ANON: TWO-PART TREBLE AND BASS Lbl, Add. MS 10,444 VdGS No. fol r v r II/54 The Lord Hays his Masque [Thomas Lupo]; Rossiter 160
|
|
|
- Oliver Chase
- 5 years ago
- Views:
Transcription
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17 ANON: TWO-PART TREBLE AND BASS Lbl, Add. MS 10,444 VdGS No. fol r v r II/54 The Lord Hays his Masque [Thomas Lupo]; Rossiter 1609/8 II/57 The Fairey Masque Add , f.10r II/58 The Pages Masque v II/59 A Masque v II/60 The Gypsies masque v II/61 Black Fryars Masque r II/61b [no bass part] v II/62 The Tempest v II/63 A Masque v v II/65 A Masque II/66 The Sheapheards Masque r II/67 Durrance Masque r r II/68 The Lord Hayes his first Masque II/69 The Second September 2007 A-2-17
18 ANON: TWO-PART TREBLE AND BASS Lbl, Add. MS 10,444 VdGS No. fol. VB = V.Brookes: British Keyboard Music to c.1660: Sources and Thematic Index r II/70[a] The Third [Bass only] v v II/70 [b] The May-Pole [VB 690] Brade 1617/18 II/71 The Amazonians Masque v II/72 The Furies v r r II/73 The Cuckolds Masque Brade 1617/45 II/74 The first of the Ladyes, after the Cuckolds II/75 The Second v II/76 The Third v II/77 The Fourth r II/78 A Masque v II/79 Good Words for your Mony r II/80 The Second v II/82 The Lady Lucies Masque v II/86 Mary Maudling Masque v II/78 The First of the Temple r II/79 The Second of the Temple September 2007 A-2-18
19 ANON: TWO-PART TREBLE AND BASS Lbl, Add. MS 10,444 VdGS No. fol r VB = V.Brookes: British Keyboard Music to c.1660: Sources and Thematic Index II/89 The Third of the Temple v II/90 The French Morris v II/91 Graysin Anticke Masque r II/96 Fly Foul Soul Lbl: Add /24v v II/97 A Masque v II/98 The Antick Masque at Court r v II/99 Graysinne Masque [VB 762] II/100 York House Masque v II/101 The Mountebanks Dance at Grayes Inne r II/102 The Standing Masque [VB 760] r v II/103 The May-pole Dance at Grayes Inne II/104 The Goates Masque v II/105 The First of the Princes Masques r II/106 The Second September 2007 A-2-19
20 ANON: TWO-PART TREBLE AND BASS Lbl, Add. MS 10,444 VdGS No. fol. VB = V.Brookes: British Keyboard Music to c.1660: Sources and Thematic Index r II/107 The Third r II/108 The Kings Mistresse v II/109 Wilsons Loue v II/111 Waters his Loue v II/112 Broxboorn Berry Masque v II/113 The New Yeares Gift r II/115 Squiers Masque v r r II/116 The First of the Temple [VB 768] II/117 The Second [VB 752] II/118 The Third v II/119 The First of S r John Paggingtons v II/120 The Second r II/121 The Third v r II/124 The First of the Temple Masques II/125 The Second v II/126 The Third September 2007 A-2-20
21 ANON: TWO-PART TREBLE AND BASS Lbl, Add. MS 10,444 VdGS No. fol v VB = V.Brookes: British Keyboard Music to c.1660: Sources and Thematic Index II/127 The First of the Prince his Masque r II/128 The Second r II/129 The Third v II/130 Lincolnes Inne Masque v II/131 The Prince his Masque r II/132 The Apes Dance at the Temple v II/133 Grayes Inne Masque Brade 1617/ v II/134 Grayes Inne Masque r II/135 The First of the Prince his [Masque] [Robert Johnson] [VB 1838] Brade 1617/ r II/136 The Second [VB 311] Brade 1617/ v II/137 The Third Brade 1617/ v II/138 [no title] Brade 1617/19 September 2007 A-2-21
22 ANON. Airs for treble and bass VdGS No [Saraband] US-NH, Filmer 3. Treble & bass f. 90v 2276 [Jig] 85v 2277 [Air] 76r 2278 [Corant] 76r 2279 The Running Almand 75v 2280 The Port 75v 2281 Almain 74v 2282 [Almain] 74v 2283 Saraband 74r 2284 [Saraband] 74r 2285 [Air] 64r 2286 [Air] February r A-2-22
23 ANON. Airs for Treble and Bass VdGS No [Air] US-NH, Filmer 3: treble & bass f. 63v 2288 [Saraband] 63v 2289 The Globe Antick 62v 2290 Courant 62r 2291 [Saraband] 62r 2292 The Grand Masque 59v 2293 [Jig] 58r 2294 Almain 57r 2295 Ayre 57r 2296 Courant 56v 2297 Saraband 56v February 2008 A-2-23
24 ANON. Treble and Bass Mostly, if not all, French VdGS No. US-NH, Filmer 3 fol. GB-En, Panmure 2,3, [Air] 16v 2299 A French Ayre 17r 2300 A French Ayre 17r 2301 Moutarte Nouvelle 17r 2302 Tricotes 17v 2303 Triottes de blois 17v v 2305 La Princesse 17v Sir E F 2306 his French Ayre Courante 2307 de Tranelinne 18r 69v v 2309 Larobichonne 69r February 2008 A-2-24
25 ANON. Treble and Bass Mostly, if not all, French VdGS No. US-NH, Filmer 3 fol. GB-En, Panmure 2,3, La Bouree de Robichon 69r 2311 Le Boguinet 69r 2312 Courante 68v 2313 Courante 68v 2314 Moleneriser Ledernier 68r February 2008 A-2-25
26 ANONYMOUS Pieces for violin, bass viol and continuo probably of continental origin VdGS No. GB-DRc, D2 GB-DRc, D5 GB-Ob, Mus. Sch. C.80 GB-Ob, Mus. Sch. D.249 F-Pn, Rés Vm no. no. no. no. no. 801 Sonata C Sonata D [Sonata] a 5 804a [Suite] Allemande A 9 804b Courante A 9 804c Ballet A 9 804d Sarabande A 9 804e Gigue A [Sonata] d Sonata a Sonata a A-2/bc-1
27 ANONYMOUS Pieces for violin, bass viol and continuo probably of continental origin VdGS No. GB-Lbl, Add GB-HAdolmetsch II.c.25 GB-Ob, Mus. Sch. D.249 GB-Lbl, RM 20.h.9 F-Pn, Rés Vm GB-DRc, D2 no. no. no. no. no. no. 808 [Sonata C and suite] Symphonia G 231v Symphonia a 228v Sonata a 229v [Sonata] d * [Sonata] d [Sonata] a Sonata d Sonata g 27 * Also in S-Uu, IMhs 11:1 Also in Exercitum Musicum (Frankfurt, 1660), No. 5 January 2009 A-2/bc-2
28 ANONYMOUS Pieces for violin, bass viol and continuo probably of continental origin VdGS No. Key S-Uu IMhs D-W, Cod. Guelf Aug 2 o no./p. 817 Sonata a 11:9 818 Sonata G 11:4 819 Sonata a 11: Sonata Bb 11:3 821 Sonata D 11:6 822 Sonata D 5/13 January 2009 A-2/bc-2a
29 ANONYMOUS Pieces for two violins and bass/continuo probably of continental origin VdGS No. F-Pn, Rés Vm GB-HAdolmetsch II.c.25 Exercitum Musicum (Frankfurt, 1660) D-W, Cod. Guelf Aug. 2 o no. no. no. no./ page 831 Sonata g [Sonata] d [Sonata] G [Sonata] D [Sonata] D Sonata a Sonata d Sonata F La Castellina d Sonata a [b]/ adagio A 29 *ANDREAS OSWALD 842 Variata Aria d 30 *54/ 88 January 2009 A-2/bc-3
30 ANONYMOUS Pieces for two violins and bass/continuo probably of continental origin VdGS No. F-Pn, Rés Vm GB-HAdolmetsch II.c.25 Exercitum Musicum (Frankfurt, 1660) S- Uu, imhs no. no. no. 843 [Sonata] d [Sonata] a Variationes D Sonata d *G.B.BUONAMENTE :9* 847 [Sonata] e [Sonata] D [Sonata] F [Sonata] a adagio C [Sonata] F Violino è Viol d amor [Sonata] G [Sonata] C January 2009 A-2/bc-4
31 ANONYMOUS Pieces for two violins and bass/continuo probably of continental origin VdGS No. F-Pn, Rés Vm no. 855 [Sonata] a [Sonata] e [Sonata] d [Sonata] d [Sonata] e [Sonata] d adagio e [Sonata] F Viola d amour è Violino [Sonata] A La Chorista D A-2/bc-5
32 ANONYMOUS Pieces for two violins and bass/continuo probably of continental origin VdGS No. F-Pn, Rés Vm no. 865 [Sonata] D [Sonata] F [Sonata] d [Sonata] F [Sonata] C [Sonata] C [Sonata] a [Sonata] d [Sonata] d [Sonata] F [Sonata] Bb [Sonata] a 145 January 2009 A-2/bc-6
33 ANONYMOUS Pieces for two violins and bass/continuo probably of continental origin VdGS No. GB-HAdolmetsch II.c.25 GB-Lbl, Add GB-DRc, D2 D-W, Cod. Guelf Aug 2 o no. f. no. no./p. 878 Canon per arsin et thesin G Symphonia D Sonata D Sonata G * BERTALI 18 38/49 * 882 Sonata Bb Sonata a v 884 Sonata D v 885 Bergamasco D v Sonata D Sonata e v 888 Sonata g Upon a ground 2 January 2009 A-2/bc-7
34 ANONYMOUS Pieces for two violins and bass/continuo probably of continental origin VdGS No. key GB-DRc, D2 no. S-Uu IMhs 890 Upon a ground e 2 violins, viola da gamba and continuo Sonata C 11:9 892 Sonata Eb 2 violins, viola da gamba or trombone and bc 893 Sonata a 2 violins, viola da gamba or bassoon and bc 13:10 11: Sonata C 11:7 January 2009 A-2/bc-8
35 ANONYMOUS Pieces for two violins and bass/continuo probably of continental origin VdGS No. key 900 Sonata GB- Cfm: Mu no. (1) 901 Sonata (2) March 2009 A-2BC-9
36
37
38
39
40
41
42 ANON. Trios Tr Tr B Mostly, if not all, French VdGS No. 980 [Air] GB-En, Panmure 2,3,12 no. 1 Pages are torn out, so Treble I, nos. 1-2 and most of no. 3 and Treble II. nos are missing. 981 [Air] [Courant] Saraband Simphonia Air Courant Saraband Fantasie Air Gigue Saraband Pavan A-3-7 February 2008
43 ANON. Trios Tr Tr B Mostly, if not all, French VdGS No. GB-En, Panmure 2,3,12 no. 993 Air Courant Saraband 16 Iantha or Princess Royal 996 La Princesse 17 in Playford DM, Apollo s Banquet, etc Bouree de Arvis La Galliard Grand Bouree Balliris Bouree Royale Rondeau Air Air 26 A-3-8 February 2008
44 ANON. Trios Tr Tr B Mostly, if not all, French VdGS No. GB-En, Panmure 2,3,12 no [Air] [Air] [Air] Branle simple Gaij Amenet Gavot Courant Saraband Courant 36 Second treble only 1016 [Saraband] Second treble only 37 A-3-9 February 2008
45 ANON Trios Tr Tr B VdGS No. GB-Lb l, Add f Adagio 45r Giga 45v Sarabanda 46r 1023 Adagio 46v 1024 Balletto 46v 1025 Sarabande 47r 1026 Giga 47v 1027 Adagio 48r 1028 Balletto 48v 1029 Giga 49r 1030 Scalanda 49r 1031 Adagio 49v 1032 Balletto 49v September 2008 A-3-10
46 ANON Trios Tr Tr B VdGS No. GB-Lb l, Add f Giga 50r Sarabanda 50v Adagio 50v Balletto 51r Corrente 51v Sarabanda 51v Adagio 52r Balletto 52r Corrente 52v Sarabanda 52v Adagio 53r Balletto 53r Giga 53v Sarabanda 54r September 2008 A-3-11
47 Anonymous Three parts three viola da gamba 1047 Sonata a S-Uu, 11:5 January 2009 A-3-12
48
49
50
51
52
53
54
55 ANONYMOUS four-parts D-W, Cod. Guelf Aug 2 o 4 viola da gamba, bc no./p Fuga G 85/172 violin, 2 viola da braccio, violone, bc 1379 Sonata C 86/174 2 violins, viola da gamba, violone or bassoon, bc 1380 Sonata F 87/177 2 violins, trombone, bassoon, bc 1381 Sonata e 88/179 January 2009 A-4BC-1
56
57
58
59
60
61
62
63 ANONYMOUS five-parts D-W, Cod. Guelf Aug 2 o 5 instruments, bc no./p Canzona C 1697 Sonata a 2 violins, 2 viola violin, da braccio, 2 viola da violone braccio, or bassoon, violone, bc 85/172 86/ Sonata C 3 violins, 2 viola da braccio, violone, bc 2 violins, 2 viola da braccio, bassoon, bc 87/ Sonata a 88/179 January 2009 A-5BC-1
64
65 ANONYMOUS six parts 3007 Sonata g 2 violins, 3 viola da braccio, violone, bc D-W, Cod. Guelf Aug 2 o no./p. 97/197 2 violins or cornetts, 3 trombones, bassoon, bc 3008 Sonata C 104/225 January 2009 A-6BC-1
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
ANONYMOUS Bass parts of airs in GB-Ob, MS Mus. Sch. D. 220 VdGS Nos. Section I: G major/minor p. no Ayre du Roy Country Dance
ANONYMOUS Bass parts of airs in GB-Ob, MS Mus. Sch. D. 220 VdGS Nos. Section I: G major/minor p. no. 2001 Ayre du Roy 13 37 2002 Country Dance 13 38 2003 Morisca 13 39 2004 Corant 14 41 2005 A Maske 19
CARL FRIEDRICH ABEL ( ) See separate file Abel in Thematic Index
CARL FRIEDRICH ABEL (1723-1787) See separate file Abel in Thematic Index ABEL, Clamor Heinrich (1634-1696) Sonata sopra CucCuc in G major for violin, bass viol and continuo for 2 violins and continuo GB-DRc,
A. S. See Ambrosius Scherle
A. S. See Ambrosius Scherle SCHAFFRATH, Christoph (1709-1763) For more details see GERMANY OL Solo in B-flat, viola da gamba, continuo D-B, Am.B. 499/5 Duet in d, 2 viola da gambas D-B, Am.B. 498 (Hesse
PAISIBLE, James (d.1721) (d.1688) Theatre composer (wind player)
PAISIBLE, James (d.1721) (d.1688) Theatre composer (wind player) Airs in G minor a3 VdGS No. g1. GB-Lbl, Add. 31429 f./no. 8v/1 g2. 9r/2 g3. 9r/3 g4. 9v/4 g5. 9v/5 g6. RoundO 10r/6 g7. 10v/7 g8. RoundO
Melchior BORCHGREVINCK (c )
Melchior BORCHGREVINCK (c.1570-1632) All published Moeck MMP FULLSACK 1607 HILDERBRAND 1609 1. Paduana I/I = Ex Anon 1613 and 1690 (q.v.) 2. Paduana IV/I 3. Galliard IV/ii 4. Paduana VI/I 5. Galliard VI/ii
Sonata, G major RI 138 Source: F-Pn H. 659(7), 75r-79r, 'Sonata / violino solo Sonata*, G major RI 139 Source: GB-Lbl Add. 31,466, 21v-22r, 'XVI' Attribution questionable. This sonata is very similar to
LONDON, BRITISH LIBRARY, ADDITIONAL MANUSCRIPT 10,444
LONDON, BRITISH LIBRARY, ADDITIONAL MANUSCRIPT 10,444 Masque and other music in two parts, treble and bass, copied c.1625. The guardbook Lbl, Add. MS 10,444 and its companion Add. MS 10,445 contain fiv
The SCJBF 3 year, cyclical repertoire list for the Complete Works Audition
The SCJBF 3 year, cyclical repertoire list for the Complete Works Audition Students may enter the Complete Works Audition (CWA) only once each year as a soloist on the same instrument and must perform
ABSTRACT PIECES DE VIOLE, TROISIEME LIVRE (1711) William James McClain, Doctor of Musical Arts, Professor Edward Maclary School of Music
ABSTRACT Title of dissertation: PIECES DE VIOLE, TROISIEME LIVRE (1711) William James McClain, Doctor of Musical Arts, 2009 Dissertation directed by: Professor Edward Maclary School of Music I was first
Instrumental Sonatas of Antonio Bertali ACRONYM
PAR ADI S E Instrumental Sonatas of Antonio Bertali Antonio Bertali was born in 1605 in Verona. In 1624 he moved to Vienna, where he was hired as a violinist and composer at the Habsburg Court and eventually
Partita IV C Minor From Die Kleine Cammer-Music For Treble Recorder And Basso Continuo (Severinus Urtext Telemann Edition: 64, Edited By Dr.
Partita IV C Minor From Die Kleine Cammer-Music For Treble Recorder And Basso Continuo (Severinus Urtext Telemann Edition: 64, Edited By Dr. Ian Payne) By G. P. Telemann If searching for the ebook Partita
The. Viola da Gamba Society. Journal
The Viola da Gamba Society Journal Volume Three (2009) The Viola da Gamba Society of Great Britain 2009-10 PRESIDENT Alison Crum CHAIRMAN Michael Fleming COMMITTEE Elected Members: Michael Fleming, Robin
NORVIS XLIX Music List 27th July to 3rd August 2019
NORVIS XLIX Music List 27th July to 3rd August 2019 The daily programme is as follows, except on Wednesday, when the afternoon is free: 1st morning session technique class on your chosen instrument or
W.F. Bach: Concerto in F, F. 44
W.F. Bach: Concerto in F, F. 44 This work, arguably WFB's most impressive concerto, is preserved in three apograph manuscript sources: the score D B AmB 111 and the parts D Bsa SA 4271 and D B Mus. ms.
Example 3.1. Bars 1 3 a,, 6 b 9 9 a. continued. Bars. Bars b. Legend: = sixteenth-note afterbeat displacement. (etc.
Chapter 620 Example.1 a) Handel, Concerto Grosso in in F, F, Op. Op. 6 6, No. No. 2, II: 2, II: Allegro Allegro in D (in minor D minor) a b a 1 a,, 6 b 9 9 a concertino. Violoncello. 1 6 b (etc.) Solo.
Trio de M r Charpentier
Trio de M r Charpentier ed. by John S. Powell Jan van Bijlert (1597/98-1671), The Concert Trio de Mr Charpentier, ed. John S. Powell, January 2005 (2d ed.) Introduction, p. i INTRODUCTION The Trio de M
NCEA Level 3 Music Studies (90530) 2011 page 1 of 6
Assessment Schedule 2011 NCEA Level 3 Music Studies (90530) 2011 page 1 of 6 Music Studies: Demonstrate an understanding of harmonic and tonal procedures in a range of music (90530) Evidence Statement
Chapter 10. Instrumental Music Sunday, October 21, 12
Chapter 10 Instrumental Music 1600-1750 Instruments of the Baroque Era The Violin Baroque violin was similar to the modern violin but differed in ways that gave it a sweeter, more rounded tone Instruments
INTERMEDIATE BAND, ORCHESTRA, AND PERCUSSION ENSEMBLE Audition Requirements
All auditions will consist of scales (30 points), solo (50 points), and sight reading (20 points). WIND/MALLET INSTRUMENTS-PART I: SCALES (30 POINTS) The following major and chromatic scales must be played
The following review by Michael O Loghlin appeared in the Journal of the Viola da Gamba Society of America, volume XL, 2003, p.
The following review by Michael O Loghlin appeared in the Journal of the Viola da Gamba Society of America, volume XL, 2003, p. 67f Königliche Gambenduos [Royal Gamba Duets]: 23 sonatas by French and Italian
AUTOGRAPHS AND TRANSCRIPTIONS
AUTOGRAPHS AND TRANSCRIPTIONS MUSICI SEGRETI INTERNATIONAL MUSIC ASSOCIATION FRIENDS OF ROMAN Gustavsberg, SWEDEN tel. +46(0)8 57031461, www.musicisegreti.se e-mail: shumilov@musicisegreti.se, ivanshumilov@hotmail.com
13 Name. 8. (179) Describe "evading the cadence." TQ: What does this accomplish? Grout, Chapter 7 New Currents in the Sixteenth Century
13 Name Grout, Chapter 7 New Currents in the Sixteenth Century 8. (179) Describe "evading the cadence." TQ: What does this accomplish? 1. (177) What two important changes occurred between 1520 and 1550?
London, Royal Academy of Music, Manuscript 600
London, Royal Academy of Music, Manuscript 600 A volume of bandora parts and lyra viol solos which came into the possession of John Browne, Clerk of the Parliaments, but may have been begun by his father,
Educational performance editions. Spring 2013 Catalogue. Our Editions Making music more accessible Niche publications Educational bias
Educational performance editions Spring 2013 Catalogue Our Editions Making music more accessible Niche publications Educational bias Page 2 To order: + 44 1926 814811 Welcome to the new Rondo Publishing
THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI
MY WORK ON THE INTERNET VOLUME EIGHT RUDOLF RASCH THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK TWENTY-SIX THE SONATAS FROM THE VI FIRST SOLOS (1757) COPIES Please refer to this text in the following
Cello Suite III in C
Cello Suite III in C BWV 09 by J. S.Bach Arranged for Alto Recorder or Flute by Peter Billam Peter J Billam, 07 This score is offered under the Creative Commons Atibution.0 International licence; see creativecommons.org
INTERMEDIATE BAND, ORCHESTRA, AND PERCUSSION ENSEMBLE Audition Requirements
All auditions will consist of scales (30 points), solo (50 points), and sight reading (20 points). WIND/MALLET INSTRUMENTS-PART I: SCALES (30 POINTS) The following major and chromatic scales must be played
INTERMEDIATE BAND, ORCHESTRA, AND PERCUSSION ENSEMBLE Audition Requirements
All auditions will consist of scales (30 points), solo (50 points), and sight reading (20 points). WIND/MALLET INSTRUMENTS-PART I: SCALES (30 POINTS) The following major and chromatic scales must be played
Level performance examination descriptions
Unofficial translation from the original Finnish document Level performance examination descriptions LEVEL PERFORMANCE EXAMINATION DESCRIPTIONS Accordion, kantele, guitar, piano and organ... 6 Accordion...
Ragtime wordsearch. Activity SYNCOPATED B T S A D E T N E C C A G E M F AMERICA Y N O M R A H T N A N I M O D Z SCOTT JOPLIN
page 9 Activity Ragtime wordsearch SYNCOPATED AMERICA SCOTT JOPLIN THEMES RECAPITULATION TONIC HARMONY DOMINANT HARMONY ACCENTED ACCOMPANIMENT THE ENTERTAINER MAPLE LEAF B T S A D E T N E C C A G E M F
Johann Adolph Scheibe, Keyboard Partitas
Johann Adolph Scheibe, Keyboard Partitas Johann Adolph Scheibe (1708-1776) Woudenberg 2017 Partitura Organum Johann Adolph Scheibe, Keyboard Partitas This work may be distributed and/or modified under
THE TRIO SONATA IN RESTORATION ENGLAND ( ) RANG MIN-JUNG. June 2008
THE TRIO SONATA IN RESTORATION ENGLAND (1660-1714) MIN-JUNG RANG Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music June 2008 The
HOMEWORK CHAPTER Which of the following letter schemes best represents the formal play of a da-capo aria a. AAAAA b. ABCA c. AAB d. ABA e.
Julianne Baird, Music History II HOMEWORK CHAPTER 17 1. Which of the following letter schemes best represents the formal play of a da-capo aria a. AAAAA b. ABCA c. AAB d. ABA e. AABB 2. Which of the following
MY WORK ON THE INTERNET VOLUME EIGHT
MY WORK ON THE INTERNET VOLUME EIGHT RUDOLF RASCH THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK SEVEN THE SELECT HARMONY CONCERTOS (1734) EDITIONS, ISSUES, PRINT RUNS, COPIES Please refer to this
Chapter 7. A discourse of styles: Contrasting gigue types in the A minor Jig from the Purcell partial autograph, GB-Lbl MS Mus. 1.
Proceedings of the 1st International Conference on Historical Keyboard Music Chapter 7 A discourse of styles: Contrasting gigue types in the A minor Jig from the Purcell partial autograph, GB-Lbl MS Mus.
13. Holborne Pavane The image of melancholy and Galliard Ecce quam bonum (For Unit 6: Further Musical Understanding)
13. Holborne Pavane The image of melancholy and Galliard Ecce quam bonum (For Unit 6: Further Musical Understanding) Introduction These two short pieces belong to the genre known as consort music, a popular
Cello Suite I in G BWV by J. S.Bach. Arranged for Alto Recorder or Flute by Peter Billam. Peter J Billam, 2005
Cello Suite I in G BWV 1007 by J. S.Bach Arranged for Alto Recorder or Flute by Peter Billam Peter J Billam, 2005 This score is offered under the Creative Commons Atibution.0 International licence; see
Pavane and Galliard Anthony Holborne
Pavane and Galliard Anthony Holborne Introduction These two short pieces belong to the genre known as consort music, a popular form of domestic music-making in Elizabethan England. The word consort itself
12 Concerti Grossi, Op.6 (Concerto No.9 In F Major): Full Score [A1139] By Arcangelo Corelli READ ONLINE
![12 Concerti Grossi, Op.6 (Concerto No.9 In F Major): Full Score [A1139] By Arcangelo Corelli READ ONLINE](/thumbs/74/70347321.jpg "12 Concerti Grossi, Op.6 (Concerto No.9 In F Major): Full Score [A1139] By Arcangelo Corelli READ ONLINE")
12 Concerti Grossi, Op.6 (Concerto No.9 In F Major): Full Score [A1139] By Arcangelo Corelli READ ONLINE Arcangelo Corelli Sheet Music - Looking for Arcangelo Corelli sheet music? Corelli: Sonata, Op.
SCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec
SCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec READ ONLINE If you are looking for a ebook SCHOTT BOISMORTIER
Cello Suite II in d minor
Cello Suite II in d minor BWV 08 by J. S.Bach Arranged for Alto Recorder or Flute by Peter Billam Peter J Billam, 07 This score is offered under the Creative Commons Atibution.0 International licence;
15. Corelli Trio Sonata in D, Op. 3 No. 2: Movement IV (for Unit 3: Developing Musical Understanding)
15. Corelli Trio Sonata in D, Op. 3 No. 2: Movement IV (for Unit 3: Developing Musical Understanding) Background information and performance circumstances Arcangelo Corelli (1653 1713) was one of the most
SPECIALISATION in Master of Music Professional performance with specialisation (4 terms, CP)
University of Music Franz Liszt Weimar Special requirements for the audition SPECIALISATION in Master of Music Professional performance with specialisation (4 terms, 90 + 30 CP) Specialisation Early Music
Bach, J.S. - Brandenburg Concerto No. 5 BWV 1050 For Viola - Peters Edition
Bach, J.S. - Brandenburg Concerto No. 5 BWV 1050 For Viola - Peters Edition If looking for a book Bach, J.S. - Brandenburg Concerto No. 5 BWV 1050 for Viola - Peters Edition in pdf format, in that case
Joint Steering Committee for Development of RDA
page 1 of 5 To: From: Joint Steering Committee for Development of RDA RDA Music Joint Working Group Subject: Revision of 6JSC/Music/2 Introduction The responses to 6JSC/Music/2 prompted the RDA Music Joint
Cello Suite I in G BWV by J. S.Bach. Arranged for Alto Recorder or Flute by Peter Billam. Peter J Billam, 2005
Cello Suite I in G BWV 1007 by J. S.Bach Arranged for Alto Recorder or Flute by Peter Billam Peter J Billam, 2005 This score may be freely photocopied, and redisibuted in paper form. It may be freely performed
Movements from the Bach Cello Suites
Movements from the Bach Cello Suites Realized for Harpsichord ~ Organ ~ Piano Realizations ~ noel Jones dedicated to Fred & Janet Schweitzer. Fifteen Movements from the Bach Cello Suites Realized for Keyboard
Recording Medium of Performance. 6JSC/MusicWG/14/ALA response 2 October 2015 page 1 of 14
page 1 of 14 To: From: Subject: Joint Steering Committee for Development of RDA Kathy Glennan, ALA Representative Removing lists of terms from the Medium of Performance (6.15) instructions ALA thanks the
News Digital release: Oct. 2, 2012 CD release: Oct. 30, 2012
Cedille Records 1205 W. Balmoral Ave., Chicago IL 60640 Cedille Records Press Contact: Rachel Barton Pine Press Contact: Nat Silverman/Nathan J. Silverman Co. PR Jane Covner/Allison Van Etten Phone (847)
Chamber Music Traced through history.
Chamber Music Traced through history. Definition What is Chamber Music? Webster definition: instrumental ensemble music intended for performance in a private room or small auditorium and usually having
About Early American Music by David K. Hildebrand REVIEW
About Early American Music by David K. Hildebrand REVIEW 1. Why was colonial music not so much music written in America before the Revolution as it was music that was brought here? [immigrants from Europe
Twelve Fantasias For Alto Trombone By George Telemann
Twelve Fantasias For Alto Trombone By George Telemann TELEMANN / SANDSTROM / LINDBERG: Christian - TELEMANN / SANDSTROM / LINDBERG: Christian Lindberg Unaccompanied by Johann Sebastian Bach, Telemann,
George Frideric Handel - Cello Sonata No.1 In G Minor - Hwv364a - A Score For The Cello By George Frideric Handel READ ONLINE
George Frideric Handel - Cello Sonata No.1 In G Minor - Hwv364a - A Score For The Cello By George Frideric Handel READ ONLINE If searched for the ebook George Frideric Handel - Cello Sonata No.1 in G Minor
Huntsville Youth Orchestra Auditions. Philharmonia VIOLIN
Huntsville Youth Orchestra VIOLIN 2 major scales, both 2 octaves, up to three flats and three sharps: C, G, D, A, F, Bb, Eb. The judges will decide which one you will play, so please prepare all of them
NCEA Level 2 Music (91275) 2012 page 1 of 6. Assessment Schedule 2012 Music: Demonstrate aural understanding through written representation (91275)
NCEA Level 2 Music (91275) 2012 page 1 of 6 Assessment Schedule 2012 Music: Demonstrate aural understanding through written representation (91275) Evidence Statement Question with Merit with Excellence
The Baroque Period. Better known today as the scales of.. A Minor(now with a #7 th note) From this time onwards the Major and Minor Key System ruled.
The Baroque Period The Baroque period lasted from approximately 1600 1750 The word Baroque is used to describes the highly ornamented style of fashion, art, architecture and, of course Music. It was during
Journal of the Society for Musicology in Ireland, 7 ( ), p. 61
JOHN CUNNINGHAM, THE CONSORT MUSIC OF WILLIAM LAWES 1602 1645 (Woodbridge: Boydell, 2010). ISBN 978-0-9546-8097-8, xxiv+350pp, 55. Among English composers of the seventeenth century, William Lawes is second
The Versatility of the Cello: From Bach to Barber
Bard College Bard Digital Commons Senior Projects Spring 2015 Bard Undergraduate Senior Projects 2015 The Versatility of the Cello: From Bach to Barber Nicholas John Wetherell Bard College Recommended
READING AND WRITING MUSIC: TEACHER S GUIDE
READING AND WRITING MUSIC: TEACHER S GUIDE 1. INTRODUCTION ACTIVITY 1 They are all different languages. ACTIVITY 2 WORDS: language; words; written; code; durations; sounds. ACTIVITY 3 (Melody to play or
Exam 2 MUS 101 (CSUDH) MUS4 (Chaffey) Dr. Mann Spring 2018 KEY
Provide the best possible answer to each question: Chapter 20: Voicing the Virgin: Cozzolani and Italian Baroque Sacred Music 1. Which of the following was a reason that a woman would join a convent during
Cello Suite II in d minor
Cello Suite II in d minor BWV 08 by J. S.Bach Arranged for Alto Recorder or Flute by Peter Billam Peter J Billam, 07 This score may be freely photocopied, and redisibuted in paper form. It may be freely
Beethoven: Sonata no. 7 for Piano and Violin, op. 30/2 in C minor
symphony, Piano Piano Beethoven: Sonata no. 7 for Piano and Violin, op. 30/2 in C minor Gilead Bar-Elli Beethoven played the violin and especially the viola but his writing for the violin is often considered
An Introduction to Restoration Keyboard Music 2 Bryne, Roberts and Moss Terence Charlston Harpsichord & Fortepiano (2006) 11:14 27
An Introduction to Restoration Keyboard Music 2 Bryne, Roberts and Moss Terence Charlston Harpsichord & Fortepiano (2006) 11:14 27 This second article exploring the emergence of English keyboard music
more consistent with the previous measure). Readings m. pt. reading First movement v1 v1 conc v2 rip v2 rip v1 conc v2 conc v2 con
Telemann: Concerto TWV 52:G2 This work is of interest as one of two early concertos by Georg Philipp Telemann (1681 1767) that J.S. Bach is certain to have known during his years at Weimar (1708 17), as
his Family and Workshop. GSJ: XXIX, 1986.
Bartolomeo de Selma e Salaverde Canzoni, Fantasie et Correnti da suonar ad una, 2. 3. 4 con basso continuo, Venice, 1638 by Joëlle Morton Preface to Scholarly Performing Edition, published by Septenary
Antonio Vivaldi. Sonata á Violino è Violoncello. [RV 820] Manuscript D-Dl Mus.2-Q-6 Ansbach, ca Ed. Javier Lupiáñez
![Antonio Vivaldi. Sonata á Violino è Violoncello. [RV 820] Manuscript D-Dl Mus.2-Q-6 Ansbach, ca Ed. Javier Lupiáñez](/thumbs/93/111683417.jpg "Antonio Vivaldi. Sonata á Violino è Violoncello. [RV 820] Manuscript D-Dl Mus.2-Q-6 Ansbach, ca Ed. Javier Lupiáñez")
Antonio Vivaldi Sonata á Violino è Violoncello [RV 820] Manuscript D-Dl Mus.2-Q-6 Ansbach, ca. 1705 Ed. Javier Lupiáñez SNAKEWOOD EDITIONS www.snakewoodeditions.com Antonio Lucio Vivaldi Sonata for Violin,
Music 2. Musicology and Aural Skills 2002 HIGHER SCHOOL CERTIFICATE EXAMINATION. Centre Number. Student Number
Centre Number Student Number 00 HIGHER SCHOOL CERTIFICATE EXAMINATION Music Musicology and Aural Skills General Instructions Reading time 5 minutes Write using black or blue pen Score Attachments A, B,
MUSIC HISTORY Please do not write on this exam.
MUSIC HISTORY Please do not write on this exam. 1. Which of the following characterize Baroque music? a. Music based on Gregorian Chant b. The figured bass (Basso continuo) (the writing out of the bass
Arrangements for Guitar
Arrangements for Guitar What then is love but mourning Nobody s fault but mine How beautiful are the feet by Philip Rossiter, Anon, and G.F. Händel For Guitars, Voice and Recorder Peter J Billam, 96 This
Required and Suggested Repertoire for the UCLA Tuba and Euphonium Studio TUBA PERFORMANCE 13-14
and Repertoire for the UCLA Tuba and Euphonium Studio TUBA PERFORMANCE 13-14 Please have all of the materials listed below for your relevant grade level by the beginning of the third full week of each
The Journal of the Viola da Gamba Society
The Journal of the Viola da Gamba Society Text has been scanned with OCR and is therefore searchable. The format on screen does not conform with the printed Chelys. The original page numbers have been
MINOR IN MUSIC. Ensembles. Large Ensembles. Note Students enrolled in studio instruction must be concurrently enrolled in an ensemble.
Sam Houston State University 1 MINOR IN MUSIC Students who elect music as a minor must complete a minimum of 20 hours, at least SIX of which must be advanced (3000 or 4000-level). Up to eight hours of
12 Concerti Grossi, Op.6 (Concerto No.6 In F Major): Full Score [A1137] By Arcangelo Corelli READ ONLINE
![12 Concerti Grossi, Op.6 (Concerto No.6 In F Major): Full Score [A1137] By Arcangelo Corelli READ ONLINE](/thumbs/82/84772483.jpg "12 Concerti Grossi, Op.6 (Concerto No.6 In F Major): Full Score [A1137] By Arcangelo Corelli READ ONLINE")
12 Concerti Grossi, Op.6 (Concerto No.6 In F Major): Full Score [A1137] By Arcangelo Corelli READ ONLINE If looking for the book 12 Concerti Grossi, Op.6 (Concerto No.6 in F major): Full Score [A1137]
Example 1: Beethoven, Piano Sonata in C minor, Op. 13, II: Adagio cantabile
Bar 0 and the Suppressed Hyperdownbeat, p.1 Example 1: Beethoven, Piano Sonata in C minor, Op. 1, II: Adagio cantabile a) Arthur Komar s bar 0 (after Theory of Suspensions ) Bars 0 1 2 4 5 Strong weak
Instruments of the orchestra
General Music 6 Dr. Armann Instruments of the orchestra RESEARCH project NAME: Period/day: date: General Music 6 Dr. Armann Instruments of the orchestra RESEARCH project NAME: Assignment: Choose an instrument
Released: May 4, Released: April 5, Released: April 1, 2003
Beethoven: The Complete Piano Concerts Piano Concerto No. 1 in C major, Op. 15 Piano Concerto No. 2 in B flat major, Op. 19 Piano Concerto No. 3 in C minor, Op. 37 Piano Concerto No. 4 in G major, Op.
RSC/MusicWG/4/rev/1 7 November 2016 page 1 of 15. To: Gordon Dunsire, Chair, RDA Steering Committee
page 1 of 15 To: Gordon Dunsire, Chair, RDA Steering Committee From: Damian Iseminger, Chair, RSC Music Working Group Subject: Revision of RSC/MusicWG/4 Related documents: RSC/MusicWG/4 RSC/MusicWG/4/ACOC
University of Music FRANZ LISZT Weimar
University of Music FRANZ LISZT Weimar International LOUIS SPOHR Competition for Young Violinists > University of Music... > Retrospective > 4th International LO... Prize winners Jury Friedemann Eichhorn
10 th San Diego All-County
10 th San Diego All-County Middle School Honor Band California Music Educators Association, Southern Border Section Guest Director Dr. Dan Nelson Performance will take place on Thursday May 14th 7:00 PM,
Music Department Page!1
Music Department Page!1 AH Understanding Music Listening Concepts Name Melody / Harmony Page!2 Words in this section describe what is happening in the melody or tune. The melody can be decorated in various
SCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec
SCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec Boismortier J. B. de. Cantates 'Les 4 saisons'. Moderators:
Sonatina. Ante Grgin. Duet for Clarinet and Bassoon. Print & Listen Drucken & Anhören Imprimer & Ecouter EMR 13338
Sonatina Duet for Clarinet and Bassoon Ante Grgin Print & Listen Drucken & Anhören Imrimer & Ecouter Case Postale 308 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42
HIGH SCHOOL BAND, ORCHESTRA, AND PERCUSSION ENSEMBLE Audition Requirements
NEW JERSEY ALL-STATE & REGION I, II, & III HIGH SCHOOL SCALE & SOLO REQUIREMENTS WINDS AND PERCUSSION 1. Scale requirements for all woodwinds and brass: all major scales 7 sharps through 7 flats and the
Basic Music Theory Resource Book and Worksheets, by Rodolfo Gonzalez, Ed. D., Basic Music Theory Resource Book And Worksheets PREVIEW
Basic Music Theory Resource Book And Worksheets By Rodolfo Gonzalez, Ed. D. 2017 1 Table of Contents I. Basic Music Theory Resource Book 1. Staff p. 4 2. Treble Clef p. 4 3. Bass Clef p. 4 4. The Grand
Daniel Philipp Stotz - 16 CDs on 1 USB-stick
Daniel Philipp Stotz - 16 CDs on 1 USB-stick CD1 Bach Modular: The Well Tempered Synthesizer Vol. 1 / CD1 BWV 846-857 1: BWV 846 Praeludium C-major 2: BWV 846 Fuga C-major 3: BWV 847 Praeludium c-minor
HVME / / / : / / / / / / / / / / / / / / LONDON
THE / FIRST PART / of Ayres, French, Pollish, and others / together, some in Tabliture, and some in / Pricke- Song : With Pauines, Galliards, and Almaines / for the Viole De Gambo alone, and other Musicall
Theory of Music Grade 5
Theory of Music Grade 5 November 2008 Your full name (as on appointment slip). Please use BLOCK CAPITALS. Your signature Registration number Centre Instructions to Candidates 1. The time allowed for answering
Introduction to Music Chapter 4 - Music of the Baroque Period ( )
Introduction to Music Chapter 4 - Music of the Baroque Period (1600-1750) The term Baroque is used to indicate a particular style in the arts. This style tends to fill space with movement and action. Artists
COUPERIN. Apothéose de Lully Les Nations. Raymond Leppard Thurston Dart
Eloq uence COUPERIN Apothéose de Lully Les Nations Raymond Leppard Thurston Dart FRANÇOIS COUPERIN (1668-1733) Apothéose de Lully 1 Nos. I IV 9 24 I Lulli aux Champs-Elysés, concertant avec les Ombres
Intermediate Music For Four: Christmas - Part 4 (Cello/Bassoon) READ ONLINE
Intermediate Music For Four: Christmas - Part 4 (Cello/Bassoon) READ ONLINE If searching for the book Intermediate Music for Four: Christmas - Part 4 (Cello/Bassoon) in pdf form, then you have come on
2014 Music. Higher. Finalised Marking Instructions
2014 Music Higher Finalised ing Instructions Scottish Qualifications Authority 2014 The information in this publication may be reproduced to support SQA qualifications only on a noncommercial basis. If
2015 MUSICAL STYLES. Wednesday 18 November: 1.30 p.m. Time: 1½ hours
External Examination 2015 2015 MUSICAL STYLES Wednesday 18 November: 1.30 p.m. Time: 1½ hours Pages: 11 Questions: 10 Examination material: one 11-page question booklet one 16-page script book one SACE
LIST OF MODERN PUBLICATIONS (We would be pleased to receive notification of any omissions)
LIST OF MODERN PUBLICATIONS (We would be pleased to receive notification of any omissions) Space limitations mean that it is becoming increasingly difficult to record modern publications on the Index pages
Recreation de Musique
The Atlanta Baroque Orchestra John Hsu, Artistic Director & Conductor Recreation de Musique Chamber music for flutes and violins by Marais, Charpentier & Le Clair Daniel Pyle, Resident Director Sunday
CHAPTER THIRTEEN FINGERING CHARTS
CHAPTER THIRTEEN FINGERING CHARTS CHAPTER 13 FINGERING CHARTS FLUTE FINGERING CHART 1. How to use the fingering chart: a. The areas that are darkened in indicate which keys are depressed. b. Refer to the
DURATIONAL PACING IN HANDELʼS INSTRUMENTAL WORKS: THE NATURE OF TEMPORALITY IN THE MUSIC OF THE HIGH BAROQUE CHANNAN WILLNER
DURATIONAL PACING IN HANDELʼS INSTRUMENTAL WORKS: THE NATURE OF TEMPORALITY IN THE MUSIC OF THE HIGH BAROQUE by CHANNAN WILLNER Volume Three: Musical Examples A dissertation submitted to the Graduate Faculty
LISZT: Totentanz and Fantasy on Hungarian Folk Tunes for Piano and Orchestra: in Full Score. 96pp. 9 x 12. (Worldwide). $14.95.
Orchestral Header Copy Music 0-486-29532-X LALO: Symphonie Espagnole in Full Score. 176pp. 9 x 12. $12.95 0-486-43586-5 LISZT: Totentanz and Fantasy on Hungarian Folk Tunes for Piano and Orchestra: in
_... Instructor's Name: _. LESSON 3: ExERCISES
Chapter 1: Pitch 15 Instructor's Name: _ LESSON 3: ExERCISES 31. Provide letter names for these notes on the treble staff (C, E, and G only). Work as quickly as you can. c. d. '. c. 32. Provide letter
Tempo this means the speed of the music, how fast (Presto) or slow (Lento) it is.
Year 8 - Revision Elements of Music The most important elements of music are dynamics, tempo, pitch, timbre, duration, texture and structure. These elements help us to create contrast in our music so that
Jean-Philippe Rameau. Premier Livre de Pièces de Clavecin (Paris, 1706) Edited from the original printing By Tom Ó Drisceoil
Jean-Philippe Rameau Premier Livre de Pièces de Clavecin (Paris 1706) Edited from the original printing By Tom Ó Drisceoil 2011 ii CONTENTS Preface Facsimiles v vii Premier Livre de Pièces de Clavecin