Screaming Whispers For Violoncello, Percussion (Vibraphone and Marimba), and Piano

Transcription

1 Anthony Cornicello Screaming Whispers For Violoncello, Percussion (Vibraphone and Marimba), and Piano Duration: 7 minutes 2000 (revised and corrected version, September, 2000)

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3 General Notes: 1. Unless noted, all trills are executed with the note one-half step above the main note. 2. This indicates an accelerando, within the indicated duration:. The following indicates that the grace note begins at the indicated duration. The grace notes should be played quickly and freely. Violoncello 1. Exaggerate the bow pressure on the string to produce a noise-like sound an octave lower: 2. Ricochet legno, left hand lightly stops strings to prevent distinct pitch of open strings; pitch heard is the result of the distance between bow and bridge as bow bounces from pont to tasto.. In measure, the violoncello should produce harmonics only, either by the molto sul pont bowing, or if possible, by a quick switch to a fingered harmonic (producing a note an octave above the written pitch). Percussion 1. Play the following figure with the mallet handles; a distinct series of pitches should not be produced. 2. The vibraphone harmonics in measures 2-4 are produced by striking the front or side of the bar with a metal beater.. The Rtr symbol indicates the trill is a rapid alternation of the main note and the two indicated notes. Piano The bisbigliando passage indicates that the arpeggiations are to be repeated freely (not strictly repeating the order of notes, and not in time with the ensemble.

4 Violoncello Calm, yet intense, = 0 Screaming Whispers Anthony Cornicello Vibraphone/ Marimba Vibraphone (motor off) soft mallets (con Ped.) Calm, yet intense, = 0 Piano con Ped. (non cresc.) non trem. Marimba to sonoro (con Ped.) 9 gliss. gliss. gliss. gl. motor on Mar. Copyright 2000 by Anthony Cornicello

5 2 1 gliss. non trem. gliss. gliss. (Mar.) più 17 non trillo (Mar.) to in rilievo 21 gliss. poco rubato quasi-trillo en dehors (non gliss.) gl. gliss. sempre espr. poco Mar. ad lib., not in synch. with others bisbigliando, mormorando (con Ped.)

6 24 (Mar.) tremolo slows (poco rubato) ad lib. ben (in tempo) to (med. mallets) 27 A molto poco med. mallets A slow tremolo trem. accel. fast trem. con Ped. 0 molto gl. gl. () Mar. con Ped. più 7 7 più

7 4 gl. gl. gl. molto gl. gl. gl. () Mar. marc. B Mar., mallet handles B (non cresc.) 9 poco accel. = 72 () () Mar. poco accel. = 72 non cresc.

8 42 molto molto più (get brass mallet) 4 C molto (col Vcl.), (med. mallets) Mar. C (rit. accel.) 48 gl. (Mar.) con Ped.

9 1 poco accel. (impetuoso) gliss. molto cresc. Mar. molto (quasi accel.) 7, with brass beater poco accel. (impetuoso) 4 (molto ) ( = ca. 80) Harmonics only (no fundamental) D Tempo primo ( = 0) () (med. mallets) put down metal beater più ( = ca. 80) D Tempo primo ( = 0) molto 9 () con Ped.

10 7 2 () E en dehors (non trill) () E sonoro 9 poco a poco accel. Mar. poco a poco accel. più poco marc.

11 8 72 più Mar. F 74 Vivace = 90 F Vivace = 90 molto ritmico 7 sim. molto

12 9 78 pizz. () con Ped. 80 (sul A) () 82 arco gliss. sul C ()

13 10 8 () 88 () 92 (sul C) slow gliss. () sempre legato con Ped.

14 11 9 molto () to Mar. con Ped. cresc. poco a poco 100 non trillo G vib. molto gliss. molto Mar. G (cresc.) molto 104 (Mar.) molto

15 (Mar.) R R H 110 = 112 get hard mallets, hard mallets H = 112 en dehors 114 ()

16 1 118 () 122 () 12 () cresc.

17 I = 80 () en dehors I = 80 poco 11 () 1 () 8

18 1 18 () 8 8 J 141 () Mar. dim. J (con poco Ped.) 14 gliss. gliss. (Mar.)

19 1 148 gliss. gliss. (Mar.) marc. dim. 11 non trem. gliss. (sounding pitch) più (Mar.) marc. 1, soft mallets dim. May 1, 2000 July, 2000 Westborough, MA