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- Geoffrey Atkinson
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1 2 Performance Notes This piece provides a good ringing foundation for choirs who are early in their formation Repeated patterns provide elements for quick learning when those patterns are isolated and rehearsed The steady quarter-note rhythms, especially in the bass, provide an opportunity for teaching that all notes of the same value don t have the same weight Take care not to allow the handbell musicians to bang away at the steady quarter rhythm Additionally, the quarter-half-quarter patterns allow the opportunity to teach that the weight or accent in 4 can be on beat 2 They will help produce a more musical product Tempo changes provide added opportunity for teaching your choir to watch the conductor I hope you enoy playing this piece! EVIEW EVIE W EVIEW EVIEW An internationally acclaimed conductor, composer, and performance arts educator, Tim Waugh is well known in many performance mediums, including handbells, choral, church music, and musical theater Early in his career, he became noted for his work in conducting and teaching children and youth, and he is excited to continue those pursuits while working with children of all ages! He is a tireless champion for performance arts in the church, classroom, and community His continued work in music follows his retirement from a career spanning over 33 years of public school music education with award-winning choral groups in southern West Virginia, as well as serving many churches throughout Southern West Virginia and Charlotte, North Carolina VIEW EVIEW EVIEW His conducting, workshop, and performance travels have taken him to almost every US state and to Puerto Rico, Venezuela, Hong Kong, Canada, England, and Ireland He has actively founded community choruses and music festivals and has conducted or chaired many festivals for children s choir, middle and high school choirs, and bell festivals for all ages EVIEW EVIEW IEW EVIE EVIEW EVIEW W EVIEW EVIEW E
2 4 7 To Edmund Tompkins, ounding President of Charlotte Bronze Handbell Ensemble optional optional Handbells used: 17, 25 EVIEW EVIE W EVIEW EVIEW 2 octave choirs omit notes in Moderato (q = ) Repton Reminiscence for 2 3 octaves of Handbells VIEW REPTON, by C Hubert H Parry Arranged by Timothy H Waugh (ASCAP) Copyright 2014 by Alfred Music All rights reserved Printed in USA To purchase a full-length recording of this piece, go to alfredcom/downloads J f J EVIEW EVIEW EVIEW EVIEW 3 IEW EVIE EVIEW EVIEW W EVIEW EVIEW E
3 EVIEW EVIE W EVIEW EVIEW VIEW f EVIEW EVIEW 22 EVIEW EVIEW IEW EVIE EVIEW EVIEW W EVIEW EVIEW E
4 P EVIEW EVIE W EVIEW EVIEW 34 A little slower p ( ) ( ) n w * 0 0 VIEW cresc rit 37 EVIEW EVIEW 0 0 * Echo applies to all half notes in measures EVIEW EVIEW IEW EVIE EVIEW EVIEW W EVIEW EVIEW E 5
5 P 0 0 EVIEW EVIE W EVIEW EVIEW rit 45 Tempo I f J rit 48 J Maestoso VIEW EVIEW EVIEW EVIEW EVIEW IEW EVIE W EVIEW EVIEW E EVIEW EVIEW
6 EVIEW EVIE W EVIEW EVIEW ( ) Sk~~~~~~~~~~~~~~~~~~ 60 w 55 VIEW ( ) EVIEW EVIEW R U 61 w EVIEW EVIEW U w 7 IEW EVIE EVIEW EVIEW W EVIEW EVIEW E
OGEHR Festival 2019 Peace by Piece. Rehearsal Notes: Copper A Repertoire
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2 00-522 PEFOMANCE NOTES Dan Edards arrangement of this early American hymn tune captures the vibrancy and earthiness of the shaped-note era Checking out shaped-note singing groups online ill help ringers
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2 Mazurka in F Maor, O 68, No 3, y Fryderyk (or Frédéric) François Choin, comosed 1829, ulished osthumously in 1855 (originally written for iano) A Choin classic literally srings to life on handells Choin
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2 Perormance Notes Precision in ringing ill help convey the maestic nature o this arrangement Preparing on the and eore each note ill help ells ring together on the eat or smaller rhythm values, ringers
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