Recordings for Listen, Seventh Edition New to this edition

Save this PDF as:
 WORD  PNG  TXT  JPG

Size: px
Start display at page:

Download "Recordings for Listen, Seventh Edition New to this edition"

Transcription

1 Unit I Wagner Jopl Rachmanov Schubert Gershw Beethoven Stravsky Schubert Beethoven Tchaikovsky Britten Unit II Anonymous Hildegard of Bgen Bernart de Ventadorn Pérot Anonymous Machaut Perspectives 1 Fundamentals Prelude to The Valkyrie (Siegfried Jerusalem and Jessye Norman; Staatskapelle Dresden; Marek Janowski, Maple Leaf Rag (Scott Jopl, piano) Rhapsody on a Theme by Pagani (excerpt) (Vladimir Ashkenazy, piano; Philharmonia Orchestra; Bernard Haitk, Symphony No. 8 ( Unfished ), I (excerpt) (San Francisco Symphony; Herbert Blomstedt, Who Cares? (Ella Fitzgerald with the Nelson Riddle Orchestra) Joy Theme from Symphony No. 9, IV (New York Philharmonic; Leonard Bernste, Symphony of Psalms, II (excerpt) (London Symphony Orchestra, Michael Tilson Thomas, Strg Quartet A Mor, I (excerpt) (Tokyo Strg Quartet) Piano Concerto No. 5 ( Emperor ), III (excerpt) (Murray Perahia, piano; Concertgebouw Orchestra; Bernard Haitk, Dance of the Sugar- Plum Fairy from The Nutcracker Suite (New York Philharmonic; Leonard Bernste, The Young Person s Guide to the Orchestra (New York Philharmonic, Leonard Bernste, Early : An Overview Plachant antiphon, In paradisum (Vienna Hofburkapelle Choir) Plachant sequence, Columba aspexit (Emma Kirkby, soprano; Gothic Voices; Christopher Page, director) Troubadour song, La dousa votz (Mart Best) Organum, Alleluia. Diffusa est gratia (Lionheart) Round, Sumer Is Icumen In (The Hilliard Ensemble; Paul Hillier, director) Chanson, Dame, de qui toute ma joie vient (Liber unusualis) Qur anic recitation, Ya S (Hafiz Kadir Konya, Hafis Dr. Em Isak) Kerman/Tomlson, Listen, 7e Recordgs Chart Bedford/St. Mart s 1

2 Perspectives 1 Perspectives 1 Dufay Hawai ian chant (Kau i Zuttermeister) Navajo song, K adniki ya (Frank Jishie, Jr., Raymond K. Yazzie, chorus; Sam Yazzie, Jr., rattle; Sam Yazzie, leader and drummer) Harmonized hymn, Ave maris stella (Schola Hungarica; Janka Szendrei, director) Josqu Pange lgua Mass, Kyrie Josqu Pange lgua Mass, Qui tollis from the Gloria Josqu Palestra Weelkes Anonymous Anonymous Perspectives 2 Gabrieli Monteverdi Purcell Frescobaldi Perspectives 3 Perspectives 3 Unit III (The Tallis Scholars; Peter Phillips, director) Chanson, Mille regrets (Oxford Camerata; Jeremy Summerly, director) Pope Marcellus Mass, from the Gloria (The Tallis Scholars; Peter Phillips, director) Madrigal, As Vesta Was from Latmos Hill Descendg (Consort of ke; Anthony Rooley, director) Galliard, Daphne (The Kg s Noyse; David Douglass, director) Kemp s Jig (Folger Consort) Hymn, Hanaq pachap kusikuyn (Hesperus) Motet, O magnum mysterium (The Kg s Consort) The Coronation of Poppea, Act I, Tornerai? and Speranza, tu mi vai (Guillemette Laurens, Lena Lootens, Rega Jakobi, and others; Concerto Vocale; René Jacobs, Dido and Aeneas, Act III, Thy hand, Belda, When I am laid, and With droopg wgs (Lorrae Hunt, soprano; The Choir of Clare College, Cambridge; Philharmonia Baroque Orchestra; Nicholas McGegan, Suite: Canzona, Balletto, Corrente, and Passacaglia (Davitt Moroney, Spanish organ) West African mstrel song, Lamba (Foday Musa Suso) Pygmy polyphony, Elephant- hunt song (Anonymous group of Mbuti men and boys) The Eighteenth Century Vivaldi Viol Concerto G, La stravaganza, Op. 4, No. 12, I Vivaldi Viol Concerto G, II Vivaldi Viol Concerto G, III Bach Bach (La Stravaganza Köln) Brandenburg Concerto No. 5, I (Boston Baroque; Mart Pearlman, The Well- Tempered Clavier, Book I, Prelude C Major (Glenn Gould, piano) Kerman/Tomlson, Listen, 7e Recordgs Chart Bedford/St. Mart s 2

3 Bach Rameau Handel Bach Handel Handel Handel Bach Mozart The Well- Tempered Clavier, Book I, Fugue C Major (Glenn Gould, piano) Muet and Tambour from Castor et Pollux, Prologue (Les Arts Florissants) Muet from The Royal Fireworks (Boston Baroque; Mart Pearlman, Gigue from Cello Suite No. 2 D Mor (Steven Isserlis, cello) Julius Caesar, Aria, La giustizia (Lorrae Hunt- Lieberson; Philharmonia Baroque Orchestra; Nicholas McGegan, Messiah, Recitative There were shepherds and Chorus Glory to God Messiah, Hallelujah Chorus (a Sacra; Richard Westenburg, director) Cantata No. 4, Christ lag Todesbanden (excerpts) (American Bach Soloists; Jeffrey Thomas, Symphony No. 40 G Mor, K. 550, I (Bamberg Symphony Orchestra; Eugen Jochum, Haydn Symphony No. 95 C Mor, I Haydn Symphony No. 95, II Haydn Symphony No. 95, III Haydn LeBrun Mozart Symphony No. 95, IV (La Petite Bande; Sigiswald Kuijken, Sonata F, Op. 1, No. 3, II (Davitt Moroney, fortepiano) Piano Concerto No. 23 A, K. 488, I (Murray Perahia, piano; English Chamber Orchestra) Mozart Don Giovanni, Act I, scene iii, Aria, Ho capito video Mozart Don Giovanni, Recitative, Alf siam liberati video Mozart video Perspectives 4 Perspectives 4 Unit IV Don Giovanni, Duet, Là ci darem la mano (CDs and Streamg: Ruggero Raimondi, Kiri Te Kanawa; Paris Opera; Lor Maazel, (: Peter Mattei, Nathan Berg, Lisa Larsson; Mahler Chamber Orchestra; Daniel Hardg, conductor; Staged by Peter Brook, Aix- en- Provence Festival, 2002) Japanese gagaku, Etenraku (Kyoto Imperial Court Orchestra) I Lotrg, Balese gamelan, Bopong (Gamelan Semar Pegulgan from the village of Ketewel) The Neteenth Century Beethoven Symphony No. 5 C Mor, Op. 67, I Beethoven Symphony No. 5, II Beethoven Symphony No. 5, III Beethoven Symphony No. 5, IV Kerman/Tomlson, Listen, 7e Recordgs Chart Bedford/St. Mart s 3

4 Beethoven Schubert (Boston Symphony Orchestra; Seiji Ozawa, Strg Quartet F, Op. 135, II (Cleveland Quartet) Erlkönig ( The Erlkg ) (Thomas Quasthoff) R. Schumann Dichterliebe, Im wunderschönen Monat Mai R. Schumann Dichterliebe, Die alten, bösen Lieder (Fritz Wunderlich, tenor; Hubert Giesen, piano) C. Schumann Der mond kommt still gegangen (Isabel Lippitz, soprano; Deborah Richards, piano) Schubert Moment al, Op. 94, No. 2 A- Flat (Rudolf Serk, piano) R. Schumann Carnaval, Eusebius R. Schumann Carnaval, Florestan R. Schumann Carnaval, Chiara (Cecile Licad, piano) Chop Nocturne F- Sharp, Op. 15, No. 2 (Brigitte Engerer, piano) Berlioz Fantastic Symphony, V (Ccnati Symphony Orchestra; Paavo Järvi, Verdi Rigoletto, Act III, Aria, La donna è mobile Verdi Wagner Pucci Tchaikovsky Musorgsky Brahms Mahler Perspectives 5 Perspectives 5 Unit V Rigoletto, Act III, Quartet, Bella figlia dell amore Allegro (Robert Merrill, Anna Moffo, Alfredo Kraus, and others; Georg Solti, The Valkyrie, Act I, scene i (Siegfried Jerusalem and Jessye Norman; Staatskapelle Dresden; Marek Janowski, Madame Butterfly, Aria, Un bel di (Angela Gheorghiu) Romeo and Juliet, Overture- Fantasy (Chicago Symphony Orchestra; Claudio Abbado, Pictures at an Exhibition (New York Philharmonic; Leonard Bernste, Viol Concerto D, III (Isaac Stern, viol; New York Philharmonic; Zub Mehta, Symphony No. 1, III (Funeral March) (New York Philharmonic; Leonard Bernste, Japanese kabuki, Dojoji (The Kyoot Kabuki Orchestra) Beijg opera, The Prce Who Changed Into a Cat (Hubert de Fraysseix) The Twentieth Century and Beyond Kerman/Tomlson, Listen, 7e Recordgs Chart Bedford/St. Mart s 4

5 Debussy Stravsky Clouds, from Three Nocturnes (New Philharmonia Orchestra; Pierre Boulez, The Rite of Sprg, Part I (excerpt) (Chicago Symphony Orchestra; Seiji Ozawa, Schoenberg Pierrot lunaire, No. 8, Night Schoenberg Pierrot lunaire, No. 18, The Moonfleck Berg Ives Ives Ravel Bartók Copland Prokofiev Webern Ligeti (Yvonne Mton, reciter; Pierre Boulez, Wozzeck, Act III, scenes iii and iv (CDs and Streamg: Walter Berry, Isabel Strauss, and others; Paris National Opera Orchestra; Pierre Boulez, (: Dale Duesg, Lda Ormiston, Kriste, Ciesski, Dieter Bundschuh, and Frode Olsen; Frankfurter Oper; Sylva Camberlg, conductor; Peter Mussbach, director) Orchestral No. 2, II, The Rockstrewn Hills Jo the People s Outdoor Meetg (The Royal Concertgebouw Orchestra; Michael Tilson Thomas, The Unanswered Question (Chicago Symphony Orchestra; Michael Tilson Thomas, Piano Concerto G, I (Alicia de Larrocha, piano; St. Louis Symphony Orchestra; Leonard Slatk, for Strgs, Percussion, and Celesta, II (Chicago Symphony Orchestra; Fritz Reer, Appalachian Sprg (excerpts) (London Symphony Orchestra; Aaron Copland, Alexander Nevsky Cantata, 5, The Battle on Ice (excerpts) (Chicago Symphony Orchestra and Chorus; Fritz Reer, Five Orchestral Pieces, Op. 10, No. 4, IV (London Symphony Orchestra; Pierre Boulez, Lux aeterna (London Sfonietta Voices; Terry Edwards, video Varèse Poème électronique (excerpt) Reich for 18 ians (excerpt) (Steve Reich and ians) Saariaho From the Grammar of Dreams (excerpts) (Avanti Chamber Orchestra; Hannu Ltu, Adams El Niño, Pues mi Dios ha nacido a penar video Adams El Niño, When Herod Heard video Kerman/Tomlson, Listen, 7e Recordgs Chart Bedford/St. Mart s 5

6 Adams El Niño, Woe unto Them That Call Evil Good (Dawn Upshaw, soprano; Lorrae Hunt- Lieberson, mezzo- soprano; Willard White, baritone; Daniel Bubeck, Brian Cummgs, and Steven Rickards, counter- tenors; Théâtre al de Paris Châtelet, 2000; Peter Sellars, director) Thomas If You Ever Been Down Blues (Beulah Sippie Wallace, vocals; Louis Armstrong, trumpet; Artie Starks, claret) Ellgton Conga Brava (Duke Ellgton and His Famous Orchestra) Yoruba drummg, Ako Perspectives 6 (Bata ensemble of Pobè, Ben) Parker Out of Nowhere (Charlie Parker, saxophone; Miles Davis, trumpet; Max Roach, drums; Al Haig, piano) Davis Bitches Brew (excerpt) (Miles Davis and Ensemble) Gershw Prelude No. 1 (Angela Brownridge, piano) Bernste West Side Story, Dance at Gym: Meetg Scene and Cool (Origal Motion Picture Soundtrack) Perspectives 7 South African popular song, Anoku Gonda (Solomon Lda and Eveng Birds) video Kerman/Tomlson, Listen, 7e Recordgs Chart Bedford/St. Mart s 6

NEW HAMPSHIRE TECHNICAL INSTITUTE

NEW HAMPSHIRE TECHNICAL INSTITUTE NEW HAMPSHIRE TECHNICAL INSTITUTE Title: FA105 Introduction to Music Credit Hours: Total Contact Hours: 3 Instructor: Susan K. Kinne skinne@ccsnh.edu Course Syllabus Course Description Introduction to

More information

NEW HAMPSHIRE TECHNICAL INSTITUTE. After successfully completing the course, the student will be able to:

NEW HAMPSHIRE TECHNICAL INSTITUTE. After successfully completing the course, the student will be able to: NEW HAMPSHIRE TECHNICAL INSTITUTE Title: FA105 Introduction to Music Credit Hours: Total Contact Hours: 3 Instructor: Susan K. Kinne skinne@ccsnh.edu Course Syllabus Course Description Introduction to

More information

SCHOOL OF FINE ART & MUSIC Winter Semester 2016 MUSC* CRITICAL THOUGHT AND MUSIC

SCHOOL OF FINE ART & MUSIC Winter Semester 2016 MUSC* CRITICAL THOUGHT AND MUSIC SCHOOL OF FINE ART & MUSIC Winter Semester 2016 MUSC*1060-01 CRITICAL THOUGHT AND MUSIC INSTRUCTOR: Shannon Carter TIME: Monday and Wednesday 10:00-11:20 LOCATION: MacKinnon Building, Rm. 107 OFFICE: MacKinnon

More information

Introduction To Music Bard High School Early College 2010/2011

Introduction To Music Bard High School Early College 2010/2011 Introduction To Music Bard High School Early College 2010/2011 Instructor: Mr. Matthew Barnson E-mail: mbarnson@bhsec.bard.edu Course Description & Objectives This class introduces students to the history,

More information

THE ENJOYMENT OF MUSIC T&TH 9:00 AM to 10:15AM Office: PAC - M129 Phone: OFFICE HOURS: TBA or by appointment

THE ENJOYMENT OF MUSIC T&TH 9:00 AM to 10:15AM Office: PAC - M129   Phone: OFFICE HOURS: TBA or by appointment MUL 2010 FALL/2010 Mr. Roy Pickering THE ENJOYMENT OF MUSIC T&TH 9:00 AM to 10:15AM Office: PAC - M129 E-mail: rpickeri@mail.ucf.edu Phone: 823-5966 OFFICE HOURS: TBA or by appointment REQUIRED: Kamien,

More information

The Art of Listening

The Art of Listening The Art of Listening MUAR 211-002, Fall 2009 Adams Auditorium M-W-F 12:35-13:25 Instructor: Daniel Donnelly Strathcona Music Bldg. E-229 daniel.donnelly@mcgill.ca Office Hours: Wednesdays 2:00-3:00 and

More information

Music 001 Introduction to Music. Section CT3RA: T/Th 12:15-1:30 pm Section 1T3RA: T/Th 1:40-2:55 pm

Music 001 Introduction to Music. Section CT3RA: T/Th 12:15-1:30 pm Section 1T3RA: T/Th 1:40-2:55 pm Instructor: Andrew Pau Fall 2006 Office: Music Building 207 Office Hours: T/Th, time TBA E-mail: apau@gc.cuny.edu Music 001 Introduction to Music Section CT3RA: T/Th 12:15-1:30 pm Section 1T3RA: T/Th 1:40-2:55

More information

MUAR 211 Midterm I Prep. Dido and Aeneas Purcell Texture: imitative polyphony + homophony + word painting (homophonic) Genre: opera Language: English

MUAR 211 Midterm I Prep. Dido and Aeneas Purcell Texture: imitative polyphony + homophony + word painting (homophonic) Genre: opera Language: English Midterm 1 Listening Guide Columba aspexit Hildegard of Bingen Texture: monophonic throughout Genre: plainchant Language: Latin Performance: responsorially Form: AA BB MUAR 211 Midterm I Prep Dame, de qui

More information

Music 1A: Exploring Western Music Fall 2014 MW 2:00 3:20pm

Music 1A: Exploring Western Music Fall 2014 MW 2:00 3:20pm Music 1A: Exploring Western Music Fall 2014 MW 2:00 3:20pm Instructor: Seth Coluzzi, Slosberg 222; ext. 63329; coluzzi@brandeis.edu Office Hours: MW, 3:30 4:30pm, and by appointment Teaching Assistant:

More information

History 2: Middle Ages to Classical

History 2: Middle Ages to Classical History 2: Middle Ages to Classical December 2014 Maximum Marks Confirmation Number 1 of 12 Total Marks 20 1. Give the musical term for ten of the following definitions. Provide one composition title for

More information

MS 402 MUSIC FROM THE CLASSICAL PERIOD TO THE 20TH CENTURY IES Abroad Vienna

MS 402 MUSIC FROM THE CLASSICAL PERIOD TO THE 20TH CENTURY IES Abroad Vienna MS 402 MUSIC FROM THE CLASSICAL PERIOD TO THE 20TH CENTURY IES Abroad Vienna DESCRIPTION: An overview of musical style and its intersections with the culture of Late Modern Europe and the Americas (ca.

More information

Music 001 Introduction to Music Section CT3FA T/F, 12:15-1:30 pm Room 226

Music 001 Introduction to Music Section CT3FA T/F, 12:15-1:30 pm Room 226 Instructor: Paul Riker Fall 2008 Office/Office Hours: Room 211 Hours TBA E-mail: paulwriker@gmail.com Music 001 Introduction to Music Section CT3FA T/F, 12:15-1:30 pm Room 226 Course Description. This

More information

Form as a Standardized Pattern. strophic form (A A A ) ternary form (A B A) fugue baroque dance form (a a b b) sonata form

Form as a Standardized Pattern. strophic form (A A A ) ternary form (A B A) fugue baroque dance form (a a b b) sonata form Form as a Standardized Pattern strophic form (A A A ) ternary form (A B A) fugue baroque dance form (a a b b) sonata form!1 A B A Form statement, contrast, return nesting can create more complicated forms:

More information

LISZT: Totentanz and Fantasy on Hungarian Folk Tunes for Piano and Orchestra: in Full Score. 96pp. 9 x 12. (Worldwide). $14.95.

LISZT: Totentanz and Fantasy on Hungarian Folk Tunes for Piano and Orchestra: in Full Score. 96pp. 9 x 12. (Worldwide). $14.95. Orchestral Header Copy Music 0-486-29532-X LALO: Symphonie Espagnole in Full Score. 176pp. 9 x 12. $12.95 0-486-43586-5 LISZT: Totentanz and Fantasy on Hungarian Folk Tunes for Piano and Orchestra: in

More information

Exam 2 MUS 101 (CSUDH) MUS4 (Chaffey) Dr. Mann Spring 2018 KEY

Exam 2 MUS 101 (CSUDH) MUS4 (Chaffey) Dr. Mann Spring 2018 KEY Provide the best possible answer to each question: Chapter 20: Voicing the Virgin: Cozzolani and Italian Baroque Sacred Music 1. Which of the following was a reason that a woman would join a convent during

More information

ANGELO STATE UNIVERSITY SYLLABUS FOR MUSI 1306 MUSIC APPRECIATION

ANGELO STATE UNIVERSITY SYLLABUS FOR MUSI 1306 MUSIC APPRECIATION ANGELO STATE UNIVERSITY SYLLABUS FOR MUSI 1306 MUSIC APPRECIATION Semester Hours Credit: 3 Susan Reynolds, Instructor Office Hours: 4:00-5:00 s.reynolds@goldisd.net 325-451-0232 (3:30pm-9:00pm) I. INTRODUCTION

More information

NOTES ON BASIC REPERTOIRE

NOTES ON BASIC REPERTOIRE NOTES ON BASIC REPERTOIRE WOLFGANG AMADEUS MOZART (1756-1791) Single pieces you may find: Eine Kliene Nachtmusic (for string orchestra), the Clarinet Quintet in A, Piano Concertos - (any you may have).

More information

Music 302H History of Music II Lower Division Writing Course: 3 Credits Spring 2012 TR 11:10-12:30, Music 105

Music 302H History of Music II Lower Division Writing Course: 3 Credits Spring 2012 TR 11:10-12:30, Music 105 Music 302H.00-02 History of Music II Lower Division Writing Course: 3 Credits Spring 2012 TR 11:10-12:30, Music 105 Instructor: Dr. James Randall E-mail: james.randall@umontana.edu Office/phone: 214 Music

More information

Music Appreciation, Dual Enrollment

Music Appreciation, Dual Enrollment East Penn School District Secondary Curriculum A Planned Course Statement for Music Appreciation, Dual Enrollment Course # 770D Grade(s) 9, 10, 11, 12 Department: Music Length of Period (mins.) 40 Total

More information

Music Appreciation Grades 6-8 Curriculum Map

Music Appreciation Grades 6-8 Curriculum Map Music Appreciation Grades 6-8 Curriculum Map Month: August (January) Music in daily life What to listen for in music/elements of music -melody& musical line -rhythm & meter: musical time -harmony: musical

More information

Music 111: Introduction To Music

Music 111: Introduction To Music Music 111: Introduction To Music Spring 2019 (M-W-F, 11:00-11:50) Steve Saunders Office: 235 Bixler/Phone: x5677/email: sesaunde@colby.edu Class Homepage: http://www.colby.edu/music/saunders/mu111 Class

More information

None. Just bring an open mind.

None. Just bring an open mind. Course MUSI 1306.003 Understanding Music Professor Lori Gerard Term Fall 2015 Meetings TTh 2:30 3:45 p.m. AH2 1.204 Professor s Contact Information Office Phone 972-883-6007 Other Phone Office Location

More information

Texas Tech University School of Music

Texas Tech University School of Music Texas Tech University School of Music DOCTORAL QUALIFYING EXAM IN MUSIC THEORY Study guide This guide is meant to help current graduate students prepare for the Music Theory portion of the DMA and PhD

More information

History 2: Middle Ages to Classical

History 2: Middle Ages to Classical History 2: Middle Ages to Classical December 2014 Maximum Marks Confirmation Number 1 of 12 Total Marks 20 1. Give the musical term for ten of the following definitions. Provide one composition title for

More information

Terms/Forms/Styles Representative. Machaut. Arcadelt. Farmer

Terms/Forms/Styles Representative. Machaut. Arcadelt. Farmer HISTORY 5 A. Medieval See the Enjoyment of Music, 12 th Edition, Prelude 2 AND Chapters 13 14 Terms/Forms/Styles 1) Sacred Plainchant Liturgy Gregorian chant Syllabic, neumatic, melismatic Modes Polyphony

More information

Chapter 6. The Middle Ages

Chapter 6. The Middle Ages Chapter 6 The Middle Ages Middle Ages Timeline Know the broad dates of the middle ages 1150-1450 Key Terms Jongleurs Liturgy Plainchant Medieval modes Reciting tone Antiphon Melisma Sequence Troubadours

More information

Music 384 History of Music: J.S. Bach through the 20th Century

Music 384 History of Music: J.S. Bach through the 20th Century Music 384 History of Music: J.S. Bach through the 20th Century Instructor: Dr. Jonathan Sturm Office: Music 211 Phone: 4-7399 E-mail: jsturm@iastate.edu Office Hours: MWF: 8-9 a.m. or by appointment Prerequisite:

More information

I. ASCRC General Education Form. Dept/Program

I. ASCRC General Education Form. Dept/Program I. ASCRC General Education Form Group I.2/VI/IX Dept/Program Course # 325H Music Course Title History of Music II Prerequisite MUS 135L Credits 3 II. Endorsement/Approvals Complete the form and obtain

More information

Civic Orchestra Season Audition Repertoire. Note: Instruments marked with an * have only associate membership openings for the season.

Civic Orchestra Season Audition Repertoire. Note: Instruments marked with an * have only associate membership openings for the season. Civic Orchestra 2019-20 Season Audition Repertoire Note: Instruments marked with an * have only associate membership openings for the 19 20 season. VIOLIN Applicant s choice of ONE of the following: Mozart

More information

CSCA Music News/ May 2015 By Mr. Olson. I will show grace to those who have hurt my feelings. Music Grading Policy Change

CSCA Music News/ May 2015 By Mr. Olson. I will show grace to those who have hurt my feelings. Music Grading Policy Change CSCA Music News/ May 2015 By Mr. Olson Core Virtue Forgivenessschool I will show grace to those who have hurt my feelings. Music Grading Policy Change The decision has been made to make assessments (quizzes)

More information

The Boise Philharmonic will launch its 46 th Concert Season in September

The Boise Philharmonic will launch its 46 th Concert Season in September NEWS RELEASE BOISE PHILHARMONIC CONTACT: Jennifer Justice (208) 344-7849 The Boise Philharmonic will launch its 46 th Concert Season in September The Boise Philharmonic will launch its 2006-2007 Concert

More information

Easy Classical Cello Solos: Featuring Music Of Bach, Mozart, Beethoven, Tchaikovsky And Others. By Javier Marcó READ ONLINE

Easy Classical Cello Solos: Featuring Music Of Bach, Mozart, Beethoven, Tchaikovsky And Others. By Javier Marcó READ ONLINE Easy Classical Cello Solos: Featuring Music Of Bach, Mozart, Beethoven, Tchaikovsky And Others. By Javier Marcó READ ONLINE It's the instrument that inspired solo masterpieces from Bach to Bartók,. Mozart,

More information

HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2014 Fall

HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2014 Fall HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2014 Fall INSTRUCTOR: Prof. Matthew Tommasini DMA, MA Music Composition (University of Michigan) BA Music Composition (UCLA) CONTACT AND OFFICE INFORMATION: mtommasini@ust.hk

More information

Music History Medieval to Baroque

Music History Medieval to Baroque Music History Medieval to Baroque Alyson Payne alysonpayne@yahoo.com (269) 930-0658 Objective: A survey of music history beginning with Medieval through the Baroque period with emphasis on preparing the

More information

Level 10 History. Practice Paper 1

Level 10 History. Practice Paper 1 Level 10 History Practice Paper 1 1 of 8 Maximum Marks Your answers must be written in pencil in the space provided. Il faut que vous écriviez vos réponses au crayon dans l espace donné. Confirmation Number

More information

Guide to the Exam in Music History for Entering Graduate Students University of Louisville

Guide to the Exam in Music History for Entering Graduate Students University of Louisville P a g e 1 Guide to the Exam in Music History for Entering Graduate Students University of Louisville The music history exam for entering graduate students tests knowledge of musical styles and genres covering

More information

SFS MEDIA DISCOGRAPHY

SFS MEDIA DISCOGRAPHY SFS MEDIA DISCOGRAPHY Premium Audio Recordings With a global reputation and a string of critically acclaimed albums, SFS Media continues to release definitive recordings of canonical works as well as new

More information

Queens College, Aaron Copland School of Music Introduction to Music, spring 2011 Music 001, Section 9M3WA Room 226

Queens College, Aaron Copland School of Music Introduction to Music, spring 2011 Music 001, Section 9M3WA Room 226 Queens College, Aaron Copland School of Music Introduction to Music, spring 2011 Music 001, Section 9M3WA Room 226 Monday and Wednesday 9:25-10:40 am Office hours: Wednesday, 10:45-11:45, room 211 Instructor:

More information

The Graduate Entrance Examination in Music History School of Music University of Illinois at Urbana-Champaign. STUDY GUIDE for FALL 2017

The Graduate Entrance Examination in Music History School of Music University of Illinois at Urbana-Champaign. STUDY GUIDE for FALL 2017 The Graduate Entrance Examination in Music History School of Music University of Illinois at Urbana-Champaign STUDY GUIDE for FALL 2017 The Graduate Entrance Exam in Music History is required of all entering

More information

COURSE OUTLINE MUS103

COURSE OUTLINE MUS103 COURSE OUTLINE MUS103 Course Number Intro to Music Course title 3 3 lecture/0 lab Credits Hours Catalog description: Designed to enhance the student's knowledge and enjoyment of music of a variety of styles

More information

Substitute Excerpts 2017 Violin

Substitute Excerpts 2017 Violin Substitute Excerpts 2017 Violin Brahms Symphony No. 4, Mvt. 1 Opening to Rehearsal C, Mvt.4: m.33-m.80 Schumann, Symphony No. 2, Mvt. 2: Opening to m. 97 (no repeats) Mozart Symphony No. 41, Mvt. 4: mm

More information

All Strings: Any movement from a standard concerto or a movement, other than the first, of a Bach sonata or suite, PLUS

All Strings: Any movement from a standard concerto or a movement, other than the first, of a Bach sonata or suite, PLUS BOSTON UNIVERSITY SCHOOL OF MUSIC Audition Repertoire September 2005 Required of all students new and returning MU 650 Large Ensembles MU 670 Chamber Music The orchestral repertoire for September 2005

More information

(edited 11/19/2012) Civic Orchestra of Chicago Audition Repertoire VIOLIN. First movement of a major concerto Exposition

(edited 11/19/2012) Civic Orchestra of Chicago Audition Repertoire VIOLIN. First movement of a major concerto Exposition Civic Orchestra of Chicago Audition Repertoire VIOLIN First movement of a major concerto Exposition Excerpts: BEETHOVEN: Symphony No. 3 Eroica (1 st Violin) -Scherzo beginning to m. 170 BEETHOVEN: Symphony

More information

Chapter 22. Alternatives to Modernism

Chapter 22. Alternatives to Modernism Chapter 22 Alternatives to Modernism Key Terms Traditionalism Neoclassicism Jazz Breaks Nationalism Hymn Theme and variations Film music Leitmotiv Square dance Ambivalence Toward Modernism Some modernists

More information

Breaking Convention: Music and Modernism. AK 2100 Nov. 9, 2005

Breaking Convention: Music and Modernism. AK 2100 Nov. 9, 2005 Breaking Convention: Music and Modernism AK 2100 Nov. 9, 2005 Music and Tradition A brief timeline of Western Music Medieval: (before 1450). Chant, plainsong or Gregorian Chant. Renaissance: (1450-1650

More information

Kindergarten: Peer Gynt- Grieg Babes in Toyland- Herbert The King and I- Rodgers Carnival of the Animals- Saint Säens. 1 st Grade

Kindergarten: Peer Gynt- Grieg Babes in Toyland- Herbert The King and I- Rodgers Carnival of the Animals- Saint Säens. 1 st Grade 2016-17 Classroom Music Curriculum Scope and Sequence Kindergarten: Musical Elements Tuneful Singing Beat Motions High vs Low Pitch Slow vs Fast Tempi Loud vs Soft Dynamics Short vs Long durations Smooth

More information

M U SI C D I A RY. Com m on T i m e 20 19

M U SI C D I A RY. Com m on T i m e 20 19 M U SI C D I A RY Com m on T i m e 20 19 JA N U A RY VISITING ARTISTS SERIES: FRETW ORK Sunday 13 January In nomine - music for viols from the 16th & 21st centuries Tickets: 20/ 15 ( 15/ 10 for U18s) www.ticketsource.co.uk/

More information

Principal timpani Orchestral excerpts Thursday 14 and Friday 15 February 2019

Principal timpani Orchestral excerpts Thursday 14 and Friday 15 February 2019 Principal timpani Orchestral excerpts Thursday 14 and Friday 15 February 2019 Solo repertoire (not included in this booklet) CARTER Audition excerpts Eight Pieces for Four Timpani V. Improvisation MAHLER

More information

MICHAEL TILSON THOMAS / SAN FRANCISCO SYMPHONY DISCOGRAPHY INCLUDING VIDEO

MICHAEL TILSON THOMAS / SAN FRANCISCO SYMPHONY DISCOGRAPHY INCLUDING VIDEO MICHAEL TILSON THOMAS / SAN FRANCISCO SYMPHONY DISCOGRAPHY INCLUDING VIDEO Mahler / Symphony No. 6 Recorded live in concert September 12-15, 2001 in Davies Symphony Hall SFS Media 821936-0001-2 SACD (February

More information

BSO Concerts 2016/17 Support for GCSE & A-Level AoS

BSO Concerts 2016/17 Support for GCSE & A-Level AoS BSO Concerts 2016/17 Support for GCSE & A-Level AoS AQA Edexcel Eduqas OCR The following pages provide information on concerts coming up in BSO s main season 2016/17 which link to areas of study and set

More information

users only Schoenberg, EMI Classics, 2006 E-Audio rec-lu Arnold, EMI Classics, 2009 E-Audio rec-lu users only

users only Schoenberg, EMI Classics, 2006 E-Audio rec-lu Arnold, EMI Classics, 2009 E-Audio rec-lu users only Title Author Publisher Published Location Call Number Class Subject String quartets Nos. 12 and 15 [electronic resource] / by Schubert. EI Classics, 2005 E-Audio rec-lu AV 12 S 378 S 383 2005 AV AS - Academies

More information

Maurer Young Musicians Contest 2017

Maurer Young Musicians Contest 2017 Suggested* Repertoire List *You may play a piece not listed here with the approval of the Indianapolis Symphony Orchestra Librarian Violin J. S. Bach Concerto No. 1 in A minor for Solo Violin and Orchestra,

More information

HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2017 Spring

HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2017 Spring HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2017 Spring INSTRUCTOR: Prof. Matthew Tommasini DMA, MA Music Composition (University of Michigan) BA Music Composition (UCLA) CONTACT AND OFFICE INFORMATION: mtommasini@ust.hk

More information

Music 105: Music Appreciation Spring 2011

Music 105: Music Appreciation Spring 2011 105: Appreciation Spring 2011 Instructor: Dr. Brian Cobb E-mail: brian.cobb@bellevuecollege.edu Phone: 425 564-2403 Office location: A156 Office Hours: 1:00-2:00pm Class Website accessible through your

More information

Team Name: Score / High School Music Listening Contest Championship Contest Round 1, Excerpt Identification

Team Name: Score / High School Music Listening Contest Championship Contest Round 1, Excerpt Identification Team Name: Score /20 2017 2018 High School Music Listening Contest Championship Contest Round 1, Excerpt Identification You will hear 10 musical excerpts of works from the Study Guide. Each will last from

More information

Music Appreciation Spring 2005 Music Test: Music, An Appreciation, Fourth Brief Edition by Roger Kamien (with CD s)

Music Appreciation Spring 2005 Music Test: Music, An Appreciation, Fourth Brief Edition by Roger Kamien (with CD s) Music Appreciation Spring 2005 Music 1003 Instructor: Jo Ann Schwader, e-mail jschwade@nwacc.edu NWACC One College Drive Bentonville, Arkansas 72712 479-619-2236 Office hours: Monday & Wednesday 8:00-9:00a.m.

More information

The Baroque Period

The Baroque Period 1 The Baroque Period-1600-1750 The Baroque Style -definition of word baroque -Paintings changed how? - Age of Absolutism -what was it? -religious institutions used what to make it more appealing? What

More information

University of West Florida Department of Music Levels of Attainment piano

University of West Florida Department of Music Levels of Attainment piano University of West Florida Department of Music Levels of Attainment piano Entry level: Incoming students are required to prepare two contrasting pieces from different periods. At the audition they are

More information

Prelude, Op. 28, No Raindrop Prelude Revolutionary Etude Clarke, Jeremiah Prince of Denmark s March

Prelude, Op. 28, No Raindrop Prelude Revolutionary Etude Clarke, Jeremiah Prince of Denmark s March Contents Bach, Johann Seastian Air on the G String... 6 Ave Maria.... Brandenurg Concerto No..... Jesu, Joy of Man s Desiring... 8 Prelude (Cello Suite No. ).... Sheep May Safely Graze.... 0 Toccata in

More information

September 2018 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 27 August New Student Auditions Morning/ Afternoon

September 2018 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 27 August New Student Auditions Morning/ Afternoon SUBJECT TO REVISION September 2018 27 August 2018 28 New Student Auditions Morning/ Afternoon 29 New Student Auditions Morning/ Afternoon 30 New Student Auditions Morning/ Afternoon 31 1 September 2018

More information

The Basics of Reading Music

The Basics of Reading Music The Basics of Reading Music CHAPTER 1 SUPPLEMENTARY MATERIAL Composers from Each Style Period The folloing lists provide names and dates of birth and death. The names are presented in chronological order

More information

UNDERGRADUATE MUSIC THEORY COURSES INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC

UNDERGRADUATE MUSIC THEORY COURSES INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC UNDERGRADUATE MUSIC THEORY COURSES INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC CONTENTS I. Goals (p. 1) II. Core Curriculum, Advanced Music Theory courses, Music History and Literature courses (pp. 2-3).

More information

YEFIM BRONFMAN. Pianist

YEFIM BRONFMAN. Pianist Pianist Yefim Bronfman is widely regarded as one of the most talented virtuoso pianists performing today. His commanding technique and exceptional lyrical gifts have won him consistent critical acclaim

More information

CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule Winter 2019

CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule Winter 2019 CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule Winter 2019 PROGRAM #: CSO 19-01 RELEASE DATE: December 28, 2018 Conductor and Composer John Williams Returns The Cowboys Overture (Richard

More information

Queens College, Aaron Copland School of Music Introduction to Music, fall 2010 Music 001, Section 9M3WA Room 226

Queens College, Aaron Copland School of Music Introduction to Music, fall 2010 Music 001, Section 9M3WA Room 226 Queens College, Aaron Copland School of Music Introduction to Music, fall 2010 Music 001, Section 9M3WA Room 226 Monday and Wednesday 9:25-10:40 am Office hours: Monday and Wednesday, 10:40-11:15 Office:

More information

Sonata for violin and piano No. 3 in E-flat major Op. 12 No. 3. Sonata for violin and piano No. 8 in G major Op. 30 No. 3

Sonata for violin and piano No. 3 in E-flat major Op. 12 No. 3. Sonata for violin and piano No. 8 in G major Op. 30 No. 3 LUCA BURATTO HONENS PRIZE LAUREATE CHAMBER REPERTORY With Violin Beethoven Sonata for violin and piano No. 2 in A major Op. 12 No. 2 Sonata for violin and piano No. 3 in E-flat major Op. 12 No. 3 Sonata

More information

HUMA 115 ENJOYMENT OF CLASSICAL MUSIC 2011 Spring

HUMA 115 ENJOYMENT OF CLASSICAL MUSIC 2011 Spring HUMA 115 ENJOYMENT OF CLASSICAL MUSIC 2011 Spring INSTRUCTOR: Prof. Matthew Tommasini DMA, MA Music Composition (University of Michigan) BA Music Composition (UCLA) CONTACT INFORMATION: mtommasini@ust.hk

More information

1. A form of polyphony consisting of two or more rhythmically interlocking voices is the

1. A form of polyphony consisting of two or more rhythmically interlocking voices is the Student ID: 52282521 Exam: 250465RR - Music Appreciation Final Exam When you have completed your exam and reviewed your answers, click Submit Exam. Answers will not be recorded until you hit Submit Exam.

More information

Team Name: Score / Minnesota High School Listening Contest Regional Contest Round 1, Musical Identification

Team Name: Score / Minnesota High School Listening Contest Regional Contest Round 1, Musical Identification Team Name: Score /20 2017 2018 Minnesota High School Listening Contest Regional Contest Round 1, Musical Identification You will hear 10 musical excerpts of works from the Study Guide. Each will last from

More information

1 Elements of Music: Sound, Rhythm, Melody, and Harmony 4 Sound 4 Rhythm 6 Melody 8 Harmony 9

1 Elements of Music: Sound, Rhythm, Melody, and Harmony 4 Sound 4 Rhythm 6 Melody 8 Harmony 9 Contents Prelude: The Fundamentals of Music 2 1 Elements of Music: Sound, Rhythm, Melody, and Harmony 4 Sound 4 Rhythm 6 Melody 8 Harmony 9 2 Elements that Structure Music: Key, Texture, and Form 11 Key

More information

21M011 (spring, 2006) Ellen T. Harris Lecture X. Romantic Orchestral Music

21M011 (spring, 2006) Ellen T. Harris Lecture X. Romantic Orchestral Music 21M011 (spring, 2006) Ellen T. Harris Lecture X Romantic Orchestral Music Throughout the 19 th century, composers continued to write orchestral music in two different tracks. In the first, the music evolved

More information

Sophorr~ore Exarn: Student Study Guide for

Sophorr~ore Exarn: Student Study Guide for Sophorr~ore Exarn: Student Study Guide for 2010-2011 i. Overview The sophomore e)(am is intended to assess your ollerail learning and retention of central concepts and skills in music theory, sight-singing,

More information

Bethesda-Chevy Chase High School Music Department IB Music Theory and History Course Syllabus

Bethesda-Chevy Chase High School Music Department IB Music Theory and History Course Syllabus Bethesda-Chevy Chase High School Music Department IB Music Theory and History Course Syllabus 2017-2018 Instructor: Mr. Marshall White Texts: Music, An Appreciation: Roger Kamien; Ear Training: A Technique

More information

Introduction to Music

Introduction to Music Introduction to Music Review Music in Baroque Society Fugue Baroque Dance Concerto Grosso and Ritornello Form Opera an art form in which singers and musicians perform a dramatic work combining text (called

More information

The Baroque Period: The Romantic Era: th & 21st Century Classical Music: 1900-Present day. Course work and revision materials

The Baroque Period: The Romantic Era: th & 21st Century Classical Music: 1900-Present day. Course work and revision materials Course work and revision materials The Baroque Period:1600-1750 The Romantic Era: 1810-1900 20th & 21st Century Classical Music: 1900-Present day www.creativeartsmusic.wordpress.com Name:... Class:...

More information

Ilya Ioff - Artistic Director & Soloist

Ilya Ioff - Artistic Director & Soloist .. The ensemble reaches remarkable results. Especially admirable is subtlest, as if engraved, elaboration of details. What Ilya Ioff and the "Divertissement" do is just breathtaking. - Hans Winking, WDR,

More information

Music in America: Jazz and Beyond

Music in America: Jazz and Beyond CHAPTER 24 Music in America: Jazz and Beyond Essay Questions 1. Early American Music: An Overview, p. 377 How did the Puritans views on music affect the beginning of American music? 2. Early American Music:

More information

Entrance Examination in Theory (for all departments except Musicology) Application procedures for Musicology please see p. 5.

Entrance Examination in Theory (for all departments except Musicology) Application procedures for Musicology please see p. 5. Further details on our internet site: www.tau.ac.il/arts/music E-mail address for inquiries: tovazu@tauex.tau.ac.il Entrance Examination in Theory (for all departments except Musicology) Application procedures

More information

Chapter 22. The Tonal Tradition. Thursday, February 7, 13

Chapter 22. The Tonal Tradition. Thursday, February 7, 13 Chapter 22 The Tonal Tradition Neoclassicism and the New Objectivity Neoclassicism- the deliberate imitation of an earlier style within a contemporary context, reached its height in the 1920s and 1930s

More information

SFS MEDIA DISCOGRAPHY

SFS MEDIA DISCOGRAPHY SFS MEDIA DISCOGRAPHY Premium Audio Recordings With a global reputation and a string of critically acclaimed albums, SFS Media continues to release definitive recordings of canonical works as well as new

More information

Excerpts. Violin. Group A. Beethoven Symphony No. 3 Eroica 3rd Movement: Beginning to 2nd Ending

Excerpts. Violin. Group A. Beethoven Symphony No. 3 Eroica 3rd Movement: Beginning to 2nd Ending In addition to an excerpt from a solo piece of the candidate's choosing (No more than five minutes), each candidate should select one excerpt from both and as listed for their instrument. Excerpts Violin

More information

COURSE SYLLABUS MUSIC APPRECIATION MUS 1113 FALL 2014

COURSE SYLLABUS MUSIC APPRECIATION MUS 1113 FALL 2014 I. PRELIMINARY INFORMATION: A. Department: Music COURSE SYLLABUS MUSIC APPRECIATION MUS 1113 FALL 2014 B. Title: Music Appreciation - Mus 1113 (ACTS - Equivalent #MUS 1003) Note: This course fulfills specific

More information

Chapter 16 Sacred and Secular Baroque Music

Chapter 16 Sacred and Secular Baroque Music Chapter 16 Sacred and Secular Baroque Music Illustration 1: Excerpt from "Kyrie" of the B Minor Mass by J. S. Bach--felt by many music historians to be the greatest piece of music written in the West (courtesy

More information

MUSIC Hobbs Municipal Schools 6th Grade

MUSIC Hobbs Municipal Schools 6th Grade Date NM State Standards I. Content Standard 1: Learn and develop the essential skills and technical demands unique to dance, music, theatre/drama, and visual art. A. K-4 BENCHMARK 1A: Sing and play instruments

More information

Course Outline. TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 03/26/2018

Course Outline. TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 03/26/2018 5055 Santa Teresa Blvd Gilroy, CA 95023 Course Outline COURSE: MUS 1A DIVISION: 10 ALSO LISTED AS: TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 03/26/2018 SHORT TITLE: MUSIC HISTORY/LIT LONG TITLE:

More information

CHAMBER MUSIC SOCIETY OF LINCOLN CENTER Broadcast Schedule Fall 2017

CHAMBER MUSIC SOCIETY OF LINCOLN CENTER Broadcast Schedule Fall 2017 CHAMBER MUSIC SOCIETY OF LINCOLN CENTER Broadcast Schedule Fall 2017 Please note: these programs are subject to change; please consult cue sheet for details. PROGRAM #: CMS 17-01 RELEASE: September 26,

More information

Music: An Appreciation, Brief Edition Edition: 8, 2015

Music: An Appreciation, Brief Edition Edition: 8, 2015 Music: An Appreciation, Brief Edition Edition: 8, 2015 Roger Kamien Connect Plus Music (All Music, ebook, SmartBook, LearnSmart) o ISBN 9781259154744 Loose Leaf Text + Connect Plus Music o ISBN 9781259288920

More information

Orchestra Calendar Rehearsal Dates & Rep

Orchestra Calendar Rehearsal Dates & Rep 2017-2018 Orchestra Calendar Rehearsal Dates & Rep SEPT 26 TUES Shostakovich Festive Overture Barber Violin Concerto Petteri Iivonen (PS 16, AD 17), violin Saint-Saens Symphony No. 3 (Organ Symphony) MSM

More information

NEW YORK PHILHARMONIC Summer 2018 Broadcast Schedule. Frank-Peter Zimmermann, violin

NEW YORK PHILHARMONIC Summer 2018 Broadcast Schedule. Frank-Peter Zimmermann, violin NEW YORK PHILHARMONIC Summer 2018 Broadcast Schedule PROGRAM#: NYP 18-40 RELEASE: June 27, 2018 Christoph von Dohnányi conducts Dvořák DVOŘÁK: DVOŘÁK: DVOŘÁK: Piano Concerto in g-minor Martin Helmchen,

More information

The Fairy Queen, Z.629 (19 Selections, Vol.2 For Strings And Continuo): Full Score [A1119] By Henry Purcell READ ONLINE

The Fairy Queen, Z.629 (19 Selections, Vol.2 For Strings And Continuo): Full Score [A1119] By Henry Purcell READ ONLINE The Fairy Queen, Z.629 (19 Selections, Vol.2 For Strings And Continuo): Full Score [A1119] By Henry Purcell READ ONLINE If searching for the ebook by Henry Purcell The Fairy Queen, Z.629 (19 Selections,

More information

Music History. Middle Ages Renaissance. Classical Romantic Impressionist 20 th Century

Music History. Middle Ages Renaissance. Classical Romantic Impressionist 20 th Century Music History Middle Ages Renaissance Baroque Classical Romantic Impressionist 20 th Century Middle Ages Two types of music: (Church music) (Non-Religious music) Middle Ages Sacred Music All (Plainchant

More information

Audition Requirements for SEASON 2018

Audition Requirements for SEASON 2018 Audition Requirements for SEASON 2018 1. The Braddell Heights Symphony Orchestra (BHSO) is a community orchestra with mostly voluntary amateur musicians. In order to assigned limited number of positions

More information

Chamber Music. Guitar X NADAL: American Folk Songs for Guitar. 96pp. 9 x 12. $10.95

Chamber Music. Guitar X NADAL: American Folk Songs for Guitar. 96pp. 9 x 12. $10.95 Chamber Music 0-486-29901-5 SMETANA: String Quartets No. 1 ( From My Life ) & No. 2. Two frequently performed works. 96pp. 8 3/8 x 11 1/4. $8.95 0-486-41395-0 STRAVINSKY: Pribaoutki, Renard and Ragtime

More information

MUSIC HISTORY Please do not write on this exam.

MUSIC HISTORY Please do not write on this exam. MUSIC HISTORY Please do not write on this exam. 1. Which of the following characterize Baroque music? a. Music based on Gregorian Chant b. The figured bass (Basso continuo) (the writing out of the bass

More information

The Horn Matters PDF Excerpt E-Book, Volume III

The Horn Matters PDF Excerpt E-Book, Volume III The Horn Matters PDF Excerpt E-Book, Volume III Includes major French horn excerpts from the following works: Bach: B Minor Mass Bach: Brandenburg Concerto No. 1 Dvorak: Cello Concerto Dvorak: Symphony

More information

HISTORY PRACTICE #2. CSMTA Achievement Day Name : Teacher code : Score : Match the instrument names and pictures. timpani.

HISTORY PRACTICE #2. CSMTA Achievement Day Name : Teacher code : Score : Match the instrument names and pictures. timpani. HISTORY PRACTICE #2 CSMTA Achievement Day Name : Teacher code : Music History Level 1 Practice 2 Page 1 of 2 Score : 100 1. Match the instrument names and pictures. (7x4pts=28) clarinet cello trombone

More information