V (D) i (gm) Except for 56-7,63-8 Flute and Oboe are the same. Orchestration will only list Fl for space purposes

Transcription

1 Measure # Intro Motve 1 A Motve 1 B - "Wakarathe" Dynamcs mp terraced dymancs to mm.7 p Moderately fast and lght (quarter=96) 3 G Mnor motve 1 con't mp melody mp melody Harmonc Moton Ostnato Except for 56-7,63-8 Flute and Oboe are the same. Orchestraton wll only lst Fl for space purposes Orchestraton Expresson Conductng Consderatons LB/WW bass and ostnato Add Fl/Cl/AS/H n Add Trb Add Trp = all playng - Fl/Cl, echo mtv 1 n Trb Contrast between staccato (mm.1-2) and legato (startng n mm. 3) Lght accomp.- Emulate a strng bass pluck. Allow dyn to follow note lne *score calls for BD to be used only f no Tmp (m.1-21) Plastc mallets for bells. Don't normally see two voces at a tme n ths grade, but ths s an easy enough start brng out TS/Trb/ Bar lne Notce ostnato changes voces Cl2/Trp2 changes back. Make sure voces match length Trp melody, Cl2/AS/Hn ostnato LB.WW bass lne Melody must be lght wth space, but not choppy Challenge LB/WW to be exact wth smple rhythm and artculaton Fl/Cl1 melody

2 Measure # B - Partal, same melody, dff. key Dynamcs mp mf A - partal, last 1/2 of phrase A extenson < < < C - wth motve 1 as accompanment B - partal I - (Eb Major) g/f g/e Con't II7 (A7) v (dm) v (cm) /III (F) III (Bb) Harmonc Moton Descendng half notes Parallel 3rds Descendng Chromatcs - w/ -v's Orchestraton Expresson Conductng Consderatons exaggerate cresc. Orchestraton. Fl/Cl1/Trp1 Melody, TS/Trb1/Bar Ostnato, Cl2/AS/Trp2/Hn descendng half notes, LB/WW bass lne brng out desc. Dotted halfs (Cl2/AS/Trp2/Hn) BD plays wth or wthout tmp. Ostnato changes voces. Notce same melody, dfferent tonalty (mnor vs. major) How does that change the feel m.25 - drop Perc Once tempo s establshed, move to '1' (opt.) Stress that movng 8th note lnes move together, and phrase dynamcally together Same general Orchestraton as mm.21. Cl2/AS/Trp2/Hn/Trb1 Desc. Chrom. Peak of 1st half lght on chromatcs Brng out desc. chromatcs. Ths s the new voce Fl/Cl1 Desc. Halfs Legato desc. Halfs

3 Measure # A - partal Motve 1 Motve 2 D - "Abot Tangewuo" Motve 2 Fast wth sprt (quarter-120) Dynamcs mp p f mf f mp Eb Major Harmonc Moton open 5ths each measure: I I rest I I rest (mtv 2) Orchestraton Melody- Fl/Cl1/AS2/TS/Trp1/H n/bar orchestr. aggressve Trp melody, all but Fl/Bsn/Trb play mtv 2 ostnato bouncy orchestr. LB/ WW 8ths Expresson forceful 5 measure phrase super lght Conductng Consderatons Decresc. s mportant n settng up contrast on offset parts Challenge accomp. play artculatons accurately. vs. Use SD as example. f vs rm taps wth earler statement

4 Measure # Dynamcs mp f mp mf dm cont D - melody splt between Flute and Clarnet Motve 2 I I II Eb Ab F Bb D - Canonc entrances F Major B - melody wth contnued D accom. Lstesso 3 Harmonc Moton Same harmonc progressonas mm.5-53 key change UP desc. Dotted half notes Orchestraton Expresson Fl mel. Fl mel. Pattern lght, touch each entrance gently orchestra. Trp enter Fl/mlt enter marcato cue each entrance of theme TS/Hn/Ba r enter LB 8th ost. cue 8ths Fl/Cl1 melody, Cl2/AS/Hn/Mlt desc halfs, LB/WW bass DIM! Students wll mss f you don't show Conductng Consderatons Force 8th note accomp. to lsten to Fnger cym. Ths wll ensure they are soft enough. Strve for lght tongue. Keep from usng cued tuba f possble. Too heavy wth earler statement Stress that each part be heard and even. Only use cues f part s needed. Wll be too much otherwse 8th note accomp. must be lght. Agan, avod usng tuba f possble. Tmp should be enough. BS s a better opt.

5 Measure # Dynamcs p perc ff Harmonc Moton Orchestraton thru band perc all on 1 Expresson canon entrances < 2 8ths passed forceful last note Conductng Consderatons 8th note pyramd needs to sound as one don't allow band to cresc. Only perc. Make sure t s enough