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1 2 Editor s Note Wolgang Amadeus Mozart ( ) was one o the most signiicant coosers o the Viennese Classical style and is revered today as one o the greatest coosers o all time. Mozart was a tremendously talented cooser in the many orms o the Classical era, including operas, syhonies, concertos, chamber works, sonatas, choral works, arias, and songs. His works are highly revered or their beautiul melodies and rich harmonies. Born in Salzburg, Austria, Mozart s genius was apparent at a very early age. He became a wellknown perormer in many European cities by his early teens, eventually serving as concertmaster or the Archbishop o Salzburg. In 1781, ater becoming discontented with his low salary and the lack o opportunity or more opera coosition in Salzburg, Mozart quit the position and settled in Vienna. Achieving many successes in Vienna, he became known as the inest keyardist in the city, and he coleted a variety o works, including piano concertos and operas. Although he became amous or a while, Mozart s career and inances gradually declined. He spent his remaining years without the security o a permanent position while struggling or recognition and commissions. This publication provides the opening portion o the Gloria ound in Mozart s Missa Solemnis, K Also known as the Orphanage Mass (Waisenhausmesse), it was written when Mozart was only twelve years old or the dedication o the new orphanage church in Vienna. Mozart conducted its irst perormance on December 7, 1768 at Father Parhammer s orphanage church in the presence o a distinguished gathering that included the ierial court. In accord with the grandeur o the occasion, this iressive and ullscale missa solemnis (solemn mass) was coosed with an extended treatment o the text by the mixed choir, S.A.T.B. soloists, and an elarate accoaniment, including brass and tiani. The source or this edition is W. A. Mozart s Sämtliche Werke, I, published by Breitkop and Härtel ( ). Scored originally or S.A.T.B. voices with an accoaniment o oes, truets, tromnes, strings, continuo, organ, and tiani, this arrangement or 3part mixed voices includes a piano reduction o the instrumental parts as the accoaniment. Modern cles, dynamics, and the teo marking have been added by the editor. Additionally, the editor has included the introduction o two measures and a repetition o the opening Gloria rerains, beginning at measure 26. This joyous setting should be perormed very energetically and rhythmically, always ehasizing the normally stressed syllables. Accent marks are indicated over those syllables in the ollowing pronunciation guide. REVIEW IEW EW IEW IEW IE IEW IEW IEW IEW VIEW IEW IEW IEW IEW PR Latin Pronunciation Guide Glori in excelsis Deo. Gláwreeh een ehkshéhlsees Déhw. IEW Legal IEW Use Requires IEW IEW Purchase IE Et in terra pax hominibus nae voluntatis. Eht een téhrah pahks awmeéneeos báwneh vawloontáhtees. Translation: Glory to God in the highest. And on earth peace to men o good will. EVIEW IEW IEW IEW IEW W IEW IEW IEW IEW

2 Edited and Arranged by PATRICK M. LIEBERGEN PIANO 3 GLORIA rom Missa Solemnis, K. 139 or 3part mixed/s.a.b. voices and piano with optional PianoTrax CD* Joyously and rhythmically (q = ca. 100) REVIEW IEW EW IEW IEW IE PART I (Soprano) Music by WOLFGANG AMADEUS MOZART ( ) PART II (Alto) PART III (Baritone) in ex cel sis * Also available or S.A.T.B. (37865). PianoTrax 4 Accoaniment CD available (35870). Copyright 2012 by Alred Music Publishing Co., Inc. All Rights Reserved. Printed in USA. To purchase a ulllength perormance recording o this piece, go to alred.com/downloads IEW IEW IEW IEW VIEW IEW IEW IEW IEW PR IEW Legal IEW Use Requires IEW IEW Purchase IE W IEW IEW IEW IEW 3 EVIEW IEW IEW IEW IEW

3 4 6 9 m Et Et m bus nae vo lun ta tis. bus nae vo lun ta tis. bus nae vo lun ta tis. in ter ra pax ho mi ni in ter ra pax ho mi ni Et in ter ra pax ho mi ni m m REVIEW IEW EW IEW IEW IE IEW IEW IEW IEW VIEW IEW IEW IEW IEW PR IEW Legal IEW Use Requires IEW IEW Purchase IE EVIEW IEW IEW IEW IEW W IEW IEW IEW IEW

4 15 12 glo ri a in ex REVIEW IEW EW IEW IEW IE glo ri a in ex glo ri a in ex cel cel cel IEW IEW IEW IEW sis Et in ter ra pax ho sis Et in ter ra pax ho sis Et in ter ra pax ho VIEW IEW IEW IEW IEW PR IEW Legal IEW Use Requires IEW IEW Purchase IE W IEW IEW IEW IEW 5 EVIEW IEW IEW IEW IEW

5 mi mi mi ni bus nae vo lun ta tis, ni bus nae vo lun ta tis, REVIEW IEW EW IEW IEW IE nibus nae vo lun ta tis, IEW IEW IEW IEW nae vo lun ta tis, nae vo lun ta tis, nae vo lun ta tis, nae nae VIEW IEW IEW IEW IEW PR nae IEW Legal IEW Use Requires IEW IEW Purchase IE EVIEW IEW IEW IEW IEW W IEW IEW IEW IEW

6 24 26 vo vo vo lun ta tis. REVIEW IEW EW IEW IEW IE lun ta tis. lun ta tis. in ex cel sis IEW IEW IEW IEW VIEW IEW IEW IEW IEW PR IEW Legal IEW Use Requires IEW IEW Purchase IE W IEW IEW IEW IEW 7 EVIEW IEW IEW IEW IEW

7 glo ri a, glo ri a, glo ri a, glo ri a De glo ri a De De REVIEW IEW EW IEW IEW IE IEW IEW IEW IEW VIEW IEW IEW IEW IEW PR o. o. IEW Legal IEW Use Requires IEW IEW Purchase IE W IEW IEW IEW IEW o. EVIEW IEW IEW IEW IEW

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