Owner s Manual. Part Names. & Functions. Listening to the Piano. Playing the Piano (Basic Controls) Recording a Song. Using a Style.

Transcription

1 Part Names & Functions 1 Listening to the Piano 2 Playing the Piano (Basic Controls) 3 Owner s Manual Recording a Song Using a Style 4 5 Music Menu 6 Settings Menu 7 Virtual Technician 8 Mic Harmony & Mic Effects 9 Using USB Memory 10 Appendices 11

2 All descriptions and specifications in this manual are subject to change without notice.

3 3 Thank you for purchasing this KAWAI Concert Performer (CP) Series Ensemble Digital Piano. The CP Series piano has been designed to provide you with the ultimate musical experience, no matter your skill level. Featuring superbly realistic instrument tones and the most finely crafted keyboard in its class, the CP is a unique musical instrument resulting from the combination of KAWAI s eighty-five-plus years experience in making acoustic pianos, along with cutting-edge digital music technologies. With over 1000 different instrument and drum sounds at your disposal, you will have the flexibility to perform any kind of music ranging from traditional to contemporary. The Auto-Accompaniment Styles provide the enjoyment of playing rich, fully orchestrated music in hundreds of musical genres. Thanks to the Song Stylist feature, you will never have to worry about finding the best sounds and style to perform a particular song. The Concert Performer incorporates many professional features, such as a 16-track Recorder, Microphone Input, USB to Device functionality and MP3 recording/playback. For the non-player, KAWAI s unique Concert Magic feature creates the thrill of being a performing musician simply by tapping any key on the keyboard. The Concert Performer offers tremendous opportunities for anyone who is interested in learning, playing, and listening to music. Please read this manual thoroughly and keep it handy as a reference so that you can get the most out of this incredible instrument. We hope you enjoy every moment that you spend with your Concert Performer.

4 4 Important Safety Instructions...6 Table of Contents 1. Part Names and Functions ) Parts and Names Pedals Front Terminals Rear Terminals ) Overview of Controls Listening to the Piano ) Demonstrations ) Playing Piano Music Making your Favorites list My Piano Music Playing the Piano (Basic Controls) ) Selecting a Part to Play Splitting the keyboard ) Selecting Sounds Favorite Sounds ) Mixer ) Effects Adding Reverb Adding Chorus Adding an Effect Effect Priority Guidelines ) Transpose and Octave Shift ) Metronome ) Piano Only ) KBD Settings Button LEFT PEDAL and CENTER PEDAL Override KBD SETTINGS BUTTON ASSIGN (Portamento, Panel Lock) LEFT MODE RIGHT3 SETTINGS SOLO MODE Recording a Song ) Easy Recording Re-recording or adding another Part Storing the song in Internal Memory Erasing the song Easy Loop Display of a Score ) Advanced Recording Real-time Recording Mixer Track Settings Loop Settings Style Paste Punch-In Recording Step Recording Song Edit Bar Editing Event Edit Style Maker Using a Style ) Selecting and Playing a Style Intro/Ending Fill-In and Variation ) Auto Accompaniment System ) 1-2 Play ) Registration ) Song Stylist ) Keyboard Harmony ) Creating Your Own Styles ) Conductor Easy Edit Style Effect Advanced Edit User Conductor Styles ) Making a Style with Get Phrase from Recorder Auto-accompaniment System ) Making a Style with Phrase Combination ) Editing Sounds Editing the Preset Effect Settings Making a User Sound Music Menu ) Concert Magic Selecting a Concert Magic Song Performing a Concert Magic Song Concert Magic Song Arrangements Steady Beat Play Creating a Concert Magic Song ) Lesson Function Selecting a Lesson Book/Song Listening to the selected Lesson Song Repeating a passage of the selected Lesson Song Adjusting the Left/Right hand volume balance Adjusting the playback tempo Recording a Lesson Song practise Finger Exercises ) My Songs ) Piano Music Maker Settings Menu ) Tuning ) System EQ ) Concert Magic Sound ) Pedal Assign ) Fill-in Mode ) RIGHT3 Settings ) Video Out ) Effect for Sound ) Sound Select Mode ) Style Select Mode

5 5 7. Settings Menu (cont) ) MIDI Menu MIDI Settings Transmit MIDI Data Channel Receive On/Off MIDI Accordion MIDI Sound Settings ) Power Up Settings ) Registration Filter ) Soft Reset ) Software Version Display Control Virtual Technician ) Touch Curve User Touch Curve ) Virtual Voicing ) Resonance ) Noise Settings ) Pedal Settings ) Temperament Brief Explanation of Temperaments ) Stretch ) 88 Key Volume ) Hammer Delay ) Top Board ) Decay Time ) Minimum Touch Mic Harmony & Effects ) Mic Harmony About Mic Harmonies ) Mic Effects Using USB Memory USB Menu Saving Data to USB Memory Loading Data from USB Memory Erasing Data from USB Memory Formatting a USB Memory Device Play MIDI Song Controlling Song Playback Playing MP3/WAV Audio Recording MP3/WAV Audio Recording with additional sound sources Appendices ) Connection Examples ) USB MIDI Information ) Preset Styles ) Song Stylists ) Concert Magic Songs ) Piano Music Songs ) Lesson Songs ) Accompaniment Chord Types ) Program Change Numbers ) Drum & SFX Kit Mapping ) MIDI Implementation Chart ) Specifications User Notes

6 6 Important Safety Instructions SAVE THESE INSTRUCTIONS INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. AVIS : RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR. TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lighting flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the leterature accompanying the product. Examples of Picture Symbols denotes that care should be taken. The example instructs the user to take care not to allow fingers to be trapped. denotes a prohibited operation. The example instructs that disassembly of the product is prohibited. denotes an operation that should be carried out. The example instructs the user to remove the power cord plug from the AC outlet. Read all the instructions before using the product. 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all instructions. 5) Do not use this apparatus near water. 6) Clean only with dry cloth. 7) Do not block any ventilation openings. Install in accordance with the manufacturer's instructions. 8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prongs are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11) Only use attachments/accessories specified by the manufacturer. 12) Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. 13) Unplug this apparatus during lightning storms or when unused for long periods of time. 14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or object have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

7 7 WARNING - When using electric products, basic precautions should always be followed, including the following. WARNING Indicates a potential hazard that could result in death or serious injury if the product is handled incorrectly. Do not use this product near water - for example, near a bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool, or the like. Do not touch the power plug with wet hands. There is a risk of electrical shock. Treat the power cord with care as well. Stepping on or tripping over it can break or short-circuit the wire inside. The product should be connected to a power supply only of the type described in the operatiing instructions or as marked on the product. 120V 230V 240V When disconnecting the AC power cord's plug, always hold the plug and pull it to remove it. Pulling the AC power cord itself may damage the cord, causing a fire, electric shock or short-circuit. Do not attempt to service the product beyond that described in the user-maintenance instructions. All other servicing should be reffered to qualified service personnel. This product in combination with an amplifier and headphones or speakers, may be capable or producing sound level that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ear, you should consult an audiologist. This product may be equipped with a polarized line plug (one blade wider than the other). This is a safety feature. If you are unable to insert the plug into the outlet, contact an electrician to replace your obsolete outlet. Do not defeat the safety purpose of the plug. CAUTION Indicates a potential hazard that could result in injury or damage to the product or other property if the product is handled incorrectly. Do not use the product in the following areas. Areas, such as those near windows, where the product is exposed to direct sunlight. Extremely hot areas, or close to heat sources such as radiators, heat registers, or other products that produce heat. Extremely cold areas, such as outside. Extremely humid areas. Areas where a large amount of sand or dust is present. Areas where the product is exposed to excessive vibrations. Using the product in such areas may result in product breakdown. Always turn the power off when the instrument is not in use. The product is not completely disconnected from the power supply even when the power switch is turned off. The power supply cord of the product should be unplugged from the outlet when left unused for a long period of time. OFF

8 8 It is a good practice to have the instrument near the AC outlet and the power cord plug in a position so that it can readily be disconnected in an emergency. Before connecting cords, make sure that the power to this product and other devices is turned OFF. OFF Failure to do so may cause breakdown of this product and other devices. The product should be located so that its location or position does not interfere with its proper ventilation. Keep the instrument away from electrical motors, neon signs, fluorescent light fixture, and other sources of electrical noises. Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. The product shall not be exposed to dripping or splashing. No objects filled with liquids, such as vases, shall be placed on the product. When connecting the AC power cord and other cords, take care not to get them tangled. Failure to do so may damage them, resulting in fire, electric shock or short-circuit. Take care not to drop the product. Please note that the product is heavy and must be handled by more than one person. Dropping the product may result in breakdown. Do not lean against the product. Doing so may cause the product to move unexpectedly, resulting in injury. Do not stand on the product or exert excessive force. Doing so may cause the product to become deformed or fall over, resulting in breakdown or injury. Do not wipe the product with benzene or thinner. Doing so may result in discoloration or deformation of the product. When cleaning the product, put a soft cloth in lukewarm water, squeeze it well, then wipe the product.

9 9 To reduce the risk of injury, close supervision is necessary when a product is used near children. This product should be used only with the stand that is provided by the manufacturer. The product should be serviced by qualified service personnel when: The power supply cord or the plug has been damaged. Objects have fallen, or liquid has been spilled into the product. The product has been exposed to rain. The product does not appear to operate normally or exhibits a marked change in performance. The product has been dropped, or the enclosure damaged. Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord plug, and then contact the shop from which the product was purchased. Do not attempt to remove the L-shaped pin in the lid hinge. Doing so will cause the lid to fall down. Take care when lifting the instrument s lid and using the lid prop in order to prevent the lid from falling. Do not attempt to connect a power cable to the instrument s FIXED output (XLR) jacks. CAUTION: To prevent electric shock, match wide blade of plug to wide slot, fully insert. ATTENTION: Pour éviter les chocs électriques, introduire la lame la plus large de la fiche dans la borne correspondante de la prise et pousser jusqu'au fond. FCC Information This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a different electrical circuit from the receiver. Consult the dealer or an experienced radio/tv technician for help. Declaration of Conformity Products : Electronic Piano Model Number : CP1/CP2 Responsible Party Name : Kawai America Corporation Address : 2055 East University Drive Rancho Dominguez, CA Telephone : This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. CP1 Nameplate CP2 Nameplate This applies only to products distributed by Kawai America Corporation.

10 10 1 Part Names & Functions 1. Part Names & Functions 1) Parts and Names Control Panel b e f g h a c d i j k l m n o p q r a POWER Turns the instrument on/off. b AUX INPUT This jack is used to connect a portable music player, tablet or similar device to the CP s amplifier and speaker system. c MASTER VOLUME This slider is used to adjust the overall volume level of the instrument. d STYLE / SONG VOLUME This slider is used to adjust the volume level of the Auto Accompaniment Styles. Also used to adjust the volume level of a MIDI song played from the CP s Internal Recorder or directly from USB memory. This slider does not affect the Master Volume Slider setting. e DEMO (page 15) This button is used to select the built-in demo songs and function demos which explain important features of the CP piano. f MUSIC (page 89) This button is used to show the Music Menu, used to select the CP s Concert Magic, Piano Music, and Lesson Function features. g REGISTRATION GROUPS (page 68) This button is used to select one of the 20 groups of preset and user registrations. h REGISTRATIONS (page 69) These buttons are used to recall one of the eight panel settings available in the currently selected Registration group. i TAP TEMPO (page 32) This button is used to tap in the desired tempo for a song or Style. j METRONOME (page 32) This button is used to turn the Metronome on/off. k START / STOP (page 62) This button is used to start and stop the accompaniment style. l ACC ON/OFF (page 65) This button is used to turn the Auto-Accompaniment function on/off. m STYLES (page 62) This button is used show the Styles interface in the LCD display. n FAVORITES (page 64) This button is used to show the Style Favorites screen. o 1-2 PLAY (page 67) This button is used to automatically choose an appropriate sound and setup for the selected style. p SONG STYLIST (page 71) This button is used to select the Song Stylist Registrations. q DISPLAY CONTROL (page 119) This button is used to access and adjust settings for the LCD screen. r LCD TOUCH SCREEN Displays information about the CP s current sound selections, options, and settings, etc., while also controlling many aspects of the CP.

11 11 s TEMPO / VALUE DIAL This dial is used to adjust tempo, scroll through different selections, and adjust data values for items on the LCD screen. t EXIT This button is used to back up to the next-higher screen level. Keep pressing the Exit button from any screen on the CP will bring you back to the CP s main play screen. u TRANSPOSE (page 31) These buttons are used to change the overall pitch of the CP in half-note steps. v OCTAVE SHIFT (page 31) These buttons are used to change the pitch of the selected part in octave steps. Part Names & Functions 1 s w x D E F G r u y z A B C H t v I w SOUND (page 22) These buttons are used to select the desired sound category. Touch the sound name as shown on the LCD display, or rotate the DIAL to select a sound within the category. x PIANO ONLY (page 33) This button is used to automatically assign the Concert Grand sound to the RIGHT1 part. Press and hold this button to reset all sounds and styles to the Start Up settings. y PART (page 20) Selects which of the four parts (LEFT/SPLIT, RIGHT1, RIGHT2, RIGHT3) are active and ready to be played with the sounds assigned to them. z REVERB (page 26) This button turns on/off the Reverb. Press and hold the button to select the Reverb settings menu. A EFFECTS (page 27/28) This button is used to select the Effects and Chorus settings menu. B KBD HARMONY (page 74) This button turns on/off the Harmony for instrument sounds. Press and hold this button to access settings for the RIGHT3 and LEFT/SPLIT parts as well as the left and Center pedals. C KBD SETTINGS (page 34) This button shows the Keyboard Settings screen. D MIC HARMONY (page 130) This button turns on/off the Vocal Harmony function for the Microphone jack. Press and hold the button to select the Vocal Harmony/Effect settings menu. E MIC EFFECTS (page 131) This button turns on/off additional effects for the Microphone jack. Press and hold the button to select the MIC Effects settings menu. F USB (page 135) This button is used to access the USB memory and MP3/WAV play back/record functions. G SETTINGS (page 101) This button is used to access the system settings menu. H RECORDER (page 38) These buttons are used to record and play back a MIDI song stored in internal memory or on a USB device. I USB PORT (page 12) This jack is used to connect a standard USB memory device to read and write user data and record/play MP3/WAV audio files etc.

12 12 Pedals 1 Part Names & Functions J K L J Soft Pedal Depressing this pedal softens the sound and reduces its volume. This pedal can also be assigned to control other functions. (See page 104) K Sostenuto Pedal Depressing this pedal after playing the keyboard and before releasing the keys sustains the sound of only the keys just played. This pedal can also be assigned to control other functions. (See page 104) L Damper Pedal Sustains the sound after lifting your hands from the keyboard. The damper pedal is capable of responding to half pedaling. Front Terminals M Headphone Jacks These jacks are used to connect up to two headphones to the CP piano. N Mic In Volume This knob adjusts volume level of the microphone input. O Microphone Jack This jack is used to connect a microphone or other comparable mic-level sound M N O Rear Terminals CP1 CP2 P Q U R S T V W X P EXP Pedal This jack is used to connect an optional expression pedal. Q Video Out This jack is used to connect the CP to a TV set or external monitor display. R Line Out Jacks These jacks are used to provide stereo output of the CP s sound to amplifiers, tape recorders or similar equipment. The audio signal coming through the LINE IN jacks is also routed to these jacks. S Line In Jacks These jacks are used to connect stereo outputs from other audio equipment or electronic instruments to the CP s speakers. The audio signal coming through these jacks bypasses the CP s volume control. T Line In Volume This knob is used to adjust the volume level of audio signal. U FIXED Jacks These jacks are used to provide stereo output of the CP s sound to professional amplification and mixing equipment using XLR terminals V MIDI Jacks These jacks are used to connect external MIDI devices to the CP. W USB Jack This jack is used to connect a personal computer to the CP. X Receptacle for Pedal Cable (CP1 only) This jack is used to connect the cable from the CP1 s pedal lyre.

13 13 2) Overview of Controls This manual provides you with all the information you will need in order to take full advantage of the Concert Performer s potential. Before you begin learning how to use the specific features, it is important to understand some of the basic ideas behind the instrument s design. The Concert Performer has been designed to have an easy and intuitive user interface. However, the instrument has so many features that it is simply impractical to have a dedicated button for every single one. As a result, many features and functions are selected by choosing them from lists, or menus, that are presented to you on the CP s large display screen. Often times selecting an item from a menu may access another sub-menu of options specific to that item. This system of menus and sub-menus keeps everything logical and straightforward and becoming familiar with how to make your way through them is very easy. Part Names & Functions 1 Panel Buttons Most of the buttons on the front panel are used to directly select a function on the CP that you would like to work with. In most cases, the specific function name is printed on the front panel directly above the button. For example, there are buttons labeled START/STOP, 1-2 PLAY, STYLES, and so on. In this manual, references to these buttons are always printed in capital letters for clarity. Most of these buttons have an LED Indicator (small light) on them. This Indicator will be turned ON when a function is in use so that you can quickly see if that function is active. LCD Touch Screen The LCD Touch Screen is the window through which the Concert Performer communicates with you. The large display size allows many items to be clearly displayed at the same time, allowing for not only words but graphics to be shown as well. As well as providing information about the current sound and style selections, and other important settings, the LCD display can also be used to control numerous functions of the CP1/CP2. Simply touch the part of the screen that corresponds to the function you wish to control or adjust. Below is an example of the default MAIN screen that appears when the instrument is first turned on. SETTINGS: Show SETTINGS screen STYLE: Show STYLE screen RECORDER: Show RECORDER screen LEFT part: Pop Ensemble selected, but currently inactive MUSIC: Show MUSIC screen RIGHT3 part: Ballad Flute selected but currently inactive RIGHT1 part: Concert Grand selected and currently active RIGHT2 part: Beautiful Strings selected but currently inactive MIXER: Show MIXER screen RIGHT1 part: Concert Grand selected and currently active In some cases when you touch an item displayed on the screen, that item will become highlighted (shown in reverse color) to indicate you it has been selected. However, in other cases a submenu screen relating to that item will be displayed, presenting you with further options. To exit a screen, press the EXIT button, or touch the X icon (when visible) positioned in the top right corner of the screen.

14 14 Note that in order to avoid possible confusion within this owner s manual, operating instructions related to the touch screen will use the verb touch, while instructions related to the button panel will use the verb press. 1 Part Names & Functions E.g.: Touch the PAGE button on the LCD display. Press the RIGHT1 panel button. If no panel buttons are pressed, and the LCD display is not touched while showing different screen menus (such as the sound or style category lists), the LCD display will automatically return to the MAIN screen after a period of 20 seconds. To adjust this waiting period, or to prevent the MAIN screen from returning automatically, please refer to the Display Control instructions on page 119 of this owner's manual. Dial The Dial is used to change data values and scroll through options that are displayed on the LCD screen. When you turn the Dial, you will notice that whatever item on the LCD screen is currently selected (highlighted) will be affected. For example, when a Part is selected, turning the dial will change the sound of that Part, while if the mixer screen is shown, turning the dial will increase/decrease the level of the selected part. Alternatively, when the screen presents you with a list of choices, turning the Dial will allow you to quickly scroll through the list until you arrive at your choice.

15 15 2. Listening to the Piano 1) Demonstrations The Concert Performer features a variety of built-in Demonstration songs that really show off the musical potential of the instrument. These songs were composed by some of the top musicians in the music industry, and will undoubtedly impress and inspire you. There are five types of Demonstrations programmed in the CP piano. Listening to the Piano 2 Main Demonstration Music which highlights various features and capabilities of the CP piano. Key Feature Demos Songs, Text, and Graphics that help explain the most important features and functions of the Concert Performer. Sound Category Demos Each Sound category has a song, or songs, that demonstrate the sound choices and capabilities found in the category. Style Category Demos Each Style category has a song, or songs, that demonstrate how the Auto-Accompaniment Styles can be used. Piano Music The initial DEMO menu screen will play Classical and Contemporary piano music as long as you remain in that screen. The songs are randomly selected from the Piano Music feature. To listen to the Main Demonstration or a Sound/Style Demo Press the DEMO button. The Demonstration menu will be displayed. Select your preferred Demo. Touch MAIN DEMONSTRATIONS to select the Main Demonstrations demo. Touch KEY FEATURES to select the Key Features demo. Press a SOUND category button to select a SOUND category demo. Press the STYLES button, then touch a STYLE category to select a STYLE category demo. SOUND or STYLE categories may play more than one demo song in sequence. MAIN DEMONSTRATIONS : Plays the Main Demonstrations demo. KEY FEATURES : Enters the Key Features Demo menu. The SOUND category buttons are used to select the demo for that Sound category.

16 16 Step 3 To exit, press the EXIT, PLAY/STOP or the DEMO button. When a selected Demo song ends, another song of the same type will be randomly chosen from another category and played. You can select another demo song at any time by pressing the appropriate button. 2 Listening to the Piano To select to a Key Features Demo: Press the DEMO button. The Demonstration menu will be displayed. Touch KEY FEATURES to enter the Key Features Demo menu. Step 3 Touch the desired Key Features topic. The selected topic s text and graphics are displayed in the LCD screen. Touch the Key Features topic that you would like to read about. MAIN DEMONSTRATIONS : Plays the Main Demonstrations demo. Step 4 To exit, press the EXIT, PLAY/STOP or the DEMO button.

17 17 2) Playing Piano Music The Concert Performer has over seven hours of prerecorded Piano Music available for your listening pleasure. The Piano Music is divided into four categories: Classical, Contemporary, Evening Out and Holiday music. You can listen to all selections in a category, or you can program a list of your favorite ten selections from each category. It is also possible to create your own My Piano Music library using recorded or imported songs stored in the internal memory. To listen to the Piano Music: Press the MUSIC button. The MUSIC screen will be displayed. Listening to the Piano 2 Touch the PIANO MUSIC icon. The Piano Music menu will be displayed. Step 3 Touch your preferred Piano Music category. Step 4 Touch the song that you wish to listen to. PAGE : Display additional songs on the other pages. CATEGORIES : Takes you back to the category selection menu. FAVORITES : Enters the Favorites menu. PLAY : Plays the selected song.

18 18 Step 5 Touch the PAGE buttons to display additional songs on the other pages. Step 6 Touch the PLAY button to start the song. When the song is finished, another song from the same category will be played at random. Songs from the category will continue to play randomly until you exit the screen. 2 Listening to the Piano SKIP : Skips randomly to the next song. SONG LIST : Displays the song list. PAUSE : Pauses the playback. Step 6 Touch the PAUSE button to pause the song, then touch the SONG LIST buttons to return to the category s song list. Step 7 Touch the SKIP button to skip randomly to another song. Step 8 To exit, press the EXIT, PLAY/STOP, or PIANO MUSIC buttons. Making your Favorites list You can make your Favorites list for each Piano Music category. Ten songs can be programmed in the order of playback. NOTE: You cannot select between songs in different categories. To make your Favorites list: Select one of the four Piano Music categories, then touch the FAVORITES button in the Category song screen. A default list is displayed in the LCD screen.

19 19 Touch the song name to highlight one of the ten locations, then turn the Dial or touch the SELECT SONG buttons to select a new song for that location. Touch the screen to select a location to edit/ Listening to the Piano 2 SAVE : Saves the edited list. SELECT SONG : Selects a song. SONG LIST : Returns to the song list in the selected category. PLAY : Plays the song. Step 3 Repeat step #2 to program your ten favorite songs in any order you wish. Step 4 Touch the SAVE button to save the edited list to internal memory. The Favorites list function is not available when using My Piano Music. My Piano Music It is also possible to create your own My Piano Music collection using recorded or imported songs stored in the internal memory. Please refer to the My Piano Music instructions in the Music Menu section of this owner's manual for more information regarding how to create custom Piano Music songs. To load your My Piano Muisic collection: Select MY PIANO MUSIC on the PIANO MUSIC screen. A list of the available My Piano Music songs stored in internal memory will be displayed in the LCD screen. Touch the My Piano Music song that you wish to listen to. Step 3 Touch the PLAY button to start the song. The custom My Piano Music collection will begin to play.

20 20 3. Playing the Piano (Basic Controls) 3 Playing the Piano (Basic Controls) This chapter discusses the basic operations that are used to play the Concert Performer, such as sound selection, Part configuration and effect settings. 1) Selecting a Part to Play When the CP s main play screen is displayed (For example, when the CP is first turned on), you are presented with four sound Parts that can be played from the keyboard. These four Parts are named LEFT/SPLIT, RIGHT1, RIGHT2, and RIGHT3, and each one has an instrument sound assigned to it. You can selectively turn on/off any combination of these four Parts, allowing you to have up to four different sounds at the same time across the keyboard. Sound assigned to Parts RIGHT1 and RIGHT2 will be layered on top of each other when both parts are active at the same time. When the RIGHT3 part is activated, the sound assigned to the RIGHT3 part will be layered with the RIGHT1 and RIGHT2 parts. The RIGHT3 part can also be set to split the keyboard so that the sound assigned to the RIGHT3 Part is only heard when you play above a specified key (split point) on the keyboard. See RIGHT3 Settings on page 107 for details. Activating the LEFT/SPLIT Part automatically splits the keyboard so that the sound assigned to the LEFT/SPLIT Part is only heard when you play below a specified key (split point). Each Part has a dedicated button on the front panel that selects and turns on/off that Part. You can also select a Part by touching the appropriate area of the screen. Selecting a Part is easy: Press the PART button for the Part you wish to activate. The PART button LED will light. Press the PART button again to turn that Part off. If the LCD screen is currently showing the main play screen, you can tell which Parts are active by looking at the name of the sound assigned to it. If the name of a sound is in a large typeface, then the Part it is assigned to is active. If the sound name is displayed in a small typeface, then the Part is not active. This example indicates: RIGHT1 is currently active RIGHT3, RIGHT2, LEFT are inactive.

21 21 Splitting the keyboard When the LEFT/SPLIT Part is activated, the CP automatically splits the keyboard and only the sound assigned to the LEFT/SPLIT Part will be heard when you play below a specified key (split point) on the keyboard. The default split point is between F3 and F#3 but you can freely change the split point to any key on the keyboard. To change the split point: Press the LEFT/SPLIT button to activate the LEFT/SPLIT Part. The LEFT/SPLIT button LED will light. Press and hold the LEFT/SPLIT button, then press the desired key on the keyboard that you want to serve as the split point. The key you press will become the lowest note the Right hand Parts will play (RIGHT1, RIGHT2, and RIGHT3). The LEFT/SPLIT sound will be heard when keys below the split point are played. Playing the Piano (Basic Controls) 3 Step 3 The split point for the LEFT/SPLIT part can also be set from the KBD SETTINGS button menu. Moving the split point completely to the LEFT end of the keyboard will allow the LEFT/SPLIT Part to function as a layer with the three right hand Parts. In this manner you can create a four part layer across the entire keyboard. When set to Split Mode, the split-point for the RIGHT3 part can also be set from this menu.

22 22 2) Selecting Sounds The Concert Performer has over 1000 instrument and drum sounds available from the front panel. You can freely assign any of these sounds to the four Parts. Remember that there is always a sound assigned to each of the Parts, even if some of the Parts are not currently active. The sounds span a tremendous variety of instruments, ranging from traditional acoustic sounds to modern electronic tones. To help you quickly find the sound that you want, the sounds have been organized into 8 categories, each with a dedicated Sound Selection button on the front panel. 3 Playing the Piano (Basic Controls) Pressing the OTHERS button will display a separate menu, with an extra 9 sub-categories of additional sounds to be selected. Within the OTHERS display, the USER category provides convenient access to User edited sounds. Finally, the FAVORITES button allows up to 20 of your favorites sounds to be stored and recalled simply and conveniently. To select a Sound: In the main play screen, touch the Part to which you wish to assign a new sound. The selected Part will become highlighted. Press the SOUND button for the sound category that you are interested in. Sounds from the first page of the Master tab will be displayed. The Master tab lists all available instruments from the chosen category, and typically spans several pages. It is also possible to display only the instruments of a particular sub-category by touching the relevant tab. For example to display drawbar organ sounds only, first press the ORGAN button, then touch the Drawbar tab. Remember that each tab can list several pages of instrument sounds. Step 3 Select a sound by touching the displayed name. PAGE : Selects the different pages of Sounds within a category. SOUND EDIT : Takes you to the Sound Edit menu. (See "Editing Sounds" on page 86.) Step 4 Touch the PAGE buttons to show the Sounds on the other pages for the same category. Step 5 You can also use the Dial to scroll through all of the categories and sounds one by one.

23 23 Favorite Sounds Because of the sheer number of sounds available, it can take a while to scroll through the various categories, sub-category tabs, and pages in order to find a particular sound. Fortunately, the Favorites category allows you to store your favorite sounds on a separate button menu for easy selection. To create a Favorite sound: Press the FAVORITES sound button. The FAVORITES screen will be shown, with a list of predefined Favorite sounds. Playing the Piano (Basic Controls) 3 PAGE: Selects the different pages SOUND SELECT: Chose the sound for the selected Favorite position. Touch one of the Favorite sound names. That entry will become selected. Step 3 Touch the SOUND SELECT button. The Favorites screen will enter EDIT mode. SAVE: Save the favourites list to memory LIST: Return to LIST mode. Step 4 Press one of the SOUND category buttons, then select the desired sound. The selected sound will become a Favorite sound. Step 5 Press the EXIT button or touch the LIST button to return to the FAVOURITES screen. Step 6 Touch the SAVE button. The Favorites list will be saved to the internal memory. If the Favorites list is not saved, the list will return to the default setting when the power is turned off, and any stored Favorites will be lost.

24 24 3) Mixer This Mixer screen allows you to change the volume, panning, reverb and chorus levels, as well as turn the effect on/off for each Part. To use the Mixer: Touch the MIXER button while on the main play screen. The Mixer screen will be shown. 3 Playing the Piano (Basic Controls) STYLE MIXER : Show the Style Mixer screen. PART BUTTONS : Selects the part to adjust. HARMONY : Show the Harmony screen. Touch the buttons at the bottom of the screen to select the Part to be adjusted. Step 3 Touch the slider that you wish to adjust. A larger version of the selected slider will be shown. BACK : Return to the main Mixer screen. PART BUTTONS : Selects the part to adjust. HARMONY : Show the Harmony screen. Step 4 Use the Dial or touch and drag the slider to adjust the value. Volume level can be also adjusted from the main play screen, using the VOLUME buttons, then using the Dial.

25 25 To adjust the individual Section level: The Mixer not only lets you set the overall volume level for the Style, but set individual volume levels for the 6 Sections within a Style. On the Mixer screen, touch the STYLE MIXER button. The Style Mixer screen will be shown. Playing the Piano (Basic Controls) 3 BACK : Return to the main Mixer screen. PART BUTTONS : Selects the Section to adjust. Touch the buttons at the bottom of the screen to select the Part to be adjusted. Step 3 Use the Dial, or touch and drag the slider to adjust the value. Step 4 Touch the the BACK button to go back the previous Mixer screen, or press the EXIT button to go back to the main play screen.

26 26 3 Playing the Piano (Basic Controls) 4) Effects You might have noticed that when you select some of the sounds, the LED indicator for the REVERB button is turned on. The reason for this is some of the sounds are automatically set up to use reverb with one or more additional effect on as part of their initial setting. Adding an effect to the sound enhances tonal quality and improves acoustical realism. The CP piano is provided with three separate groups of effects. The first is REVERB, the second is CHORUS, and third group EFFECTS contains other useful effects such as Delay, Phaser, Rotary Speaker etc. The Concert Performer has a selection of 35 different Reverb, Chorus, and Effect types that can be used to enhance or even dramatically alter the instrument sounds. Each of the over 1000 instrument and drum sounds has already been assigned a REVERB and CHORUS setting and an additional EFFECT that suits that particular type of instrument. For example, a moderate Delay effect is used on the Church Organ to recreate the sense of being in a large church, and a Rotary speaker effect is used on the Drawbar organ to give it an authentic, vintage feel. If you wish, you can change any of these effect settings separately for each sound, then save them as the new Preset effect settings for that Sound. In addition, by setting the Effect For Sound function in the Settings Menu to Panel the CP will ignore the preset effects settings for each Sound (see Effect For Sound on page 109). (The CP piano can also remember your Effect settings as part of a Registration. See Registration on page 68.) Adding Reverb Press the REVERB button. The REVERB button LED will light. If you wish to edit the settings, hold down the REVERB button for a moment until the Reverb Settings screen is displayed. PART BUTTONS : Selects the part to adjust. Step 3 Use the dial to select the Reverb type. Step 4 Touch the buttons above each slider to turn the reverb effect on or off. Step 5 Touch the slider/part that you wish to adjust. Step 6 Use the Dial or touch and drag the slider to adjust the value. Step 7 Press the EXIT button to leave the Reverb Settings menu.

27 27 Step 8 If you wish to turn the reverb effect off, press the REVERB button again. Type of Reverb Room Lounge Small Hall Concert Hall Live Hall Cathedral Simulates the ambiance of a living room or small rehearsal room. Simulates the ambiance of a piano lounge. Simulates the ambiance of a small hall. Simulates the ambiance of a concert hall or theater. Simulates the ambiance of a live hall or stage. Simulates the ambiance of a large cathedral. The LED Indicator on the REVERB button will be lit whenever Reverb is turned on for the any Part except ACC (regardless of each part s Effect Priority). See Effect Priority Guidelines later in this chapter for an explanation of Effect Priority. Adding Chorus Press the EFFECTS button. The EFFECT/CHORUS select screen will be displayed. Playing the Piano (Basic Controls) 3 EFFECT EDIT : Show the Effect Edit screen. CHORUS EDIT : Show the Chorus Edit screen. Touch the CHORUS EDIT button. The CHORUS settings screen will be displayed. PART BUTTONS : Selects the part to adjust. Step 3 Use the dial to select the Chorus type.

28 28 Step 4 Touch the buttons above each slider to turn the Chorus effect on or off. Step 5 Touch the slider/part that you wish to adjust. 3 Playing the Piano (Basic Controls) Step 6 Use the Dial or touch and drag the slider to adjust the value. Step 7 Press the EXIT button to leave the Chorus settings screen. You can select from four chorus types when in the Chorus Settings menu. There is a fifth chorus type which is assigned as an Effect from the Effect Settings menu. In this way, you can actually have two chorus effects active if so desired. Adding an Effect Press the EFFECTS button. The EFFECT/CHORUS screen will be displayed. EFFECT EDIT : Show the Effect Edit screen. CHORUS EDIT : Show the Chorus Edit screen. Touch the EFFECTS EDIT button. The EFFECTS settings screen will be displayed. PART BUTTONS : Selects the part to adjust. Step 3 Use the dial to select the Effect type.

29 29 Step 4 Touch the buttons to turn the Effect on or off. Step 5 Touch the Effect paramaters that you wish to adjust. Step 6 Turn the Dial to adjust the value. Step 7 Press the EXIT button to leave the Effect settings screen. Effect Name Chorus, Classic Chorus Celeste Ensemble Flanger Phaser, Classic Phaser Auto Wah, Pedal Wah Tremolo, Classic Tromolo Tremulant Auto Pan, Classic A.P. Standard Delay, Pingpong Delay, Triple Delay Overdrive Distortion Rotary1 ~ Rotary6 Compressor Standard EQ Enhancer Combination Effects Amplified Effects Description Simulates the rich character of a vocal choir or string ensemble, by layering a slightly detuned version of the sound over the original to enrich it. Classic Chorus is similar in principle to Chorus, but intended for vintage electric piano sounds. A three-phase chorus without modulation. A three-phase chorus with a slight modulation to each phase. Creates a shifting comb-filter, which adds motion and a hollow tone to the sound. Creates a phase change, adding motion to the sound. Classic Phaser replicates a vintage effect. Sweeps a tone filter up and down the a note, recreating the popular vintage wah pedal sound. Modulates the volume of the sound. This is a vibrato type effect. Classic Tremolo replicates a vintage effect. A combination of Tremolo and Vibrato. It simulates the tremulant pipes of a church organ. Moves the sound left and right across the stereo field at a variable rate. Classic Auto Pan replicates a vintage effect. Adds echoes to the sound. The three types differ in the length of time between the echoes. Simulates the tonal character of an overdriven valve amplifier. Adds frequencies that were not present in the original sound, resulting in a fuzzy or warmer tone. Simulates the sound of a rotary speaker commonly used with vintage electronic organs. There are three different levels of overdrive, with and without a Chorus effect. The soft pedal can be used to alternate the speed of the rotary simulation between Slow and Fast effect modes. Boosts the level of softer notes while limiting the level of louder notes to create a more even volume. Applies user-definable 3-band equalisation to the sound. Emphasizes high frequencies to make a sound more easily discernible in a mix. Different combinations of the above effects, applied simultaneously. Combination effect types: Chorus+Chorus, Tremolo+Chorus, Phaser+AutoPan, Phaser+Chorus. A selection of the above effects, with a vintage electric piano speaker effect applied. Playing the Piano (Basic Controls) 3 Effect Priority Guidelines Reverb and Chorus are global effects. In other words, all of the Parts and the Accompaniment Style must share the same Reverb and Chorus type. However each of these Parts can have a different amount of Reverb and Chorus applied to them. In addition Reverb and Chorus can be independently turned on/off for each part. However, since the CP s EFFECT section can only have one Effect turned on at a time (in addition to the REVERB and CHORUS), what happens if you have two (or more) Parts active, with entirely different sounds, each with a different Effect setting? In these cases, the CP s Effects section can only use the Effect settings for one of the Parts. The EFFECT section chooses which Effect settings to use based upon a predetermined priority order for each of the Parts, and the priority order depends on the RIGHT3 type. RIGHT3 part type SOLO NORMAL Effect part priority RIGHT3 > RIGHT1 > RIGHT2 > LEFT/SPLIT RIGHT1 > RIGHT2 > RIGHT3 > LEFT/SPLIT The preset effect settings for the Priority Part will be used and the other Parts will either share these settings or may have their Effects automatically turned off.

30 30 This Priority Part depends on the current situation. If you only have one Part active, regardless of which Part it is, the preset effect settings for that sound will be used. If you have two or more Parts active, then the CP will treat one of them as the Priority Part, and ignore the settings of the other(s). If the the Effect For Sound is set to Panel in the System then the Preset effect settings for each Sound will be ignored and the Part Priority will be ignored. (See Effect For Sound on page 109). Here are some guidelines for Effect Priority: 3 Playing the Piano (Basic Controls) When the RIGHT3 part is set to SOLO type, priority is given to the Parts in the following order: RIGHT3 > RIGHT1 > RIGHT2 > LEFT. This means that anytime the RIGHT3 Part is active, its Effect settings will be used, not only for its sound but for any sound in any other Part, that you want to add effects to. Likewise, the only time an active LEFT Part s settings will be applied is if the other 3 Parts are inactive. When the RIGHT3 part is set to NORMAL type, priority is given to the Parts in the following order: RIGHT1 > RIGHT2 > RIGHT3 > LEFT. This means that anytime the RIGHT1 Part is active, its Effect settings will be used, not only for its sound but for any sound in any other Part, that you want to add effects to. Likewise, the only time an active LEFT Part s settings will be applied is if the other 3 Parts are inactive. Unless you change them, the Effect settings will only change in response to a change in the Priority Part being activated/ deactivated, or a new sound is assigned to an active Priority Part. In the latter case, the new Effect settings will reflect the Preset effect settings for the new sound. When the Effect settings change for the Piority Part, the Effects will be automatically turned off for the other Parts. (This is so that your Flute sound on RIGHT2 doesn t suddenly get effected by the Distortion settings of the Electric Guitar that you ve just assigned to the RIGHT3 Part!) You can, however, turn the effect on for any Part by adjusting the Effect On/Off option in the display for that Part. Example Assume that your CP is set up according to the following chart, and the RIGHT3 part is set to SOLO type. RIGHT3 RIGHT1 RIGHT2 LEFT Part Inactive Active Inactive Active Effect On On Off On If you then select a different sound for RIGHT1, the Effect setting for the RIGHT3, RIGHT2, LEFT will be turned off automatically. This is because RIGHT1 is the Priority Part (note that the SOLO Part is NOT the Priority Part because it was inactive). The chart would now look like this: RIGHT3 RIGHT1 RIGHT2 LEFT Part Inactive Active Inactive Active Effect Off On Off Off Even if you now assign a new sound to the RIGHT3 Part, the Effect settings for the other Parts won t change, because RIGHT3 is still inactive, so therefore would not have priority. Once you make the RIGHT3 Part active, however, it would now be considered the Priority Part. The Effect settings for the other Parts will again be turned off. RIGHT3 RIGHT1 RIGHT2 LEFT Part Active Active Inactive Active Effect Off Off Off Off At this point, if the Effect that has been called up along with the RIGHT3 sound is one that you d like to use for the other Parts, simply select Effect On in the LCD display for those Parts.

31 31 5) Transpose and Octave Shift Transpose raises or lowers the CP s pitch in half-step increments. Octave Shift does the same but in octave increments. Transpose can be especially useful when you have learned a song in one key and have to play it in another key. The transpose feature allows you to play the song in the original key, but hear it in another key. You can transpose the Concert Magic songs, the Accompaniment Styles, and any of the over 1000 instrument and drum sounds available in the CP. MP3/WAV audio data saved to USB memory cannot be transposed once it has been recorded. Octave shift can be very useful when you are playing multiple sounds across the keyboard. You may want to use the octave shift to adjust a bass sound assigned to the LEFT/SPLIT Part to play in the proper pitch range, or to set one sound in a layer to play in a different octave so that it mixes well with other sounds in the layer. Octave shift is only available for the four Parts: LEFT/SPLIT, RIGHT1, RIGHT2, and RIGHT3. To Transpose: Press either the or TRANSPOSE buttons. The transpose amount will be displayed in the top right corner of the LCD screen. The LCD screen shows you a number telling you how many half steps up or down you have transposed the piano. -5, for example, represents a transposition that is 5 half steps lower. Playing the Piano (Basic Controls) 3 To cancel the Transpose setting, press both the and buttons at the same time. The transpose amount will disappear from the LCD screen, indicating that the CP is now back to its original setting. To use the Octave Shift: Select the Part that you would like to apply the shift to. Press either the or OCTAVE SHIFT buttons. The number of shifted octaves (up or down) will be displayed with an in the LCD screen. Step 3 To cancel the octave shift setting, press both the and buttons at the same time. The symbols will disappear from the screen, indicating that the selected Part is back to its normal octave range. The Transpose amount is displayed in the top right corner of the LCD screen. The Octave Shift amount is represented by the number and direction of triangles shown beside the relevant Part name. The Octave Shift has a range of four octaves in each direction. However, some on board sounds may have a limited range in which they play properly. If you shift too far out of this range, the instrument may sound strange or may not play at all. This has no affect on the CP s proper function though, and you should feel encouraged to use this feature as a means of getting interesting tonal variations out of the preset Sounds.

32 32 6) Metronome Rhythm is one of the most important elements when learning music. It is important to practice playing the piano at the correct tempo and with a steady rhythm. The CP piano s metronome is a tool that helps you to achieve this by providing a steady beat for you play along with. 3 Playing the Piano (Basic Controls) To use the Metronome: Press the METRONOME button. The CP piano will start counting with an audible steady beat. A metronome icon and the beat (time signature) will appear next to the Tempo value. Touch the BEAT (or TEMPO) button to alternate between TEMPO and BEAT adjustment mode. Step 3 Use the dial to change the TEMPO or BEAT value. You can also adjust the tempo by tapping on the TAP TEMPO button. Simply tap on the button with your finger three or more times at the desired tempo, and the CP will automatically translate that into a tempo value on the screen. Step 4 Touch the VOLUME button. Step 5 Use the dial or touch the VOLUME - and VOLUME + buttons to adjust the metronome volume. Step 6 To stop the metronome, press the METRONOME button again. MIXER : Takes you to the Mixer menu. METRONOME TONE : Alternates the metronome tone between a bell chime and a spoken voice count. BEAT/TEMPO : Adjusts the beat or tempo of the metronome. VOLUME : Adjusts the volume level of the metronome. It is also possible to change the sound of the metronome from a standard bell chime to a spoken voice count by touching the METRONOME TONE button.

33 33 7) Piano Only The Piano Only button provides a way to quickly set the Concert Performer up to play the Concert Grand piano sound. Pressing the Piano Only button immediately turns off all Parts except the RIGHT1 part and sets the RIGHT1 sound to Concert Grand. The Piano Only button also turns off all auto-accompaniment functions and stops the Easy/Advanced Recorder. Additionally, pressing the Piano Only button will cause the CP to exit any function or editing screen (except for Concert Magic) and immediately return to the Main Screen. When you are using Concert Magic, pressing the Piano Only button will change the Concert Magic song s preset sounds to Concert Grand piano. Pressing and holding the PIANO ONLY button will revert the panel settings to their original factory settings. You can also use the Piano Only button as a panic button to immediately stop any unintended accompaniment style or recording, or to quickly exit any confusing situation and return to a familiar piano sound. Playing the Piano (Basic Controls) 3 To use Piano Only: Press the PIANO ONLY button. The Main Screen is displayed and the Concert Grand sound is assigned to RIGHT1.

34 34 8) KBD Settings Button The KYB SETTINGS button puts several useful performance functions conveniently at your fingertips by grouping them under one button. You can customize settings and access them via the KBD SETTINGS button for the following functions: LEFT pedal override CENTER pedal override KBD SETTINGS button LEFT mode LEFT split point RIGHT3 type SOLO priority SOLO trigger mode SOLO mode SOLO split point 3 Playing the Piano (Basic Controls) LEFT PEDAL and CENTER PEDAL Override You can assign the following four functions to the left pedal and center pedal. Settings made in the KBD SETTINGS button menu will override the settings made in the system. Glide Bends the pitch up and down as programmed by you. Modulation Applies programmable vibrato to the sound. Registration Increment Switches from one Registration to another 1 to 8. Registration Decrement Switches from one Registration to another 8 to 1. To set the pedals: Press and hold the KBD SETTINGS button. The KBD Settings screen will be displayed. Touch LEFT PEDAL OVERRIDE or CENTER PEDAL OVERRIDE and use the dial to select the function to be assigned to the pedals. When Glide or Modulation is selected, additional settings can be adjusted using the edit button: Step 3 Press the KBD SETTINGS button to exit this screen. Step 4 Press the KBD SETTINGS button again. The KBD SETTINGS button LED will turn on and the settings for the pedals will override the system settings. If the LEFT or CENTER pedal is set to None, the system settings for that pedal will be used. The words LP or CP will be displayed in the upper left on the main screen to indicate the LEFT or CENTER pedal override is active. Step 5 Press the KBD SETTINGS button. The LED will turn off and the system settings for the pedals will be used. The words LP or CP will disappear from the main screen.

35 35 KBD SETTINGS BUTTON ASSIGN (Portamento, Panel Lock) You can assign RIGHT3 Portamento or Panel Lock to the KBD SETTINGS button. Portamento for the RIGHT3 Part The RIGHT3 Part is monophonic (only plays one note at a time) regardless of which sound is assigned to it. You can use Portamento on this Part. Portamento is a gradual slide in pitch from one note to the next, and is useful for adding very expressive qualities to many instruments. You can adjust the Portamento Time, which determines how quickly the pitch will slide from one note to the next. Panel Lock Locks all buttons on the panel to prevent them from being tampered with or pressed accidentally while you are playing. When the KBD Settings Button is turned On the panel buttons will be locked. Turn the KBD Settings button Off to unlock the panel buttons. To assign Portamento or Panel Lock: Press and hold the KBD SETTINGS button. The KBD SETTINGS screen will be displayed. Playing the Piano (Basic Controls) 3 Touch KBD SETTINGS BUTTON and use the dial to assign a function. Step 3 Press the KBD SETTINGS button to exit. Step 4 Press the KBD SETTINGS button. The LED will light and the function assigned to the button will be activated. If Portamento is assigned the word "BUTTON" will be displayed in the upper left on the main screen to indicate that Portamento is active. If Panel Lock is assigned, the words PANEL LOCKED! will appear at the top of the screen, and the CP will not respond to button pushes until the panel is unlocked. Step 5 Press the KBD SETTINGS button. The LED will turn off and the function will be deactivated. The word "BUTTON" will disappear from the main screen and the Portamento or Panel Lock function will be deactivated. Step 6 When Portamento is selected, you can adjust the Portamento time on the edit menu. Touch the EDIT button to go to the Edit menu. If the LEFT and CENTER PEDAL OVERRIDE and KBD SETTINGS BUTTON are all set to None, the LED will not light when you press the KBD SETTINGS button.

36 36 3 Playing the Piano (Basic Controls) LEFT MODE When using the Left part, you can select between two Modes, Split or Layer. Split When the LEFT/SPLIT Part is activated, the CP automatically splits the keyboard and only the sound assigned to the LEFT/SPLIT Part will be heard when you play below a specified key (split point) on the keyboard. The default split point is between F3 and F#3 but you can freely change the split point to any key on the keyboard. Layer When the LEFT/SPLIT Part is activated, the LEFT/SPLIT Part will function as a layer with the three right hand Parts. In this manner you can create a four part layer across the entire keyboard. To set the Left Mode and Split point: Press and hold the KBD SETTINGS button. The KBD SETTINGS screen will be displayed. Touch LEFT MODE and use the dial to select the mode. Step 3 If Left Mode is set to Split, touch LEFT SPLIT POINT and use the dial or press a key to set the split point. Step 4 Press the KBD SETTINGS button to exit. RIGHT3 SETTINGS This configures the special settings for the RIGHT3 part. Changing these settings will also change these settings in the Settings menu. RIGHT3 Type This setting defines how the RIGHT3 part will function: Solo The RIGHT3 part will function in monophonic solo mode, and be given the highest effect priority. Normal The RIGHT3 part will function in polyphonic mode, and have an effect priority below RIGHT1/RIGHT2. Solo Priority When the RIGHT3 type is set to Solo, this function allows you to select which note will be played by the RIGHT3 part when more than one key is played at a time. Top Note The Solo part plays only the highest note among the notes played at one time. Bottom Note The Solo part plays only the lowest note among the notes played at one time. Last Note The Solo part plays only the last key played among the notes played at one time. Solo Trigger Mode The trigger mode determines whether or not the note played by the RIGHT3 part will be re-triggered when certain notes are released. There are two options: Retrigger When the note played by the RIGHT3 part is released, depending on the Solo priority setting the next available priority note will be played automatically by the RIGHT3 part. For example: when the Solo Priority is set to Top Note and you release the highest note the next note below the note you released becomes the highest note and will now be played by the RIGHT3 part. No Retrigger When the note played by the RIGHT3 part is released, the RIGHT3 part will not automatically play the next available priority note. The RIGHT3 part will only play a new note based upon the Solo priority setting. For example, when the Solo priority is set to Top Note and you release the highest note the RIGHT3 part will only play a note when you press a key that is higher than the currently held notes.

37 37 To set the RIGHT3 Type, Solo Priority. and Solo Trigger Mode: Press and hold the KBD SETTINGS button. The KBD SETTINGS screen will be displayed. Touch RIGHT3 TYPE, SOLO PRIORITY or TRIGGER MODE and use the dial to assign a setting. Step 3 Press the KBD SETTINGS button to exit. SOLO MODE When using RIGHT3 part, you can select between two Solo Modes. Layer The sound assigned to the RIGHT3 part will be layered on top of the RIGHT1 and RIGHT2 Parts. Split Only the sound assigned to the RIGHT3 part will be heard when you play above a specified key (split point) on the keyboard. The default split point is C6 but you can freely change the split point to any key on the keyboard. When the RIGHT3 Part is activated in Split mode the split point will be displayed in the LCD screen using the same 88 note diagram that is used to display the LEFT/SPLIT split point. The keys assigned to the Solo part above the specified split point will be shown with a black bar above them. There is no arrow to indicate the Solo split point because the split point for the Solo Part cannot be changed on the main screen. Playing the Piano (Basic Controls) 3 To set the Solo Mode and Solo Split point: Press and hold the KBD SETTINGS button. The Performance screen will be displayed. Touch SOLO MODE and use the dial to select the mode. Step 3 If the Solo Mode is set to Split, then touch SOLO SPLIT POINT and use the dial or keyboard to set the split point. Step 4 Press the KBD SETTINGS button to exit. Left and Center pedal override and KBD SETTINGS button assign settings are not memorized by the registrations. Registrations do memorize the system settings for these functions. This is so the KBD SETTINGS Button settings can operate as an override to the Registration settings for these functions. The KBD SETTINGS button settings will remain as long as the power is turned. Once the power is turned Off the KBD Settings button settings will return to the factory defaults. If you would like to have the CP remember your KBD SETTINGS button settings you can save your settings by selecting Save Current Settings from the Power Up Settings screen (See Power Up settings on page 115).

38 38 4. Recording a Song The CP has built-in recording capabilities that allow you to record and play back your performances. Since the CP records your performances as digital data, not audio data, you can easily edit your performances after recording them. There are two ways to use the CP s recording feature: Easy Recorder records your playing much like a tape recorder and is just as easy to use. The CP will record all of your playing as well as any changes you make to the front panel settings during the recording. 4 Recording a Song Advanced Recorder is useful for creating more complex recordings. Advanced Recorder gives you the ability to record on up to 16 independent tracks separately. In addition, with Advanced Recorder you can edit your recorded data one measure or even one note at a time. There is also a step recording mode in which you can enter notes or other MIDI data events one step at a time for even more accurate control. Song data created on other instruments in the Standard MIDI File format (SMF) can also be loaded into the CP s recorder to be played or edited. The CP s recorder can read both Type 1 and 0 SMF files. Please read the following sections carefully to learn more about the capabilities of the Easy and Advanced recorder. 1) Easy Recording The Easy Recorder will record all of your playing as well as any settings you have made on the front panel or in the mixer screen at the touch of a button. Simply press the REC button and the CP will begin recording with the first note you play. You can also record a Style along with your playing if you like. Before you begin recording its a good idea to select your desired sound(s) and make any panel settings you would like to record. To record: Press the REC button. The REC button LED will blink and the LCD screen will show Rec Ready. If you want to, you can still change sounds or panel settings before proceeding. Start recording in one of the following ways: A. Play the keys and the CP will automatically start recording with the first note you play. B. If you are recording with a Style, press the START/STOP button to start the recorder with the Style. Pressing the INTRO/ENDING button will include an Intro phrase at the beginning of the recording. C. You can also press the SYNC button to begin recording the Style and your own playing together. D. Press the PLAY/STOP button to start with a 2-bar countdown to help you get ready.

39 39 Step 3 When you are finished recording, press the PLAY/STOP button. You may resume recording from the point where you stopped by repeating these steps from step 2. The current bar number is displayed beside the tempo. You can make changes to the panel settings before and during recording. MORE : Display additional menu options (Delete etc.) MIXER : Show the Mixer screen. PART BUTTONS : Changes the part status. You may resume recording from the bar where you stopped by repeating these steps. You can also change sounds, tempo, and make other changes to the panel settings before you continue recording. To Re-record or make other changes to a previously recorded section of a song, please read the section titled Rerecording or adding another Part on page 40. To play back the recorded song: Press the RESET button in the RECORDER section of the front panel to return to the first bar of the song. Recording a Song 4 Press the PLAY/STOP button to play back the song. Step 3 Press the PLAY/STOP button again to stop at any time. Step 4 Pressing the PLAY/STOP button again resumes the playback from the bar where you stopped. Step 5 Use the RWD or FWD buttons to rewind or fast-forward through the recording.

40 40 Part Status The playback and record status for the RIGHT/LEFT Parts and the Style are displayed at the bottom of the LCD screen. Whether you are in the process of recording or playing back your song it is helpful to know the status for each of these Parts. The LCD screen will show the following Part status messages at the bottom of the screen: REC This Part is ready to be recorded. This message is only displayed after the REC button has been pressed. PLAY This Part has been recorded and will be heard both on playback and while recording. MUTE This Part has been recorded but will be silent both on playback and while recording. This part has not been recorded. After you have recorded a song you can change the status for a Part by touching the appropriate Part button, at the bottom of the LCD screen. Touching these Part buttons during playback will select PLAY or MUTE. REC can only be selected after you press the REC button but before you begin recording. During recording you can however set any Part to PLAY or MUTE by touching the appropriate Part button. 4 Recording a Song You can record all RIGHT/LEFT Parts as well as the Style simultaneously or only certain Parts as you choose. When you first record a song all Parts and the Style will be automatically set to REC but only the active Parts and the Style will be recorded. When you are finished recording the status for any active Parts and the Style will automatically change from REC to PLAY. After recording, the status for any RIGHT/LEFT Parts that were not active during recording will be automatically changed to to show they have not been recorded yet. When you press the PLAY/STOP button to listen to your song any Parts set to PLAY status will be heard. Re-recording or adding another Part After you have recorded a song you can Re-record a Part or add (overdub) other Parts if you like with the following procedure. Re-recording a Part completely erases the previous performance for that Part automatically. To Re-record or add a Part: Make sure the Part(s) you wish to Re-record are active, then select any sounds or change panel settings as desired. Press the REC button. Step 3 Touch the appropriate Part button(s) at the bottom of the LCD screen to set the desired Part(s) to REC. Step 4 Begin recording by following step 2 in the To Record section on page 40. Remember Re-Recording a Part completely erases the previously recorded performance for that Part. You can Re-record or add any of the RIGHT/LEFT Parts as many times as you like but you can only have one performance/ sound for each RIGHT/LEFT Part.

41 41 Storing the song in Internal Memory Once you finish recording a song you should store it in the internal memory before you turn the power OFF. Once the power is turned OFF your song data will be lost. If you press the EXIT button to get out of the Easy Recorder, the CP will automatically prompt you to save your work. To Store a song to the internal memory: Touch the MORE button. Additional buttons will be displayed at the bottom of the screen. Touch the SAVE button. The Save My Song screen will be shown, with a virtual keyboard used for entering a name of the song. Step 3 Touch the screen to enter a name for the song. Step 4 Touch the EXEC button to store the song. Recording a Song 4 Erasing the song Whenever a Part is selected for recording, the new performance is written right over any existing one that may be there for that Part. In this sense, the Easy Recorder is just like a tape machine. A new song will simply erase the old song during the recording process. However, if you wish to simply erase all the Parts and the Style in a song at once you can use the Delete function. To delete a song: Touch the MORE button. Additional buttons will be displayed at the bottom of the screen. Touch the DELETE button The CP will ask if you are sure NO : Cancels erasing the song. YES : Proceeds with erasing the song.

42 42 Touch the YES button to proceed, or the NO button to cancel. DELETE erases all of the performance data for all Parts and the Style in the song. The panel setup, such as Style, Tempo, and Sound settings are not erased by the DELETE function. Easy Loop You can set the loop on Playback. To set the Loop: Assign Easy Loop to the Left pedal or Center pedal in the Pedal Assign screen of the Settings menu. 4 Recording a Song In the Easy Recorder screen press the PLAY/STOP button to start the playback. Step 3 Depress the pedal you assigned the Easy Loop. Loop top will be selected and the Loop will be displayed. Step 4 Depress the pedal again. Loop end will be selected and the bars between Loop top and Loop end will be repeated. Step 5 To clear the loop, depress the pedal again or stop the playback by pressing the PLAY/STOP button. Display of a Score In the Easy Recorder screen, a score can be displayed. Touch the SCORE button to display the current song as a notated score. PRINT : Saves a snapshot of the current screen to USB memory. PART1 : Turns Part 1 on/off. PART2 : Turns Part 2 on/off. < PAGE > : Move through the pages of the score. MORE : Takes you to the next screen. Touch MORE - You can select the channel of Part1 and Part 2 to be displayed in the screen.

43 43 PART1 : Selects a channel of Part 1. PART2 : Selects a channel of Part 2. BACK : Takes you to the previous screen. MORE : Takes you to the next screen. Touch MORE - You can display the chord name, and also the channel to use for chord recognition. Recording a Song 4 Transpose CHORD : Show hide the name of the chord. CHORD CH : Select the channel to be used for chord recognition. BACK : Takes you to the previous screen. MORE : Takes you to the next screen. Allows the key signature of the notated score to be changed. Quantize Allows the length and timing of recorded notes to be corrected automatically. < C > : Adjusts the transpose amount. QUANTIZE : Quantize the notes. BACK : Takes you to the previous screen. MORE : Takes you to the next screen.

44 44 2) Advanced Recording The Advanced Recorder is a full featured sixteen track MIDI recorder that includes many of the same professional features found on dedicated MIDI sequencing (recording) devices. In addition to sixteen MIDI tracks the CP Advanced recorder provides a separate Style, chord, and tempo track for even more flexibility. Even though you can create recordings of great musical complexity using the Advanced recorder you will find that it is still very straightforward and easy to use. Using the Advanced Recorder allows you much greater control over the recording and compositional process than that offered by the Easy Recorder. However, songs created using the Easy Recorder can also be edited using the Advanced Recorder by simply touching the ADV RECORDER button. To go to the Advanced Recorder Menu: 4 Recording a Song While in Easy Recorder mode, touch the MORE button. The BACK, SAVE, DELETE buttons, and MY SONGS and ADVANCED RECORDER icon will appear in the bottom bar. The ADVANCED RECORDER icon is also accessible via the SETTINGS menu. Touch the ADVANCED RECORDER icon. The Advanced Recorder menu will be displayed on the screen. MIXER : Change the Reverb, Effect, Panning, Volume level and Chorus for each of the 16 tracks. Real Time Rec : Prepares the track for real-time recording. Punch In/Out : Re-record specific measures within your song. Step Recording : Record by entering data note by note. Track Settings : Select the sound to be assigned to each of the 16 tracks, and change the track's recording and play back status. Loop Settings : Edit loop settings for the song. Song Edit : Edit the general settings for the song. Bar Edit : Edit the song by bars. Event Edit : Edit the song by MIDI events. Style Maker : Create your own new user Style. EZ RECORD : Return to Easy Recorder screen. PAGE : Show Style Paste screen. Real-time Recording With Real-time record, the CP records your performance as you are playing it, in real-time. You can select any of the sixteen instrument tracks or the Style and tempo tracks to record, but you can only record on one track at a time. Since the Advanced Recorder only records on one track at a time, only the RIGHT1 Part is active in the Advanced Recorder. Any other active Parts are automatically turned OFF when the ADVANCED RECORDER button is pressed. In addition to selecting the desired track to record, the Real-time recording screen provides many other useful Real-time recording functions. To use Real-time recording: From the Advanced Recorder menu, touch Real Time REC, or simply press the REC button. The REC button LED will blink and the LCD screen will display the Real Time REC screen.

45 45 Touch the screen to select a function to edit. Use the Dial to change the values. Step 3 If necessary, you can go to the Mixer and Track Settings screens by touching the appropriate buttons. Step 4 Start recording by pressing the PLAY/STOP button while the REC button LED is blinking. There is an automatic two bar count in before the CP begins recording. If you are recording on the Style track you must press the START/STOP button instead of the PLAY/STOP button. When recording a Style there is no two bar count in, recording begins immediately. You can cancel recording at anytime by pressing the REC button again or by touching the MENU button to return to the Advanced Recorder menu. REC TRACK : Selects the track on which you want to record. There are 16 Instrument tracks, 1 Tempo track, and 1 Style track. REC SOUND: Selects the sound or Style that you want to record with. BAR : Shows the current bar and beat number. START BAR : Selects the starting bar for the Loop feature. This function is a available only when Loop is turned ON. B/M : Changes the time signature. TEMPO : Changes the tempo. REC MODE : Selects the recording mode. REPLACE erases the previous data and records the new data in its place. OVERDUB mixes the new data with the previous data so that both are heard together. Repeatedly touching REC MODE switches between the REPLACE and OVERDUB. Recording a Song 4 MENU : Cancels the real-time recording setup and returns you to the Advanced Recorder menu. MIXER : Takes you to the Mixer menu. TRACK SETTINGS : Shows the Track Settings menu. LOOP : Turns the Loop feature on/off. When you select a Style to record the default tempo for that Style is ignored. The Style will use the current tempo setting for the song instead. You can set the desired tempo on the Real-time record screen before recording or change the tempo after you have recorded in Song Edit or on the tempo track in Event Edit. When you are recording on the Style track only the Style will be recorded. The style track will record any chords (to the chord track) you play but the actual notes you are playing will not be recorded. When the recording is done, the Mixer screen will automatically be displayed. To play back the recorded song: Press the RESET button in the RECORDER section of the front panel to return to the first bar of the song. Press the PLAY/STOP button to play back the song. Step 3 Press the PLAY/STOP button again to stop at any time. Step 4 Pressing the PLAY/STOP button again resumes the playback from the bar where you stopped. Step 5 Press the RWD or FWD buttons to rewind or fast-forward through the recording.

46 46 Mixer On the Mixer screen, you can change the following settings for each of the 16 tracks: Reverb level, Chorus level, Effect on/off, Panning, Track mute, Volume level. To use the Mixer: Touch the number of the track or the TRACK buttons to select the track you wish to make changes to. 4 Recording a Song MENU : Returns you to the Advanced Recorder menu. TRACK : Selects the track that you wish to edit. TRACK SETTINGS : Shows the Track Settings menu. LOOP : Turns Loop ON/OFF. SAVE : Saves the Mixer settings as part of the song. Touch the buttons along the side of the screen to choose the setting that you wish to change. Step 3 Use the Dial to change the value. Step 4 Alternatively, touch the setting for the track that you wish to change. A zoomed version of the selected area will be shown, allowing adjustments to be made more easily. BACK : Returns you to the Advanced Recorder menu. Step 5 At this point, you can start recording or go to another menu to continue setting up. You can make changes on the Mixer screen at any time except while the CP is busy recording. The Mixer screen is accessible from the Advanced Recorder menu, Track Settings screen and Real-time Rec screen. You can save any changes you have made to the settings on the Mixer screen at any bar or beat in your song. Simply play back the song or press the FWD/RWD buttons until you reach the exact bar and beat where you want to make changes to the Mixer settings and stop the song. Make any changes on the Mixer screen, then touch the SAVE button. You can do this as many times and in as many places within your song as you wish. Note: Saving here only means any changes you made on the Mixer screen were saved as part of the song.

47 47 Track Settings The Track Settings screen shows you the Play, Record, and Mute status for each track. In addition it shows you what sound is assigned for the sixteen instrument tracks. You can change the track status or select a different sound for each track. The Track Status screen will show the following Status messages. Rec Play MIDI Rec Mute Empty This track is ready to be recorded. This track has been recorded and will be heard both on playback and while recording. MIDI Rec enables the CP to record incoming MIDI data from an external MIDI instrument connected to the MIDI jacks. You can set more than one track to MIDI Rec, enabling the CP to record on several tracks simultaneously over MIDI. This track has been recorded but will be silent both on playback and while recording. This track has not been recorded. After you have recorded a song you can change the status for a track by touching the STATUS button at the bottom of the LCD screen. Touching the STATUS button during playback will select Play or Mute. Touching the STATUS button after entering Real-time record but before recording begins, will select Play, MIDI Rec, or Mute. Rec can only be selected from the Real-time Record screen. The Track settings screen cannot be accessed during recording. To use the Track Settings screen: Touch TRACK SETTINGS in the Advanced Recorder menu. Recording a Song 4 Touch the arrows at the side of the screen to select the track that you wish to edit. TEMPO : Changes the tempo. Use the Dial to change the value. Jumps to tracks 1-9. Selects the tracks one at a time. Jumps to tracks 10-16, Tempo, and Style. MENU : Returns you to the Advanced Recorder menu. MIXER : Takes you to the Mixer. STATUS : Changes the track s status. SOUND : Selects a different sound for the track. SAVE : Saves the Track settings as part of the song. Step 3 Touch the STATUS button to change the status to PLAY, MUTE or MIDI REC. Step 4 If you wish to change the sound assigned to the track, touch the SOUND buttons. You can also select sounds by pressing any of the SOUND buttons, or using the Dial. Step 5 When you are finished, touch the MENU button to return to the Advanced Recorder menu or touch the MIXER button to go to the Mixer menu.

48 48 As discussed in the above section, MIDI Rec enables the CP to record incoming MIDI data from an external MIDI instrument connected to the MIDI jacks. You can set more than one track to MIDI REC, enabling the CP to record on several tracks simultaneously over MIDI. Each MIDI Rec track will record on the incoming MIDI channel that corresponds to its track number. Track 1 records MIDI channel 1 and so on. Loop Settings The Loop function lets you specify certain bars or your entire song to repeat over and over. Loop is a global function and all tracks will be looped equally. You cannot have different loop settings for each track. To set the Loop: Touch Loop Settings on the Advanced Recorder menu. 4 Recording a Song Touch the screen to select the different loop settings, then use the Dial to change the values. LOOP : Turns the Loop ON/OFF. START BAR : Specifies the starting bar. END BAR : Specifies the ending bar. MENU : Takes you back to the Advanced Recorder menu. Step 3 Touch LOOP to turn the Loop ON/OFF. Step 4 Touch START BAR to specify the bar where you want the Loop to start. Step 5 Touch END BAR to specify the bar where you want the Loop to end. Step 6 Touch the MENU button to return to the Advanced Recorder menu when you are finished. You can turn looping on and off in the Mixer menu. However, you still have to set the Start and End Bar from the Loop Settings menu. You can set up looping for recording in the Real-time REC menu as well. In the Real-time REC menu, when you turn on the looping, the Start Bar and End Bar information will be automatically copied from the Loop Settings menu.

49 49 Style Paste When you record a Style as part of your song, the Style data is automatically recorded on the Style track. This data is unique to the CP, and cannot be used with any other musical instruments. Additionally the instrument tracks that are part of the Style cannot be edited individually. Style Paste converts any Style data recorded on the Style track into MIDI note and event data and places it on separate tracks (Trks 9-16). Once the Style data is converted into actual note data, you can view and edit the individual Style tracks as if you had recorded the data yourself. Also your song including the Style can now be played back by any other MIDI instrument that reads Standard MIDI File (SMF) format song data. Before you use Style Paste, you need to make sure Tracks 9-16 are empty or don t contain important data. When the Style is pasted, the data from the Style track will be pasted into these tracks and will replace any existing data. To use Style Paste: Touch STYLE PASTE while you are in the Advanced Recorder menu. The LCD screen will prompt you for confirmation. Recording a Song 4 NO : Cancels the Style Paste. YES : Proceeds with Style Paste. If you would like to proceed, touch the YES button, or touch the NO button to cancel. Punch-In Recording Punching In means being able to automatically start recording right in the middle of a track that is playing back, continue recording new data on that track for a specified number of measures, and then automatically stop recording at a specific measure and hear the rest of the track play to the end. This tool is very valuable if you wish to record over some misplayed notes in the middle of a track, but would like to preserve the music in the measures leading up to, and following, the trouble spot. To use Punch-in recording: Select Punch In/Out in the Advanced Recorder menu. Touch the screen to select the options and change their values using the Dial. Touch AUTO to have the CP automatically handle the punching in/out while you play. Step 3 Touch the REHEARSAL button to listen to the song for rehearsal. If you need to adjust mixing or if you would like to loop the song, touch the MIXER or LOOP ON/OFF buttons.

50 50 Step 4 When you are ready to record, press the REC button and then the PLAY button. The music will start immediately from the Start Bar that you have chosen. Once the song reaches the Punch In Bar, any notes that you play on the keyboard will be recorded. Recording will stop when the song reaches the Punch-Out Bar, but the CP will keep playing back the song to the end unless you press the STOP button. You can repeat the punch-in/out section by turning the looping on with the LOOP button. Step 5 Listen to what you have recorded and re-record if necessary. REC TRACK : Selects the track to Punch in on. B/M : Changes the time signature. TEMPO : Changes the tempo. REC MODE : Selects the recording mode. REPLACE erases the previous data and records the new data in its place. OVERDUB mixes the new data with the previous data so that both are heard together. Repeatedly pressing REC MODE switches between the REPLACE and OVERDUB. AUTO/PEDAL : Selects the Punch-in method, Auto or Pedal. Repeatedly pressing AUTO/ PEDAL switches between the Auto and Pedal. 4 Recording a Song BAR : Shows te current bar and measure. START BAR : Selects the measure in the song from where you want the CP to start playing. PUNCH IN BAR : Selects the measure where the CP will punch-in and start recording. PUNCH OUT BAR : Selects the measure where the CP will punchout and stop recording. MENU : Takes you to the Advanced Recorder menu. MIXER : Takes you to the Mixer Settings menu. REHEARSAL : Plays the song for rehearsal. LOOP : Turns Loop on/off. If you set the CP to Punch-In at the very first measure of the song, the metronome will automatically play a two-measure intro to assist you with the timing. These ticks will not be recorded as part of the track. Punch-In recording using the pedal (To use the pedal to Punch-In/Out:) Instead of specifically setting an automatic Punch-In and Punch-Out Bar, you can use the center pedal to manually Punch In and Out. You can punch in and out with pedal one time for each pass over the track that you make. Touch AUTO/PEDAL to select Pedal in the Punch In/Out menu. Touch the screen to set up other recording options. REC TRACK : Selects the track to Punch in on. BAR : Shows te current bar and measure. START BAR : Selects the measure in the song from where you want the CP to start playing. B/M : Changes the time signature. TEMPO : Changes the tempo. REC MODE : Selects the recording mode. REPLACE erases the previous data and records the new data in its place. OVERDUB mixes the new data with the previous data so that both are heard together. Repeatedly pressing REC MODE switches between the REPLACE and OVERDUB. AUTO/PEDAL : Selects the Punch-in method, Auto or Pedal. MENU : Takes you to the Advanced Recorder menu. MIXER : Takes you to the Mixer Settings menu. REHEARSAL : Plays the song for rehearsal. LOOP : Turns Loop on/off.

51 51 Step 3 Press the REC button to start. The song will start playing. Step 4 When the song reaches the bar where you wish to punch in, press the center pedal and play the keyboard. Step 5 When you reach the bar where you wish to punch out, press the pedal again to stop recording. The song will continue to play until the end (i.e. it is no longer recording) or until you press STOP. Step Recording Step Recording is a method of recording a song by manually entering notes one after another as data, instead of playing the keyboard in real-time. This method may be useful when trying to create a phrase with a precise rhythm, or when recording a phrase that is beyond your playing skill level. To set up Step recording: In the Advanced Recorder menu select Step Rec. The Step Record Stand-By menu will be displayed. Recording a Song 4 Touch the screen to select options and use the Dial to adjust values. REC TRACK : Selects the recording track. REC SOUND : Selects which sound is assigned to the track. B/M : Changes the time signature. START BAR : Selects which measure you d like to start recording at. REC MODE : Selects the recording mode. REPLACE erases the previous data and records the new data in its place. OVERDUB mixes the new data with the previous data so that both are heard together. Repeatedly pressing REC MODE switches between the REPLACE and OVERDUB. MENU : Cancels Step recording and takes you to the Advanced Recorder menu. START : Proceeds to the data entry screen of the Step Record menu. Step 3 Touch the START button. You will be presented with the data entry screen. To use the Step Recorder: Touch the buttons and the bottom of the screen to select Note value, Note length, and Velocity, then use the Dial to change its value. The value will be displayed above the buttons at the bottom of the screen. Velocity value can be entered by actually hitting a key on the keyboard. To enable this, select Key for the Velocity value instead of a number.

52 52 To enter a note event, play the note using the keyboard. The note data will be displayed on the screen. Continue entering as many notes as you wish; notice how previously entered notes continue to be displayed as a list, screen room permitting. The graphic navigator near the bottom of the screen gives you feedback as to what bar you are in. ARROWS : Moves the cursor up and down the list of entered notes in OVERDUB mode. DELETE : Deletes the last note entered in OVERDUB mode. 4 Recording a Song NOTE VALUE : Selects the note value. NOTE LENGTH : Adjusts the note length. VELO : Selects the velocity value. Values are from or Key. TIE : Enters Tied note values. REST : Enters a rest. NEXT BAR : Takes you to the beginning of the next measure. STOP : Stops recording. Note Rest Clock value Step 3 If you enter a wrong note and wish to delete it, touch the DELETE button. When you are using the REPLACE mode for recording, every time you press DELETE the list of your entered notes on the screen scrolls back one event, and that event is erased immediately. Therefore, if you scroll back to the first beat of bar 5 of a 10-bar list of notes, everything from bar 5 on will be erased. In OVERDUB mode, however, you can delete only the most recently added note, and scrolling back over the list using the arrow buttons will not automatically erase events. When using OVERDUB, you need to touch the Delete button to erase the event. Step 4 If you would like to enter a rest, touch the REST button. This moves the cursor to the next beat without entering any data. The rest value is the same as the note value. If you would like to enter a rest for the remainder of the measure, touch the NEXT BAR button. This will bring the cursor to the top of the next measure. Step 5 When you like to tie notes, touch the TIE button while holding down the key. This doubles the length of the note. If you touch the TIE button twice while holding down the key, the length of the note is tripled.

53 53 Step 6 In OVERDUB mode, if you go back to certain point to enter a note, use the arrow buttons to move the cursor up and down to get to the event time where you want to insert the new data. Step 7 Touch the STOP button or the PLAY/STOP button to stop recording. Transpose and Octave Shift can be in effect as you are entering notes. The transposed pitches are the note values that are recorded. The navigator graphic represents the current bar that you are recording. The partitions represent each beat, and thus the number of partitions matches the time signature of the music. For example, there would be 4 partitions if the time signature is 4/4, and 6 partitions if it is 6/8. Each partition consists of a number of spaces where dots ( ) will be displayed to mark time. Each space represents 24 clock pulses. Therefore the number of displayed spaces per partition represents the duration of the beat. For example, if you choose the 4/4 time signature in the Step Recording settings, the navigator should look as illustrated below. BAR 3 Beat Measure 4 partitions : 4 beat rhythm 4 dot spaces : 4 x 24 = 96 clock pulses = a quarter note rhythm The dots do not represent the duration of the notes. They just tell you where they are. For a further explanation of the CP s Clock, and what is meant by clock pulses see the Clock Move description in the Bar Edit section. Recording a Song 4 Song Edit Song Edit lets you name, transpose, and change initial tempo settings for your song. To edit the song: Select Song Edit from the Advanced Recorder menu. The Song Edit screen is displayed. Touch the screen to select the setting that you wish to change, then use the Dial to adjust the value. Step 3 Touch NAME, then enter a name for the song using the virtual keyboard screen.

54 54 Step 4 Touch INITIAL TEMPO and adjust the initial tempo of the song. Step 5 Touch TRANSPOSE and set the transpose amount. You can transpose your song +/- 24 in half step increments. Step 6 When you are finished, touch the MENU button to return to the Advanced Recorder menu. NAME : Names the song. INITIAL TEMPO : Sets the initial tempo of the song. TRANSPOSE : Adjusts transposition. 4 Recording a Song MENU : Takes you to the Advanced Recorder menu. DELETE : Deletes the song. Bar Editing Bar Edit contains many useful editing functions. You can edit your song one bar or any number of bars at a time. To use Bar Edit: Select Bar Edit in the Advanced Recorder menu select Bar Edit. The Bar Edit screen will be displayed. Use the touch screen to select the desired editing function. The editing screen for that function will be displayed. MENU : Takes you to the Advanced Recorder menu.

55 55 Quantize Quantize automatically shifts the timing of a note. This can be used to correct imperfect timing in a performance by shifting notes that were played either too early or too late so they will fall exactly on the correct beat. For example, you can accurately align any out of time notes to the nearest 8th or 16th-note beat depending on the type of song you are quantizing. Sometimes quantizing all of your notes to exactly the same beat can make your playing sound too stiff. The Advanced Recorder quantize function allows you to set a quantize Range so only the notes that were very early or late are quantized. Notes that were almost perfect are not quantized thus keeping more of the original feeling in your music. TRACK : Selects the track that you wish to quantize. START BAR/END BAR : Selects the bar range that you want to quantize. RESOLUTION : Selects the note Resolution for quantization NOTE LOW : Selects the lowest note that you want to quantize. NOTE HIGH : Selects the highest note that you want to quantize. Use the Dial to change the note value. BACK : Returns you to the Advanced Recorder menu. UNDO : Undoes the quantization which was just applied. EXEC : Applies the quantization to your recording. RANGE LOW/RANGE HIGH : Sets the Low and High Range for quantization. Recording a Song 4 Resolution determines the timing value the quantize function will use to shift the notes you want to quantize. For example, setting a quarter note resolution will shift all of the quantized notes to the nearest quarter beat. Setting an eighth note resolution will shift all of the quantized notes to the nearest eighth beat and so on. In the Advanced Recorder, quantize values are expressed in note values and as a number that indicates how many clock beats each note value contains. The Advanced Recorder divides each beat in a bar into 96 smaller clock beats. A Quarter note is 96 clock beats, an eighth note is 48 clock beats, and a sixteenth note is 24 clock beats and so on. The quantize resolution range is from quarter notes (96 clocks), to 64th note triplets (4 clocks). Range sets up timing borders around the Resolution value you specify. Notes within these borders will not be quantized and notes outside the borders will be moved to the nearest beat specified by the resolution value (Quarter note, Eighth note, etc.). The negative value represents the placement of the border before the beat, and the positive value represents the placement the border after the beat. Together, these two borders form a timing range around the specified beat. Selecting zero Range results in no range, and all notes are shifted to the precise beat. The notes that fall beyond the Range are moved to the closest border of the Range. The notes that fall inside the Range are not shifted at all. By experimenting with Resolution and Range settings, you can correct the timing of the notes in your recording while still allowing for a natural, human feel.

56 56 Copy The Copy function allows you to copy a section or all of the data on a track to another location. The destination may be on the same track, or it can be on another track. The destination of the copied data must either be: 1) A location that already has data in it. 2) The first blank bar after the end of a track (Bar 1 if the destination track is empty). For example, if a track only has 10 bars in it, you cannot copy data onto bar 20. You can, however, copy data to bars 1 through 11. Copied data replaces any current data that may be at the destination. TO TRACK : Selects the destination track. Use the Dial to select the track number 1-16, Tempo, or Chord. BAR : Selects the bar in the destination track where the copied data will be placed. FROM TRACK : Selects the track to be copied. Use the Dial to select the track numbers 1-16, Tempo, or Chord. START BAR : Selects the bar where the data that you are copying starts. Use the Dial to change the bar number. END BAR : Selects the bar where the data that you are copying ends. Use the Dial to change the bar number. 4 Recording a Song BACK : Returns you to the Advanced Recorder menu. UNDO : Undoes the copying. This option is not always available. EXEC : Proceed with copying. Delete Delete completely erases and removes the bars that you specify. TRACK : Selects the track to be deleted. Use the Dial to choose 1-16, Tempo, Chord or All. START BAR : Selects the first bar that has the data you want to delete. Use the Dial to change bars. END BAR : Selects the last bar that contains the data that you want to delete. Use the Dial to change bars. BACK : Returns you to the Advanced Recorder menu. UNDO : Undoes the copying. This option is not always available. EXEC : Proceed with copying.

57 57 Insert The Insert function duplicates data from specified bars and copies it to a certain location. However, the current data at the destination is not erased, but instead is pushed back to make room for the copied data. TO TRACK : Selects the destination track where you want this data inserted. Choose from 1-16, Tempo, Chord or All. BAR : Selects the bar in the destination track where you want this data inserted. FROM TRACK : Selects the track that contains the data you wish to duplicate. Choose from 1-16, Tempo, Chord or All. START BAR : Selects the first bar that has the data you want to duplicate. END BAR : Selects the last bar that has the data you want to duplicate. BACK : Returns you to the Advanced Recorder menu. UNDO : Undoes the insert. This option is not always available. INSERT BAR : Tales you to the Insert Bar menu. EXEC : Proceed with the insert. If you just wish to insert empty bars into a track, select INSERT BAR, and a sub-menu will be displayed. You can insert empty bars into a track between bars that have data, or at the first blank bar at the end of the track. TO TRACK : Selects the track where the empty bars are going to be inserted. Choose 1-16, Tempo, Chord or All. BAR : Selects the number of empty bars you wish to insert. Use the Dial to change the value. Recording a Song 4 BAR : Selects the location in the destination track where you want the empty bars inserted. B/M : Selects the time signature for the bars that are going to be inserted. Use the Dial to change the value. Use the Dial to choose the location. BACK : Returns you to the Advanced Recorder menu. UNDO : Undoes the insert. This option is not always available. EXEC : Proceed with the insert. Erase Erases data in the bars that you specify, and leaves them as empty bars. TRACK : Selects the track that has the bars you want to erase. Choose 1-16, Tempo or Chord. START BAR : Selects the first bar to be erased. Use the Dial to change the bar. END BAR : Selects the last bar to be erased. Use the Dial to change the bar. BACK : Returns you to the Advanced Recorder menu. UNDO : Undoes the erase. This option is not always available. EXEC : Proceed with the erase..

58 58 Merge Merge combines data from two tracks. You can make complex musical phrases using several tracks, then combine them together on one track. Remember that there can only be one instrument sound assigned to each track, so the resulting merged track will play all the combined data using one instrument sound. Merge can be useful for making rhythm patterns by first recording different drum/ percussion parts using the same drum kit on several tracks for easy editing of each instrument, or recording the right and left hand parts of a piano piece and combining them later on one track to free up extra tracks for more recording. Merge does not automatically erase the track from where you copied the data. TO TRACK : Select the track where you want this data merged to. Choose FROM TRACK : Selects the track from where you want to copy data. Choose Recording a Song BACK : Returns you to the Advanced Recorder menu. UNDO : Undoes the merge. This option is not always available. EXEC : Proceed with the merge.. Gate Time Modify Gate time refers to the length of a note as a percentage. Whatever the length of a note is when it is first recorded, this value is considered as its Gate time of 100%. By editing the length of the note, you can shorten it to 10% or lengthen it to 300% of the original value. TRACK : Selects the track in which you want to modify Gate times. Use the Dial to choose the track. START BAR : Selects the first bar of the data that you want to modify Gate times for. Use the Dial to change bars. MODIFY : Adjusts the Gate time in 10% increments. Use the Dial to select a value from 10%- 300%. END BAR : Selects the last bar of the data that you want to modify Gate times for. Use the Dial to change bars. BACK : Takes you to the Advanced Recorder menu. UNDO : Undoes the Gate time adjustment. This option is not always available. EXEC : Proceeds with applying the Gate time adjustment.

59 59 Velocity Modify Velocity refers to how hard a key is struck, which translates into the dynamics of how loud the produced sound is. A note s Velocity is a numerical value from When editing the note Velocities in your recording, you can change them within a +/-100 range of their original values. TRACK : Selects the track in which you want to adjust Velocity. START BAR : Selects the bar where the data you want to adjust starts. MODIFY : Adjusts Velocity from -100 to +100 of their current values. END BAR : Selects the bar where the data you want to adjust ends. Clock Move BACK : Takes you to the Advanced Recorder menu. UNDO : Undoes the Velocity adjustment. This option is not always available. EXEC : Proceeds with adjusting the Velocity values. Recording a Song 4 In the Resolution section of this manual we learned that the CP Advanced recorder divides each beat in a bar into 96 clock beats, also expressed as a quarter note. Therefore there are 48 clocks per eighth note, and 24 clocks per sixteenth note and so on. This relationship holds true regardless of the song s tempo. On the CP, you can shift the timing of all notes in a track by shifting the entire track ahead (negative values) or behind (positive values) the beat by a certain clock value. Clock move is useful for adjusting the overall timing of a track. For example, if a certain sound you recorded responds slowly and sounds behind the beat, you could shift the timing of the notes ahead of the beat to compensate for the sounds slow response and make its timing feel more natural. TRACK : Selects the track that you wish to move. Choose from CLOCK : Sets how many clocks you wish to move the track. Choose from 999 to BACK : Takes you to the Advanced Recorder menu. UNDO : Undoes the clock move. This option is not always available. EXEC : Proceeds with applying the clock move.

60 60 Transpose This will transpose the notes within a specified bar(s) up or down in half-step increments. TRACK : Selects the track that has the notes you want to transpose. Choose from TRANSPOSE : Adjusts transposition amount in half-step increments from -24 to 24. START BAR : Selects the bar where the notes you want to transpose start. END BAR : Selects the bar where the notes you want to transpose end. BACK : Takes you to the Advanced Recorder menu. UNDO : Undoes the transposition. This option is not always available. EXEC : Proceeds with applying the transposition. 4 Recording a Song Event Edit Event Edit enables you to examine and edit your performance note by note. To use Event Edit: Select Event Edit in the Advanced Recorder menu. The Event Edit screen will be displayed. Select the track that you want to edit using the TRACK buttons. Note that the Style, Chord, and Tempo track can be edited as well. DOUBLE ARROWS : Moves the cursor forward and backward through the bars. DELETE : Removes the selected event. INSERT : Creates a new event. SINGLE ARROWS : Moves the cursor forward and backward through the selected beat, clock, event, etc.. REPLACE : Modifies the existing event. MENU : Takes you to the Advanced Recorder menu. TRACK : Selects the track to work with. CURSOR : Moves the cursor across the columns in the event list. PLAY : Starts playing the Track. Step 3 Touch the ARROW buttons to scroll up or down the event list until you find the specific event that you want to edit. You can also use the Dial to scroll through the event list. You will hear the individual events being played as you scroll over them. Step 4 Use the CURSOR buttons to determine how you want to scroll through the event list. Selecting Bar scrolls through the event list bar by bar, selecting Beat scrolls through the event list beat by beat and so on. The selection will become highlighted.

61 61 Step 5 Select the function that you would like to apply to this event. You can select DELETE to remove the event, INSERT to create a new event at any specified location, or REPLACE to change the existing event. Enter new values in the pop up Entry Box when you select INSERT or REPLACE. When Inserting or Replacing an event, use the CURSOR buttons to select the specific part of the event you want to edit. Use the Dial to change the value. DOUBLE ARROWS : Moves the cursor forward and backward through the bars. DELETE : Removes the selected event. INSERT : Creates a new event. SINGLE ARROWS : Moves the cursor forward and backward through the selected beat, clock, event, etc.. REPLACE : Modifies the existing event. MENU : Takes you to the Advanced Recorder Menu. CANCEL : Cancel the edit. CURSOR : Moves the cursor across the columns in the event list. EXEC : Proceeds with applying the Event Edit changes. Step 6 Touch the EXEC button to proceed, or press CANCEL. The CP will prompt you for confirmation. Recording a Song 4 Step 7 Touch the MENU button to return to the Advanced Recorder menu when you are done editing. Style Maker The Style Maker allows you to create your own Style accompaninments. See page 75 for more information.

62 62 5. Using a Style The Concert Performer contains nearly 400 built-in Styles for you to play along with, covering a wide variety of musical genres. You can choose from a simple drum or percussion accompaniment or add in a fully orchestrated arrangement. In addition to the Full Styles which provide a full musical arrangement including Drums, Bass, and other accompanying instruments, there are Intimate Styles with Solo Piano Styles if you just want to play along with a piano accompaniment. If the on board variety of styles is not enough, or if you have creative ideas of your own, the CP contains other features such as Style Maker and Conductor to help you edit or create your own custom Styles. These features are explained in the section of this manual Creating Your Own Styles, page 75. 1) Selecting and Playing a Style To select a Style: Press the STYLES button or touch the STYLE icon. The main STYLE screen will be shown in the LCD display. 5 Using a Style STYLE: Piano Pop style selected HOME: Show MAIN screen TEMPO: Currently 88 bpm Sync/Fade: Start the style playing with a key-press, or fade in/out Intro/Ending: Start/end the style with appropriate intro/ending phrases Fill In: Play a Fill In phrase at the end of the measure VARIATION: Select different style variations MIXER SETTING: Show STYLE SETTING screen STYLE SELECT: Show STYLE SELECT screen CONDUCTOR: Show CONDUCTOR screen Touch the STYLE SELECT icon. The STYLE CATEGORY selection screen will be shown in the LCD display. Press the X icon to return to the MAIN screen.

63 63 Step 3 Touch the name of the Style you wish to select. Tempo will be displayed in the top left corner of the LCD screen. Press the X icon to return to the STYLE CATEGORY screen. Touch the screen to select your desired Style. PAGE : Select the different pages within a Style category. Step 4 Each Style category has several pages of styles. If you don t see your desired Style on the currently displayed page, you can touch the PAGE buttons to select the other page. Alternatively, press the EXIT button to return to the STYLE CATEGORY screen and select another category. Step 5 Press the EXIT button to until the STYLE screen is shown in the LCD display. Step 6 If you wish to play the selected Style, press the START/STOP button to start the Style playing immediately, or touch the INTRO/ENDING buttons to start the Style with an Intro pattern. You can also touch the SYNC/FADE button before starting a Style or touching the INTRO/END buttons. When the SYNC/FADE OUT button is pressed, the Style will not start until you play a note or chord on the keyboard. Using a Style 5 Step 7 To adjust the tempo of the Style, use the Dial to change the Tempo. The tempo will be displayed in the top left corner of the LCD screen. You can also use the TAP TEMPO button. Tap the button three or more times at the desired tempo, and the CP will automatically translate your taps into an on-screen Tempo value. Step 8 To stop the Style, press either the START/STOP button to stop the Style immediately, or touch the INTRO/ ENDING buttons to stop with an ending pattern, You can also press the SYNC/FADE OUT button and have the Style fade out gradually. When this button is touched before starting a Style or before touching the INTRO/ENDING button, the Style will not start until you play a note or chord on the keyboard. When this button is touched while the Style is running the Style will gradually fade out. When this button is touched during a fade out the Style will gradually fade back in and you may resume playing the Style. You can touch the SYNC/FADE button at any time while any of the patterns (Intro, Variation, Ending) in the Style are running to fade in or out of the Style. Starts or stops the Style immediately.

64 64 5 Using a Style Intro/Ending You can also select a Style when you are in the main Style screen, simply by using the Dial. Touch the name of the style and it will become highlighted, then use the Dial to select another Style. The CP remembers the last Style selection that you made within each category while the power is on. When you touch a STYLE button, the CP will automatically select the Style previously chosen in the same category. When you switch from one Style to another while it is running, the new Style will wait until the beginning of the next measure before it begins to play. When one of the Intro/Ending buttons is touched to start a Style, the selected Intro pattern will be played before the selected Variation pattern plays. There are both major and minor versions for each Intro (except Intro 3). The Auto-accompaniment System will decide which Intro to use based upon the first Chord you play (major or minor). The LCD screen will display a countdown in bars to show how many bars you have until the variation begins playing. When one of these buttons is pressed while the Style is running the selected Ending pattern will be played before the Style stops. There are major and minor versions for each Ending (Except Ending 3). Each Style four different Intros and Endings. Intro/Ending 1 is the main Intro/Ending for the style. Intro/Ending 2 is a shorter Intro/Ending. Intro/Ending 3 is a special type of Intro/Ending. Unlike Intro/Ending 1 & 2 which have preset chord progressions and melodies, Intro/Ending 3 has no preset chord progression. You can use Intro/Ending 3 to create your own chord progressions to fit with any song you are playing. It responds to your chords in the same manner as the Fill-in and Variation sections of the style. Intro/Ending 4 is a simple Intro/Ending. The Intro is just a Count-in and the Ending is just one held chord. Fill-In and Variation Each Style is made of four Variation patterns and four Fill-in patterns. Fill-ins are short patterns that temporarily embellish the Style. Fill-ins can add excitement and rhythmic change to the Style and be used as a musical lead in between the Variations. To use a Fill-in, just touch one of the FILL IN buttons. You will hear the fill-in begin playing immediately from a musically appropriate spot. Fill-ins can also be used as a short intro. First press the SYNC/FADE OUT button then touch one of the FILL-IN buttons to select a desired Fill-in. Press any key on the keyboard to start the style. After the Fill-in plays, the selected Variation will play. To select a Variation, touch one of the four VARIATION buttons to select the desired Variation. The Selected VARIATION button LED will light. You can set the CP to automatically play a Fill-in anytime you press a VARIATION button as you switch from one Variation to another. Select your preferred option in the Fill-in mode. (See page 106) Favorites Button The Favorites (STYLE) button allows favorite styles to be stored on a separate list for easy selection, and functions in a similar to the Favorites sound category button. Press the FAVORITES button. The LCD screen will display the FAVORITES (STYLE) screen. Touch one of the favorite style entries, then touch the STYLE SELECT button to edit. Step 3 Touch the STYLE SELECT icon, then touch the desired category and style. The selected style will be added to the FAVORITES (STYLE) screen.

65 65 2) Auto Accompaniment System The Auto-accompaniment System (ACC) is a powerful feature that determines how the Styles will interact with you as you play. The ACC System analyzes your playing and adjusts the notes the Style plays to follow the Chords that you play on the keyboard. The ACC System is capable of recognizing single finger as well as more complex chord voicings. The CP recognizes 61 chord types as well as most of their inversions. (See the appendix for a chord table.) There are three modes of key recognition One Finger, Fingered, and Full Keyboard. Your choice of which mode to use depends on your skill level and the selected musical style. Fingered The player must play at least three notes of a chord below the split point (LEFT/SPLIT Part) before the ACC System will recognize the chord type. One Finger Uses a simplified chord method that allows beginners to specify a chord type by playing only one or two notes below the split point. The types of chords that can be recognized in this manner are limited to Major, Minor, 7th and Major 7th. While the player can trigger basic chords with as little as one finger, the ACC System will recognize more complex chord types if you play them, even if you are in the One Finger mode. Full Keyboard The player must play at least three notes of a chord anywhere across the 88 keys before the ACC System will recognize the chord type. This mode is similar to Fingered however, Full Keyboard recognizes chord types from three or more notes played anywhere across the 88 keys not just below the split point. Bass Inversion When Bass Inversion is on, the Bass Section of the Style will follow the lowest note of the chord voicing played on the keyboard. With Bass Inversion on it is possible to specify a chord over a certain bass note by the chord voicing you play. For example, a C chord over a G bass, or a Bb7 chord over a C Bass. Bass Inversion will work with all three key recognition modes but when in One Finger mode, you play at least two notes of a chord for Bass Inversion to function. Style Lock When Style Lock is on, the current Style settings (e.g. Style selection, tempo, Key Recognition mode, Bass Inversion etc.) will be retained, even if the REGISTRATION buttons are used. This allows the REGISTRATION buttons to be used without affecting the current Style settings. To turn Auto-accompaniment (ACC) on: Select a Style that you would like to play. Using a Style 5 Touch the STYLE SETTINGS button. The LCD screen will display the STYLE SETTINGS menu: FULL KBD : Select Full Keyboard ACC mode STYLE LOCK : Prevents the selected style from changing when REGISTRATION buttons are pressed FINGERED : Select Fingered ACC mode BASS INV. : Enable Bass Inversion ONE FINGER : Select One Finger ACC mode. MIXER : Show the Style Mixer screen. STYLE MAIN : Show the main Style screen. CONDUCTOR : Show the Conductor screen STYLE SELECT : Show the Style selection screen. STYLE MAKER : Show the Style Maker screen.

66 66 Step 3 Touch the screen to select the ACC Key Recognition mode. The LCD indicator for each virtual button will turn on or off to indicate that the selected Key Recongition mode is enabled. Step 4 Touch the BASS INVERSION button if you would like to turn it on. The LED indicator for the virtual button till turn on. Step 6 Touch the STYLE LOCK button if you would like to turn it on or off accordingly. Step 7 Press the ACC ON/OFF button to activate the Auto-accompaniment System (ACC). The selected Key recognition mode will be displayed in the bottom left corner of the LCD screen, together with a hand icon to indicate One Finger and Fingered/Full Keyboard modes. 5 Using a Style Step 8 Press the START/STOP button to start the Style, and play some chords in the LEFT/SPLIT Part. You will hear the Style start and also change keys and chord types as you play different chords. Step 9 If you want to cancel or stop the Auto-accompaniment, press the ACC ON/OFF button again. If you turn the ACC off without stopping the Style the drum rhythms will continue to play. When you play along with the Auto-accompaniment using the Fingered or Full Keyboard modes, you may hear two sounds playing the chords: one is selected by the front panel and the other is pre programmed for the Style. This is because the sounds used by the Auto-accompaniment Style are independent of the Left and Right Part sound settings. Therefore you will hear the instrument sounds played by your hand as well as those generated by the accompaniment. In most cases, these are just duplicate notes being played using different sounds. In some cases however, you may hear different notes or an unexpected chord inversion. If the overall musical effect is undesirable, try turning the LEFT/SPLIT Part off and let the accompaniment play alone. You can use the Auto-accompaniment (ACC) System without the Style running. In this way you can make use of the chord recognition without having the pre programmed rhythms or patterns playing. Just turn the ACC on and play without starting the Style. You will hear the bass and chord parts only. This may be useful when you play a musical piece that is not played with drums. The accompaniment sounds are pre programmed to best suit the different Styles, and you cannot alter them. When playing in One Finger mode, however, you can replace the chord sound with the sound chosen for the LEFT/SPLIT Part. Assign your preferred sound and make the LEFT/SPLIT Part active. You can also start a Style without the ACC on. In this way you can have just drums and percussion accompany you.

67 67 3) 1-2 Play If you want to play using an Accompaniment Style, but have no idea as to what sounds you should use for the right and left-hand parts, try using the 1-2 Play feature. This feature gives you a preprogrammed panel setup with appropriate sounds and settings for the Style you have chosen. To use 1-2 Play: Select the Style you would like to play. Press the 1-2 PLAY button. The 1-2 Play indicator will become lit, and the words 1-2 Play are displayed in the Main Screen. The SYNC button is activated as well. Step 3 Activate one of the INTO/ENDING buttons if you want the Style to begin with an introduction. Start the Style by playing a key on the left side of the keyboard, or by pressing the START/STOP button. Step 4 Press the 1-2 PLAY button again to turn it off. Among the settings contained in the 1-2 Play setting are the Sounds assigned to the keyboard Parts (RIGHT1/2/3, Left), Tempo, and Mixer settings. Using a Style 5

68 68 4) Registration A Registration is a setup that remembers the panel settings along with many other performance functions so that you can recall them at the touch of a button. This lets you begin to play quickly instead of spending a lot of time programming all the settings and values manually. Registration Buttons There are 8 Registration buttons on the panel of the Concert Performer. Each button contains a different registration. Pressing any of the Registration buttons activates the setup stored there. Pressing another Registration button changes to the registration stored in that button. Pressing the active Registration button again deactivates the registration and returns you to the original panel setup. Registration Groups There are 20 Registration Groups in the Concert Performer. Each group contains settings for the 8 Registration buttons on the panel. Each group represents a family of settings for the CP. The sound and performance capability of the Concert Performer is remarkable, and each registration group is designed to take full advantage of certain types of sounds available in the instrument. Switching from one Registration Group to another instantly changes the Registration buttons from Pipe Organ settings to Orchestra settings, for example. The default Registration Group is American Pop, a family of registrations designed to play popular music from the 1940 s through today. 5 Using a Style With 8 Registration buttons and 20 Registration Groups, you have a total of 160 pre-programmed Registrations available. Plus, you can overwrite any registration with your own unique setups. To use a Registration: Press the REGISTRATION GROUPS button. Ten Registration Groups will be displayed. Touch the PAGE buttons to view the Registration Groups on the other page. Touch the name to select the Registration Group, then press one of eight REGISTRATION buttons to call the desired setup.. PAGE : Lists the Registration Groups on the other pages. NAME : Takes you to the Registration Group Name screen. SAVE : Takes you to the Registration Group Save screen. Step 3 Touch the desired the desired Registration Group name to select it. Step 4 Press one of the eight REGISTRATION buttons to activate a Registration from your selected Registration Group.

69 69 Step 5 To return to the Main Screen, press the EXIT button. The CP remembers how the front panel was setup before you chose a Registration so that after exiting the Registration, the prior settings will be restored. It is not necessary to always begin with the REGISTRATION GROUP button when selecting a Registration. If the group you want to use is already selected, pressing one of the REGISTRATION buttons will activate a setup from that group. The CP will remember the Registration Group last chosen as long as the power remains on. You cannot use the 1-2 Play function and Registrations at the same time. Choosing one always cancels the other. To create your own Registration: Set up the instrument s panel and functions in the way that you d like to save them. Press the REGISTRATION GROUPS button. Touch the SAVE button, then touch one of the five Registration Groups listed in which to save your setup. Touch the PAGE buttons to view the 20 Registration Groups in sets of five. Touch the name to select the Registration Group. Using a Style 5 PAGE : Display Registration Groups listed on pther pages. Step 3 Press one of the 8 REGISTRATION buttons to specify which location you d like to save your Registration to. Press the specific REGISTRATION button where you d like to save to. The following settings can be stored in a Registration: Sounds (Right1, Right2, Right3, Left), Split Point, Style and Variation, Fill-in mode, Tempo, Accompaniment settings, Mixer settings, Chorus settings, Effect settings, Harmony settings, Voicing, Detune, Resonance, Left Pedal functions, Mic Harmony, and Mic Effect You can save your Registrations to a USB memory device and load them into the CP later. (See page 137.)

70 70 To rename the Registration Group: Press the REGISTRATION GROUPS button. Select the Group that you wish to rename. Step 3 Touch the NAME button. The display will show a virtual keyboard. Step 4 Touch the screen to enter a new name for the Registration Group. 5 Using a Style BACK : Takes you to the previous menu. SAVE : Saves the new Registration Group name Step 5 Touch the SAVE button to confirm the new Registration Group name.

71 71 5) Song Stylist With over 1000 Sounds and nearly 400 Styles, it can sometimes be difficult to decide the best settings with which to play a song. Even if you are very familiar with the Concert Performer, you may want a quick way to change the CP s setup to play another song. The Song Stylist feature was created to handle this situation for you. You simply pick the name of the song you want to play and the Concert Performer sets up everything for you. The Song Stylist contains a list of 1000 popular song titles. In the Song Stylist, there is an appropriate setup for each of those songs. You may search for your favorite title either alphabetically by song name, or by category of musical genre. Once you ve found the song you want to play, simply press one button and the CP is immediately setup for that song and ready for you to begin. The Song Stylist contains no prerecorded music, only the setup to play the chosen song. You must play the actual music yourself. To use the Song Stylist: Press the SONG STYLIST button. The Name Menu list appears, showing alphabet letters to search for the SONG STYLIST. Touch the relevant part of the screen to begin searching for the title of a song. Touch the screen to select your desired song title s capital letter. Using a Style 5 Press the SEARCH BY CATEGORY button. SHOW BY CATEGORY : Shows the categories of song title. USB : Searches for a title stored on a USB device. The Category list appears, showing the different musical genres for the SONG STYLIST. Touch the screen to select your desired category. SEARCH BY CATEGORY : Shows the other categories. SEARCH BY NAME : Shows the song list in alphabetical order. USB : Searches for a title stored on a USB device. Step 3 Touch the SEARCH BY CATEGORY button to display the Category choices on the other page. Then touch the desired category to select it. A list of songs within that musical category will appear.

72 72 Step 4 Touch the PAGE buttons to display the Song Titles on the other pages in the same category. Touch the desired song name to select it. PAGE : Searches for a title on the other pages. GROUP : Jumps to the Song Stylist Category menu. ABC : Searches for a title in alphabetical order. USB : Searches for a title stored on a USB device. SELECT : Selects the Song. Selecting a song stored on a USB device. 5 Using a Style PAGE : Searches for a title on the other pages. CHAIN : Starts the Chain Play. PRESET : Searches for a title from the internal presets. SELECT : Selects the song. Step 5 Touch the screen to select one of the ten songs displayed. The CP automatically returns to the Main Screen ready with all of the settings for that song. Step 6 You may start and play the song in your usual manner. You can operate the CP normally and make any changes to the Song Stylist setup that you wish. STYLE : Highlights the Style. TEMPO : Adjusts the Tempo. LEFT : Highlights the LEFT Part. RIGHT3 : Highlights the RIGHT3 Part. RIGHT1 : Highlights the RIGHT1 Part. RIGHT2 : Highlights the RIGHT2 Part. SONG LIST : Takes you back to the Song List screen. Step 7 To play another song, touch the SONG LIST button. To exit, press the SONG STYLIST button again or press the EXIT button. You may use different Sounds, Styles, Tempo and other settings to customize to your taste. When choosing a Song Stylist created by you (or someone else) and saved to a USB device, there may be a recorded melody and chord track available. The chord track, called the Auto Chord Progression, will provide you with the chord changes to the song. You may also find a song title by searching the list alphabetically.

73 73 To search the Song Stylist by Song Title: Touch the SONG LIST button. The Category list appears, showing the different musical genres for the SONG STYLIST. Touch the SEARCH BY NAME buttons. Touch the screen to take you to the first letter of the name of the desired song. Step 3 Touch the PAGE buttons to search for the name of your song. Then touch the song name to select it. The CP automatically returns to the Main Screen ready with all of the settings for that song. Using a Style 5

74 74 6) Keyboard Harmony When the Auto-Accompaniment is enabled, selecting the Keyboard Harmony function will automatically add notes to your right hand (melody) part, helping you to sound more professional. This function analyzes the notes you play and automatically adds notes from the Accompaniment chord (shown in the Main Screen when the Accompaniment is on), creating a harmony part (even if you are only playing single notes in the left and right hands). There are 10 types of Harmony. Block Open Jazz Rockn Dynamic Duet Octave Octave Duet Vocal 1 Vocal 2 Adds three or four notes based on the chord. Adds three or four notes based on the chord. Harmony notes may extend over one octave below the lowest right-hand note. Adds three or four notes based on the chord. Adds a note at a fifth (or fourth) interval to the lowest note played in the RIGHT Part. Adds three or four notes based on the chord. Harmony notes are played within one octave below the lowest note played in the right hand. Adds a note according to the lowest note played in the right hand and based on the chord. Takes the highest note played in the right hand and doubles it an octave down. Adds an Octave note and a Duet note. Adds a single note above the top note of the right hand based on the chord. Adds three notes based on the chord. The lowest note will always be the root of the chord. 5 Using a Style To use Harmony: Press the KBD HARMONY button. The button will be lit to show that it is active. The Harmony symbol will also appear in the Main Screen. To change the Harmony type, hold down the KBD HARMONY button for a moment until the Harmony Select menu is displayed. Step 3 Touch the desired Harmony type to select it. Touch the screen to select your desired Harmony type. Step 4 Press the EXIT button to leave the Harmony Select menu. Step 5 To turn off the Harmony, press the KBD HARMONY button again. The additional notes created by Harmony are added to the RIGHT1 Part, if that part is on. If the RIGHT1 Part is off, the additional notes are added to the RIGHT2 Part. If both parts are off, there will be no Harmony even though the KBD HARMONY button is lit. The Harmony notes are played with the same sound as the part they are added to. You can volume mix the Harmony separately in the MIXER screen. If the Accompaniment is not enabled, you will not be able to activate Harmony.

75 75 7) Creating Your Own Styles The Concert Performer contains nearly 400 built-in Styles covering a wide variety of musical genres. There are two powerful features that allow you to edit any of these Styles to better suit your musical tastes, or even create your own Style entirely from scratch! These are the Conductor and the Style Maker. The Conductor allows you to edit the Style data and personalize it to your taste. The Conductor offers two ways to edit: Easy Edit and Advanced Edit. The Style Maker allows you to create Styles of your own. There are three ways of using this feature: Make a New Style, Edit an Existing Style, and Phrase Combination. The CP can store up to 20 User Styles on board at one time. However since you can also save your original Styles to USB memory, your library of Styles is virtually unlimited. Using a Style 5

76 76 8) Conductor The Conductor is used to edit Preset or User Style data. There are two editing methods offered by the Conductor. Easy Style Edit This is an easy way to edit the Style data. The CP built-in styles are comprised three different types, Full, Intimate, and Solo Piano Styles. A Full Style consists of six instrument tracks called Sections. These are the Drums, Bass, and four Accompaniment tracks. The Intimate Styles have four Sections, Drum, Bass, And Two Accompaniment tracks. The Solo piano Styles have two Accompaniment Tracks (Right and Left hand) and no Drum or Bass tracks. When you play a Style, each of these sections plays a musical Phrase composed for that type of instrument. Each section can play one of four different musical phrases, one for each of the four variations within a Style. Easy Edit lets you assign which of these four Phrases will be played by each section for each of the four variations within the style. This means you can mix and match the different phrases for each section to create your own unique arrangements. Once you are satisfied with your edits, you can save your Easy Style edits to the PRESET STYLE. 5 Using a Style Advanced Style Edit This allows you to edit the finer details within a Style. You have control over each Section s Sound Assignment, volume level, panning, chorus, and reverb settings. Once you are satisfied with your edits, you can save your Advanced Style edits to the USER CONDUCTOR. Easy Edit Select the Style and the Variation (1-4) that you would like to edit. Touch the CONDUCTOR icon. The LCD screen will display the Easy Style Edit screen. Step 3 Touch the part buttons at the bottom of the screen to select a Section to edit. Touch the buttons on the side of the screen to select the desired Phrase (1-4) for each Section. STYLE EFFECT : Show the Style Effect screen. SAVE TO PRESET: Saves the changes to the Preset Style. PHR. 1-4 : Selects a Phrase for the Section. MORE : Go to Advanced Edit section. PART : Selects which Section is being changed. Touching again will mute the Section. Step 4 Alternatively, touch the empty squares to select the phrase for each corresponding sound. You can edit while the Style is playing to hear your changes.

77 77 Step 5 Touch the part buttons at the bottom of the screen to mute/un-mute each Section Step 6 If you would like to save your edits, touch the SAVE TO PRESET button in the top right corner. The saved contents will be written to the PRESET STYLE. If you don t save your edits, they will be lost when you turn the power OFF. Step 7 Touch the MORE button to go to the Advanced Style Edit screen. Step 8 Press the EXIT button to leave the Easy Style Edit screen. Touching the SAVE button will save all Styles at one time. You cannot save styles individually. For Intimate Styles the ACC 3/4 Sections are not used and cannot be edited. For Solo Piano Styles the Drum, Bass, and ACC 3/4 Sections are not used and cannot be edited. Resetting the Style The CP always remembers the original Preset Style settings. If you wish to restore those factory settings before saving your edits, simply touch the RESET button in the Conductor. Note: Style Effect If you would like to revert all Styles back to their original factory settings, after you have pressed the SAVE button, use reset Conductor on the Soft Reset screen. See the section titled Soft Reset on page 117. Easy Edit doesn t allow you to edit the Intro, Ending and Fill-ins. However, muting a Section in the Style will result in automatic muting of the same Section in the Intro, Ending and Fill-ins. If you mute a certain Section, you need to consider what effect it will have on the overall Style. Using a Style 5 The Style Effect screen allows a defined effect to be applied to each Section of the style. Touch the STYLE EFFECT icon. The LCD screen will display the Style Effect screen. Touch the screen and use the Dial to select the style effect and effect settings. Touch the part buttons at the bottom of the screen to turn the effect on/off for each Section. EFFECT TYPE : Selects the type of effect to be applied to the style. STYLE SETTINGS: Adjust the selected effect s settings. BACK : Back to the EASY STYLE EDIT settings. PART : Turn the select effect on or off for each Section.

78 78 Advanced Edit Select the Style and the Variation (1-4) that you would like to edit. In the EASY STYLE EDIT screen, touch the MORE button. The Advanced Style Edit screen will be displayed. SOUND : Selects the sound for the Section. SAVE TO USER : Saves the changes to the User Conductor. REVERB LEVEL : Adjusts the Reverb level. CHORUS LEVEL : Adjusts the Chorus level. PAN : Adjusts panning. VOLUME : Adjusts the volume level. BACK : Back to the EASY STYLE EDIT settings. PART : Selects the Section to change. Pressing again will mute the Section. 5 Using a Style Step 3 Touch the part buttons at the bottom of the screen to select a Section to edit. Touch the buttons on the side of the screen, then use the dial to adjust the settings. Step 4 Alternatively, touch the fader that you wish to edit and make your edits via the zoomed interface. You can continue to make edits while the Style is playing to hear your changes. Step 5 Touch the BACK button to return to the Easy Style Edit screen. Step 6 If you would like to save your edits, touch the SAVE TO USER button. Your edits will be written to the USER CONDUCTOR. If you don t save your edits, they will be lost as soon as you exit the Advanced Style Edit screen. SAVE TO : Selects the memory location (1 through 40) where you wish to save your User Conductor Style. NAME : Names your Style (switches to virtual keyboard screen) BACK : Back to the Advanced Style Edit. SAVE : Proceeds with saving the Style.

79 79 Step 7 Press the EXIT button to exit the Advanced Style Edit screen. Important Note: If you are using a User Style as the Source Style of your User Conductor, that User Style must always be kept at the same location in the CP, or else the User Conductor will not be able to locate it. Resetting the Style You can restore the original Style settings by touching the RESET button on either the Easy or Advanced Style Edit screens. This will completely clear the changes made to the Styles except any data already saved as a User Conductor Style. You can also instantly discard the current changes by pressing the EXIT button to leave the Advanced Edit screen. User Conductor Styles Touch the USER button. If there are any User Conductor Styles available, they will be displayed. Touch the screen to select your desired User Conductor Style. Touch the screen to select your desired User Conductor Style. Using a Style 5 PAGE : Show User Conductor Styles on the other pages. DELETE : Deletes the selected User Conductor Style.

80 80 9) Making a Style with Get Phrase from Recorder This is the most flexible way to create a new Style. You can take music that you have recorded using the CP s own Recorder and convert it into Style data. Or, you can use an external MIDI device or a personal computer to create the musical phrases, then load the data into the CP s Recorder and convert those. Configuration of a Style A complete Style consists of the following patterns: Basic pattern 4 patterns (Variation 1-4) Max 16 measures Fill-in 4 patterns (Fill-In 1-4) 1 or 2 measures Intro Major 2 pattern Max 16 measures Intro Minor 2 pattern Max 16 measures Ending Major 2 pattern Max 16 measures Ending Minor 2 pattern Max 16 measures Count Intro 2 pattern Max 16 measures Count Ending 2 pattern Max 16 measures 5 Using a Style Each of these are made of six Sections: Drum, Bass, ACC1, ACC2, ACC3 and ACC4. However you don t necessarily have to have all of them to create a Style. For example, you may not need to use some Variations or Sections to accomplish your musical idea. These unused sections may be left blank, or filled with Section data copied from the initial source Style that you were asked to choose at the beginning of the Style Maker process. The different Sections can be of varying bar lengths as long as they stay within the limit. Having them all the same length may make the Style easier to use in a song, but you may find that having uneven bar lengths among the Sections can create interesting musical results. Before you can generate a Style from these phrases, you have to have them loaded into the Recorder, keeping in mind which tracks in the Recorder are going hold data for which Sections in the new Style. The source recording in the CP s Recorder can be in any key. However, you need to know what key that is, because you will have to specify that as part of generating a new Style. For simplicity s sake it is advisable to record in C if you are planning on using the recording with the Style Maker. To create a Style: From the recorder screen, touch the ADVANCED RECORDER button. The LCD screen will display the Advanced Recorder menu. In the Advanced Recorder menu, touch Style Maker. The LCD screen will display the first Style Maker screen. MENU : Go to the Advanced Recorder menu. ENTER : Enters the selected Style Maker menu.

81 81 Step 3 To make a completely new Style, touch Make New Style. To edit an existing style, touch Edit Existing Style, then use the Dial to select the style you wish to edit. Step 4 Touch the ENTER button. The Get Phrase From Recorder screen will be displayed. Step 5 Touch the part buttons at the bottom of the screen to select the Recorder track that contains the data you want to use for each Section of the Style. You can switch off a Section by touching it twice, and the Section will not be created in your Style. PATTERN : Selects which pattern you are currently creating. START BAR : Selects the first bar of the phrase in the recording that you want to convert. SAVE : Saves the new Style. BAR LENGTH : Selects the last bar of the phrase in the recording that you want to convert. CHORD : Enter the key that the phrase was in. EXEC : Generates the new Style from your settings. MORE : Takes you to the next menu for more options. PART : Selects which Section(s) you are working with. Pressing twice deactivates the Section so that it will not be incorporated into the new Style. Step 6 Touch the screen to set up the options and select the proper data from the Recorder. You may have different options for each track. Step 7 Touch the MORE button to adjust advanced settings, if necessary. Using a Style 5 Step 8 Touch the EXEC button to generate the Style. You can listen to it by pressing the START/STOP button. Step 9 If you would like to save the new style, touch the SAVE button.

82 82 0 Touch PRESET TEMPO, then use the dial to set the default tempo for the new Style. SAVE TO : The location to which the new Style will be saved. Preset Tempo : The tempo that is set automatically when the new style is selected. NAME : The name of the new Style. BACK : Takes you to the previous menu. SAVE : Saves the style to User Style. 1 Touch SAVE TO, then use the Dial to select the location to save your new Style. 2 Touch NAME, then use the virtual keyboard to enter a name for the new Style. 5 Using a Style 3 Touch the SAVE button The new Style will be saved to the CP s internal memory. Auto-accompaniment System The Concert Performer Auto-Accompaniment System (ACC) analyzes your playing and adjusts the note data recorded in the different Phrases in a pattern to match the root key and chord type you are playing. The ACC System also shifts the octave for each phrase to keep each section playing within its musically useful range. To get the most out of this System, any new Style you create can benefit from some fine tuning of these settings. When you touch the MORE button on the Style Maker Record screen, the Style Maker Detail Settings screen will be displayed. Accompaniment Type (ACC Type) This setting determines how Phrases being played by a particular section in a pattern will be analyzed by the Autoaccompaniment (ACC) System. There are Two Accompaniment Types: Chordal and Scalic (melodic). Chordal Phrases usually consist of block chords or arppegiated chords. You should set this kind Phrase to Chordal. Scalic Phrases usually play melodic phrases that serve to add interest to the style as well as provide counter melodies and riffs. Melodic Phrases or Phrases that contain chromatic passages should be set to Scalic. Scalic Phrases can also contain chords but they will be analyzed differently than chords in a Chordal Phrase. The Bass section is automatically set to Scalic since it will rarely if ever play chords. The terms Open and Close apply to Chordal Phrases, and refer to how the CP will regulate the voicing of a Chordal Phrase. Setting a Section to Open will allow for open-voiced chords, which might be good for guitar and string sounds. Setting a Section to Close maintains closed voiced chords, which are better suited to piano parts and other chording or comping instruments. Range This determines the chord inversions that a Chordal Phrase will play. The term range here has nothing to do with the span of actual chord notes. It selects which note in the chord will serve as the basis of the chord inversion. HI is the initial setting and is recommended as a starting point. MID plays an inversion based on the next lower note in relation to HI, while LO plays an inversion based two-notes lower.

83 83 Crossover This determines the point where a Scalic Phrase will be transposed to keep the notes in a musically useful range. When notes in a Scalic Phrase fall below the Crossover point you select they will be transposed up one octave by the Accompaniment System. For example if you set the Crossover point to E, the Phrase would begin to be transposed up one octave whenever you play a chord with an E as the root. Experiment with the different Chordal and Scalic settings to find the one that works best with each Phrase. Bass Limit This is an option for the Bass section and sets the limit for the lowest note the Bass will play. If a note in a Bass Phrase falls below the limit, it will automatically be transposed up an octave. To adjust the auto-accompaniment system: Touch the buttons on the left side of the screen to select the settings you wish to change. BACK : Takes you to the previous menu. PLAY : Plays the style. PART : Selects the Section. Touch the buttons at the bottom of the screen to select the Section. Using a Style 5 Step 3 Use the Dial to select or change a value. Step 4 When done, touch the BACK button to return to the previous menu, then save the Style if necessary.

84 84 10) Making a Style with Phrase Combination Phrase Combination is similar to Easy Style Edit in the Conductor. Phrase Combination however, lets you not only combine Phrases from within the selected Style but you can also combine Phrases from any of the Styles in the CP to create a new Style. Additionally you can edit Fill-ins and basic patterns (Variations). You cannot change the Intro and Ending Phrases. These will remain the same as in your selected Style. To use Phrase Combination: In the Advanced Recorder menu, touch Style Maker. The LCD screen will display the first Style Maker screen. Touch Phrase Combination, then use the dial to select the initial style. Step 3 Touch the ENTER button to proceed to the next screen. The LCD screen will display the first Phrase Combination screen. 5 Using a Style Step 4 Touch the screen to select which of the four Fill-ins and Variations you would like to change. < ARROW : Selects the pattern to change. Choose Variation 1 4 or Fill-in 1 4. ARROW > : Selects the pattern to change. Choose Variation 1 4 or Fill-in 1 4. Selects the Section to be modified. BACK : Takes you to the previous menu. PLAY : Plays the new style. CURSOR : Moves the cursor between the Style and Phrase columns. SAVE : Saves the modified data as a new Style. Step 5 Touch the screen to select the Section to change. Step 6 Touch the CURSOR buttons to move the cursor between the Style and Phrase column. Step 7 Use the Dial to change the current Style or Phrase. You can jump to the desired Style category by pressing the Style select buttons directly. Step 8 Touch the PLAY button to listen to the new Style.

85 85 Step 9 Touch the SAVE button to save the new Style. 0 Touch PRESET TEMPO button and use the dial to set the default tempo for the style. SAVE TO : Selects the location to be saved. NAME : Names the style. PRESET TEMPO : Sets the default tempo for the style. BACK : Takes you to the previous menu. SAVE : Saves the style to User Style. 1 Touch the SAVE TO button, then use the Dial to select the location that the style should be saved to. 2 Touch NAME, then use the virtual keyboard to enter a name for the new Style. 3 Touch the SAVE button. Using a Style 5

86 86 11) Editing Sounds Even though the Concert Performer has over 1000 high quality instrument and drum sounds built-in, there may be times when you would like to change some of the qualities of a sound to really get the tonal character that you have in mind. The CP allows you edit certain settings for individual sounds. You can choose to change subtle nuances of the sound or even drastically change the sound s character to the point where you can no longer recognize what it was originally! Once you have made these changes, you can save up to 20 User Sounds in the User Sound Category, or a virtually unlimited number to USB memory. Editing the Preset Effect Settings Each of the CP instrument Sounds has preset Chorus and Effect settings that are applied automatically whenever that sound is selected. You can change these settings to suit your tastes and save them so they become the preset settings for that Sound. To adjust the settings: Select the sound you want to edit and touch the SOUND EDIT button. The LCD screen will display the Sound Edit Menu. 5 Using a Style Touch Edit Preset Sound Settings. The Preset Sound Settings screen will be displayed. Step 3 Use the Dial to select the preset sound that you wish to modify. SOUND NAME : Selects the preset sound to edit. CHORUS : Turns the Chorus on/off. LEVEL : Adjusts the chorus level. EFFECT : Turns the Effect on/off. EFFECT TYPE : Selects an effect type. EFFECT EDIT : Adjusts the effect settings. EFFECT EDIT : Adjusts the effect settings. BACK : Takes you to the previous menu. SAVE : Saves the settings.

87 87 Step 4 Touch the screen to select the different effect settings, then use the Dial to change their values. Step 5 When you are finished, touch the SAVE button to save your settings. Touching the SAVE button will save all changes made in the Preset Effect Settings menu. If you exit the Preset Effect Settings menu without saving your changes, the settings will remain unchanged. Making a User Sound There are two steps to making a User Sound: Editing the effect settings - as described in the previous section - and editing the sound s character. You can adjust seven parameters of the sound character: Vibrato Depth, Vibrato Delay, Brightness, Attack, Decay, Sustain, and Release. Vibrato Depth controls the depth of the Vibrato effect. Positive values produce a deeper Vibrato. Negative values produce a shallower Vibrato. The actual speed of the vibrato is preset for each sound. Vibrato Delay determines how soon the vibrato effect will start after you press a key. Positive values produce a longer delay time before the vibrato effect starts. Negative values produce a shorter delay time before the vibrato effect starts. When this parameter is set to 0 the vibrato effect starts as soon as you press a key. Brightness controls the Strength of the high frequencies. Higher values produce a brighter sound, lower values produce a darker sound. Attack determines how quickly a sound reaches its maximum volume after you press a key. Positive values produce a slower attack that is more gradual and smooth, while negative values produce a faster attack that is more percussive in nature. Decay determines how quickly the volume of the sound decreases after it reaches it maximum volume while the key is still held down. Positive values produce a slower decay, while negative values produce a faster decay. Sustain determines the volume level of the sound after the decay portion of the sound is complete. Positive values produce a louder volume, while negative values produce a softer volume. Release determines how long it takes for the sound to fade away to silence after you release the key. Positive values produce a slower fade, while negative values produce a faster fade. Using a Style 5 Note: For some sounds, changing the values for these parameters may have no effect. Each sound has a pre-programmed setting for each of these parameters. When you change the values you are increasing or decreasing the value from the pre-programmed setting. If the setting for a certain sound parameter is 0 for example, then changing the value will have no effect. To make a User Sound: Select the sound you want to edit, then touch the SOUND EDIT button. The LCD screen will display the Sound Edit Menu. In the Sound Edit menu, select Make User Sound. The User Sound Settings screen will be displayed. Step 3 You can edit the settings for Vibrato, Delay Vibrato time, Brightness, Attack, Decay, Sustain and Release.

88 88 Step 4 Touch the parameter buttons at the bottom of the screen, then use the Dial to change its value. Alternatively, touch the area above/below each parameter bar to adjust the value directly. BACK : Takes you to the previous menu. MORE : Takes you to the Preset Effect Settings menu. SAVE : Proceeds with saving the sound. Step 5 Touch the MORE button to edit the Effect Settings for your new sound. This is the same screen as described in the previous section. 5 Using a Style Step 6 Touch the SAVE button. The Sound Edit Save screen will be displayed. SAVE TO USER SOUND : Selects the location where the sound will be saved. NAME : Names the Sound BACK : Takes you to the previous menu. SAVE : Saves the editted sound to User Sound. Step 7 Touch SAVE TO USER SOUND, then use the Dial to select the User Sound location where the new sound will be save. Step 8 Touch NAME, then enter the name for the User Sound using the virtual keyboard. Step 9 Touch the SAVE button. The new sound will be saved to the USER category. To select and play your new User Sound, press the OTHERS button located in the SOUND section of the front panel, next select the USER sub-tageory, then select your desired User Sound.

89 89 6. Music Menu The CP s Music Menu consists of various functions for listening, learning and playing music. The Concert Magic function allows non-pianists to enjoy creating music, while the Lesson function is a fun way for budding pianists to learn to play or improve their existing skills. We have already used the Piano Music feature in the Listening to the Piano chapter, but will also explore the My Songs and Piano Music Maker functions in more detail. 1) Concert Magic Thanks to Kawai s innovative CONCERT MAGIC (CM) feature, absolutely anyone can sit at the Concert Performer and experience the joy of being a real performing musician even if they have never touched a musical instrument in their life! Concert Magic allows you to play a song by simply tapping any key on the keyboard. Regardless of what keys you play, the notes that are heard will be the correct ones for the song. However, what makes this really exciting is that you control the timing of the notes, as well as their dynamics. This lets you add a level of expressiveness and individuality to the song that makes it real musical performance. As you play a CM song, a handy Note Navigator display helps you keep track of where you are in the music, as well as suggesting how the rhythm of the song should be tapped out on the keys. Many of the CM songs have lyrics that can be displayed as the song is being performed. As the song is played, a Bouncing Ball makes its way over the lyrics, following the player s performance and encouraging everyone around the instrument to sing along. The Concert Performer can also automatically play any of the Concert Magic songs. Listening to the song first can make it easier to play. There is also a Chain Play mode, giving you options to listen to groups of CM songs. Music Menu 6 Selecting a Concert Magic Song The 176 on-board Concert Magic songs are divided into eight groups by song category: Children s Songs, American Classics, Patriotic Songs, Christmas Songs, Hymns, Classics, Special Occasions, and International songs. In addition, you can create and play your own Concert Magic songs using a USB memory device. To select a song: Press the MUSIC button. The MUSIC menu will be shown in the LCD display. Touch the CONCERT MAGIC icon. The song selection menu will be displayed.

90 90 Ten song titles from the Children s Songs category will be displayed. The category name is displayed at the very top of the screen. CATEGORY : Searches by song category. NAME : Searches by song name. CHAIN PLAY : Enters the Chain Play mode of the Concert Magic. USB : Searches for a song on a USB memory device. SELECT : Can also be used select the song. Step 3 If you want to go to another song category, touch SEARCH BY CATEGORY. You can also search for a specific title by using SEARCH BY NAME, which will list all 176 song titles in alphabetical order. You may also use the Dial to scroll through all the titles one after another. If you wish to play a CM song from a USB memory device, touch the USB button to see the list of songs available. 6 Music Menu Step 4 When you have found the song that you want to play, touch the name to choose it. The Note Navigator screen will be displayed, and you are ready to perform!

91 91 Performing a Concert Magic Song Playing the Concert Magic song you ve selected is very easy. Just begin tapping any key on the keyboard and the song will play. Concert Magic plays the correct notes of the song, but you must provide the rhythm. Being familiar with how a particular song sounds does make it easier, but watching the Note Navigator screen can help you play a song that you ve never heard before. The Note Navigator provides an outline of the song s rhythm that looks a lot like the real music. The dots ( ) in the display are the notes that you play. The spacing of the notes gives a clue to the timing (rhythm) of the notes. Notes that are closer together are played faster; notes that are farther apart are played longer. Notes that are evenly spaced are played evenly, and so on. Up to four lines of music are displayed. After you ve played past a note in the song, the dot becomes a cross (+) to help you keep track of where you now are. When you get to the bottom of the screen, the top lines change to show the next lines of music, as if you had turned the page. When you get to the end of the song you will see a double line, and then the song will reset to the beginning. To play a selected CM song: In the Note Navigator screen touch PLAY if you want to first listen to the song. The CP will play the song. Touch the STOP button to stop the song. Notice how the Note Navigator displays the rhythm as the song is playing. SCORE : Selects the score display. Music Menu 6 LYRICS : Displays the selected song s lyrics, if available. STEADY BEAT : Allows you to play any song by steady tapping. PLAY : Starts and stops the song. Also used to reset the song when performing. SAVE SOUND : Saves the changed Sounds. SONG LIST : Return to the song list to select another song. If you wish to play the CM song yourself, start tapping any of 88 keys while the song is stopped, and the song will play. Step 3 After starting to play, touch the RESET button at any time to start at the beginning of the song again. Step 4 To play another song, touch the SONG LIST button to display the list.

92 92 Step 5 If you have selected a song that has lyrics, you may view them by touching the LYRICS button. Step 6 If you would like to play any song by steady tapping (instead of following the original rhythm), touch the STEADY BEAT button. Step 7 Touch the SCORE button to display the selected song as a musical score. Score Display 6 Music Menu PART1 : Turns the score display for part 1 ON/OFF. PART2 : Turns the score display for part 2 ON/OFF. LYRIC : Turns the selected song s lyric ON/OFF. PLAY : Starts and stops the song. Also used to reset the song when performing. SONG LIST : Returns to the song list to select another song. Step 8 To exit Concert Magic, simply press the EXIT button. When you reach the end of the song, press any key one more time. This will not produce sound, but instead resets the song to the beginning for another performance. The Bouncing Ball only works with song files that are specifically designed for Concert Magic to take advantage of this feature. A Concert Magic song is made of two parts - a melody part and accompaniment part. Many of the songs have different instrument sounds assigned each part to make the music more interesting. You can select different sounds for each part separately. The RIGHT1 Part plays the melody. To change its sound, press any Sound category button and select a new sound. The LEFT Part handles the accompaniment. To change its sound, first turn off the RIGHT1 Part and then press any Sound category button to select a new sound. Don t forget to turn the RIGHT1 Part back on before you begin to play. You can use the PIANO ONLY button to quickly change the sound for both parts to the Concert Grand piano. You can also activate the RIGHT2 Part to use as a layer (additional sound) for the melody. In addition, if you know the melody to a Concert Magic song you can play along by activating the RIGHT3 Part. Remember, you must play the notes of the melody when the RIGHT3 sound is active. You can also select any new sound for the RIGHT2 and RIGHT3 parts. Turn off all Parts except the one you wish to change, and then select the new sound. Don t forget to turn all necessary Parts back on before you begin to play. You can save your new sound settings by touching the SAVE button. The Soft Reset function will be required to return the sounds to their original settings (see page 117). You can transpose the song by pressing the TRANSPOSE buttons.

93 93 To enter the Chain Play mode of the Concert Magic: Press the MUSIC button. The MUSIC menu will be shown in the LCD display. Touch the CONCERT MAGIC icon. The song selection menu will be displayed. Step 3 Touch the CHAIN PLAY button. The Chain Play menu will be displayed. Step 4 Touch the screen to highlight a setting, then turn the Dial to change that setting. You can choose to play songs from any one category, or to play all 176 CM songs. You can also choose to use each song s preset sounds, or to play the songs using the Concert Grand piano sound only. PLAY MODE SELECT : Determines whether the chain play should be limited to just the selected category, or to all songs. CATEGORY : Selects the song category. SOUND MODE SELECT : Determines whether the songs should be played using their preset sounds, or using just a piano sound. PLAY : Starts the chain play. SONG LIST : Returns to the song list. Step 5 Touch the PLAY button to start playing the songs. Music Menu 6 Step 6 To exit Concert Magic, press the EXIT button again. Concert Magic Song Arrangements Concert Magic songs are specially arranged so that they will work well with your key tapping. Each of the 176 CM songs falls into one of three categories of musical arrangements of varying difficulty. EASY BEAT These are the easiest songs to play. To perform them, simply tap any key with a constant beat. You can easily see which songs are Easy Beat songs when you look at the Note Navigator. The dots will line up at a constant interval in the screen, indicating a constant beat. MELODY PLAY These songs are also quite easy to play, especially if you are familiar with them. To perform them, tap the keys to the rhythm of the melody (as if you were singing). SKILLFUL These songs are more challenging. To perform them, carefully follow the rhythm as shown in the Note Navigator. It may require some practice to successfully play these songs. Even skilled players will enjoy the challenge that these songs offer.

94 94 Steady Beat Play After you choose a song, you can touch the STEADY BEAT button to play the song by steady tapping instead of the original rhythm. You can play any song from any arrangement category by tapping steady beats. Creating a Concert Magic Song You can also use Concert Magic to play a song that isn t one of the 176 built-in titles. You can record a new song using the Concert Performer s Recorder and then save to a USB memory device as a Standard MIDI File (SMF). The song can now be selected by pressing the USB button when you are in the Concert Magic song selection screen. You can also record a song for Concert Magic by using an external sequencer. Remember to save it to your USB memory device as a Standard MIDI File. As you might imagine, getting your song to sound exactly the way you want it to in Concert Magic may require a few adjustments to the original arrangement. The most important consideration is to keep the musical arrangement as simple as possible. Concert Magic pauses the song after every note as it waits for you to tap the next key. If there are complex rhythm patterns that have many notes per beat, the song may become overly difficult to play. Here are some suggestions for creating a Concert Magic song: Record the melody first using the RIGHT1 Part in the Easy Recorder (or Track 2 in the Advanced Recorder). 6 Music Menu Then record the accompaniment using the LEFT Part in the Easy Recorder (or Track 4 in the Advanced Recorder). Step 3 Arrange the accompaniment so that its notes fall on the same beats as the melody. (This creates a Melody Play arrangement.) Step 4 If you want to be a little more adventurous, insert a few carefully placed accompaniment notes in between melody notes. (This creates a Skillful arrangement.) Step 5 If you are recording your song using an external sequencer, record the melody on channel 2 and the accompaniment on channel 4. Step 6 For best results, you should quantize your parts. Of course, these are merely suggestions. There are no steadfast rules for how to compose your CM song. In fact, very rewarding musical experiences may come out of simple trial and error.

95 95 2) Lesson Function The Lesson function allows budding pianists to practice the piano using a selection of built-in song books and finger exercises. The left and right hand parts of each piece can be practiced separately, adjusting the tempo to perfect difficult passages, before being recorded for self-evaluation. Selecting a Lesson Book/Song The built-in Lesson songs are divided into several books: Alfred s Basic Piano Library Lesson Book Level 1A Alfred s Basic Piano Library Lesson Book Level 1B Alfred s Basic Adult Piano Course Lesson Book Level 1 Alfred s Premier Piano Course Lesson 1A Alfred s Premier Piano Course Lesson 1B Burgmüller 25 (25 Etudes Faciles, Opus 100) Czerny 30 (Etudes de Mécanisme, Opus 849) Czerny 100 (Hundert Übungsstücke, Opus 139) Beyer (Vorschule im Klavierspiel, Opus 101) J.S. Bach: Inventionen, Sonatinen Album 1 Scales Arpeggios Cadences Chords To select a book/song: Press the MUSIC button. The MUSIC menu will be shown in the LCD display. Music Menu 6 Touch the LESSON icon. The Lesson function screen will be shown in the LCD display. BOOK LIST: Show the lesson book selection screen. SONG NO./SONG NAME: Indicates the currently selected song. L-R BALANCE: Adjust the volume balance between the left and right hands. BOOK LIST NAME: Indicates the currently selected Lesson book. BAR-BEAT: Indicates the current bar and beat of the lesson song. TEMPO: Indicates the current tempo of the lesson song. LOOP: Repeat a defined passage of the lesson son. MAIN: Show the MAIN screen. MUSIC MENU: Show the MUSIC MENU screen REC/PLAY/RWD/FWD: Record, play, rewind, fast-forward the selected Lesson song.

96 96 Step 3 Touch the BOOK LIST icon to show the list of available lesson books. Alternatively, if the BOOK LIST NAME field is highlighted, use the Dial to select the desired lesson book. Step 4 Touch the SONG NO./SONG NAME field to highlight it, then use the Dial to select the desired lesson song. Listening to the selected Lesson Song After selecting the lesson book/song, it may be desirable to listen to the song before practising. To play the selected song: Touch the Touch the icon to play the selected lesson song. icons to rewind or cue the playback position (Bar) of the current song. The playback position can also be changed by touching the BAR-BEAT field, then using the dial. Step 3 Touch the icon to pause playback of the selected lesson song. 6 Music Menu Step 4 Touch the icon again to resume song playback. Repeating a passage of the selected Lesson Song In order to aid practise, it may be desirable to automatically repeat passages of the song. To repeat (loop) a passage of the selected song: While a song is playing: Touch the Touch the button to set the first bar of the loop. button again to set the last bar of the loop. The defined passage will play continuously, with a 1 bar count-in before each repetition. The left/right balance and playback tempo can continue to be adjusted while the A-B loop is in operation. Step 3 Touch the button to deactivate the loop and resume normal playback.

97 97 Adjusting the Left/Right hand volume balance Adjusting the Left/Right hand balance allows the volume of each part to be reduced or increased. Setting the volume of either the left or right hand part to 0, allows that part to be practised individually while the other hand is played by the CP. To adjust the Left/Right hand volume balance: Touch the L-R BALANCE field, then use the dial to set the balance to 5-1. The volume of the right hand part will reduce until it is no longer audible. This allows the right hand part to be practised while the left hand part is played by the CP. Touch the L-R BALANCE field, then use the dial to set the balance to 1-5. The volume of the left hand part will reduce until it is no longer audible. This allows the left hand part to be practised while the right hand part is played by the CP. If the Beyer lesson book is selected, increasing the left hand value will decrease the volume of the student s part, while increasing the right hand value will decrease the volume of the teacher s part. Adjusting the playback tempo It may also be desirable to reduce the tempo of a lesson song in order to allow complicated passages to be practised more easily, or for learned passages to be polished. To adjust the tempo of the selected song: Touch the TEMPO field, then use the dial to adjust the song tempo in BPM (beats per minute). Music Menu 6 Depending on the lesson song, playback tempo can be adjusted within the range of 10 ~ 300 BPM. To reset the playback tempo, re-select the lesson song. Recording a Lesson Song practise The Record feature allows the left or right-hand parts of the selected lesson song to be recorded to internal memory, and then played back for self-evaluation. To record a lesson song practise Touch the icon. Recording will begin after a 1 bar count-in. The CP will record while the lesson song is playing. Play the lesson song using the keyboard. Step 3 Touch the icon. Recording will stop and the lesson song will also stop playing.

98 98 To play back a recorded lesson song practise Touch the icon to play the recorded lesson song. The left/right hand volume balance and playback tempo can be adjusted while the recorded lesson song practise is playing. The A-B loop function cannot be used when recording a lesson song practice. The recorded practice will be erased automatically when a different lesson song is selected. Finger Exercises When major/minor scales, arpeggios, chords, cadences, and Hanon exercises are selected, the CP can also evaluate one s practice, analysing note accuracy, timing evenness, and note volume consistency, before displaying results for each category. Using this function, players can objectively review their performances, and concentrate on improving a particular area of their technique. Recording a finger exercise for evaluation: Select a finger exercise lesson book and song. For example Hannon, lesson No.1. Touch the icon. Recording will begin after a 1 bar count-in. 6 Music Menu Step 3 Play the lesson song as accurately as possible. When the lesson song has finished, the CP will analyse your playing and show an assessment screen: Step 4 Touch the icon to play the recorded lesson song.

99 99 3) My Songs The My Songs screen allows you to load, save, and delete Easy Recorder and Advanced Recorder songs that have been stored in the CP's internal memory. Load My Song From the My Songs menu, select the Load option The display will show a list of the songs stored in the CP's internal song memory. Touch the song that you want to load, then touch the EXEC button. The selected song will be loaded into the recorder memory. Step 3 Press the PLAY/STOP button. The selected song will start to play. Save My Song This function will store the recorded song to the CP's internal memory, allowing it to be used for My Music lists. From the My Songs menu, select the Save option The display will show a virtual keyboard. Touch the screen to enter a new name for the song, then touch the EXEC button. The recorder song will be stored to the CP's internal song memory. Music Menu 6 Delete My Song From the My Songs menu, select the Delete option The display will show a list of the songs stored in the CP's internal song memory. Touch the song that you want to delete, then touch the EXEC button. The selected song will be deleted from the CP's internal memory.

100 100 4) Piano Music Maker The Piano Music Maker allows songs stored in the CP's internal song memory to be used as custom My Piano Music pieces. Before the songs can be used, however, they must first be converted into the two-track Piano Music format. Selecting a song for My Piano Music. From the Piano Music Maker menu, select the Select Song option. The display will show a list of songs stored in the internal memory. Select a song to be used as a My Piano Music song. The display will show the Piano Music Maker screen. Step 3 Touch the screen and use the dial to select the parts for Track 1 and Track 2. Step 4 Touch EXEC to convert the song to the My Piano Music format. 6 Music Menu Step 5 Touch Save, enter a new name for the Piano Music song, then touch the EXEC button. The converted song will be saved in the My Piano Music, and will be available for selection under the 'My Piano Music' category. Deleting a song from My Piano Music. From the Piano Music Maker menu, select the Delete option. The display will show a list of custom My Piano Music songs.. Select a song to be deleted and touch EXEC. The Piano Music song will be deleted. Loading My Piano Music songs. Please refer to the instructions in on page 19 for more information.

101 Settings Menu The Settings Menu contains all of the functions that affect the overall performance of the CP piano. This includes functions such as the system settings, tuning, and MIDI Setup. By adjusting these settings you can tailor the CP s performance to your taste. To use the Settings Menu: Press the SETTINGS button. The SETTINGS MENU will be shown in the LCD display: MAIN: Show the MAIN screen. WLAN: Turn the CP's WLAN functionality on/off. Enabling WLAN allows the CP to utilise the Kawai ios application. Touch the screen to access the Settings Menu pages. 1) Tuning Tuning allows you to adjust the CP s pitch. You may need to adjust the tuning when playing with other instruments. Settings Menu 7 The master pitch is displayed in Hertz. The range of adjustment is from to Hz. The factory preset value is set to the modern standard A = Hz. You can also adjust the tuning for each Part separately. This can be used to simulate a chorus-like effect by layering the same sound in RIGHT1 and RIGHT2 and slightly detuning them. Each Part can be raised or lowered by up to 50 cents. (50 cents = 1/4 tone). MASTER TUNE : Selects the master pitch. LEFT : Selects the pitch for the LEFT Part. RIGHT3 : Selects the pitch for the RIGH3 Part. RIGH1 : Selects the pitch for the RIGHT1 Part. RIGHT2 : Selects the pitch for the RIGHT2 Part. MENU : Takes you to the Settings menu.

102 102 2) System EQ The System EQ allows you to adjust the tone character of the CP piano to your taste. The Default EQ setting has been tailored to the CP s own speaker system. There is also a Flat EQ setting (no EQ), four general purpose EQ settings, and a User EQ, that allows you to edit the existing EQ settings or create your own EQ settings. The System EQ affects the overall tone character of the CP speakers and the Line Out Jacks. When connecting the Line Out Jacks to an external source the Flat EQ setting is recommended. The Default setting is selected by default. If you want to save a different EQ setting as the default you must select the Save Current Settings on the Power Up Settings screen (See Power Up Settings on page 115). Touch the screen to select your desired EQ setting. MENU : Takes you to the Settings menu. EDIT : Takes you to the User System EQ screen. To create a User EQ: Select an EQ setting to edit and touch the EDIT button. The LCD screen will display the User System EQ screen. Touch the screen to change the values in the four EQ ranges. 7 Settings Menu Band Setting Description LOW db Adjusts the volume of the LOW range frequency band ( Hz). MID1 MID2 db Adjusts the volume of the MID1 range frequency band. FRQ Adjusts the frequency of the MID1 band ( Hz). db Adjusts the volume of the MID2 range frequency band. FRQ Adjusts the frequency of the MID2 band ( Hz). HIGH db Adjusts the volume of the HIGH range frequency band ( Hz). BACK : Takes you to the System EQ menu. CURSOR : Moves the cursor. SAVE : Saves the edited EQ settings to User EQ. Step 3 Touch the SAVE button to save the edited EQ settings to the User EQ.

103 103 3) Concert Magic Sound This function determines which sounds the Concert Magic songs will be played with. Preset Piano Plays all the Concert Magic songs with the Preset Sounds assigned to each song. Plays all the Concert Magic songs with the Concert Grand piano. Preset : Selects Preset sounds. Piano : Selects Piano sound. MENU : Takes you to the Settings menu. Settings Menu 7

104 104 4) Pedal Assign The Soft, Sostenuto and Damper pedals on the Concert Performer function as much more than just traditional piano pedals. These pedals can be assigned to control various other functions on the CP piano. With an optional expression pedal connected to the EXP pedal jack, you can also control the volume for each Part. Note: The settings you make for the Soft (left) and Sostenuto (center) pedals here in the system are different from the settings in the KBD Settings button menu. When the KBD Settings button is turned On, the performance menu settings for these pedals will override the system settings. When the KBD Settings button is turned Off the settings made here in the system will be used. Damper Pedal (Right) Sustain Can be activated or deactivated separately for each Part. Damper Hold The Damper Hold On/Off allows you to determine if the sound such as organ or strings should be held (on) or gradually decayed (off) when the damper pedal is depressed. 7 Settings Menu Pedal assignment options for Soft Pedal (Left) and Sostenuto Pedal (Center) Soft Softens the sound and reduces its volume. Sostenuto Sustains only notes that were held when pedal was depressed. Start/Stop Controls start/stop for Styles and Songs. Harmony on/off Turns the instrument Harmony function on/off. Registration Switches from one Registration to another. You may choose the order, 1 to 8 or 8 to 1. Style Variation Switches from one Style Variation to another. You may choose the order, 1 to 4 or 4 to 1. Intro/Ending Plays the Intro or Ending. Fill In Plays the Fill-in currently selected. Break Interrupts the whole Style. Drums Only Interrupts the Style except Drum part. Sync/Fade Out Controls the SYNC/FADE OUT button. Glide Bends the pitch up and down as programmed by you. Modulation Applies programmable vibrato to the sound. Rotary Fast/Slow Controls the speed of rotary speaker effect. This function will be automatically assigned to the Soft Pedal (Left) when a sound that has the rotary effect turned on is selected as the Priority Part. Left Hand Hold Holds the notes played in the LEFT/SPLIT Part as long as the pedal is depressed. Panel Lock Locks all buttons on the panel to prevent them from being tampered with or pressed accidentally while you are playing. Press the assigned pedal once to lock the panel buttons. Press the assigned pedal again to unlock the panel buttons. Easy Loop Repeats the selected bars again and again. 1st press: assign the loop top, 2nd press: assign the loop end, 3rd press: cancel the loop. EXP Pedal (Optional) Expression The Expression pedal controls the volume of Parts. Expression can be activated or deactivated separately for each Part. The pedal assignments made to the Left pedal will be saved as part of a Registration. The pedal assignments made to the Center pedal are global and are not saved as part of a Registration.

105 105 Select the Pedal Assign option in the Settings menu (page 1). The LCD screen will display the Pedal Assign screen. Touch the screen to select which pedal you want to make assignments for. Damper : Selects the Right pedal (Damper). Center : Selects the Center pedal (Sostenuto). Left : Selects the Left pedal (Soft). Expression : Selects the Expression pedal. MENU : Takes you to the Settings menu. Touch the screen to select the setting and use the Dial to change its value. Touch the other parameters and use the dial to adjust the values. FUNCTION : Selects a function to assign to the pedal. BACK : Back to the Pedal Assign menu. PEDAL : Selects the different pedals. Settings Menu 7

106 106 5) Fill-in Mode This determines whether or not a Fill-in will be automatically played each time a VARIATION button is pressed. There are two options. Normal Auto A Fill-in will not be automatically played each time a VARIATION button is pressed. Fill ins will only be played if a FILL button is pressed. A Fill-in will be played each time a VARIATION button is pressed. The Fill-in that is played will be the one that accompanies the Variation that you are leaving. For example, if Variation 1 is currently active, and you select Variation 2, the Fill-in for Variation 1 will be played. Normal : Selects Normal mode. Auto : Selects Auto mode. MENU : Takes you to the Settings menu. 7 Settings Menu

107 6) RIGHT3 Settings Page 107 This configures the special settings for the RIGHT3 part. Changing these settings will also change these settings in the KBD SETTINGS menu. RIGHT3 Type The RIGHT3 Type setting determines whether or not the RIGHT3 part should be polyphonic or monophonic. There are two options: Normal The RIGHT3 part is polyphonic (i.e. multiple notes can be played at the same time). Solo The RIGHT3 part is monophonic (i.e. only one note can be played at the same time). Solo Priority When the RIGHT3 type is set to Solo (monophonic) type, the Solo Priority setting allows you to select which note will be played by the RIGHT3 part when more than one key is played at a time. There are three options: Top Note The RIGHT3 part plays only the highest note among the notes played at one time. Bottom Note The RIGHT3 part plays only the lowest note among the notes played at one time. Last Note The RIGHT3 part plays only the last key played among the notes played at one time. Solo Trigger Mode The trigger mode determines whether or not the note played by the RIGHT3 part will be re-triggered when certain notes are released. There are two options: Retrigger When the note played by the RIGHT3 part is released, depending on the Solo priority setting the next available priority note will be played automatically by the Solo part. For example: when the Solo Priority is set to Top Note and you release the highest note the next note below the note you released becomes the highest note and will now be played by the RIGHT3 part. No Retrigger When the note played by the RIGHT3 part is released, The RIGHT3 part will not automatically play the next available priority note. The RIGHT3 part will only play a new note based upon the Solo priority setting. For example, when the Solo priority is set to Top Note and you release the highest note the RIGHT3 part will only play a note when you press a key that is higher than the currently held notes. Portamento Time Portamento Time This setting determines how long it takes for the pitch to slide up or down from one note to the next when portamento is active. Solo Mode When using RIGHT3 Part, you can select between two Solo Modes. Layer The sound assigned to the RIGHT3 part will be layered on top of the RIGHT1 and RIGHT2 Parts. Split Only the sound assigned to the RIGHT3 part will be heard when you play above a specified key (split point) on the keyboard. The default split point is C6 but you can freely change the split point to any key on the keyboard. When the RIGHT3 Part is activated in Split mode the split point will be displayed in the LCD screen using the same 88 note diagram that is used to display the LEFT/SPLIT split point. The keys assigned to the RIGHT3 Part above the specified split point will be shown with a black bar above them. There is no arrow to indicate the RIGHT3 split point because the split point for the RIGHT3 Part cannot be changed on the main screen. Settings Menu 7 Any changes to these settings will also change the settings in the KBD SETTINGS menu. Portamento time can also be set from the KBD SETTINGS button menu. Press and hold the KBD SETTINGS button, then select KBD SETTINGS BUTTON ASSIGN from the menu. Select SOLO PORTAMENTO as the setting, then touch edit to set the portamento time. RIGHT3 TYPE : Selects the playing mode for the RIGHT3 part. SOLO PRIORITY* : Selects the note priority. SOLO MODE* : Selects the SOLO mode settings. SOLO TRIGGER MODE* : Selects the Trigger mode. PORTAMENTO TIME* : Adjusts Portamento time. * Settings are only effective when RIGHT3 TYPE is set to SOLO. MENU : Takes you to the Settings menu.

108 108 7) Video Out This function is used select the type of video signal that will be output by the Video Out Jack. NTSC PAL OFF The TV video signal system mainly used in North American countries and Japan. The TV video signal system mainly used in European countries. The video signals are not output. NTSC : Selects NTSC. PAL : Selects PAL. OFF : Selects OFF. MENU : Takes you to the Settings menu. 7 Settings Menu

109 109 8) Effect for Sound This function determines whether or not the Preset Effects settings assigned to each Sound will be used or not. Preset Panel The Preset Effect settings for each Sound will be used. This is the default setting. The Preset Effect settings for each Sound will not be used. In other words, changing the Sounds will not change the Effect types and other settings for the Effects. This allows you to set each Effect section (REVERB, CHORUS, and EFFECTS) to your own taste and use your Effect settings for all sounds. The Panel setting is very useful if you only want to use certain Effects at all times or if you want to prevent the Effects from constantly changing each time you select a new Sound. Preset : Selects Preset. Panel : Selects Panel. MENU : Takes you to the Settings menu. Settings Menu 7

110 110 9) Sound Select Mode This function determines how sounds will be selected. There are two options. Auto Select Manual Select This is the factory default. The sound changes immediately to the highlighted sound on the selected sound page when you press a Sound Selection button or select a new sound page within a category. You can also use the dial to scroll through all of the categories one by one. The sound does not change automatically when you press a Sound Selection button or select a new sound page within a category. The sound only changes when you select the desired sound by touching the LCD screen. In Manual Select mode the Dial wheel cannot be used to select sounds. Auto Select : Selects the Auto mode. Manual Select : Selects the Manual mode. MENU : Takes you to the Settings menu. 7 Settings Menu

111 111 10) Style Select Mode This function determines how Styles will be selected. There are two options. Auto Select Manual Select This is the factory default. The style changes immediately to the highlighted style on the selected style page when you press a Style Selection button or select a new style page within a category. The style does not change automatically when you press a Sound Selection button or select a new sound page within a category. The style only changes when you select the desired style from the current style page by touching the LCD display. This mode is helpful when searching for a particular style while a style is running. In Manual mode the CP waits for you to select a style instead of automatically selecting and changing the active style whenever you press a Style Selection button. Auto Select : Selects the Auto mode. Manual Select : Selects the Manual mode. MENU : Takes you to the Settings menu. Settings Menu 7

112 112 11) MIDI Menu The letters MIDI stand for Musical Instrument Digital Interface, an international standard for connecting MIDI equipped synthesizers, drum machines, and other electronic instruments so that they can exchange data. Personal computers can also be equipped for MIDI communication. Electronic instruments equipped with MIDI can transmit and receive performance data such as, notes, what sound to play, pedal information, volume, etc. through the MIDI In/Out/Thru Jacks. This data can be recorded with a device like a sequencer or a computer. In this manual we will only discuss the basic MIDI functions that pertain directly to the CP. For detailed literature on MIDI, please visit the music department of your local bookstore. 7 Settings Menu MIDI Settings On page one of the MIDI Settings menu you can configure the following settings. Right Transmit Channel Sets the MIDI Transmit Channel for the RIGHT hand Parts. You can select MIDI Channels Left Transmit Channel Sets the MIDI Transmit Channel for the LEFT/SPLIT Part. You can select MIDI Channels Chord Transmit Channel Sets the MIDI Transmit channel the Chord data created by the Accompaniment System uses when it analyzes the notes you play in the lower section of the keyboard. You can select MIDI Channels 1-16 and OFF. OFF disables MIDI transmission of the chord data. Chord Detect Channel Sets the MIDI receive channel for chord data being sent to the CP. The Accompaniment System can be controlled remotely on this MIDI channel by an external MIDI controller. You can select MIDI channels 1-16, OFF, All, or MIDI Accordion. When set to ALL the Accompaniment System will respond to any chord data it receives on ANY MIDI channel. Local Control ON/OFF This determines whether the CP s sound will be played from the piano s keyboard ( ON ) or only from an external MIDI instrument ( OFF ). Even with local control off the CP s keyboard will still transmit to an external MIDI instrument or personal computer. Clock Clock is a data code that a MIDI instrument uses as the reference for its Tempo settings as well as Style Start/Stop commands. When it is set to INTERNAL, the CP uses its own built-in clock to control tempo settings. When set to EXTERNAL, the CP reads the clock data that it receives via MIDI and uses this data to control the Tempo. To configure the MIDI Settings: Touch the MIDI icon. The LCD screen will display the first MIDI settings page. Touch the screen to select settings, and the Dial to change values. RIGHT TRANSMIT CH : Selects Transmit channel for the RIGHT Part. Choose LEFT TRANSMIT CH : Selects Transmit channel for the LEFT Part. Choose LOCAL CONTROL : Turns Local Control on/off. CLOCK : Selects the Clock source. CHORD TRANSMIT CH : Selects Transmit channel for the chord data. Choose 1-16 or OFF. CHORD DETECT CH : Selects the chord detect Receive channel. Choose 1 16, OFF, All, or MIDI Accordion. PAGE : Selects the other MIDI Settings pages.

113 113 Transmit MIDI Data On page two of the MIDI Setting menu you can determine what MIDI data will be transmitted from the CP. Keyboard = On/Off Program = On/Off Control = On/Off Expression = Key/Acc/Both System Exclusive = On/Off Clock = On/Off ACC = On/Off Determines whether or not note data that is generated by the keys being played will be transmitted. Determines whether or not the CP piano will transmit program change information when a Sound is selected on the CP. Determines whether or not changes in controllers (such as the pedals being depressed) will be transmitted. Determines whether or not the Expression data (CC# 11) for notes played on the keyboard, by the Auto Accompaniment System, or both should be transmitted. Determines whether or not all of the CP s settings will be transmitted in a special format that is understood by another CP. Determines whether or not the CP s Clock data will be transmitted. Determines whether or not the data from the Auto Accompaniment System will be transmitted. KEYBOARD : Selects whether note data is transmitted. PROGRAM(&BANK) : Selects whether Bank and Program Change data is transmitted. CONTROL EXCEPT BNK : Selects whether Controller data is transmitted. SYSTEM EXCLUSIVE : Selects whether System Exclusive data is transmitted. CLOCK(&START/STOP) : Selects whether Clock data is transmitted. ACC : Selects whether Auto-accompaniment data is transmitted. EXPRESSION : Selects whether Expression data is transmitted. PAGE : Selects the other MIDI Settings pages. Channel Receive On/Off On page three of the MIDI Settings menu, you can determine which MIDI channels the CP will receive MIDI data on. The CP can receive MIDI data on all 16 MIDI channels at once or only certain MIDI channels. Each of the 16 MIDI channels can be set separately to On or Off. Touch the MIDI channel to set it On or Off. Settings Menu 7 PAGE : Selects the other MIDI Settings pages.

114 114 MIDI Accordion On page four of the MIDI Settings Menu you can configure the CP to be played from a MIDI Accordion. SOLO CH. (SOLO) : Selects receive channel for the Solo (Solo) part. Choose MELODY CH. (RIGHT1) : Selects receive channel for the Melody (Right1) part. Choose BASS CH. (RIGHT2) : Selects receive channel for the Bass (Right2) part. Choose CHORD CH. (LEFT) : Selects receive channel for the Chord (Left) part. Choose PAGE : Selects the other MIDI Settings pages. MIDI Sound Settings On page five of the MIDI Settings you can determine which sound will be played by the CP when it receives note information from an external MIDI device for each MIDI channel. Touch the screen to select the MIDI channel, then use the Dial to select the defined sound. RESET : Resets the sound to Concert Grand for all 16 MIDI channels. PAGE : Selects the other MIDI settings pages. SOUND : Selects a different sound for the highlighted channel. 7 Settings Menu

115 115 12) Power Up Settings This determines whether the CP stores your preferred panel and system settings as the default settings and applies them automatically when the instrument is turned on. Select Save Current Settings in the Power Up Setting menu to save the current panel settings automatically as the default settings when the CP is turned on. Select Restore Factory Settings to return the CP to the factory default settings. The original factory settings will now be used by the CP when it is turned on. The CP never automatically stores Panel and System settings. If you make any new changes that you want to save, you must use the Save Current Settings command. MENU : Takes you to the Settings menu. EXEC : Applies the selected settings. Settings Menu 7

116 116 13) Registration Filter A Registration is a setup that remembers the current panel settings along with many other performance functions so that you can recall them at the touch of a button. In some cases you may not want certain parameters such as tempo or transpose to be changed each time you select a new Registration. The Registration Filter function allows you to determine whether or not the following memorized registration parameters will be used each time you select a new registration. Transpose On/Off Split Point On/Off Tempo On/Off ACC On/Off Left Pedal On/Off Sound Only On/Off Reset All SW Determines if the memorized Transposed value will be used (On) or ignored (Off) when a registration is selected. Determines if the memorized Split Point will be used (On) or ignored (Off) when a registration is selected. Determines if the memorized Tempo value will be used (On) or ignored (Off) when a registration is selected. Determines if the memorized ACC mode, ACC on/off or Bass on/off value will be used (On) or ignored (Off) when a registration is selected. Determines if the memorized Left Pedal setting will be used (On) or ignored (Off) when a registration is selected. When set to ON only the sound settings for the registration will be used. All other memorized registration settings will be ignored. When set to OFF all memorized registration settings will be used in accordance with any registration filter settings. Resets all the above settings back to ON except Sound Only which will be set to OFF (Factory Default). Touch the screen to select a parameter, then use the dial to change the settings. TRANSPOSE : Selects Transpose. SPLIT POINT : Selects Split Point. LEFT PEDAL : Selects Left Pedal. TEMPO : Selects Tempo. ACC : Selects ACC. SOUND ONLY : Selects Sound Only. 7 Settings Menu MENU : Takes you to the Settings menu. RESET ALL : Resets TRANSPOSE, SPLIT POINT, LEFT PEDAL TEMPO and ACC back to the Factory default (ON). SOUND ONLY will be turned OFF.

117 117 14) Soft Reset The Soft Reset function allows you to return all of the User Settings back to the original Factory Settings. You can instantly reset all of the user settings or only the ones you want to Reset at the touch of a button. To perform a Soft Reset: Touch the SOFT RESET icon. The Soft Reset screen will be displayed. Touch the screen to choose the type of data you want to reset: Step 3 Touch the EXEC button. MENU : Takes you to the Settings menu without resetting data. EXEC : Proceeds with the Reset. Step 4 Touch YES to proceed, or NO to return to the previous menu. Settings Menu 7

118 118 15) Software Version This function is used to show what system software version is currently installed on the CP. To show the software version: Touch the Software Version icon. The software version will appear in the LCD screen. MENU : Takes you to the Settings menu. The version number of the software installed on your CP instrument may be different to that shown in the image above. 7 Settings Menu

119 119 Display Control This function controls the background screen design, brightness and Screen Hold of the display. Screen Hold Most of the on-screen menus that you work with on the Concert Performer will remain displayed until you select something or press a particular button. However, some screens may be displayed only temporarily, switching back to a main screen if you allow the CP to sit idle without pressing any buttons. You can adjust a time setting for how long these screens stay displayed before switching, or even choose to have them hold without switching. This adjustable time function is effective with the following menus: Sound Select menu Style Select menu Keyboard Settings menu called up by holding down the KBD SETTINGS button. Effect/Chorus Settings menu called up holding down the EFFECTS button. Reverb Settings menu called up by holding down the REVERB button. Keyboard Harmony Settings menu called up by holding down the KBD HARMONY button. Press the DISPLAY CONTROL button on the panel. Touch the screen to select the option, then use the Dial to change the settings. SCREEN : Selects the background screen. SCREEN : Selects the background screen. BRIGHTNESS : Adjusts the brightness of the screen (0-9). SCREEN HOLD : Turns the Screen Hold On and Off. OFF TIME : Adjusts the time before switching when the Screen Hold is Off (5-20 seconds). Settings Menu 7

120 Virtual Technician An experienced piano technician is essential to fully realise the potential of a fine acoustic piano. In addition to meticulously tuning each note, the technician also performs numerous regulation and voicing adjustments that allow the instrument to truly sing. The Virtual Technician menu of the CP piano features settings that simulate these refinements digitally, allowing performers to shape various aspects of the instrument s character to suit their personal preferences. To use the Virtual Technician: Press the SETTINGS button. The SETTINGS MENU will be shown in the LCD display: Touch the Virtual Technician icon. The Virtual Technician menu will be shown in the LCD display: 8 Virtual Technician MAIN: Show the MAIN screen. SETTINGS: Return to the Settings menu. Touch the screen to access the Virtual Technician pages.

121 121 1) Touch Curve When playing a piano, the volume of the sound produced increases in direct relation to how hard a key is struck. The CP s Normal Touch curve offers the standard feel of an acoustic piano for practicing music. The CP offers five other touch curves ranging from light to heavy. You can also create your own touch curves tailored to your personal playing style. Normal This is the standard touch of an acoustic piano. Light 1, 2 For those still developing finger strength, such as a child, a louder sound is produced even when the piano is played with a soft touch. Light 2 is lighter than Light 1. Heavy 1, 2 Perfect for those with strong fingers. Requires a heavier touch to produce a loud volume. Heavy 2 is heavier than Heavy 1. Off A constant volume is produced regardless of how hard the keys are struck. This setting is suitable for sounds that have a fixed dynamic range such as Organ or Harpsichord. User 1, 2 You can create two of your own custom touch curves. LIGHT and HEAVY do not represent the physical weight of the keys. These are settings that affect the sensitivity of the keys, which determines the volume level in response to the key movement. Normal : Selects the normal setting. Light 1 : Selects a moderately light touch. Light 2 : Selects a light touch. Heavy 1 : Selects a moderately heavy touch. User 1 : Selects the User 1 touch. User 2 : Selects the User 2 touch. Off : Turns off the Touch sensitivity entirely. Heavy 2 : Selects a heavy touch. MENU : Takes you to the Virtual Technician menu. EDIT : Takes you to the User Touch Curve screen. User Touch Curve You can create your own custom touch curve to fit your playing style. Two User Touch curves can be saved. To create a User Touch Curve: Touch the EDIT button in the Touch Curve screen. The LCD screen will display the User Touch screen. Now start playing dynamically from soft to loud in order to let the CP analyze your playing style. While you are playing, a musical note will blink in the right corner of the LCD display. Virtual Technician 8 MENU : Takes you to the previous menu. CREATE : Creates a user touch curve.

122 122 Step 3 Touch the CREATE button when you finish playing. The CP will analyze your playing and create a custom touch curve for you based upon your playing style. The User Touch Exec screen will be displayed. Use the Dial to select either User 1 or User 2 as the location for your new touch curve. CANCEL : Cancels the saving procedure. EXEC : Proceeds with saving procedure. Step 4 Use the Dial to select either User 1 or User 2 as the location for your new touch curve. Step 5 Touch the EXEC button to save your new touch curve. The CP will ask for your confirmation. Step 6 Touch YES to confirm. The user touch curve data is saved automatically even after the power is turned off. However, You must re-select the user touch curve each time the power is turned on unless you make your User touch curve the default by selecting Save Current Settings from the Power Up Settings screen (See Power Up Settings on page 115). 2) Voicing Voicing is a technique used by piano technicians to mold the character of a piano s sound. The Voicing function lets you change the CP piano s tone quality by choosing one of four types of voicings. 8 Virtual Technician Normal Bright Mellow Dynamic Produces the normal timbre of an acoustic piano throughout the entire dynamic range. This is the default setting. Produces a brighter tone throughout the entire dynamic range. Produces a mellower tone throughout the entire dynamic range. The tone will change dramatically from mellow to bright according to your playing. The current voicing selection is global for all the instrument Sounds. You cannot have an individual setting for each Sound. While voicing is a technique used for optimizing the tone of an acoustic piano, this function can be used on all the Sounds on the CP piano. Normal : Selects Normal. Mellow : Selects Mellow. Dynamic : Selects Dynamic. Bright : Selects Bright. MENU : Takes you to the Virtual Technician menu.

123 123 3) Resonance Damper Resonance When the damper pedal is depressed on an acoustic piano, all the dampers are lifted up allowing the strings to vibrate freely. In this condition, when you play a note not only will the strings for the note you played vibrate but other strings will vibrate due to sympathetic resonance. The Damper Resonance function simulates this phenomenon. You can select the level of effect from 0 (Off), 1 to 10. The default setting is 5. String Resonance Even when the damper pedal is not depressed on an acoustic piano, the strings for any notes you are holding will be un-damped and will resonate freely in sympathy with the strings of other notes that you play if they are part of the same harmonic series. In addition, adjacent notes will also be resonated. The String Resonance function simulates this phenomenon. You can select the level of resonance from 0 (off), 1 to 10. The default setting is 5. String resonance is not active when the damper pedal is depressed. DAMPER RESONANCE : Selects the level of damper resonance. STRING RESONANCE : Selects the level of string resonance. MENU : Takes you to the Virtual Technician menu. 4) Noise Settings Damper Noise When the damper pedal of an acoustic piano is pressed and released, it is often possible to hear the sound of the damper head touching and releasing the strings. The Damper Noise setting allowing the volume of this sound to be adjusted. You can select the level of noise from 0 (Off), 1 to 10. The default setting is 5. Key Off Effect When playing an acoustic piano particularly in the bass region of the keyboard if a key is played with force and released quickly, it is often possible to hear the faint sound of the damper touching the strings immediately before the vibrations are stopped. In addition, the speed at which keys are lifted will also affect the character of the sou nd. For example, when lifting the keys quickly (e.g. staccato playing) the release portion of the sound will be noticeably shorter than when lifting the keys slowly (e.g. legato playing). You can select the level of noise from 0 (Off), 1 to 10. The default setting is 5. Key Action Noise When playing an acoustic piano, it is often possible to hear the faint sound of the keyboard action returning (i.e. falling back ) to the neutral position after a key is released. The Key Action Noise setting allowing the volume of this sound to be adjusted. You can select the level of noise from 0 (off), 1 to 10. The default setting is 5. Virtual Technician 8 DAMPER NOISE : Selects the level of damper noise. KEY OFF EFFECT : Selects the level of keyoff effect. KEY ACTION NOISE : Selects the level of key action noise. MENU : Takes you to the Virtual Technician menu.

124 124 5) Pedal Settings Half Pedal Point The Half-Pedal Adjust setting allows the point at which the damper/sustain pedal becomes effective (i.e. when the dampers of the piano begin to lift from the strings) to be adjusted. This setting may be useful for pianists that habitually rest their right foot on the damper/sustain pedal, but do not necessarily wish to sustain the sound. You can select the half pedal point from 1 to 10. The default setting is 5. Soft Pedal Depth The Soft Pedal Depth setting adjusts the effectiveness (i.e. depth/strength) of the soft pedal. You can select the soft pedal depth from 1 to 10. The default setting is 5. HALF PEDAL POINT : Selects the half pedal point. SOFT PEDAL DEPTH : Selects the soft pedal depth. MENU : Takes you to the Virtual Technician menu. 6) Temperament The CP offers not only equal temperament (the modern standard) but also immediate access to temperaments popular during the Renaissance and Baroque periods. You can also create your own User tuning Temperament as well. Select Temperament form the Virtual Technician menu. The LCD screen will display the Temperament screen. Touch the screen to select your desired Temperament. 8 Virtual Technician MENU : Takes you to the Settings menu. KEY : Selects the temperament key. EDIT : Takes you to the User Temperament screen. Step 3 Set the Temperament Key by touching the KEY buttons. Temperament Keys Limitless modulation of the key became available only after the invention of Equal temperament. When you use a temperament other than Equal temperament, you must carefully choose the key to play in. For example, if the song you are going to play is written in D major, choose D to set the temperament key.

125 125 Brief Explanation of Temperaments Equal Temperament (Flat) This is an unstretched equal temperament that divides the scale into twelve equal semitones. This produces the same chordal intervals in all twelve keys, and has the advantage of limitless modulation of the key. However the tonality of each key becomes less characteristic and no chord is in pure consonance. Equal Temperament (Stretched) This is the most popular piano temperament and is the initial setting. The hearing ability of a human is uneven and is not as accurate with high frequency and low frequency as it is with the middle range. This temperament s tuning is stretched to compensate for this so the sound will be heard naturally to the ears. This Stretched equal temperament is a practical variation of the unstretched equal temperament which was invented on a mathematical basis. Pure Temperament This temperament, which eliminates dissonances for thirds and fifths is still popular for choral music because of its perfect harmony. You need to be aware what key you are playing in with this temperament. Any key modulation will result in dissonances. When you play music in a particular key, you need to match the key of the temperament as well. Pythagorean Temperament This temperament, which uses mathematical ratios to eliminate dissonance for fifths, is very limited for use with chords, but it produces very characteristic melodic lines. Meantone Temperament This temperament, which uses a mean between a major and minor whole tone to eliminate dissonance for thirds, was devised to eliminate the lack of consonance s experienced with certain fifths for the Pure temperament. It produces chords that are more beautiful than those with the equal temperament. Werckmeister III, Kirnberger III Temperament These two temperaments are placed in between Meantone and Pythagorean. For music with few accidentals, this temperament produces the beautiful chords of the mean tone, but as accidentals increase, the temperament produces the characteristic melodies of the Pythagorean temperament. It is used primarily for classical music written in the Baroque era to revive the original characteristics. Arabic Some oriental scales, including the Arabic, are characterized for quarter-tone which is half of a half-tone (50 cents). This makes the music sound very different from traditional western music. The CP Piano provides two of the most popular Arabic scales, although you can create more variations with the User Temperament function. With Arabic 1, the notes B and E are a quartertone lower than the Occidental Scale, while the notes A and E are lower with Arabic 2. To create a User Temperament: On the Temperament screen, touch the EDIT button. The User Temperament screen will be displayed. Touch the screen to select the note to edit. Virtual Technician 8 BACK : Takes you to the Temperament menu. KEY : Selects the key/note to edit. TUNE : Adjust the tuning value of the selected key/note. SAVE : Saves the User Temperament. Step 3 Use the Dial or touch the - TUNE + buttons to change the value. The value is represented in cents above or below Equal temperament and ranges from -50 to +50. Step 4 Touch the SAVE button to save the User Temperament. The User Temperament alters the tuning for each octave equally. In other words, you cannot alter the tuning of different sections of the CP s keyboard range separately.

126 126 7) Stretch Stretch tuning is a piano-specific tuning method in which the tuning for the lower notes is slightly lower and the tuning for the higher notes is slightly higher than the settings made in the Equal temperament. The Stretch setting allows the degree of stretch tuning to be adjusted when Equal (piano) or Equal temperament are selected. It is also possible to create custom tuning methods using one of the four User types. Off Piano Normal Piano Wide Normal Wide User1~4 Stretch tuning is turned Off for all instrument sounds. Stretch tuning is set to Normal for piano sounds only*. Stretch tuning is set to Wide for piano sounds only.* Stretch tuning is set to Normal for all instrument sounds. Stretch tuning is set to Wide for all instrument sounds. A custom stretched tuning applied to piano sounds only*. If Piano Normal/Piano Wide is selected, the tuning for any other active sounds layered with a piano sound will be stretched to match the piano. If no piano sound is active the tuning for any active sounds will not be stretched. TYPE : Selects the type of stretch tuning. MENU : Takes you to the Virtual Technician menu. EDIT : Edit the selected User Stretch Tuining. To create a User Stretch tuning: On the Stretch screen, touch the EDIT button. The User Stretch screen will be displayed. Touch the KEY field and use the Dial or press a key to select the note to edit. 8 Virtual Technician TYPE : Selects the User Stretch Tuning memory. KEY : Selects the key to be adjusted. TUNING : Adjusts the pitch of the selected key. BACK : Takes you to the Temperament menu. SAVE : Saves the User Temperament. Step 3 Touch the TUNING field and Use the Dial to change the stretch tuning value. The value is represented in cents above or below Equal temperament and ranges from -50 to +50. Step 4 Touch the SAVE button to save the User Stretch tuning.

127 127 8) 88 Key Volume The 88 Key Volume settings allows the volume of each of the 88-keys to be adjusted individually. It is possible to create four different user key volume types. Off User1~4 The key volume is consistent for every key. Custom key volumes for each key.. TYPE : Selects the type of 88 key volume. MENU : Takes you to the Virtual Technician menu. EDIT : Edit the selected User 88 Key Volume. To create a User 88 Key Volume: On the 88 Key Volume screen, touch the EDIT button. The User 88 Key Volume screen will be displayed. Touch the KEY field and use the Dial or press a key to select the note to edit. TYPE : Selects the User 88 Key Volume memory. KEY : Selects the key to be adjusted. TUNING : Adjusts the volume of the selected key. BACK : Takes you to the Temperament menu. SAVE : Saves the User Temperament. Virtual Technician 8 Step 3 Touch the VOLUME field and Use the Dial to change the volume value. The value is represented in cents above or below Equal temperament and ranges from -50 to +50. Step 4 Touch the SAVE button to save the User 88 Key Volume.

128 128 9) Hammer Delay When playing pianissimo passages using an acoustic piano, there may be a perceived delay between a key being pressed and the hammer striking the strings. The Hammer Delay setting allows this delay to be adjusted. You can select the amount of delay from Off, 1 to 10. The default setting is Off. Off No delay between playing a key and the sound being heard. 1 ~ 10 An increasing amount of delay will be applied before the sound is heard. HAMMER DELAY : Selects the amount of Hammer Delay MENU : Takes you to the Virtual Technician menu. 10) Top Board When playing an acoustic grand piano, the position of the instrument s topboard (lid) affects both the volume and openness of the tone produced. A fully open topboard allows sound waves to reflect off the polished lid surface and project into the room, while a closed lid has the opposite effect, resulting in a darker, more opaque tone. The Top Board setting allows the position of the virtual topboard to be set to one of our positions, with the default position being the most open Open 3. Open 3 Open 2 Open 1 Closed Simulates the character of a fully open topboard. Simulates the character of a half open topboard. Simulates the character of a partially open topboard. Simulates the character of a closed topboard. 8 Virtual Technician TOP BOARD : Selects the top board position. MENU : Takes you to the Virtual Technician menu.

129 129 11) Decay Time When playing an acoustic grand piano, the length of the instrument influences the speed at which held notes decay, with longer grand pianos (i.e. longer strings) characterised by longer decay times. The Decay Time setting allows the length of decay while keys are pressed to be adjusted. You can select the amount of delay from 1 to 10. The default setting is 5, with higher values extending the decay length. DECAY TIME : Sets the amount of decay. MENU : Takes you to the Virtual Technician menu. 12) Minimum Touch The Minimum Touch setting allows the minimum key velocity required to produce a sound to be adjusted. By default, this setting attempts to recreate the extremely fine touch sensitivity of a concert grand piano, allowing a very soft sound to be produced with the slightest of key touches. However, it may be desirable to reduce this sensitivity, when wishing to recreate the sensitivity of a small grand piano or an upright piano. The Minimum Touch setting allows the sensitivity of the minimum touch to keys are pressed to be adjusted. You can set the Minimum Touch amount from 1 to 10. The default setting is 1, with higher values requiring greater force to produce a sound. MINIMUM TOUCH : Sets the Minimum Touch level. Virtual Technician 8 MENU : Takes you to the Virtual Technician menu.

130 Mic Harmony & Mic Effects The Concert Performer includes a microphone input jack. You can plug in a microphone and sing while playing on the CP. You can also mic other instruments or plug other electric instruments into the microphone input. The Mic Harmony and Mic Effect buttons add various harmonies and effects to your mic input. 1) Mic Harmony This function adds many types of harmony to your mic input coming into the microphone input of the CP. Type of Harmony Vocoder Child Bear Robot Duck Alien Bright Voice Man to Woman Woman to Man Quartet Quartet Mix Quartet with Bass Jazzy Quartet Jazzy Quartet Mix Chorale Trio Trio Mix Trio Up Trio (Sub) Trio Mix (Sub) Duet Duet Spread Duet Close Duet Up Duet (Sub) Duet Spread (Sub) Duet Close (Sub) Duet Up (Sub) Octave Duet Octave Duet Up Octave Duet (Sub) Octave Duet Up (Sub) Octave Up Octave Down Octave Up (Sub) Octave Down (Sub) 2 Octaves Down 2 Octaves Down (Sub) Double Stereo Double Double (Sub) Lead Substitution To add Vocal Harmony: Press the (MIC) HARMONY button. The button s indicator light will show that it has been activated. Press and hold the (MIC) HARMONY button to show a list of harmony types in the LCD display. Step 3 Touch the screen to choose the Vocal Harmony type. 9 Mic Harmony & Mic Effects There are 42 different types of harmony, spread over five pages. Some Harmony types can be adjusted by touching the EDIT button.

131 131 Step 4 Touch the PAGE buttons to list more Harmony types on the other pages. Touch the screen to choose a Harmony type. PAGE : Searches for a Harmony type on the other pages. EDIT : Display detailed settings. LEVEL : Adjusts the Harmony level. SOURCE : Selects the source of chord recognition if the Vocoder harmony is selected. BACK : Return to the Vocal Harmony menu. About Mic Harmonies Many of the mic harmonies rely upon chord information generated by the Auto-Accompaniment style system. For these harmonies to operate, the ACC button music be ON. Other harmonies do not rely on the Auto-Accompaniment system for chordal information. These harmonies will operate whether or not the ACC is ON. Non-Chordal Harmonies These harmonies do not rely on chordal information from the ACC system. They include the Vocoder, Gender, Octave, Double, and Lead Substitution harmonies. In the case of the Vocoder, the harmonies created are taken from the notes actually played on the keyboard, or the notes actually found in a chosen sequencer track. Use the EDIT button to choose the KEYBOARD or SEQUENCER TRACK to use as the harmony source. The Gender Male to Female and Gender Female to Male harmonies actually change the pitch and quality of your voice as indicated by the harmony names. The various Octave harmonies add a voice up or down as indicated by the harmony names. The Double harmonies add a recording studio quality effect to your voice to make it thicker and smoother sounding. The effect is similar to the double-tracking vocal technique performed in professional recordings. The Lead Substitution harmony replaces your voice with one that has been pitch-corrected. Chordal Harmonies All other harmonies rely on chordal information from the Auto-Accompaniment system to operate. If the ACC button is ON, then you will hear harmony based upon the note that you are singing, chord you are playing and the harmony that is chosen. The active chord will be indicated in the upper left-hand portion of the display. You can play chords in the Single Finger, Fingered, or Whole Kybd Modes of the ACCOMPANIMENT system. Duet Harmonies create one harmony note in addition to the lead note. Trio harmonies create two harmony notes in addition to the lead note. Quartet harmonies create three harmony notes in addition to the lead note. Octave Duet harmonies create one harmony note and one octave note in addition to the lead note. The lead note will be your own voice, unless the harmony name contains the word (Sub). In this case, your voice will be substituted with one that is pitch-corrected. Mic Harmony & Mic Effects 9 Note: If you have chosen a chordal harmony but do not turn on the ACC ON/OFF button, the instrument will substitute the Vocoder harmony. Once you turn on the ACC ON/OFF button, the harmony will switch to the one you have actually chosen.

132 132 Tips and Suggestions Don t be afraid to experiment with different harmony types. After a little trial and error, you will begin to learn which harmony type will be most appropriate for a particular musical setting. The Harmony names will help you find the appropriate harmony type. For a fuller harmony effect, choose one of the Quartet harmonies. For lighter harmonies, choose a Trio or Duet harmony. Words such as Mix, Up, and Spread will give you further clues to the function and sound of the harmony. Make sure to adjust both your Mic input volume (found beside the Mic Input Jack) and the Mic Level parameter in the Mic Effects menu. Also, adjust the Harmony Level (found by touching the EDIT button in the Harmony Type screen) for the best results. All Mic Harmony and Effects settings are saved in a Registration. This makes recalling any Mic Harmony and Effects quick and easy. 9 Mic Harmony & Mic Effects

133 133 2) Mic Effects There are five different Mic Effects available to enhance the audio signal (Voice or instrument sound) coming from the microphone jack. All effects, except the Echo/Vibrato, operate independently of one another. The Mic Effects function is separate from the Effects assigned to the keyboard Parts. Therefore, you can use different effects on the keyboard sounds and on Vocal/instrument sounds from the microphone. Type of Effect Equalizer The equalizer allows you to adjust the tonal Character of the Mic input (voice, instrument, etc) by raising or lowering the volume level of the High, Mid and Low frequencies separately. Raising the Values increases the level of the frequency. Lowering the values reduces the level of the frequency. Gate This effect mutes the signal from the Mic input (Voice, Instrument, etc) when the input level (volume) falls below a specified setting. This is useful for cutting out softer, extraneous background noise (cars, air conditioners, etc) while still allowing the desired, louder signal (Vocal, instrument etc.) to be heard. This can also be very useful for recording to WAV/MP3 audio file in a noisy room. Higher Gate settings cut out more background noise. 0 - All sounds are heard Almost no sound is heard. Echo Adds delay or echoes to the sound. Time - Determines the delay time between each echo. Higher values add longer delays. Level - Determines the volume of the first echo. Each echo will become softer after that. Higher values create louder echoes. Feedback - Determines how many echoes will be heard after the first echo. Higher settings produce more echoes. Vibrato Adds a controlled vibrato to the sound. Rate - Determines how fast the vibrato will be. Higher values produce faster vibrato. Depth - Determines how strong the vibrato effect will be. Higher values produce deeper vibrato. Reverb Adds reverberation to the sound simulating the ambience of a stage or concert hall. Reverb can be used along with the above effects. Higher settings add more Reverb. Note: Echo and Vibrato cannot be used together. Mic Effect Parameters Low Mid High ECHO TIME LEVEL FEED BACK MIC LEVEL EQ GATE ECHO/VIBRATO REVERB RATE VIBRATO DEPTH Mic Harmony & Mic Effects 9

134 134 To add Mic Effects: Press the (MIC) EFFECTS button. The button s indicator light will show that it has been activated. Any effect that is active in the Mic Effects menu will be turned on. Press and hold down the (MIC) EFFECTS button until the Mic Effects menu is displayed. Step 3 Touch the screen to highlight the Effect type, then use the DIAL to adjust its settings. MIC LEVEL : Adjusts the Mic level. EQ : Turns the EQ On and Off. GATE : Adjusts the Gate time. ECHO/VIBRATO : Turns the Echo/Vibrato On and Off. REVERB : Adjusts the Reverb level. EDIT : Edits the chosen Effect. Step 4 To edit the settings of the EQ or ECHO/VIBRATO effect, touch the EDIT button, then use the dial or touch the screen to adjust the settings. BACK : Return to the to Mic Effects menu. CURSOR : Move the selection cursor. 9 Mic Harmony & Mic Effects

135 Using USB Memory The Concert Performer s USB connector provides a convenient way to load and save various types of data, ranging from recorded compositions and user settings, to MP3/WAV audio data and Standard Midi (GM) songs. In this chapter we shall investigate the various ways in which USB memory can be used. USB Menu The USB menu provides access to the main USB operations. Press the USB button. The USB menu will be displayed. Touch the screen to select the desired function. Load : Display the USB Load menu. Save : Display the USB Save menu. Delete : Delete data from the USB device. Format : Format the USB device. Play MIDI Song : Play MIDI or CP recorder song files directly from the USB device. Play Audio : Play MP3/WAV audio files. Record Audio : Record MP3/WAV audio files. Saving data to USB Memory This important function stores your custom data to disk so that you can retrieve it at a later time. You can save the following data: Song Song data currently in the Recorder. You can save it as the CP s own unique format (Internal) or as Standard MIDI File format (SMF) or Stylist format (Internal format plus Registration setting). User Style Each User Style or all 20 User Styles at once. User Conductor Each User Conductor setting or all 40 User Conductor settings at once. User Sound Each User Sound or all 20 User Sounds at once. Regist Group Each Registration Group, containing 8 Registrations, or all 20 Registration Groups at once. User Touch Curve Two User Touch Curve settings. User System EQ One User System EQ setting. User Temperament One User Temperament setting. User Stretch Curve One User Stretch Curve setting. User 88 Key Volume One User 88 Key Volume setting. All Settings This allows you to save the current settings of the above data types except for Song data at once, as a single file. My Piano Music Song data that has been converted for use with the My Piano Music function. Favorite Sound Sounds that have been stored in the Favorites sound category button. Favorite Style Styles that have been stored in the Favorites style category button Using USB Memory 10

136 136 To save your data: In the USB menu, touch SAVE. The USB Save menu will be displayed. Touch the screen to select the type of data to save. Touch the screen to select the type of data to save. MENU : Takes you to the USB menu. PAGE : Show the other page. Step 3 Use the virtual keyboard screen to enter a name for the new data file. When saving a Song, select the FORMAT option, then use the Dial to set whether the song data file will be stored in the INTERNAL (CP s unique) format, SMF (Standard MIDI File) format, or CP Stylist format. Example: Saving a Style USER STYLE : Selects which file you would like to save, or if all files are to be saved as a single all file. NAME : Names the data file. BACK : Takes you to the previous menu. SAVE : Saves the data file to the USB memory device. Example: Saving a Song NAME : Names the data file. FORMAT : Selects which format the data should be saved as. 10 Using USB Memory The data saved in Stylist format can be called up only in Song Stylist mode. When you select SMF format, data in the style track will be automatically pasted to tracks This will erase any existing data on tracks Step 4 Ensure that the USB memory is connected, then touch the SAVE button to save the selected data.

137 137 Loading data from USB Memory This function allows you to load data that has been stored on a USB memory device. Song One Song can be loaded into the Recorder from USB. User Style Up to 20 Styles can be loaded from USB. This number varies depending on the size of the data contained in the Styles. User Conductor Up to 40 User Conductor setups can be loaded from USB. User Sound Up to 20 User Sounds can be loaded from USB. Regist Group Up to 20 Groups, containing 8 Registrations each, can be loaded from USB. User Touch Curve Two User Touch Curves can be loaded from USB. User System EQ One User System EQ can be loaded from USB. User Temperament One User Temperament can be loaded from USB. User Stretch Curve One User Stretch Curve setting can be loaded from USB.. User 88 Key Volume One User 88 Key Volume setting can be loaded from USB. All Settings My Piano Music Favorite Sound Favorite Style Loads the All Settings file from USB. Song data that can be used with the My Piano Music function. Sounds that can be stored in the Favorites sound category button. Styles that can be stored in the Favorites style category button. To load the data from USB memory: In the USB menu, touch LOAD. The USB Load menu will be displayed. Connect a USB memory device. Step 3 Touch the screen to select the type of data to load. Touch the screen to select the type of data to load. MENU : Takes you to the USB menu. PAGE : Show the other page. Step 4 When loading User Style, User Conductor, User Sound or Registration data, you can choose whether to load data that was stored individually or to load all the data that was saved as an All file. Touch ALL to load data that was saved as an All file. or Touch EACH if data files were saved individually. Using USB Memory 10

138 138 The D icon represents a sub-directory. Touch the screen to select the data to load. BACK : Takes you to the previous menu. ALL : Selects the All file type if that is how the files were saved. EACH : Displays data files that were saved individually. EXEC : Proceeds to the next screen. Step 5 Touch the screen to select the data to load. Step 6 Touch the the EXEC button to proceed. The screen will display the destination where the data will be loaded. Step 7 When loading an individual data file, touch NAME then use Dial to select the preferred destination. TO : Selects the destination to load individually a Style, Conductor, Sound or Registration. NAME : The name of the file to load. BACK : Takes you to the previous menu. EXEC : Loads the data. Step 8 Touch the EXEC button to load the selected data into the CP. or Touch the BACK button to cancel loading. 10 Using USB Memory

139 139 Erasing data from USB Memory This function allows you to erase data that is no longer required from the USB memory device. The following types of data can be erased: Song, My Piano Music User Style, User Conductor, User Sound, User Touch, User System EQ, User Temperament, etc. Favorite Sound, Favorite Style Registrations, ALL saved data MP3/WAV Audio Files To erase data from a USB memory device: In the USB menu touch DELETE. The USB Delete menu will be displayed. Connect a USB memory device. Step 3 Touch the screen to select the type of data to erase. Step 4 When you erase User Style, User Conductor, User Sound or Registration data, select whether you wish to erase individual data files (EACH) or all data (ALL) by touching the relevant button. Touch the screen to select the data. BACK : Takes you to the previous menu. PAGE : Displays more selections. INT : Displays internal format CP song files only. SMF Displays SMF files only. STYLIST : Displays Song Stylist files only. EXEC : Proceeds to the next screen. Step 5 Touch EXEC to erase the selected data from the USB memory. or Or touch BACK to cancel erasing and go back to the previous menu. Using USB Memory 10

140 140 Formatting a USB Memory Device The format function allows all data stored on the USB memory device to be cleared. To format a USB memory: In the USB menu, touch FORMAT. The USB Format menu will be displayed. Connect a USB memory device. Step 3 Touch YES, then touch EXEC to proceed. The screen will prompt you for confirmation. Step 4 Touch YES again to start formatting. or TOUCH NO to cancel formatting and go back to the previous menu. NO : Cancels formatting and takes you to the USB menu. YES : Starts formatting the USB memory device.. The amount of time required to fully format a USB memory device will vary depending on the size of the device. Once the formatting is complete, the LCD screen returns to the USB menu automatically. 10 Using USB Memory

141 141 Play MIDI Song The CP is capable of playing back songs recorded in either the CP s Internal Format or the Standard MIDI File (SMF) format. Songs stored in the CP s internal format are typically those that have been recorded using your own instrument, although it is of course possible to exchange songs with other CP owners. SMF format songs, however, are available from many sources, including disks for sale from professional musicians and publishers, songs shared among musicians and hobbyists, and Internet sites that feature SMF songs available for download. If you wish to play a song quickly, without any intentions to make permanent changes or additional recordings, you can simply use the CP s USB Song Play function to load the song for playback. Using the USB memory in this way makes the Concert Performer an enjoyable source of entertainment for parties and other social events, as well as a great tool for the professional musician or music educator. The CP recognizes song files written in the Standard MIDI File format as long as they have DOS file names ending with.mid. There are two types of Standard MIDI File formats, Format 0 and 1. The CP can read the song data of both formats, however it will only display the lyrics of a song written as format 0. Songs that have been composed with the General MIDI (GM) standard will sound fine without any additional work, because data in the files will inform the CP as to what sounds to use when playing the song. If the song was not composed to the GM standard, you may find it necessary to edit the song to assign the correct sounds to the various tracks. Fortunately, almost all commercially available MIDI files adhere to the General MIDI standard. To play a MIDI song: Connect a USB memory device to the USB port, then press the USB button. The USB menu will be shown in the LCD display. Select Play MIDI Song. A list of playable songs stored on the USB memory device will be shown in the LCD display. Step 3 Touch the screen to select the song you wish to listen to. You can also select a song by using the Dial. Touch the screen to select the desired song. MENU : Takes you to the USB menu. PAGE : Lists the next or previous ten titles. ALL SONG CHAIN : Starts the Chain Play. SELECT : Selects the song and takes you to the USB Song Play screen. Using USB Memory 10

142 142 Step 4 Press the PLAY/STOP button to load the song and start playback automatically. You may also touch the SELECT button to load the song, but wait for playback to be started manually. Step 5 Touch the SONG CHAIN button to have the CP automatically play all songs in a folder, one after another. Step 6 Use the Recorder control buttons on the right side of the panel to control the playback of the song. Controlling Song Playback As the song plays, you can adjust the tempo, play or sing along, and even turn on/off the different instrument parts (tracks) in the song. The status of the song parts is displayed at the bottom of the LCD screen. You will see the parts referred to as the CP s four Parts + Style if the song was created on the CP, or as Channels (ch 1-16) if the song is a MIDI file. Displayed above each part is its current status: PLAY The part will be heard when you play the song. MUTE The part has data, but it won t be heard when you play the song. The part has no data to play. Transpose and Octave Shift are available when a song is playing. Octave Shift affects only the notes you play live on the keyboard, not the music playing from the song file. Transpose can be applied separately to the keyboard sound and the song sounds. This lets you play the keyboard in your preferred key along with a song recorded in a different (or more difficult) key. Use the front panel s dedicated TRANSPOSE buttons to affect the keyboard sound. Touch the Song Transpose buttons to affect the song data. The Song Transpose option is available only for the song data in Standard MIDI file. To make adjustments to the song: Touch the buttons at the bottom of the screen to play and mute any of the song s instrument parts Mixer : Takes you to the Mixer screen. Show Lyrics : Displays the song s lyrics (if available in the data). Song Transpose : Adjust the playback pitch of the song. SONG LIST : Takes you to the USB Song Select menu. PART/xCH : Turns the song part on/off. MORE : Displays the status of the next set of 4 song parts. (Ch 5 8, Ch9 12, Ch 13 16). 10 Using USB Memory Touch the Mixer button to make adjustments to the song s instrument parts. Step 3 Touch the Song Transpose arrows to raise/lower the pitch of the song.

143 143 Step 4 To adjust the tempo, touch the TEMPO box, then use the Dial to change the values. If the song you are playing has lyrics included in the data, the Show Lyrics button will appear on the Song Play screen. If you touch the Show Lyrics button, the song s lyrics will then appear inside a box. You can follow a ball moving over the lyrics as the song plays. Touch the Full Screen button to expand the lyrics display to the full screen. To return to the normal lyrics screen press the Normal Screen button. Finally, in the normal lyrics screen, touch the Play Screen button to return to the Song Play screen. TEMPO : Adjusts the tempo of the song. Song Transpose : Raise or lower the pitch of the song, without affecting the keyboard. Full Screen : Show the song lyrics in full screen mode. PLAY SCREEN : Returns to the Song Play screen. PART/xCH : Turns the song parts on/off. MORE : Displays the status of the next set of 4 song parts (Ch 5 8, Ch9 12, Ch 13 16). You cannot record or permanently edit the song while using the USB Song Play function. If you would like to record your live performance along with the song from the USB memory, or if you want to make detailed and permanent edits to the song, you will need to load the song s data into the Recorder using the USB Load function. See the chapter Recording a Song (page 38) for details on how to record a song, and Using USB Memory (page 135) for an explanation of how to load a song into the Recorder. Using USB Memory 10

144 144 Playing MP3/WAV Audio The CP s Audio Player function allows MP3 or WAV audio files stored on USB memory to be played back directly through the instrument s speaker system. This feature is particularly useful when attempting to learn the chords or melody to a new piece, or when you simply wish to play along with your favorite song. To use the Audio Player function, first prepare a selection of MP3 audio files and copy them to a USB memory device Connect a USB memory device to the USB port, then press the USB button. The USB menu will be shown in the LCD display. Select Play Audio. A list of playable MP3 audio files stored on the USB memory device will be shown in the LCD display. Step 3 Touch the screen to select the desired MP3 audio file. You can also select a song by using the Dial, then touching the SELECT button. Touch the WAV button to show WAV files stored on the USB memory device. Touch the screen to select the desired MP3 audio file.. 10 Using USB Memory Step 4 Touch the button to start playing the audio file. BACK : Takes you to the USB menu. PAGE : Lists the next or previous ten files. MP3 : Show MP3 files (selected automatically). WAV : Show WAV files. SELECT : Selects the audio file and takes you to the USB Audio Play screen. Step 5 Touch the on-screen volume slider to adjust the volume of the audio file.

145 145 REPEAT : Repeat the current audio file. NAME : The name of the current audio file. PLAY MODE : Adjust the type of play mode for the audio files (All / Program / Random / Single). VOLUME : Adjust the volume using the dial. VOCAL ON : Enable the vocal remove function (see below) MAIN SCREEN : Return to the MAIN SCREEN.. SONG LIST : Return to the list of audio files. REPEAT AB : Repeat one section of a song continuously. MENU : Return to the USB menu. TRANSPORT BUTTONS : Control playback of audio files. Playback of the MP3/WAV audio file can be controlled by touching the transport buttons at the bottom of the screen: Play song Skip backward Next song Stop song Previous song Skip forward Step 6 Touch the REPEAT AB button once to set the start of the section to be repeated. Touch the REPEAT AB button again to set the end of the section to be repeated. The AB section will repeat continuously until the REPEAT AB button is touched for a third time, thus deactivating the function and resuming normal playback. Step 7 Touch the MAIN SCREEN button to return to the MAIN SCREEN. Pressing the USB panel button again will return you directly to the AUDIO PLAY screen. About the Vocal On/Remove function When playing MP3/WAV audio files, the CP s Vocal Remove function attempts to remove the vocal track from commercially produced music. VOCAL ON: VOCAL REMOVE: The audio file will playback as recorded. Vocal or melody sounds that are heard from the center when playing back an audio file will be removed so you can sing or play the melody yourself. Please note that for some audio files, it may not be possible to completely eliminate the melody. Using USB Memory 10

146 146 Recording MP3/WAV Audio The CP s Record Audio function allows you to create digital audio files from your performances in just a few steps. The recordings are saved to USB memory in either MP3 or WAV format, allowing them to be ed to friends and family, or played back on other devices such as a portable music player or tablet. This function will also record line-in and microphone audio, as well as MIDI songs. It is even possible to record audio while playing back MP3/WAV audio files, or a combination of sources, allowing material to be over-dubbed and remixed directly all from the CP instrument. Connect a USB memory device to the USB port, then press the USB button. The USB menu will be shown in the LCD display. Select Record Audio. The AUDIO RECORD SETUP screen will be shown in the LCD display. INPUT SONG NAME : The name to be used for the new MP3/WAV audio file. SELECT FORMAT : The audio format to be used for the new recording (MP3 or WAV). BACK : Return to the main USB menu. EXEC : Accept the name and format and continue to AUDIO RECORD screen. Step 3 Touch INPUT SONG NAME and enter a name for the new recording using the virtual keyboard. Touch SELECT FORMAT to set the audio format for the new recording. Touch EXEC to accept the name and audio format and continue to the AUDIO RECORD screen. The AUDIO RECORDER screen will be shown in the LCD display. NAME : The name of the audio file. FORMAT : The audio format for the recording. STYLE : The selected Style. TEMPO : The tempo of the selected Style. LEFT : The sound assigned to the LEFT part. RIGHT3 : The sound assigned to the SOLO part. RIGHT1 : The sound assigned to the RIGHT1 part. RIGHT2 : The sound assigned to the RIGHT2 part. 10 Using USB Memory MENU : Return to the main USB menu. TRANSPORT BUTTONS : Control recording of audio file. SOURCE SELECT : Select additional audio sources to add to the recording. SELECTED SOURCE : Displays additional sources of audio, if selected. Step 4 Before recording, make any changes to the selected sounds, style, tempo etc.