Natalie Hinderas and Leota Palmer papers

Transcription

1 G Finding aid prepared by Celia Caust-Ellenbogen and Faith Charlton through the Historical Society of Pennsylvania's Hidden Collections Initiative for Pennsylvania Small Archival Repositories. Last updated on April 28, African American Museum in Philadelphia

2 Table of Contents Summary Information...3 Biography/History...4 Scope and Contents... 4 Administrative Information... 5 Related Materials... 6 Controlled Access Headings Page 2 -

3 Summary Information Repository African American Museum in Philadelphia Creator Hinderas, Natalie Title Call number G Date [bulk] Date [inclusive] Extent 8 linear feet Language English Abstract Natalie Hinderas ( ), born Natalie Leota Henderson to Abram L. Henderson and Leota Palmer ( ), became a celebrated pianist and music instructor in Philadelphia. She was one of the first African Americans to gain worldwide fame as a classical pianist, and was the first African-American female pianist to be featured by a symphony orchestra. The, (bulk ), consist mostly of materials relating to Natalie Hinderas, particularly her music career and education, with a significant amount of materials relating to Natalie's mother, Leota Palmer. There are also some personal papers. Materials include: correspondence, programs, scrapbooks, family photograph albums, newspaper clippings, and family property records/deeds from Ohio. - Page 3 -

4 Biography/History "Natalie Hinderas was born Natalie Leota Henderson to Abram L. Henderson and Leota Palmer ( ) on June 15, 1927, in Oberlin, Ohio. She became a celebrated pianist and music instructor in Philadelphia. She was one of the first African Americans to gain worldwide fame as a classical pianist. Hinderas was also the first African-American female pianist to be featured by a symphony orchestra. "Her parents were both musicians in their own right. Her father was an accomplished jazz pianist while her mother, trained in classical music, also taught courses in institutes of higher education such as Fisk University and Philadelphia's Settlement Music School. Growing up in this musical atmosphere, young Natalie began playing piano at the age of six. By the time she was eighteen, she had graduated from Oberlin Conservatory with a degree in Music. Following her time at Oberlin she continued to hone her craft by studying at Julliard with Olga Samaroff who encouraged her to change her name from Henderson to Hinderas which because of its European sound, would open more opportunities for her. Her first high profile recital performance as a professional came in 1951 in New York and was reviewed well by the musical critics of the New York Times. "For the next three decades, Hinderas would perform all over the world and become one of the country's most acclaimed pianists. In 1966, she joined the teaching staff at Temple University's Boyer College of Music. She was promoted to full professor in 1973 and taught there until her death in Hinderas was married to fellow musician Lionel Monagas and had one child, a daughter named Michele Lisa. She passed away after battling cancer in 1987." Bibliography: Quoted text from: Finding aid for "Natalie Hinderas Collection, " Charles L. Blockson Afro- American Collection, Temple University Libraries, Collection BM012NH. Accessed October 29, Scope and Contents This collection consists mostly of materials relating to Natalie Hinderas, with a significant amount of materials relating to Natalie's mother, Leota Palmer. Most materials relate to Hinderas's music career and education; there are also some personal papers. Materials include: correspondence, programs, scrapbooks, family photograph albums, newspaper clippings, and family property records/deeds from Ohio from An inventory for the collection exists on site. - Page 4 -

5 Administrative Information African American Museum in Philadelphia Finding aid prepared by Celia Caust-Ellenbogen and Faith Charlton through the Historical Society of Pennsylvania's Hidden Collections Initiative for Pennsylvania Small Archival Repositories. Sponsor This preliminary finding aid was created as part of the Historical Society of Pennsylvania's Hidden Collections Initiative for Pennsylvania Small Archival Repositories. The HCI-PSAR project was made possible by a grant from The Andrew W. Mellon Foundation. Access Restrictions Contact African American Museum in Philadelphia for information about accessing this collection. Immediate Source of Acquisition Note Gift of Marcellas Henderson, 1994 (AAMP.G94.025). Processing Information Note Summary descriptive information on this collection was compiled in as part of a project conducted by the Historical Society of Pennsylvania to make better known and more accessible the largely hidden collections of small, primarily volunteer run repositories in the Philadelphia area. The Hidden Collections Initiative for Pennsylvania Small Archival Repositories (HCI-PSAR) was funded by a grant from The Andrew W. Mellon Foundation. This is a preliminary finding aid. No physical processing, rehousing, reorganizing, or folder listing was accomplished during the HCI-PSAR project. In some cases, more detailed inventories or finding aids may be available on-site at the repository where this collection is held; please contact African American Museum in Philadelphia directly for more information. - Page 5 -

6 Related Materials Related Archival Materials Note Charles L. Blockson Afro-American Collection, Temple University Libraries: Natalie Hinderas Collection, , Collection BM012NH. Controlled Access Headings Corporate Name(s) Temple University Geographic Name(s) Elkins Park (Pa.) Oberlin (Ohio) Philadelphia (Pa.) Personal Name(s) Hinderas, Natalie Palmer, Leota, Subject(s) African American musicians African American women Music Music--Instruction and study Women pianists - Page 6 -