UnGrounded BASE ( ) Kathryn Salfelder. Kon Brio Music (ASCAP)

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1 UnGrounded BASE ( ) Kathryn Salelder Kon Brio Music (ASCAP)

2 Program Note: is a double entendre on the term "ground bass," the coositional device o the seventeenth century, in which a series o variations occurs over a recurring bass line. The seven itches o this descending chromatic bass (B A# A G# G F# F) dier rom historical ractice with the addition o the inal itch (F), which obscures the tonic/dominant relationshi o B-F#. Unlike earlier reertoire (rom the keyboard works o Couerin and Frescobaldi to Beethoven's 2 Variations in C Minor and the inale o Brahms' Syhony #4, to name a ew exales), each itch o the chromatic bass is not assigned the same duration. This obscures the listener's ability to trace the ground bass line. The work is structured on a modiied sonata orm. The irst theme, rooted in the harmony o the chromatic bass, is an ascending gesture introduced by the solo cello at the onset o the work. The more distant and haunting second theme integrates the ground bass as a melodic line. This theme quotes the recitative that recedes Purcell's When I Am Laid in Earth (also known as "Dido's Lament"), rom his oera Dido and Aeneas, an aria requently reerenced in music history texts as an exale o ground bass, chaconne, and chromatic exressivity in late-seventeenth-century music. Develoment ensues, and the mirror recaitulation resents the two themes in reverse order. Uon arrival at the irst theme, the bass line is let uninished; the brass section continues its ascent, rising to a soaring conclusion. was commissioned by the United States Air Force Band, Washington D.C., as a ollow-on commission to Cathedrals, winner o the 2009 United States Air Force Arnald D. Gabriel Award. Perormance Notes: Accidentals remain in eect or the duration o the measure at the octave in which they occur. They are sometimes rewritten within a measure or clarity. Glissandi occur over entire note durations; grace notes occur beore the beat; trills receded by the same itch should be aroached rom above. Dotted slurs indicate hrasing Perormance time: c. 8'15" Instrumentation Piccolo Flute 1 & 2 Oboe 1 & 2 Eb Sorano Clarinet Bb Clarinet 1, 2 & Bb Bass Clarinet Bassoon 1 & 2 Eb Alto Saxohone 1 & 2 Bb Tenor Saxohone Eb Baritone Saxohone C Truet 1, 2, & 4 Horn in F 1, 2, & 4 Trombone 1 & 2 Bass Trombone Euhonium Tuba Cello String Bass Har Tiani Percussion 1: Triangle, 4 Tom-Toms, Orchestral Bells (shared w/), Large Sus. Cymbal (shared w/), Crotales (1 octave - low) Percussion 2: Vibrahone, Bass Drum, Orchestral Bells (shared w/), Large Sus. Cymbal (shared w/) To the Conductor: may be erormed one-on-a-art (with two layers on each Clarinet 1, 2 & ) or with additional doublings at the conductor s discretion. The oening directive, "Intensely; With a Focused, Driven Sound," remains in eect until Meas. 0, irresective o teo marking.

3 Transosed Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 Intensely With a Focused, Driven Sound Teo I (q = 152) Commissioned by the United States Air Force Band, Washington D.C. Kathryn Salelder Clarinet in Eb Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Eb Alto Saxohone 1 Eb Alto Saxohone 2 Bb Tenor Saxohone Eb Baritone Saxohone Truet in C 1 Truet in C 2 Truet in C Truet in C 4 Horn in F 1 Horn in F 2 Horn in F Horn in F 4 Trombone 1 Trombone 2 Bass Trombone Euhonium Tuba Violoncello Double Bass Har Tiani (Tri, 4 T-toms, Bells, Crot., Sus. Cymb.) (Vibes, B.D., Bells, Sus. Cymb.) sz div. solo bisb. C sz sz div. Coyright 2012 Kon Brio Music (ASCAP) International Coyright secured. All Rights Reserved. Coying or reroducing this ublication in whole or in art violates the Federal Coyright Law sz Intensely With a Focused, Driven Sound sere D Cb B E F Gb A div. Teo I (q = 152) Vibrahone, hard yarns Triangle sz sz cu mute cu mute cu mute cu mute

4 2 8 Teo II (q = 72) Cl. n unis. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 (cu mute) Hn. Euh. H. Ti. esressivo, en dehors 0 D # D (vibes) Teo II (q = 72)

5 Cl. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. Piu agitato (q = 76) 16 oco marc. oco marc. oco marc. sub oco marc. oco marc. allarg... oco marc. oco marc. sz oco marc. 16 Piu agitato allarg... (q = 76) oco marc. oco marc. oco marc. unis. oco marc. oco marc. oco marc. solo, esressivo oen oco marc. oco marc. oco marc. oco marc.

6 4 Cl. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. 2 Teo II (q = 72) unis. tutti (oen) oen oen n oen esante warmly esante warmly esante warmly Teo II 2 Bass Drum warmly warmly esante warmly (q = 72) Low Tom-Tom D C B E F G A gliss. warmly warmly

7 0 Cantabile (one layer) leggiero b b sere (one layer) leggiero b sere 5 Cl. Two solo layers solo C Tt. 1 C Tt. 2 C Tt. C Tt. 4 solo, esressivo sotto voce Hn. Euh. sotto voce in stand sotto voce in stand H. Ti. 0 Cantabile (hard yarns) Vibes

8 6 4 b 6 Cl. esressivo b solo sub sub C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. sub sub Euh. izz izz H. Ti. D C# B# E F Gb A# (vibes)

9 8 7 Cl. n n b n 6 n n b sotto voce C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. cu mute cu mute solo, esressivo Euh. H. Ti. F b E b B F E 8

10 8 Cl. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. 44 n one layer muted muted solo cu mute D C# B E# F# G A# E b B # muted solo, esressivo 7 arco Teo I (q = 152) arco Teo I (q = 152)

11 50 (tutti) (tutti) 5 9 Cl. C Tt. 1 tutti tutti n n sub C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. Tri. 5 Bells Small brass mallets

12 10 Cl. C Tt C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. (bells) 61 solo

13 Cl. C Tt sub sub 11 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. Bells Small brass mallets

14 12 72 Teo II (q = 72) 79 Cl. solo C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. solo, selice sul tasto sul D non vib. solo w/vibes D# Cb Bb E F# G A C # A b 72 Teo II (q = 72) Crotales Vibes, sot yarns solo w/har sul A solo ord. sere l.v. ord. ( ) D F A 79 F #

15 Cl. n n C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. oen oen oen Euh. H. Ti. 85

16 14 Cl. 89 n C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. (vibes)

17 Cl. 9 leggiero leggiero leggiero (one layer at a time; stagger breathe) esressivo sere 15 C Tt. 1 C Tt. 2 straight mute C Tt. C Tt. 4 Hn. Euh. H. Ti. bisb. 9 D Cb Bb E# F# G# A G hard yarns esressivo

18 16 97 Cl. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. one layer, oen tutti cu mute cu mute Euh. H. Ti.

19 Cl. C Tt. 1 C Tt. 2 C Tt. C Tt solo, straight mute oen 17 Hn. Euh. H. Ti. 101 G #

20 18 Cl. 105 oco marc. oco marc. 107 oco marc. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. oco marc. oco marc. oco marc. Straight mutesz sz oco marc. oco marc. oco marc. oco marc. oco marc. oco marc. 107 Straight mute sz sz Large sus. cymbal Bass Drum

21 Tenderly, Longingly leggiero 19 Cl. one layer selice solo, cantabile C Tt. 1 C Tt. 2 C Tt. tutti oen tutti sz oen sz solo, cu mute C Tt. 4 Hn. Euh. oco marc. senza vib. n senza vib. n H. Ti. Tenderly, Longingly D C Bb E Fb G# A# 115 A Vib., hard yarns

22 leggiero solo leggiero Cl. C Tt. 1 C Tt. 2 C Tt. quasi izz sub sotto voce leggiero sotto voce sub sub quasi izz sotto voce tutti sub cu mute cu mute sotto voce solo, cantabile C Tt. 4 Hn. Euh. izz izz H. Ti. G 12 (vibes)

23 Cl. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. cu mute cu mute cu mute muted muted muted muted cu mute cu mute 12

24 Cl. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. oco oen oco oco oen oen oco oen sub oen oen oen sub sub oen sub oen sub oen Euh. H. Ti. 17 arco

25 14 Pesante 2 accel. (q = 84) Cl. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. 14 Pesante Low tom-tom en dehors oen en dehors en dehors en dehors en dehors arco B.D. Sus. cymbal accel. (q = 84)

26 Driven! q = 168 Cl. tutti C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. sub sub sub sub () sub () sub Euh. H. Ti..d.l.t. D# Cb Bb E# F# Gb A# Driven! 149 q = 168

27 oco a oco cresc. oco a oco cresc. 25 Cl. tutti oco a oco cresc. oco a oco cresc. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. oco a oco cresc. oco a oco cresc. en dehors Euh. en dehors H. Ti. 157

28 26 Cl. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. 16 B Bells, med. brass mallets sere l.v.

29 Cl. C Tt. 1 C Tt. 2 C Tt C Tt. 4 Hn. Euh. en dehors en dehors H. Ti. l.v. 4 Tom-Toms

30 28 Cl. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti sub 179 (t-toms) (bells) sub sub secco l.v. l.v. secco

31 Cl. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. Euh. H. Ti. sub sub sub sub sub secco sub sub sub sub l.v. 185 gliss. gliss. secco

32 0 Cl. C Tt. 1 C Tt. 2 C Tt. C Tt. 4 Hn. 187 Euh. H. Ti. (D#) (t-toms) (bells) D# C B / E# F G# A gliss. gliss.

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