rehearsal: Charpentier/Zelenka (Taurins) 2:00-4:30 Continuo coaching (Nediger, Fortin, Harris) 4:45-6:00 Madrigal Ensembles: singers w/continuo (Taurins, Harris, Harvey) 6:30-7:45 Instrumental Ensembles DAY 8: Sunday, June 10, :30-1:00 Opera workshop #3 (Pynkoski) 11:00-1:00 Tuning class for harpsichordists (Nediger) 11:30-1:00 Orchestra rehearsal: Charpentier/Zelenka (Taurins) afternoon Annual TBSI Picnic on Toronto Islands
6 6 DAY 9: Monday, June 11, :00-10:30 Class for conductors (Lamon) 10:00-12:30 Masterclasses: 10:00-12:00 Voice (Bach recits - Harvey), Flute (Guimond), Violin (Austro/German rep - Wedman / Late Italian rep - Nosky), Cello (Mahler) 10:30-12:00 Oboe (Abberger), Bassoon (Teresi), Viola (Jordan), Bass (Sinclair) 10:30-12:30 Keyboard/Lute/Guitar/Conductors: Recit class #1 (Monoyios, Nediger) 1:00-2:00 Dance Class #3 (Lajeunesse Zingg) 1:00-4:00 Choir rehearsals w/instrumentalists (Harvey, Taurins) 1:00 JS Bach / 2:00 JCh Bach 2:30 Sanctus / 3:10 Purcell / 3:30 Schein 2:00-3:00 Bach Brandenburg Orchestra rehearsal (Sinclair) 3:00-6:00 Orchestra rehearsals (Lamon) 3:00 Campra/ 3:45 Fasch / 4:30 Lully / 5:15 Corelli 3:30-5:30 Continuo coaching (Nediger, Fortin) 4:30-6:00 Charpentier solo ensembles rehearsal (Taurins) 7:00-8:30 Aria Ensembles: instrumentalists & vocalists (various faculty) DAY 10: Tuesday, June 12, :00-10:00 Class for conductors: Performing editions (Nediger) 10:00-12:00 Opera Workshop #4 (Pynkoski) 10:00-12:00 Flute (Guimond), Violin (Telemann Fantasias - Lamon / Rep tba Ahern, Nosky), Cello (Mahler) 10:00-11:30 Lute/Guitar (Harris) 10:30-12:00 Oboe (Abberger), Bassoon (Teresi), Viola (Jordan), Bass (Sinclair) 10:30-12:30 Harpsichord (Nediger) 1:00-2:00 Dance Class #3 (alternate; Lajeunesse Zingg) 2:30-3:45 Madrigal Ensembles: singers w/continuo (Taurins, Harvey, Harris) 1:30-4:00 Orchestras dress rehearsal: Concert #3 (Lamon, Sinclair) 4:00-6:00 Choirs dress rehearsal: Concert #3 (Taurins, Harvey) 6:30-7:30 Instrumental ensembles (various faculty) 8:15 Continuo Team Recital
7 7 DAY 11: Wednesday, June 13, 2012 Early Music Imports in lobby 12:30-3:15 9:00-10:00 Class for conductors (Lamon) 9:30-11:30 Masterclasses: 9:30-11:30 Voice (Handel ornamentation - Monoyios) 10:00-11:30 Harpsichord (Fortin) 10:15-11:30 Workshop: Ornamenting cadences (Lamon) 1:00 CONCERT #3: TBSI Orchestras & WALTER HALL J.F. Fasch Suite in C Major A. Campra Suite from L'Europe galante H. Purcell Anthem "I was glad" J. Schein Motet "Wende dich, Herr, und sei mir gnädig" J.S. Bach Sanctus in D Major, BWV 238 Corelli Concerto grosso op. 6, no. 4 J.-B. Lully Suite from Acis & Galatée J.Ch. Bach Sterb-Aria "Es ist nun aus" J.S. Bach Motet "Der Geist hilft" J.S. Bach Brandenburg Concerto no. 3 3:00-4:00 Recit Class #2: Bach, w/keyboards/conductors (Harvey, Nediger) 3:30-5:45 Dress rehearsals: Chamber ensembles 6:00-7:00 In-house performance: Opera scenes Blow Purcell Purcell DAY 12: Thursday, June 14, 2012 Venus & Adonis Prologue/Opening of Act I King Arthur Act II Dido & Aeneas Act III 9:00-10:00 Class for conductors (Taurins) 10:00-12:00 Voice (Bach recits Harvey), Flute (Guimond), Bassoon (Teresi), Violin (Leclair Wedman, rep tba Ahern, Nosky), Cello (Mahler), Harpsichord (Nediger) 10:30-12:00 Oboe (Abberger), Viola (Jordan), Bass (Sinclair), Lute/Guitar (Harris) 1:00-3:00 Orchestra sectionals for Concert #4 (various faculty) 1:00-1:30 Charpentier solo ensembles: vocalists (Taurins) 1:30-3:00 Choir rehearsal: Charpentier, Zelenka (Taurins) 4:00-5:45 CHAMBER ENSEMBLE CONCERT PART I Dinner break 7:00-9:30 CHAMBER ENSEMBLE CONCERT PART II Ice cream for all!
8 8 DAY 13: Friday, June 15, 2012 At University of Toronto: 9:45-10:45 Class for conductors (Taurins) 10:00-10:40 Library session on sourcing music for singers (Nediger) 10:45-12:15 Voice Masterclass (General rep - Monoyios) 11:00-12:00 Library session on sourcing music for conductors, instrumentalists (Nediger) At Grace Church on-the-hill 2:00-5:00 Orchestra rehearsal Concert #4: TBSI + Tafelmusik (Concert #4) 2:00-5:00 Choir rehearsal Concert #4: TBSI + Tafelmusik (Concert #4) 7:00-10:00 Orchestra & Choir rehearsal Concert #4: TBSI + Tafelmusik (Concert #4) DAY 14: Saturday, June 16, 2012 All events at Grace Church on-the-hill 1:30-3:00 Voice Masterclass (General rep - Harvey) 2:00-5:00 Dress rehearsal Concert #4 (w/choir from 3:45) 7:30 CONCERT #4: The Grand GRACE CHURCH ON-THE-HILL Handel Concerto grosso op. 6, no. 7 Rameau Suite from Hippolyte & Aricie Charpentier Mass for 2 choirs and 2 orchestras, H.3 Zelenka Cum sancto spiritu Farewell Party at Duke of York Pub END OF INSTITUTE
Tafelmusik Baroque Summer Institute 2018
1 SCHEDULE SUMMARY As of May 23 Subject to change All events are at the Faculty of Music, University of Toronto, unless otherwise noted. As of June 9, call the TBSI Office for details and to confirm the
ORCHESTRA & CHOIR REPERTOIRE FROM PAST INSTITUTES
ORCHESTRA & CHOIR REPERTOIRE FROM PAST INSTITUTES TBSI 2013 Fasch/Purcell Orchestra Fasch Concerto in D Minor (2 fls, 2 obs, 2 bsns, str 4/4/3/3/1, 2 hps) Purcell Suite from Dioclesian (str 4/4/3/3/1,
LIVE EMOTION BAROQUE ORCHESTRA AND CHAMBER CHOIR 16 /17. Fabulous! The best I ve heard in eons TAFELMUSIK AUDIENCE FEEDBACK SAVE UP TO 30%
B / LIVE EMOTION JOY BAROQUE ORCHESTRA AND CHAMBER CHOIR 16 /17 Fabulous! The best I ve heard in eons TAFELMUSIK AUDIENCE FEEDBACK SAVE UP TO 30% SUBSCRIBE TODAY! 416.964.6337 / Tafelmusik.org Hard to
NEMC COURSE CATALOGUE
MAJOR PERFORMING GROUPS Each camper is required to participate in at least one major performing group. However, because of instrumentation limits, some campers might not get their first choice. Pianists
TEACHER S GUIDE TEACHER AND STUDENT MATERIALS. This guide was created by Alison Mackay to accompany Tafelmusik s music education initiatives.
TEACHER S GUIDE TEACHER AND STUDENT MATERIALS This guide was created by Alison Mackay to accompany Tafelmusik s music education initiatives. What does the word "Tafelmusik" mean? The German word "tafel"
BAROQUE MUSIC. the richest and most diverse periods in music history.
BAROQUE MUSIC the richest and most diverse periods in music history. WHEN? Approximately from 1600 to 1750 WHEREDOESTHEWORD BAROQUE COME FROM? There are two hypothesis Baroque(french)= whimsical Barroco
Marching Colonels Preseason Schedule August 14 to August 20, :00-9:00 Leadership Team Meeting Foster 212
Monday, August 14 (Leadership Team, all Drumline & all only) 8:00-9:00 Leadership Team Meeting Foster 212 9:00-11:00 Residence Hall Check-in Residence Halls (Leadership, drumline and guard) Registration
Introduction to Music
Introduction to Music Review Music in Baroque Society Fugue Baroque Dance Concerto Grosso and Ritornello Form Opera an art form in which singers and musicians perform a dramatic work combining text (called
Mary Baker Russell 116: Cheney Music Education Rm
Mary Baker Russell 116: Cheney Music Education Rm Monday, March 11, 2019 9:15 AM - 10:05 AM Registrar's Office CRN: 50407 MUSI-398-01 Keystone: Int Music Research 11:15 AM - 12:05 PM Registrar's Office
Brandenburg Concerto No. 5 Mvmt 3
Brandenburg Concerto No. 5 Mvmt 3 Key words 1) Instrumentation and Sonority 2) Structure 3) Tonality 4) Harmony 5) Rhythm, Metre and Tempo 6) Melody 7) Texture At the top of your Bach Score write each
The Music of the 17th & 18th Centuries.
The Lin & Ted Arison Israel Conservatory of Music, Tel-Aviv The 2nd International Tel- Aviv Early Music Seminar The Music of the 17th & 18th Centuries. Tel Aviv, Hanukkah, December 21-30, 2011 Music Director:
25 Name. Grout, Chapter 12 Music in the Early Eighteenth Century. 11. TQ: What does "RV" stand for?
25 Name Grout, Chapter 12 Music in the Early Eighteenth Century 1. (373) What were Pluche's two categories of music? What kind of music represented each? TQ: What is a Concert spirituel? 11. TQ: What does
Concertos Inc. Glissandi A Christmas Menagerie. Close Encounters... in Salzburg with members of Tafelmusik Baroque Orchestra. Flutes en Route!
C O N C E R T # 1 Concertos Inc. Going Solo... but not alone! Come hear our chamber musicians shine in the role of soloist. Concerto for oboe & violin BWV 1060 J.S. Bach Concerto in A, Op.30 for guitar
MUSIC HISTORY Please do not write on this exam.
MUSIC HISTORY Please do not write on this exam. 1. Which of the following characterize Baroque music? a. Music based on Gregorian Chant b. The figured bass (Basso continuo) (the writing out of the bass
University of West Florida Department of Music Levels of Attainment piano
University of West Florida Department of Music Levels of Attainment piano Entry level: Incoming students are required to prepare two contrasting pieces from different periods. At the audition they are
NEMC COURSE CATALOGUE
NEMC COURSE CATALOGUE MAJOR PERFORMING GROUPS Each camper is required to participate in at least one major performing group. However, because of instrumentation limits, some campers might not get their
The Baroque Period. Better known today as the scales of.. A Minor(now with a #7 th note) From this time onwards the Major and Minor Key System ruled.
The Baroque Period The Baroque period lasted from approximately 1600 1750 The word Baroque is used to describes the highly ornamented style of fashion, art, architecture and, of course Music. It was during
Materials. Sheet music of the arranged studies, arranged and distributed by the instructor.
Graphic Organizer of a Unit Plan Note: An overview of unit plan to provide "unit at a glance." Chamber Strings 11-12; Baroque Music for String Instruments Lesson # 1 Topic Bowing Technique; Rhythm patterns
Educational Resource. Tafelmusik
Educational Resource Tafelmusik Tafelmusik Baroque Orchestra Written by Alison Mackay and Craig Romanec Tafelmusik 427 Bloor Street West Toronto, ON M5S 1X7 Phone 416.964.9562 Fax 416.964.6337 Table of
Tafelmusik Announces its 2014/2015 Season
Tafelmusik Announces its 2014/2015 Season Kent Nagano conducts Beethoven Tafelmusik on the world stage: Australia, New Zealand, United States, Eastern Canada Phase II of Venue Revitalization Project Alison
MUAR 211 Midterm I Prep. Dido and Aeneas Purcell Texture: imitative polyphony + homophony + word painting (homophonic) Genre: opera Language: English
Midterm 1 Listening Guide Columba aspexit Hildegard of Bingen Texture: monophonic throughout Genre: plainchant Language: Latin Performance: responsorially Form: AA BB MUAR 211 Midterm I Prep Dame, de qui
APPLICATION CHECK LIST. To apply to Special Music School High School s Instrumental program you will need to:
SPECIAL MUSIC SCHOOL HIGH SCHOOL APPLICATION FOR INSTRUMENTALISTS E-Mail: SMSHighSchool@kaufman-center.org Website: http://kaufman-center.org/sms/sms-high-school Phone: 212 501 3395 Application for Admission,
NORVIS XLIX Music List 27th July to 3rd August 2019
NORVIS XLIX Music List 27th July to 3rd August 2019 The daily programme is as follows, except on Wednesday, when the afternoon is free: 1st morning session technique class on your chosen instrument or
NORVIS XLVIII Music List 28th July to 4th August 2018
NORVIS XLVIII Music List 28th July to 4th August 2018 The daily programme is as follows, except on Wednesday, when the afternoon is free: 1st morning session technique class on your chosen instrument or
Glasgow Music Festival Timetable
Saturday 3 March 2018 Morning Renfield St Stephen's Church Rachel Dent 10:00 159 Clàrsach Solos A 11:25 158 Clàrsach Solos - Open Rachel Dent 14:00 219 Folk Group 14:20 161 Clàrsach Solos C 15:20 160 Clàrsach
2017 SUMMER MUSIC CAMP SCHEDULE
2017 SUMMER MUSIC CAMP SCHEDULE Sunday, June 18 th 2:00-5:00 pm Registration/Dorm Check-in/Auditions/Foundations check for All Campers Music Recital Hall, Lobby, and North Hallway (Immediately after you
The Baroque Period: A.D
The Baroque Period: 1600-1750 A.D What is the Baroque Era? The Baroque era was a time in history where much of what we know about our surroundings are being discovered. There is more focus on the human
M U SI C D I A RY. Com m on T i m e 20 19
M U SI C D I A RY Com m on T i m e 20 19 JA N U A RY VISITING ARTISTS SERIES: FRETW ORK Sunday 13 January In nomine - music for viols from the 16th & 21st centuries Tickets: 20/ 15 ( 15/ 10 for U18s) www.ticketsource.co.uk/
Exam 2 MUS 101 (CSUDH) MUS4 (Chaffey) Dr. Mann Spring 2018 KEY
Provide the best possible answer to each question: Chapter 20: Voicing the Virgin: Cozzolani and Italian Baroque Sacred Music 1. Which of the following was a reason that a woman would join a convent during
Chapter 16 Sacred and Secular Baroque Music
Chapter 16 Sacred and Secular Baroque Music Illustration 1: Excerpt from "Kyrie" of the B Minor Mass by J. S. Bach--felt by many music historians to be the greatest piece of music written in the West (courtesy
NOW ENROLLING! MAY-JULY 2016 CLASSES AND ENSEMBLES
BANDS (ROCK/POP) INTRODUCTION TO ADULT ROCK BAND (Ages 18+) Mondays 6:30-7:30pm Instructor: Tom Osuna Mondays, May 2 to June 27 from 6:30-7:30pm (No class on Memorial Day, May 30) Have you ever wanted
2013 Summer Instrumental Clinics An intense clinic experience for high school musicians.
Featured Faculty: 2013 Summer Instrumental Clinics An intense clinic experience for high school musicians. What are you doing this summer?! Choose your experience: Chamber Music Clinic Brass Clinic Percussion
Peck School of the Arts Music Department
Peck School of the Arts Music Department August 1, 2018 UWM Symphony Orchestra ZELAZO 356 2419 E.Kenwood Blvd. Milwaukee, WI 53201-0413 414 229-4609 phone 414 229-2776 fax www.uwm.edu/psoa symphony@uwm.edu
MUSIC OF THE BAROQUE PERIOD
MUSIC OF THE BAROQUE PERIOD 1600-1750 How to use this presentation Read through all the information on each page. When you see the loudspeaker icon click on it to hear a musical example of the concept
WORKSOP MUSIC AND DRAMA FESTIVAL MUSIC SYLLABUS 2019
WORKSOP MUSIC AND DRAMA FESTIVAL MUSIC SYLLABUS 2019 Welcome to the 2019 Festival syllabus. We do hope you will find it of interest! May we extend a warm welcome to both our regular entrants and to those
Lecture Notes - Music Owen J. Lee - day 9-1. Descent from the Cross (Raphael, 1507) - Renaissance
Lecture Notes - Music 110 - Owen J. Lee - day 9-1 Descent from the Cross (Raphael, 1507) - Renaissance The Entombment of Christ (Caravaggio, 1603) - Baroque Lecture Notes - Music 110 - Owen J. Lee - day
JUNE JULY. SATURDAY, JULY 8 Cello Institute Faculty Concert I Hatch Hall 3:00 PM t RPO Young Artist Winners
JUNE FRIDAY, JUNE 29 Alexander Technique for Musicians Showcase Howard Hanson Hall 4:00 PM JULY SUNDAY, JULY 1 Olga Shupyatskaya & Futaba Niekawa, piano Hatch Hall 1:00 PM t MONDAY, JULY 2 Dave Rivello
Orchestra Audition Information and Excerpts
2013-2014 UWO Orchestra Excerpts 1 2013-2014 Orchestra Audition Information and Excerpts Auditions will take place September 4-6, 2013. Sign up for an audition time by visiting N222 in the Arts and Communication
Course Outline. TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 03/26/2018
5055 Santa Teresa Blvd Gilroy, CA 95023 Course Outline COURSE: MUS 1A DIVISION: 10 ALSO LISTED AS: TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 03/26/2018 SHORT TITLE: MUSIC HISTORY/LIT LONG TITLE:
EARLY MUSIC AREA PRACTICAL EXAM REQUIREMENTS. General Regulations and Requirements for Examinations and Recitals
EARLY MUSIC AREA PRACTICAL EXAM REQUIREMENTS General Regulations and Requirements for Examinations and Recitals General Information Examinations Normally, students should sit a practical exam at the end
Concerto In D Major, F. VI N. 10 (P.205) For Flute And Piano By Antonio Vivaldi
Concerto In D Major, F. VI N. 10 (P.205) For Flute And Piano By Antonio Vivaldi Antonio Lucio Vivaldi - Composers - Cantorion - - Antonio Lucio Vivaldi RV 585 A major; Concerto for Flute, Violin, Violin
PARISH CHURCH OF ST. ANNE, KEW SUNDAY AFTERNOON RECITAL SERIES
PARISH CHURCH OF ST. ANNE, KEW SUNDAY AFTERNOON RECITAL SERIES Season Programme May - July 2017 Every Sunday afternoon from May - September this beautiful and historic church offers a platform for emerging
Adult Continuing Education
Adult Continuing Education Have you always wanted to try an instrument but didn t know where to start? Or do you want pick up where you left off and remind yourself of what it s like to have music in your
Peck School of the Arts Music Department
Peck School of the Arts Music Department August 1, 2018 UWM Symphony Orchestra ZELAZO 356 2419 E.Kenwood Blvd. Milwaukee, WI 53201-0413 414 229-4609 phone 414 229-2776 fax www.uwm.edu/psoa symphony@uwm.edu
SCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec
SCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec Boismortier J. B. de. Cantates 'Les 4 saisons'. Moderators:
Camp COFAC Music High School Strings Video Production
University of Wisconsin-Stevens Point Continuing Education and Outreach 402239 032 Old Main Stevens Point WI 54481 Camp COFAC Music High School Strings Video Production High School Music June 18-24, 2017
OCR GCSE (9-1) MUSIC TOPIC EXPLORATION PACK - THE CONCERTO THROUGH TIME
OCR GCSE (9-1) MUSIC TOPIC EXPLORATION PACK - THE CONCERTO THROUGH TIME Abstract [Draw your reader in with an engaging abstract. It is typically a short summary of the document. When you re ready to add
1 Hour IAI F Hours
Music (MUS) MUS 101A Choral Ensemble The John A. Logan College Choral Ensemble is a non-auditioned performance ensemble. The choir performs many times throughout the year including, but not limited to
The Classical Period
The Classical Period How to use this presentation Read through all the information on each page. When you see the loudspeaker icon click on it to hear a musical example of the concept described in the
Bach, J.S. Concerto In C Minor, BWV 1060R Violin Oboe And Piano/ Two Violins And Piano Max Seiffert READ ONLINE
Bach, J.S. Concerto In C Minor, BWV 1060R Violin Oboe And Piano/ Two Violins And Piano Max Seiffert READ ONLINE Amazon.com: Bach, J.S. - Concerto in c minor, BWV 1060R - Violin, Oboe, and Piano/ Two Violins
Chamber Concerto In D Major, RV 93 (Largo For Strings): Full Score (Qty 2) [A7279] By Antonio Vivaldi READ ONLINE
![Chamber Concerto In D Major, RV 93 (Largo For Strings): Full Score (Qty 2) [A7279] By Antonio Vivaldi READ ONLINE](/thumbs/77/76455249.jpg "Chamber Concerto In D Major, RV 93 (Largo For Strings): Full Score (Qty 2) [A7279] By Antonio Vivaldi READ ONLINE")
Chamber Concerto In D Major, RV 93 (Largo For Strings): Full Score (Qty 2) [A7279] By Antonio Vivaldi READ ONLINE If searched for the book by Antonio Vivaldi Chamber Concerto in D major, RV 93 (Largo for
SCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec
SCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec READ ONLINE If you are looking for a ebook SCHOTT BOISMORTIER
Music in the Baroque Period ( )
Music in the Baroque Period (1600 1750) The Renaissance period ushered in the rebirth and rediscovery of the arts such as music, painting, sculpture, and poetry and also saw the beginning of some scientific
Voice Audition Information Fall 2018
Voice Audition Information Fall 2018 Opera Admission to all Opera Ensembles is by audition only. Ensemble credit is an essential and required component of your degree completion and SFCM offers a number
SPECIALISATION in Master of Music Professional performance with specialisation (4 terms, CP)
University of Music Franz Liszt Weimar Special requirements for the audition SPECIALISATION in Master of Music Professional performance with specialisation (4 terms, 90 + 30 CP) Specialisation Early Music
SYLLABUS 2019 INSTRUMENTAL Provisional Timetable Thursday 14 th February
SYLLABUS 2019 INSTRUMENTAL Provisional Timetable Thursday 14 th February Friday 15 th February After 2.30pm Saturday 16 th February Piano & Instrumental Piano & Instrumental + The concerto classes Piano
YSTCM Modules Available to NUS students in Semester 1, Academic Year 2017/2018
YSTCM Modules Available to NUS students in Semester 1, Academic Year 2017/2018 Yong Siew Toh Conservatory of Music modules are divided into these categories: 1) General Education Modules (Human Cultures
Audition Information. Audition Repertoire
Audition Information Audition Dates Auditions are held in February. Exact dates, times, and locations will be directly communicated to the applicant approximately one month before the scheduled audition.
Mary Baker Russell 116: Cheney Music Education Rm
Mary Baker Russell 116: Cheney Music Education Rm Monday, November 12, 2018 9:15 AM - 10:05 AM Registrar's Office CRN: 20750 MUSI-440-01 Intro to General Music Methods 11:15 AM - 12:05 PM Registrar's Office
Vivaldi: Concerto in D minor, Op. 3 No. 11 (for component 3: Appraising)
Vivaldi: Concerto in D minor, Op. 3 No. 11 (for component 3: Appraising) Background information and performance circumstances Antonio Vivaldi (1678 1741) was a leading Italian composer of the Baroque period.
Worship Choir, p. 1 2 = singers (once a month) at Nine & Eleven updated September 18 Vocal Ensemble, p. 3 = singers at Eleven
WORSHIP CHOIR and FESTIVAL CHOIR (plus other opportunities!) Rehearse two Thursday nights before a singing Sunday. Worship Choir sings on First Sundays at both Nine & Eleven! Festival Choir sings three
Dolce Suono Ensemble Presents Court and Country on April 17, 2016, Música en tus Manos on May 17, 2016, and touring engagements
Mimi Stillman, Artistic Director 135 N. 22 nd St. Philadelphia, PA 19103 215-665-1816 www.dolcesuono.com For Immediate Release March 28, 2016 Philadelphia, PA Dolce Suono Ensemble Presents Court and Country
2018 ENSEMBLE CONNECT LIVE AUDITIONS
2018 ENSEMBLE CONNECT LIVE AUDITIONS LIVE AUDITIONS WILL TAKE PLACE IN NEW YORK CITY AS FOLLOWS: Monday, March 5, 2018, 9 AM 8 PM at Carnegie Hall Tuesday, March 6, 2018, 9 AM 8 PM at Carnegie Hall Wednesday,
July 16, Dear Instrumental Student:
July 16, 2018 Dear Instrumental Student: We hope you are enjoying the summer and looking forward to the beginning of the fall semester! As we begin our preparations for the upcoming year, we want you to
INSTRUMENTAL MUSIC & CHOIR
INSTRUMENTAL MUSIC & CHOIR 2017 2018 School Year Instrumental Music Band, Guitar, Keyboarding or Strings Offered for Hickman Charter students in grades 4 through 8. Class descriptions and reminders regarding
Suite III For Saxophone Solo By J.S. Bach READ ONLINE
Suite III For Saxophone Solo By J.S. Bach READ ONLINE Download Air On The G String (from Suite No.3 in D Major) sheet music for Alto Saxophone by J.S. Bach. 2 J.S. Bach: Air On The G String (from Suite
HOMEWORK CHAPTER Which of the following letter schemes best represents the formal play of a da-capo aria a. AAAAA b. ABCA c. AAB d. ABA e.
Julianne Baird, Music History II HOMEWORK CHAPTER 17 1. Which of the following letter schemes best represents the formal play of a da-capo aria a. AAAAA b. ABCA c. AAB d. ABA e. AABB 2. Which of the following
7th - 21th July 2018
SUMMER ACADEMY 7 th - 21 th July 2018 SUMMER ACADEMY 7 th - 21 th July 2018 It s with joy that La Petite Bande, the world-renowned baroque orchestra, born back in 1972 and still nowadays particularly appreciated
INSTRUMENTAL MUSIC & CHOIR
INSTRUMENTAL MUSIC & CHOIR 2018-2019 School Year Instrumental Music - Band, Guitar, Keyboarding or Strings Offered for Hickman Charter students in grades 4 through 8. Class descriptions and reminders regarding
First day: Saturday, July 16, 2016
Welcome to the 201 6 Omaha Conservatory of Music Summer Institute! We are extremely excited that you have decided to take advantage of this musical opportunity. It s going to be a great week of music making!
Vivaldi: Concerto For French Horn & Piano By A. Vivaldi
Vivaldi: Concerto For French Horn & Piano By A. Vivaldi Tylsar French horn Tylsar French horn, The Prague Chamber Concerto in E Flat Major for 2 French Horns and Orchestra. VIVALDI - Concerto in F Major
George Frideric Handel - Cello Sonata No.1 In G Minor - Hwv364a - A Score For The Cello By George Frideric Handel READ ONLINE
George Frideric Handel - Cello Sonata No.1 In G Minor - Hwv364a - A Score For The Cello By George Frideric Handel READ ONLINE If searched for the ebook George Frideric Handel - Cello Sonata No.1 in G Minor
Royal Conservatory School Summer Camps 1
1 GET READY FOR CAMP! ROYAL CONSERVATORY SCHOOL Summer Camps Are you looking for a vibrant summer camp where your child can explore their creative potential while meeting new friends? Whether new to music
3 against 2. Acciaccatura. Added 6th. Augmentation. Basso continuo
3 against 2 Acciaccatura One line of music may be playing quavers in groups of two whilst at the same time another line of music will be playing triplets. Other note values can be similarly used. An ornament
Department of Music Events Schedule Spring 1997
Department of Music Events Schedule Spring 1997 All events in Filene Recital Hall unless otherwise noted. Sunday, February 9 at 3 p.m. Faculty Recital Ann Alton, cello with David Buechner, piano Performing
Workshop Location Weigel Hall, The Ohio State University School of Music, 1866 College Rd.
1 The 2015 Ohio State University July 5-11, 2015 String Teacher Workshop (12.22.14) Workshop Location Weigel Hall, The Ohio State University School of Music, 1866 College Rd. Daily Schedule ( = Instrument
2018 ENSEMBLE CONNECT LIVE AUDITIONS
2018 ENSEMBLE CONNECT LIVE AUDITIONS LIVE AUDITIONS WILL TAKE PLACE IN NEW YORK CITY AS FOLLOWS: Monday, March 5, 2018, 9 AM 8 PM: WOODWINDS Tuesday, March 6, 2018, 9 AM 8 PM: WOODWINDS, BRASS, and PERCUSSION
History of Music II: Late Baroque and Classical MUS 133b, Spring 2016 Tuesday/Friday 11:00 a.m. to 12:20 p.m. Slosberg 212
Brandeis University Instructor: Minji Kim, Ph.D. Music Department Office: Slosberg 225 mkim@brandeis.edu TF: Charles Stratford chs@brandeis.edu Office Hours: By appointment History of Music II: Late Baroque
Forthcoming workshops and events for your diary:
Forthcoming workshops and events for your diary: 11 December: Christmas music with David Allinson 8 January: Revels. Afternoon workshop with David Hatcher Seasonal music. Venue: Middleton Hall 12 February:,
Music Burkholder Reading Questions
Music 332 - Burkholder Reading Questions Free Advice: Begin by reading each chapter without the questions at hand. Next, read each question and begin to reread the chapter, jotting down your answers as
Audition Packet
Audition Packet 2018 2019 GeorgiaYouthSymphony.org Dear Musician, Welcome to the GYSO 2018 2019 auditions! We re excited to have you be a part of the GYSO family for the upcoming season. Enclosed in this
2018 SUMMER MUSIC CAMP SCHEDULE
2018 SUMMER MUSIC CAMP SCHEDULE Sunday, June 24 th 2:00-5:00 pm Registration/Dorm Check-in/Auditions/Foundations check for All Campers Music Recital Hall, Lobby, and North Hallway (Immediately after you
Green Lake Festival of Music
Green Lake Festival of Music Choral Institute July 19 22, 2018 Ripon College C.J. Rodman Center for the Arts Ripon, WI Artwork by Josefien Stoppelenburg Dreams of Friends & Music Make friends, bring your
Audition Packet
Audition Packet 2017 2018 GeorgiaYouthSymphony.org Dear Musician, Welcome to the GYSO 2017 2018 auditions! We re excited to have you be a part of the GYSO family for the upcoming season. Enclosed in this
ASTA CMI AT KEAN UNIVERSITY COMPLETES SECOND SEASON!
American String Teacher s Association of New Jersey Chamber Music Institute 2008 Kean University, Union, New Jersey Session I: July 27-August 2, 2008 Session II: August 3 August 9, 2008 NOTE: THIS ARTICLE
Chapter 10. Instrumental Music Sunday, October 21, 12
Chapter 10 Instrumental Music 1600-1750 Instruments of the Baroque Era The Violin Baroque violin was similar to the modern violin but differed in ways that gave it a sweeter, more rounded tone Instruments
Flute Sonata BWV 1031
Flute Sonata BWV 1031 by J. S.Bach Transposed from Eb major to G Major ForAlto Recorder and Keyboard and typeset by Peter Billam Peter J Billam, 1999 This score is offered under the Creative Commons Atibution.0
Indiana University College Audition Preparation (CAP) Tentative Daily Schedule Sunday July 22, 2018
Tentative Daily Schedule Sunday July 22, 2018 2-4pm Registration Read Hall Center Lobby 125 South Jordan Ave. Bloomington, IN 47406 812-855-5586 ***4:30-5:30pm Orientation Read Hall Center Lobby*** Tour
BANK OF AMERICA CHAMBER MUSIC
BANK OF AMERICA CHAMBER MUSIC GEOFF NUTTALL, THE CHARLES E. AND ANDREA L. VOLPE DIRECTOR OF CHAMBER MUSIC ARTISTS Composer in residence/cello Countertenor Tenor Flute/Piccolo Oboe Clarinet Bassoon French
Mary Baker Russell 116: Cheney Music Education Rm
Mary Baker Russell 116: Cheney Music Education Rm Monday, November 5, 2018 9:15 AM - 10:05 AM Registrar's Office CRN: 20750 MUSI-440-01 Intro to General Music Methods 10:30 AM - 11:00 AM Music Music Department
The Baroque Period: The Romantic Era: th & 21st Century Classical Music: 1900-Present day. Course work and revision materials
Course work and revision materials The Baroque Period:1600-1750 The Romantic Era: 1810-1900 20th & 21st Century Classical Music: 1900-Present day www.creativeartsmusic.wordpress.com Name:... Class:...
Chamber Music Traced through history.
Chamber Music Traced through history. Definition What is Chamber Music? Webster definition: instrumental ensemble music intended for performance in a private room or small auditorium and usually having
Extra-Curricular Music Activities
Extra-Curricular Music Activities 2018-2019 For further information please contact the Music reception Telephone: 01509 283770 during term time between 8am and 4pm Email: music.office@lsf.org Ensemble
ABOUT THE QCSYE. generally rehearses on Sundays from 3:30 5:15 p.m.
ABOUT THE QCSYE The Quad City Symphony Youth Ensembles (QCSYE) program consists of six performance groups (four youth orchestras and two youth choirs) for students in grades two through twelve. Under the
Cox Communications Young Artists Concerto Competition 2018
The Las Vegas Philharmonic presents Cox Communications Young Artists Concerto Competition 2018 Saturday, May 12 th, 2018 @ CSN Cheyenne Campus Open to all Nevada students aged 10-18 who attend a Nevada
GRADUATE AUDITION REQUIREMENTS
University of Oregon School of Music and Dance Graduate Audition Requirements 2014-15 GRADUATE AUDITION REQUIREMENTS The purpose of the entrance audition is to provide an opportunity for you to represent
2018/19 Season. Elisa Citterio Music Director. Ivars Taurins Director, Tafelmusik Chamber Choir. Subscribe and save! (416) tafelmusik.
2018/19 Season 4 Elisa Citterio Music Director Ivars Taurins Director, Tafelmusik Chamber Choir Jeanne Lamon Music Director Emerita Subscribe and save! (416) 964-6337 tafelmusik.org MOZART 40 Sept 20 23,
Flute Sonata BWV 1031
Flute Sonata BWV 1031 by J. S.Bach Transposed from Eb major to G Major ForAlto Recorder and Keyboard and typeset by Peter Billam Peter J Billam, 1999 This score may be freely photocopied, and redisibuted
Piano Study. Peter Billam. Solo Piano. Peter J Billam, 1994
Piano Study Peter Billam Solo Piano Peter J Billam, 1994 This score may be reely photocopied, and redistributed in paper orm. It may be reely perormed to live audiences; perorming rights are waived. It
12 Concerti Grossi, Op.6 (Concerto No.6 In F Major): Full Score [A1137] By Arcangelo Corelli READ ONLINE
![12 Concerti Grossi, Op.6 (Concerto No.6 In F Major): Full Score [A1137] By Arcangelo Corelli READ ONLINE](/thumbs/82/84772483.jpg "12 Concerti Grossi, Op.6 (Concerto No.6 In F Major): Full Score [A1137] By Arcangelo Corelli READ ONLINE")
12 Concerti Grossi, Op.6 (Concerto No.6 In F Major): Full Score [A1137] By Arcangelo Corelli READ ONLINE If looking for the book 12 Concerti Grossi, Op.6 (Concerto No.6 in F major): Full Score [A1137]