MISSA PACEM. 3. Kyrie 8. Gloria 23. Credo 36. Sanctus 46. Agnus Dei. For Perusal Only. Music by Marc A. Hafso

Transcription

1 MISS PCEM 3. Kyrie 8. Gloria 23. Credo 36. Sanctus 46. gnus Dei Music by Marc. Haso

2 Marc. Haso is Proessor and Director o Choral ctivities at Whitworth University in Sokane, Washington. He attended Paciic Lutheran University, the University o rizona and Michigan State University, where he earned B.., M.M., and D.M.. degrees in music education and choral conducting. Haso has gained erience at all levels o choral music education through elementary, secondary and university teaching ositions in the United States and Canada. He came to Whitworth rom ugustana University in lberta where he taught or sixteen years and directed a nationally recognized choral rogram. Haso is the reciient o numerous honors and awards recognizing his teaching, creative work, service and conducting including ugustana s Betty Ostenrud ward, a Paciic Lutheran Centennial lumni Recognition ward, a Government o lberta chievement ward, an lberta Choral Federation Con Sirito ward, the 1994 Sir Ernest MacMillan Memorial Prize in Conducting rom the Toronto Mendelssohn Choir Foundation and major grants rom The Canada Council and the lberta Heritage Scholarshi Fund. In Canada, Haso served regional and national choral communitites as an active member o the boards o lberta Choral Federation and the ssociation o Canadian Choral Conductors. He also served as music director and resource erson or national worshi events o the Lutheran Church (ELCIC). Currently, he is President o the Washington State chater o the merican Choral Directors ssociation. Haso is active in the US and Canada as a guest conductor, clinician, and adjudicator. He is the alwaysroud arent to three daughters and a son. ter a number o years as Proessor o Choral Music and Conductor o the Chamber Choir at Florida State University, Rodney Eichenberger has reduced his teaching resonsibilities there, but maintains a busy roessional schedule elsewhere. He has conducted more than 75 US ll State Choirs and guest conducted or lectured at more than 80 US, ustralian, and New Zealand Universities. Recent international aearances include guest conducting the Pusan, Korea City Choir and Korean National Chorus in Seoul, International High School Honor Choirs in Tokyo and Berlin, and leading conducting workshos in rgentina, Brazil, France, Norway, Sweden, Scotland, ustria, Korea, ustralia, and New Zealand. His instructional videos on Choral Conducting, What They See Is What You Get and Enhancing Musicality Through Movement are widely used in collegiate conducting classes. graduate o St. Ola College with advanced study at the Universities o Denver, Washington, and Iowa, he taught at the University o Washington and the University o Southern Caliornia rior to his aointment at Florida State University.

3 "Kyrie" based on the hymn tune Vater Unser: V. Schumann, Geistlichelieder, 1539 Handbell (otional) ll voices l.v. In the manner o Plainchant* unis. B Not in strict time ( q = c. 50 ) ten. (melody) Ky B Not in strict time ( q = c. 50 ) or my arents, Gordon and rdis Haso Missa Pacem or STB Chorus with Piano and Otional Percussion Ky Kyrie SB Chorus with Otional Handbell ri e ri e e le i son, Ky Ky ri e ri e Coyright 2009 Colla Voce Music, Inc Sunset ve., #83, Indianaolis, IN International Coyright Secured Made In US ll Rights Reserved e e e e le le le le i son. Music by Marc. Haso i son, i son, i son, *Vocal quality should be uniorm and light. It should be understood that not all women may be able to sing the monohonic chants (esecially Kyrie I & II). Women singing the chants should avoid ushing the chestvoice. Men are encouraged to sing the chants in headvoice. Otional ercussion arts available rom ublisher ( ). 3

4 4 C Ky C Ky Ky ri e_e le i son, ri e_e lei son ri e_e lei son D l.v. as Plainchant Chri ste e le dim. e e le dim. e e dim. e e i son. le i son. le i son. i son.

5 E Teo I E Chri Chri ste_e lei son, (melody) Chri ste e le ste_e lei son, i son, e e e le le i son; le i son; i son; F F Chri ste e Chri ste lei son, e lei son, Chri ste e le i son, e e e le le le i son. i son. i son. 5

6 6 (melody) G H l.v. as Plainchant H Teo I m m Ky Ky Ky ri e ri e_e le i son, ri e e le i son, e le m Ky ri e_e le i son, e e e le i son. le i son. i son. le i son.

7 7 I I Ky Ky ri e e le i son, Ky Chris Ky ri e e le i son, e Ky ri e e le i son, dim. e e le le i son. e i son. le i son. ri e ste e le ri e e le i son. i son. e le i son.

8 8 Solo Piano 5 With a joyul sirit q = c. 144 (q. = 96 ) Glo ri a in With a joyul sirit q = c. 144 (q. = 96 ) (rehearsal only) or Kyrsten, Kristoer, Siri, and Lise Gloria or Soloist, STB Chorus, Piano, and Otional Percussion* cel sis De e = e sere o! Glo ri a in e = e sere Glo ri a in *Gloria is also available searately ( ). cel sis De o! Et in ter cel sis! ra ax. Triangle Low Drum Music by Marc. Haso 3

9 S T B 9 m unis. Glo ri a in m unis. cel sis De o! Glo ri a in cel sis! m 3 13 Solo S T B Glo ri a in cel sis De o! Et in ter Pax ra ax. (stoed) (stoed) ho 9

10 10 17 mi ni bus bo nae vo lun ta tis Pax ho mi ni bus bo nae vo lun ta tis (stoed) 21 (stoed) div. ta tis! div. Lau da mus vo lu lightly and layully te. Be ne di ci mus

11 25 te. do ra mus te. Glo ri i ca mus te. Gra ti as 29 a gi mus ti bi ro ter ma gnam glo ri am 11

12 12 33 tu am. Glo 37 ri a! (oen) m unis. (oen) Glo ri a in m unis. cel sis De o! Glo ri a in cel sis! m Glo ri a in 3

13 41 (stoed) 45 cel sis De o! Et (stoed) in ter ra ax. Do mi ne De les tis. om ni o tens. u ni De us Pa ter Do mi ne i us, li R coe 13

14 14 49 ge ni te, oco a oco cresc. Je su Chri oco a oco cresc. oco a oco cresc. 53 div. ste. Do mi ne De us, div. Fi li us Pa (Fi ) Fi li us Pa (Fi ) tris. g tris. Glori a in nus De i, cel sis De o!

15 57 Glo ri a in 61 cel sis! Glo ri a in cel sis De Et in te ra ax. m legato Qui m legato tol m lis ec ca ta mun di, o! 15

16 16 64 m mi 67 se re re no bis. m Qui tol lis ecca ta mun di, susci e de m 3 3 reca ti onem nostram m Qui m 3 se des as dteram Pa tris, m 3 mi se re re no bis. dim. e mi se re re no bis. dim. e dim. e dim. e

17 70 molto mi molto 73 molto se re re no bis. a teo Glo ri a Glo ri a a teo Glo in Glo in ri a! ri a! cel sis De cel sis De Glo ri a in cel Glo ri a Glo in Glo ri a! ri a! cel sis! sis! Glo ri a Glo in ri a! Glo ri a Glo in ri a! cel sis De cel sis De o! o! o! o! 17

18 18 77 Glo Et Glo Et in in ri ter ri ter 81 ra ra a! ax. a! ax. Quo ni am tu unis. tu so lus san so lus san ctus ctus unis. Do mi nus. l ti si mus, Tu so lus Do mi nus. Tu so lus l ti si mus,

19 85 Je 89 su Chri glo ri a De glo ri a De i Pa ste, Je i Pa su Chri Je su Chri tris, tris, ste. ste. oco a oco cresc. Cum San oco a oco cresc. Cum San oco a oco cresc. cto Si cto div. Si div. ri tu, in ri tu, in oco a oco cresc. Glor'a De i Pa tris! oco a oco cresc. Glor'a De i Pa tris! Glo ri a in 19

20 20 93 cel sis De o! Glo ri a in 97 cel sis! cel sis De o! Et in ter ra ax. 3 Descant (a ew Soranos) Glo ri a in unis. Glo Glo ri a in (stoed) (stoed) unis. ri

21 101 a! Glo ri a! Glo ri cel sis De o! Glo ri a in cel sis! Glo ri a in a! cel div. sis De o! div. men! men! men! men! men. men. 21

22 men! men! m m m m men! men!

23 Male solo sung at itch 3 In the manner o Plainchant Cre Esressivo ( q = c. 54 ) m Cre m Cre m Cre m Cre do do Esressivo ( q = c. 54 ) do do or rehearsal only do in u in in in in In memory o teacher and mentor Dr. Maurice H. Skones Credo or STB Chorus, a caella u num De u num De u num De num De u num De um. um. um. um. um. Cre Pa Pa Pa Pa STB sung at itch* trem trem trem trem do in u om om om om num De ni o ten tem, ni o ten tem, ni o ten tem, ni o ten tem, *Singers enter indeentdently and reeat ad lib. On conductor's cue, singers rovide one additional reetition o hrase, then sustain inal itch. Men are encouraged to sing chant in headvoice. Women should avoid ushing the chestvoice. Overall dynamic shae o reeated section should be: To ensure roer balance o arts, in some assages, traditional STB I + II assignments may need to be revoiced: High, Medium, Low. Music by Marc. Haso (last time only) um. ac ac ac ac 23 e = e

24 24 7 a little aster ( ) to rem coe 10 a little aster li et ter rae, vi si e = e bi li um om ni um, et * morendo senza * in vi si bi li um, morendo senza et in vi si bi li um, et in vi si bi li um. ( q = c. 88 ) (unis.) m ( q = c. 88 ) 15 Je sum Chri stum, Fi li um De i un Et i gen in i tum. u num Do mi num (unis.) m a teo m Et a teo *Singers move indeendently rom singing to whisering the tt through the three "et invisibilium" statements.

25 18 Pa tre na tum an te om 21 ( ) lu men de lu mi ne, 25 a teo Ge Ge ne tum, non ac ni a sae cu la. De um de De Slower, broadly ( q = c. 72 ) De um ve Slower, broadly ( q = c. 72 ) ni tum, a a teo rum de div. div. oco De oco tum, con sub stan ti a lem Pa o ve lem Pa ro. o, tri: tri: er quem er quem 25

26 26 28 om ni a ac 32 lu ta sunt. tem descen dit de cae Qui lis. Sily ( q = c. 72 ) ro ter nos ho mi nes, ro ter Sily ( q = c. 72 ) ho mi nes, et et ro ter no stram sa 36 Ma ri a Vir gi ne. Et in car na tus est de Sr dim. et Et ho dim. et ri tu San cto mo ac tus est.

27 Darkly ( q = c. 60 )* 40 Cru ci i xus, Cru ci Cru ci Cru ci i Darkly ( q = c. 60 )* i i xus, xus, xus, oco a oco cresc. et i am ro no bis sub Pon ti o Pi la to: Cru Cru ci ci i et i am ro no i xus, bis xus, sub Cru ci i xus, Pon ti o Pi la to: Cru ci i xus, 44 et dim. et dim. et (se) se ul tus est. (se) 48 as sus, as sus Hushed, with great citement ( q = c. 144 ) Hushed, with great citement ( q = c. 144 ) Et re sur r ter ti a Di e, se it cundum scri tu ras. m Et re sur r it ter ti a Di e, se cundum scri tu ras. *The Sorano and Tenor lines must redominate through m. 42. Reinorce with additional ltos and Baritones i necessary. m Et 27

28 re surr it ter ti a Di e, se cundum scritu ras. m Pa Et as cendit in cae lum: se det ad d teram m tris. m Et as cen dit in cae lum: se det ad d te ram Pa 57 i te rum ven tu rus est cum glo ri a, tris. Et Et

29 59 i 61 ca te rum ven 64 3 re vi vos et morendo senza ( ) reg ni non e tu rus est mor tu os cum cu glo ri a, jus reg ni non rit i nis, cu jus reg ni non e e rit i nis, m ju m * * di cu jus rit i nis, cu jus reg ni non e morendo senza rit i nis, *lto and Bass lines must redominate through m. 62. Singers move indeendently rom singing to whisering the tt through the three "cujus..." statements. 29

30 30 67 Calmly, smoothly ( q = c. 84 ) m Et in Si Calmly, smoothly ( q = c. 84 ) m 72 vi vi 77 o o o vi vi i i can can ri tum que que que ro ro ro ce ce ce* tem: tem: Sanc Sanc tum Do tum Do mi num, mi num dit. dit. Si qui Si Si ri ri tum ri tum Pa Pa tre, et tre, Fi Fi tum li li *Final syllable has been omitted uroseully. Sanc Sanc

31 82 tum tum m Qui cum 87 ra ra 92 tur tur et et glo m m Pa Pa Pa ri i ca tre, tre, et et tre et he tas. Si Si Si Si ri i i i oco iú mosso li o si mul a li o li o oco iú mosso tur: qui ri tum ri lo cu tus est er do Pro tum ri tum tum Sanc Sanc oco a oco dim. et tum tum 31

32 Si ( ) molto Si Si ri molto ri tum ri tum tum Sanc Sanc tum tum u nam, sanc tam, catholicam et a ostolicam Ecclesi am. u nam, sanc tam, catholi cam. u nam, sanc tam, catholicam et a ostolicam Ecclesi am. u nam, sanc tam, catholi cam. a teo a teo a teo a teo ( ) Chantlike ( q = c. 72 ) Et Et Et Con i teor unam ba tis ma Et Chantlike ( q = c. 72 ) Con i teor unam batis ma in re Con i teor unam ba tis ma Coni teor unam batis ma ( ) a teo ( )

33 105 in re mis in re mis in re mis si 108 mis si o nem ec ca to ec ca to to si o nem ec ca to si o nem ec ca to rum. rum. o nem ec ca to rum. rum. rum. o nem ec ca to in in re mis si o nem ec ca to rum. in re mis si o nem in re mis si o nem ec ca to in re mis si o nem ec ca rum. re mis si o nem ec ca to in re mis si o nem ec ca to rum. si rum. rum. in re mis o nem ec ca to rum. in re mis si rum. 33

34 Et Esressivo ten. Et Et ten. 115 rum. rum. rum. rum. breve breve breve breve a teo ( q = c. 60 ) div. m ec to re sur rec ti o nem a teo ( q = c. 60 ) ec to re sur rec ti o nem mor tu o div. Et m ec to re sur rec ti o nem m ec to re sur rec ti o nem mor tu o div. m a teo cresc. e accel. vi a teo cresc. e accel. Et vi a teo cresc. e accel. Et vi a teo cresc. e accel. Et vi o oco tam ven tu ri sae cu li oco tam ven tu ri sae cu li oco tam ven tu ri sae cu li oco tam ven tu ri sae cu li o Broadly ( q = c. 56 ) breve breve a teo accel. oco men, men, men, men, Broadly ( q = c. 56 )

35 119 men, molto men, men, men, molto 123 men, men, men, men, men, men, men, men, a teo dim. e dim. e dim. e dim. e *ltos and Basses ade away through m. 126 omitting closing consonant to reare or inal cadence in m men. * meh men. * meh a teo Hmm. Hmm. 35

36 36 Sorano* lto Tenor* Bass Piano Percussion 5 Majestic q = c. 63 Majestic q = c. 63 nus; Triangle Low Drum or Judy Sanctus or STB Chorus with Piano and Otional Percussion San San ctus, San ctus, ctus, Do minus Deus Sa ba oth. *To ensure roer balance o triads (mm 118), traditional STB assignments may need to be revoiced: High, Medium, and Low or both Women's and Men's arts. Sanctus is also available searately ( ). Music by Marc. Haso San ctus, Do mi

37 10 San ctus, San ctus, San ctus, Do mi nus; 14 San ctus, Do mi nus De us Sa ba oth. Slower q = c. 58 m m De us Slower q = c

38 38 18 Sa (rehearsal only) 21 ba oth m m Very slow q = c. 52 De us Very slow q = c. 50 Sa ba m a teo ( q = c. 63 ) m o(th.)* a teo ( q = c. 63 ) oco a oco dim. e oco a oco dim. e Hmm oco a oco dim. e *In measures 21 and 22, singers move indeendently rom "oth" to "Hmm" omitting the inal "th" consonant.

39 S I S I S II 25 a teo, aster ( q = c. 69 ) Sily* ni sunt coe a. ni li et ter ra Glori_a tu sunt coe li et ter ra Glori_a tu 27 l.v. l.v. ni sunt coe a. li et ter ra Glori_a tu ni sunt coe ni sunt coe li et ter ra Glori_a tu li et ter ra. ni sunt coe ni sunt glo ri a li et ter a. a. ra. ni sunt glo ri a T O B l.v. l.v. *Women's arts should be sung easily and smoothly. For roer balance, revoice traditional Soranolto assignments: High, Medium, Low 39

40 S I S II T B S I S II T B san 31 san ni sunt coe a. ni sunt coe li li et ter ra. ni li et ter ra Glori_a tu ni sunt coe na in l.v. ni sunt glo ri a cel sis, et ter ra Glori_a tu sunt coe l.v. ni sunt coe a. ni sunt coe li oco cresc. li et ter ra. ni li et ter ra Glori_a tu ni sunt coe na in ni sunt glo ri a oco cresc. cel sis. oco cresc. li et ter a. ra. ni sunt glo ri a O et ter ra Glori_a tu sunt coe li et ter oco cresc. a. ra. ni sunt glo ri a div. l.v. l.v. O

41 S I S II T B S I S II T B 33 san m 35 san ni sunt coe a. ni sunt coe li li et ter ra. ni li et ter ra Glori_a tu ni sunt coe na in l.v. ni sunt glo ri a cel sis. et ter ra Glori_a tu sunt coe l.v. ni sunt coe a. ni sunt coe li li et ter ra. ni li et ter ra Glori_a tu ni sunt coe na in ni sunt glo ri a cel sis li et ter a. ra. ni sunt glo ri a O molto et ter ra Glori_a tu sunt coe li et ter molto a. ra. ni sunt glo ri a l.v. l.v. 41

42 42 37 Slower q = c. 52 rubatoesressivo Be Be Be Be ne di ctus, Be ne di ctus, ne di ctus, Be ne di ctus, ne di ctus, Be ne di ctus, Slower q = c. 52 ne di ctus, Be ne di ctus, (rehearsal only) 41 ve ve ve ve nit in nit in nit in nit in no no no no mi ne, mi ne mi ne mi ne tutti m qui ve m div. m ve div. Be Be Be Be nit in no ne di ctus, Be ne di ctus, ne di ctus, ne di ctus, ne di ctus, accel. e cresc. nit in no molto div. mi Do mi mi ne Do mi ni. ve nit in no ne m div. ve nit in no mi ne Do mi ni. ni. mi ne Do mi ni. Semichorus sily qui O

43 S I S II T B S I S II T B 45 san a teo 47 ni sunt coe a teo a. ni sunt coe li li et ter ra. ni li et ter ra Glori_a tu ni sunt coe na in l.v. ni sunt glo ri a cel sis, et ter ra Glori_a tu sunt coe li et ter a. ra. ni sunt glo ri a l.v. san a teo ni sunt coe a. ni sunt coe li li et ter ra. ni li et ter ra Glori_a tu ni sunt coe na in ni sunt glo ri a cel sis. et ter ra Glori_a tu sunt coe li et ter O a. ra. ni sunt glo ri a div. loco l.v. l.v. O 43

44 S I S II T B S I S II T B san 51 san ni sunt coe a. ni sunt coe li li et ter ra. ni li et ter ra Glori_a tu ni sunt coe na in l.v. ni sunt glo ri a cel sis, et ter ra Glori_a tu sunt coe li et ter a. ra. ni sunt glo ri a l.v. ni sunt coe li et ter ra Glori_a tu a. ni sunt coe na in oco cresc. li et ter ra. ni sunt glo ri a ni sunt coe li et ter ra Glori_a tu oco cresc. cel sis. O a. ni sunt coe li et ter oco cresc. ra. ni sunt glo ri a loco l.v. l.v.

45 S I 53 sub. oco a oco dim. e ni sunt coeli et terra Glori_a tu a. ni sunt coeli et terra Glori_a tu a. ni sunt coeli et terra Glori_a tu a. S II T B sub. loco O San san na in San ctus, cel sis ctus, O San san na San oco a oco dim. e 56 iú molto in ni sunt coe li et terra Glori_a tu a. iú ctus, cel sis ctus, molto SII oco a oco dim. e Sanctus, Sanctus, Sanctus, Sanctus, Sanctus, Sanctus, Sanctus, Sanctus, Sanctus, Sanctus, Sanctus, Sanctus, R.H. 45

46 46 S T B 4 unis. gnus De i, qui tol lis ec ca ta mun di. gnus De i, qui tol Esressivo, rubato ( q = c. 63 ) Esressivo, rubato ( q = c. 63 ) or teacher and mentor Dr. Charles K. Smith gnus Dei or STB Chorus, a caella rehearsal only Music by Marc. Haso div. lis ec ca ta; g nus De i qui tol lis ec ca ta mun di. gnus De i, 8 dim. e mi se re re no bis. a teo unis. gnus a teo De Hmm i, qui tol lis ec ca ta mun di. Hmm gnus

47 47 12 De i, qui tol (melody) lis ec ca ta; 15 ca ta mun di, Hmm g Hmm gnus De i, nus De i qui tol dim. e Hmm dim. e mi se re re no bis. lis ec Warmly m a teo gnus a teo

48 48 19 De De De De 22 ca ca ca ca i qui tol i qui tol i qui tol i qui tol ta; ta; ta; ta; lis ec ca ta mun lis ec ca ta mun lis ec ca ta mun lis ec ca ta mun di. di. di. di. g g g g nus De nus De nus De nus De lis i qui tol i qui tol i qui tol i qui tol * g nus De g nus De g nus De g nus De i qui tol i qui tol i qui tol i qui tol ec ca ta mun lis ec ca ta mun di. di. lis ec ca ta mun lis ec ca ta mun di. di. m m m m lis ec lis ec lis ec lis ec g nus g nus *Melody in Sorano II and lto I must stand out through end o measure 21.

49 25 De De De De i, i, i, i, (SemiChorus) Sily 30 Esressivo a teo Do ten. Do ten. Do Esressivo a teo gnus De na De De De i, i, i, i, (Tutti) gnus De gnus De gnus De Do na, Do na no bis a m Do na m na, Do na no bis a na, Do na no bis a Do na, do na no bis a De m i, i, m i, i, g nus De m g nus De m cem, no bis a cem g nus De dim. e a cem, no bis a cem, a De m m m i. i. i. i. cem, cem, cem, cem, qui qui qui qui 49

50 50 35 tol tol accel. cresc. e accel. tol tol 39 no no no no lis ec ca ta mun lis ec ca ta mun lis ec ca ta mun lis ec ca ta mun bis a molto bis a bis a bis a molto cem. di. cem. cem. cem. di. di. di. a teo Do Do Do Do a teo na, do na, do na, do na, na do a teo, a little aster a teo, a little aster na na na

51 43 men, men, men, men, ten. ten. ten. ten. men. men. men. men. men. men. men. men. 51