The Uprising. David Marlatt (b.1973) Instrumentation: Flute - 8 Oboe - 2 PREVIEW ONLY

Transcription

1 Duration: 3:00 GRADE 15 CB16290 $5500 The Uprising David Marlatt (b1973) Instrumentation: ute 8 oe 2 Bb Clarinet 1 Bb Clarinet 2 Bb Bass Clarinet 2 Eb Alto Saxophone 1 2 Eb Alto Saxophone 2 2 Bb Tenor Saxophone 2 Eb tone Saxophone 1 Bb Trumpet 1 2 Bb Trumpet 2 2 F Horn 2 Trombone, tone, Bassoon tone Treble Cle 1 2 String Bass 1, ourine 2 Snare Drum, HiHat, Bass Drum 2 ourine, Tomtoms, Crash Cymbals 3

2 The Uprising David Marlatt The Uprising is a bold and daring ork portraying a group challenging the people in poer This has been staged in 6 sections: The Current Regime is noble and conident in character perhaps too conident Next is The Planning the rebel orces begin planning quietly but ith purpose and drive This builds as The Forces Gather louder, stronger and passionate about their belies This inevitably leads to Battle! here the orces collide in combat Short aggressive bursts o sound lead to Victory is Ours here a ne order takes their place in charge Celebration begins and builds to a oyous conclusion Alays atch or, and emphasize, accents throughout this piece Sometimes / bars have th note eel hich should be exaggerated or maximum eect These accents are loud o the top but are sometimes quieter, like at 27 Make all accents ump out or a un rhythmic eel At 35 make the dierence beteen the short, accented lines and the smooth, slurred ones Watch or play 2nd time only the orces are gathering on the repeat Battle! must have short and aggressive accents to make this part dramatic and exciting Be sure to really get quiet on the p at 57 Anyone ith long notes should get out o the ay to allo other musical lines to be heard don t ust play loud Loud playing IS exciting but careul attention to accents, short notes and dynamic contrast make it even more exciting and interesting or the audience This is a un tomtom part to play so really ork out the sticking very sloly and perectly Then gradually speed it up so it can be played ith conidence and lair There is a unique and cool crash cymbals part starting at 50the clam technique The cymbals should be held parallel to the loor and held together Keeping the edges closest to the player together at all times, open and close the ront edges o the cymbals Keep it tight and don t let it ring at all This should sound like a hihat being opened and closed David Marlatt has composed pieces or concert band, string orchestra, brass quintet, trumpet ensemble, piano, tuba and trumpet His riting style is diverse and he has ritten or a ide range o diiculty levels rom very young concert band to proessional brass quintet His azz based trumpet ensemble pieces Groovy Vamp and A Coconut Named Alex have been ell received by audiences everyhere and his concert band compositions are ound on many estival lists He has also arranged over 800 pieces o repertoire rom the Baroque to the Romantic eras such as Monteverdi madrigals, a large suite o music rom Handel s Messiah, Largo rom Ne World Symphony and even Mahler s First Symphony Mr Marlatt is a trumpet player ho obtained a music education degree rom the University o Western Ontario, Canada He as Principal Cornet in the Whitby Brass Band or 6 years and ounder o the trumpet ensemble Trumpets in Style As a perormer, he has played in azz bands, brass quintets, orchestras, concert bands, brass bands and period instrument ensembles Please contact the composer i you require any urther inormation about this piece or his availability or commissioning ne orks and appearances david@enpmusiccom ISBN: CATALOG NUMBER: CB16290 COST: $5500 DURATION: 3:00 DIFFICULTY RATING:GRADE 15 Concert Band enpmusiccom

3 ute oe Bb Clarinet 1 Bb Clarinet 2 Bb Bass Clarinet Eb Alto Saxophone 1 Eb Alto Saxophone 2 Bb Tenor Saxophone Eb tone Saxophone Bb Trumpet 1 Bb Trumpet 2 F Horn Trombone tone Bassoon ourine Snare Drum HiHat (closed) Bass Drum ourine Tomtoms (2) Crash Cymbals b With Energy and Funk q» º Commissioned by the Halton District School Board or the Halton Band Extravaganza 2016 THE UPRISING SD 3 BD Crash Cym 2016 EIGHTH NOTE PUBLICATIONS enpmusiccom Toms David Marlatt 5

4 PREVIEW ONLY b SD HH BD TT CC choke THE UPRISING pg 2

5 11 b The Current Regime b n b n # # n # # b n n n SD HH BD TT CC THE UPRISING pg 3

6 # # n n # n PREVIEW # n ONLY b # n # b n SD HH BD TT CC THE UPRISING pg

7 23 b b 2 b b b b b b b n n 25 b b PREVIEW b b n ONLY b n The Planning P sub P sub 28 b n b b b b b n SD HH BD TT CC b b b b n æ n æ æ æ P choke to lightly THE UPRISING pg 5

8 The Forces Gather F play 2nd time only F P F F play 2nd time only F PREVIEW P ONLY play 2nd time only b P P P SD HH BD TT CC P THE UPRISING pg 6

9 ẇ b SD HH BD TT CC THE UPRISING pg 7

10 PREVIEW ONLY b Battle! 3 SD HH BD TT CC choke choke THE UPRISING pg 8

11 \ 9 \ \ \ b \ SD HH BD TT CC choke choke choke THE UPRISING pg 9

12 n b p p # n # n p p p p b SD HH BD TT CC 2nd time only on rim z zzz z z z z zz BD play both times Toms play both times z zzz zzz zz z zz z zzz z z z z zz z zzz zzz zz z zz z zzz z z z z zz z zzz zzz zz z zz CC play 2nd time "clam" technique muled THE UPRISING pg 10

13 1 ẇ Victory is Ours 58 n n n b n n n # # b # # # # # b # # PREVIEW ONLY n b SD HH BD z zzz z z z z zz z æ on snare head n TT CC regular crash THE UPRISING pg 11

14 59 60 n n 63 b b 6 The Celebration n n b b # # n b # n # n b # # PREVIEW ONLY # n # n b # SD HH BD TT CC b n to # n n n b b b n High Hat closed THE UPRISING pg 12

15 b SD HH BD TT CC THE UPRISING pg 13

16 b SD HH BD TT CC THE UPRISING pg 1

17 b SD HH BD TT CC THE UPRISING pg 15

18 SD HH BD TT CC b SD æ æ æ ^ ^ ^ ^ PREVIEW ONLY ^ ^ THE UPRISING pg 16 ^ ^ ^ ^ ^ ^ ^ ^ ^ choke choke