Fauré. Requiem. Alto Rhapsody. The Idaho-Washington Concert Chorale. Our Business Supporters. Concert

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1 20 1 Performance Excellance Coaching Evaluate your game as an athlete, performing artis, executive, professional or organization. The Idaho-Washington Concert Chorale 3 Concert Dan Zenner Ph.D, CC-AAASP zenner@lewiston.com 110 East Third Moscow, Idaho Fauré Brahms Requiem Alto Rhapsody with Guest Conductor Paul Brueggemeier featuring Special Guests Meredith Arksey, Violin Dawn Bernhardt, Mezzo Soprano MAC Youth Choir Friday, April 29, 2005 at 7:30 pm in Moscow, Idaho Sunday, May 1, 2005 at 6:00 pm in Uniontown, Washington

2 2 19 Faure Requiem Almighty and Everlasting God Hosanna To The Son of David Chamber Choir Chamber Choir Orlando Gibbons ( ) Orlando Gibbons ( ) Requiem, Op. 48 Jeanne Fairbanks Soprano (Friday) Cynthia Langford, Soprano (Sunday) Meredith Arksey, Violin I. Introitus Rest eternal grant them, O Lord, and let perpetual light shine on them. To thee praise is due, O God, in Zion, And to thee vows are recited in Jerusalem. Hear my prayer; Unto thee all flesh shall come. 2. Kyrie Lord, have mercy. Christ, have mercy. Lord, have mercy. Gabriel Fauré David Spencer, Baritone John Jordan, Baritone 3. Offertorium Lord Jesus Christ, King of glory, Deliver the souls of the dead From punishment in the inferno, And from the infernal lake. Deliver them from the mouth of the lion, Lest the abyss swallow them up, Lest they fall into the darkness. Sacrifices and prayers to thee, O Lord, we offer with praise. O receive them for the souls of those Whom today we commemorate. Make them, O Lord, to pass from death to life, as thou of old hast promised Abraham and his seed. John H. Norton Attorney at Law 109 S Washington, Moscow, Idaho Licensed in Washington and Idaho Thank you for joining us tonight! A reminder to please turn off all cell phones, pagers and recording devices and refrain from using flash photography during the performance. Musical Alchemy, Inc. is recording our performance this evening. Friday night patrons: Please help us reduce our printing costs by recycling your programs in the box provided as you leave the auditorium this evening. Sunday night patrons: Rest facilities for ladies are located near the entrance to the church. King s Thrones are provided for gentlemen outside the church and around the corner. The Quilt Raffle drawing will occur near the end of the Uniontown performance. Raffle tickets will be available during the intermission if you d like to win it! Live recordings of our March, 2004 performance of Brahms A German Requiem are available for purchase this evening or at BookPeople of Moscow for $15.

3 18 3 Faure Requiem & Alto Rhapsody 4. Sanctus Holy, holy, holy, Lord God of hosts. The heavens and earth are filled with thy glory. Hosanna in the highest. 5. Pie Jesu Merciful Lord Jesus, Grant them rest, rest everlasting. 6. Agnus Dei Lamb of God, who taketh away The sins of the world, Grant them rest, rest everlasting. 7. Lux Aeterna Let light eternal shine on them, O Lord, with thy saints forever, For thou art merciful. Rest eternal grant them, O Lord, And let perpetual light shine on them. 8. Libera Me Deliver me, O Lord, from eternal death, On that fearful day when the heavens And earth are moved when thou shalt come to judge the world through fire. I am made to tremble, and I fear, When the desolation shall come, And also the coming wrath. That day, the day of wrath, Calamity, and misery, that terrible And exceedingly bitter day. Rest eternal grant them, O Lord, And let perpetual light shine on them. 9. In Paradisum May the angels lead you into paradise, May the martyrs receive you In your coming, and may they guide you Into the holy city, Jerusalem. May the chorus of angels receive you And with Lazarus once poor May you have eternal rest. Dr. Gerald Weitz, D.D.S. Dr. Bryan Schiavoni, D.D.S. Dr. Dusty Weitz, D.D.S. Intermission 1410 South Main Moscow, Idaho Rhapsody, Op. 53 ( ) Dawn Bernhardt, Mezzo Soprano But who is that apart? In the underbrush his path loses itself. Behind him the shrubs clap together, The grass stands up again, The wasteland engulfs him. Ah, who heals the pains of him, Johannes Brahms For whom balsam became poison? Who drank hatred of man Out of the fullness of love? First despised, now a despiser, He furtively consumes his own merit In unsatisfying egotism. If there is in Thy Psalter, Father of love, one note to his ear Audible, then refresh his heart!

4 4 Faure Requiem & Alto Rhapsody 17 Open his clouded gaze To the thousand springs Next to the thirsting one in the desert! Blow, Bugle, Blow Gloria Deo! MAC Youth Choir MAC Youth Choir Glory, glory to God! Glory in the highest! We praise you. We bless you. We worship you. We glorify you. Glory in the highest! And on earth peace. Glory, glory to God! Around the Corner Chorale with MAC Youth Choir Ruth Elaine Schram (b. 1956) Mary Lynn Lightfoot (b. 1952) John Weiss Moscow MAC Youth Choir Arts Commission Youth Choir is a city-sponsored program for third through sixth graders. The choir is under the direction of LaDene Edwards, music instructor at Lena Whitmore Elementary School and accompanied by Gretchen Wissner, who is also at Lena. Children audition for the member choir in September and January. They meet twice a week throughout the school year to receive quality vocal training. At the end of the semester, they tour the elementary schools, perform at a local retirement center, the mall and community events such as the Farmers Market. They participate in the University of Idaho s Holiday Concert, which is coordinated by the Lionel Hampton School of Music. They are one of two children s choirs who perform with many high school and college groups from throughout the region. The children conclude the year with a concert for family and friends. For more information, contact: Deena Heath, , dheath@ci.moscow.id.us

5 16 5 technology has created fewer opportunities for faceto-face human connection, musical performances that As emphasize community create a sense of togetherness and sharing that is one of the most important aspects of the human condition. This evening s presentation is truly a community concert because the performers include the Idaho-Washington Concert Chorale (IWCC), a community chorus whose members hail from all over the Palouse; guest conductor Paul Brueggemeier from Spokane; the Moscow Arts Commission (MAC) Youth Choir; Washington State University (WSU) senior mezzo-soprano Dawn Bernhardt from Woodinville, WA; and a chamber orchestra comprising members of the Washington Idaho Symphony, the Spokane Symphony, and students and faculty from the WSU and University of Idaho Music Departments. To further exemplify the idea of community, IWCC and the MAC Youth Choir will combine their voices for Around the Corner; then the Chorale, children, and audience members will join together for the final selection, O Music. John Weiss Program Notes Almighty and Everlasting God & Hosanna to the Son of David Orlando Gibbons began his musical career at the age of thirteen as a singer at King s College, Cambridge, where his brother Edward was choirmaster. He received the B.Mus. degree at Cambridge in 1606, and the D.Mus. at Oxford in He was senior organist at the Chapel Royal at the time of his death, as well as organist at Westminster Abbey. Although by profession he was a keyboard player, his outstanding achievement as a composer is in vocal music, especially music for Anglican services. The Anglican liturgy of Orlando Gibbons time permitted the singing of an anthem towards the end of Matins and Evensong. Many of Gibbons anthems are settings of biblical texts. Although Hosanna to the Son of David seems to go back to the Geneva Bible (1560), Gibbons usually turned to the Bishop s Bible, first published in 1568, or to one of the editions of the Book of Common Prayer, which included the psalms. Gibbons wrote full anthems that were sung by the whole choir, and verse anthems that contained passages with verses for a soloist or a small group of singers. Both Almighty and Everlasting God and Hosanna to the Son of David are full anthems. Perhaps Gibbons least ostentatious anthem, Almighty and Everlasting God is a setting of the Collect for the third Sunday after Epiphany. In a manuscript that may have been copied by John Stephens (who in 1625 was the Chapel Royal s Recorder of Songes and in 1626/7 was elected Clerk of the Cheque) it is described as the Anthem to Mr. Gibbons Short Servis. Almighty and Everlasting God is written in an uncomplicated counterpoint appropriate to the predominantly homophonic style of the Short Service. The initial entries on A flat and D flat cadence strongly on the dominant, E flat; but a tendency toward the subdominant is stressed by the flatting of the seventh degree (D flat) on either side of the cadence, and also by the final plagal cadence. In contrast to Almighty and Everlasting God, Hosanna to the Son of David provides a demonstration of Gibbons abilities that might have been demanded by a special occasion. Its six voice parts are almost entirely contrapuntal, and it includes a variety of technical devices: imitation, inversion, retrogression, and the combination of different motives that are well integrated. The first section contains a single phrase that ascends an octave and subsequently expands to a ninth. Then, before the text is repeated in a modified form, there is a more tonally adventurous middle section. John Harley Requiem From the age of nine, Gabriel Fauré studied music at the École Niedermeyer, the École de musique religieuse et classique, where Saint-Saëns was a member of the staff. Saint-Saëns was regarded as a progressive teacher, introducing his pupils not only to the music of Bach and Mozart but also to controversial composers such as Wagner and Liszt. Unlike most major French composers, Fauré did not attend the Paris Conservatoire but continued his studies with Saint-Saëns, who greatly encouraged him by helping him to get his music published. The two became lifelong friends and Fauré later said that he owed everything to Saint-Saëns. Fauré was a fine organist and in 1896 was appointed to the prestigious Madeleine church in Paris. He was also an excellent teacher, and perhaps because of his renowned expertise as organist and teacher only slowly gained recognition as a composer. He eventually became professor of composition at the Paris Conservatoire, and its Director from 1905 to Although he wrote several works involving a full orchestra, his particular talent lay within the more intimate musical forms songs, piano music and chamber music. His somewhat austere style and highly individual, impressionistic harmonic language contrasts markedly with the music of the Austro-German tradition, which dominated European music from the time of Beethoven until well into the twentieth century. The subtlety of Fauré s music, and his concentration on the smallscale, led many to criticize him for lacking depth, a judgment based on the mistaken premise that the bigger and bolder a composer s music the more worthwhile it must be. Fauré deliberately avoided the grander kind of orchestral music that could easily have brought him fame and fortune. He preferred instead to embrace an elegant and subtle musical language that has won him increasing numbers of admirers, particularly as a composer of songs, a genre in which he is now recognized as a master. Beethoven once said, A Requiem ought to be quiet music - it needs no trump of doom; memories of the dead require no hubbub. Apparently Fauré agreed, for he said of his Requiem, Altogether it is as gentle as I am myself. My Requiem... has been said to express no fear of death; it has been called a lullaby of death. But that is how I feel about death; a happy deliverance, a reaching for a happy deliverance, rather than a mournful passing... Perhaps I have sought to depart from what is conventional because for so long I was organist at services of interment. I m fed up with that. I wanted to do something different. The Requiem was composed in 1888, when Fauré was in his forties, quite probably in response to the recent death of his

6 6 15 Program Notes father. Shortly after its first performance, Fauré s mother also died, giving the work an added poignancy. In its sequence of movements, the Requiem departs significantly from the standard liturgical text. Fauré included two new sections, the lyrical Pie Jesu and the transcendent In Paradisum, with its soaring vocal line and murmuring harp accompaniment. He also omitted the Dies Irae and Tuba Mirum - for most composers an opportunity to exploit to the full the dramatic possibilities of all the available choral and orchestral forces. Consequently the prevailing mood is one of peacefulness and serenity, and the work has often been described, quite justly, as a Requiem without the Last Judgment. Fauré originally designed his Requiem to be functional for church services with appropriately conservative accompaniment: the organ supplemented by harp, horns and strings, generally omitting violins except in the Sanctus. The technique of backing off the violins for a more somber effect may have been an idea borrowed from Brahms. In 1900, under some pressure from his publishers, he reluctantly agreed to the release of a revised version containing additional instrumental parts designed to broaden the work s appeal. This later version became such a favorite that it is surprising to learn it did not gain widespread popularity until the nineteen-fifties. In 1984, composer John Rutter produced an edition of the Requiem that probably holds true to Fauré s original conception, and that is the version presented this evening. In comparison with the large-scale masterpieces of Verdi, Brahms and Berlioz, Fauré s Requiem seems gentle and unassuming, yet it is this very quality of understatement which contributes so eloquently to the work s universal appeal. Whether the Requiem is performed with one of its grander orchestrations or in its original version, it is impossible not to be moved by the ethereal beauty of this humble masterpiece. John Bawden, Music Dire or, Fareham Philharmonic Choir, Fareham, England Alto Rhapsody Johannes Brahms composed his Rhapsody, Op. 53, in the autumn of 1869, drawing upon a difficult poem of Goethe s, Harzreise im Winter ( Winter Journey Through the Harz Mountains ). Of the poem s eighty-eight lines, Brahms chose to set only the central part, one quarter of the whole. Goethe s poem was written after a 1777 visit to the Harz Mountains, where he met a correspondent of his, a misanthropic young fellow named Friedrich Viktor Leberecht Plessing, who had withdrawn from the world into the solitude of nature. Goethe s poem describes one who goes off apart, praying that the Father of Love may have on his Psalter a single tone perceptible to his ear, which might revive his heart. It seems odd that Brahms should choose such a darkly personal text to set to music as a wedding gift for Julie Schumann, the daughter of his dear friend Clara, but there can be little doubt that Goethe s poem spoke to him, in his own solitary life, with unusual directness, and he responded to it with personal music. The lengthy introduction shivers in its chilly C-minor depiction of the winter scene, interrupted by the alto soloist entering suddenly as if overheard in the middle of a thought who notices the solitary wanderer. A central section, actually an aria, describes the one who, having been scorned, now scorns all in return. The harmonic and rhythmic agitation of this section yields magically at the entrance of the men s voices to a consoling C major and a warmly ardent melody praying for the reconciliation of the wanderer. Donald Te ers, Music Dire or, The Boston C ilia, Boston, M. Around the Corner The poem, Around the Corner, by New York columnist Charles Hanson Towne, first appeared in the February 10, 1917 edition of The Saturday Evening Post. The composer was introduced to it as a child when he saw a framed copy of it hanging in his grandparents home. He must have shown a strong interest in it because when his grandparents died many years later, he inherited their copy. He and his wife have since displayed the poem wherever they ve lived. Children sing the opening melody, which suggests the innocence of youth. The sudden entrance of adult voices, along with the abrupt modulation and tempo change compromise this feeling of innocence. The poem s final line is made more poignant by the return of the children s voices. John Weiss O Music Lowell Mason was born into a very prominent and musical family in Medfield, Massachusetts where he attended singing school and became proficient on several instruments. In 1812, Mason moved to Savannah, Georgia where he became a partner in a dry goods firm and began offering singing schools for church choir members. When Mason returned to the north, he was elected president of Boston s Handel and Haydn Musical Society and served as director of two church choirs. Under his leadership, both choirs acquired national reputations for excellence in church music performance. Mason s musical life was not devoted entirely to church music, however. Children s music became a priority to him, and he relinquished the presidency of the musical society in 1832 to begin a vocal class for children at Bowdoin Street Church and to teach music in several of the city s private schools. The same year, Mason, with his colleague George James Web and other local musicians, established the Boston Academy of Music, dedicated to improving quality of church music and promoting general music education. Boston Academy, the country s leading independent music education institution, offered instruction for adults and children, but its leaders were strongly in favor of music in common school. Academy associates and other prominent citizens submitted two proposals to the Massachusetts School Board urging that vocal music instruction be made part of the primary school curriculum. Following the second proposal (1837), the board agreed to an experimental inclusion of vocal music at Hawes Primary School; Mason volunteered his services as instructor. In 1838, the board voted to include music in puyblic elementary schools, marking the first time in American history that music was officially given a place in the school curriculum. Joseph A. Labuta & Deborah A. Smith Creating memories our Specialty 234 E Main Street, P.O. Box 218, Pullman, WA

7 14 7 Tupperware for Home for Health for Life custom kitchens bridal showers microwave classes fund raisers classic parties Helen Lombard Executive Manager helenannel@aol.com Charles A. Brown Attorney 324 Main Street Lewiston, Idaho Paul Brueggemeier, Conductor Paul Brueggemeier was a public school music teacher for thirty-three years in the Spokane Public School system. He taught instrumental music at Sacajawea Junior High School from 1970 to 1981 where he developed a large comprehensive band program Paul Brueggemeier known for its musical excellence throughout the Northwestern United States. From 1981 to June of 2003, he directed the choral music program at Joel E. Ferris High School. The school earned the Spokane Arts Commission Arts in Education award in 1998 and the GRAMMY Award Signature School designation in The Choral Music Department earned the respected place as one of the finest choral music programs in the Northwest. In addition to earning Superior ratings at local festivals on a yearly basis, the choirs annually received Gold, Silver and Bronze Awards at Canadian National Choral Festival for many years. They traveled in Europe three times representing the United States in Austria, Germany, France and Great Britain. The choirs performed in such memorable venues as Coventry and Canterbury Dawn Bernhardt Cathedrals, Westminster Abby, Omaha Beach at Normandy, France, Notre Dame, Paris and the Frauen Kirche in Munich. The Ferris choirs were invited regularly to perform for the Music Educators National Conference and American Choral Directors Association at state and regional conventions. Ferris singers were featured performers with the Spokane Symphony numerous times and were annual State Finalists at the Washington State Music Solo and Ensemble Contest every year. Paul was selected as the Spokane Public Schools Employee of the Year in He was honored as the Music Educator of the Year for Eastern Washington State in He received the Washington State Christa McAulliff Excellence in Education Award in He was inducted into the Washington Music Educators Hall of Fame in He is a highly sought-after adjudicator for choral festivals and solo and ensemble festivals in the northwestern United States and continues to be invited as guest conductor and clinician for honor choirs and bands throughout the United States. Paul has conducted church choirs all his adult life both as a volunteer and a paid professional. He was organizer of the Lutheran Heritage Concert Choir and conducted it when the choir toured Germany in He is currently Chancel Choir Director at Central Lutheran Church in Spokane. Paul and his wife, Sue have been married for 37 years and have three adult children, two of whom now teach music at Ferris High School. Dawn Bernhardt, Mezzo Soprano Dawn Bernhardt is a senior at Washington State University, graduating in May with a Bachelor s degree in Humanities and Music. She hails from Mesa, Arizona and Woodinville, Washington and started her musical training on the viola, playing with the Cascade Youth Symphony for four years. She studies voice with Dr. John Weiss and has been his student for nearly three years. Dawn was a National Association of Teachers of Singing (NATS) division winner during She has also been chosen as a finalist at the Young Artist Competition s with both the Washington Idaho Symphony and Coeur d Alene Symphony. She also won a Phase 1 Scholarship through WSU s School of Music for this school year. Dawn sings with several WSU ensembles, including Opera Workshop and Concert Choir and is a member of Mu Phi Epsilon, an honorary music fraternity. After graduation Dawn plans to marry and relocate to Florence, South Caroline, where sh plans to pursue a professional career in vocal performance.

8 8 13 Chorale Member Profile Susan Bohm Elena Panchenko alto, has sung in the Idaho-Washington Susan Bohm, Concert Chorale since its founding five years ago. Before that she was a member of the chorale predecessor organization, the Washington-Idaho Symphony Chorale, since Susan has lived in Pullman since 1980 and works as a pediatric nurse for Palouse Pediatrics. She dabbles in photography and enjoys flower gardening and traveling. Most recently she returned from Australia with her husband Bill Schmick. They have also traveled to Norway, Switzerland, Malaysia, Singapore, Spain, Portugal, and Morocco. Susan has six grandchildren, the newest of whom Georgia Marie Bohm was born on April 5. I love singing with a group, and I especially like singing in the alto section, Susan replies in answer to the question of why she sings with the Chorale. Elena Panchenko, Accompanist Friday, March 4, 2005 Acapella Music through the Ages 7:30 UI Auditorium Tuesday, May 10, 2005 Oratorio Israel in Egypt by Handel 7:30 UI Auditorium originally from Ukraine, studied Elena Panchenko, at the Moscow Conservatory, where she earned her degree in piano performance, music history and music theory. She served as the Musical Director of the Penn State Opera for four years and performed the debut of two new operas, including Mrs. Satan, an opera about the life of the first woman presidential candidate, Victoria Woodhall. Working extensively as an accompanist and church musician, Elena has worked with groups as varied as a children s dance group to such well-know performers as Francis Orval and David Shifrin, Clarinetist and Music Director of Chamber Music at Lincoln Center. In addition to Elena s duties with the chorale, she and is also the Music Director at St. James Episcopal Church in Pullman. Elena lives with her husband, Alex, WSU Math Professor and former Ukrainian Rock Star (as is Elena), her son Ivan, and their dog, Tasha. Hodgins Drug & Hearing 307 South Main, Moscow, Idaho Open Monday - Friday 9-6, Saturday 9-5, Sunday 12-5 A Mens & Womens Clothing Store East 400 Main Street, Pullman, WA (509) Fax (509)

9 12 9 Brused Books buy sell trade hardbacks - paperbacks science to science fiction literature to psychology 235 E. Main Pullman, WA Monday - Friday 11-6 Saturday 10-6 Sunday Up Town Hair & Nail Salon Suzanne A. Robinson L.M.P., R.N Licensed Massage Practitioner, R.N. Nationally Certified American Massage Therapy Association cell Thain Road,Suite A Lewiston, Idaho Sopranos Kathy Anderson Laurie Caraher Heather Dixon Jeanne Fairbanks Jill Price Freuden Meredyth Goodwin Nancy Grunewald Jana Joyce Cynthia Langford Helen Lombard Mary Macey Kari Marks Jackie Miyasaka Janet Mount Sharon Nitz Ann Norton Janice O Toole Laura Rankin Kathy Spencer Janice Willard Altos Alice Barbut Cheryl Blackburn Susan Bohm Janet Brandt Judy Campbell Jennifer Coleman Kami Cornwall Mimi Dimitrovska Shirley Engerbretson Jan Keller Judie Hanley Jeanette Jensen Holly McCollister Laura McMichael Maureen Miller Jan Patrick Mimi Pengilly Jenny Przekwas Ruth Vanderwall Susan Vanoy The Idaho-Washington Concert Chorale Chamber Choir Tenors Erol Barbut Kevin Brackney John T. Brewer Tom Brandt Stuart Campbell Bill Dugger Glenn Petersen Don Willows Basses Allen Alstad Art DeLong Jack Keller Rya n Johnson John Jordan Petr Kuzmic Kirk McMichael Gary Peterson Jim Reece David Spencer Gerd Steckel Steve Swannack Gordon Thomas Dean Vanderwall Dan Zenner Orchestra Meredith Arksey Solo Violin Michael Neville Viola 1 Andrea Rennie Viola 2 Eugene Zenzen Cello 1 Samantha Minker Cello 2 Matt Grimes Bass Robert Dickow Horn 1 James Harper Horn 2 Camille Peterson MAC Youth Choir Leta Ames Allison Anders Heidi Anders Kara Billington Ren Blele Maris Breed Elizabeth Brown Merina Burton Talia Candler Jasmine Castaneda Melissa Cavileer Eliza Clark Richard Crookston Jashvina Devadoss Amber Eby Jessi Forsythe Ailyn Havens Seneca Jensen Abigail Keon Robin Nilsson Hannah Page Sarah Page Samantha Patterson Cindy Pitkin Beth Roach Violet Rubero Erin Saladin Shiloh Sharrard Elizabeth Shelden Katie South Nevada Sowle Calliane Vance Karissa Vance Henry Vaughan Casey Williams Elaine Zabriskie Music Director & Principal Conductor John Weiss Guest Conductor Paul Brueggemeier Accompanist Elena Panchenko Piano and Organ Board of Directors Gordon Thomas Chorale President Web Master Janice O Toole Chorale Vice-President Jan Keller Chorale Treasurer Shirley Engerbretson Chorale Secretary Kirk McMichael Chorale Member-at-Large Gary Peterson Attorney, Genesee Rosemary Waldrop, Private Voice, Pullman Lori Wiest WSU Faculty, Pullman House Manager Shelly Houghtaling Chorale Leadership Alice Barbut Advertising Manager Janet Brandt Season Tickets Tom Brandt Tenor Section Leader Judy Campbell Alto Section Leader Jill Price Freuden Marketing Director Soprano Section Leader Jana Joyce Database Manager Mary Macey Chorale Librarian Ann Norton Chorale Librarian Laura McMichael Front Door Manager Audition Accompanist Steve Swannack Bass Section Leader Riser Crew Coordinator

10 10 11 Sponsors, $ Decagon Devices, Inc. Benefactors, $500 + Best Western University Inn Chamber Choir Caroling John Brewer David & Kathy Spencer Dene & Gordon Thomas Rosemary & Barney Waldrop Supporters, $250 + Shaun & Jill Freuden Meredith Goodwin Helen Lombard, Tupperware Fundraiser Laura McMichael, Palouse Pots Palouse Chapter, Enological Society, Wine Fundraiser Dene & Gordon Thomas Chorale Donors Patrons, $100 + Kathy Anderson Walt and Eleanor Asbe Ed & Marge Bennett Monte & Helen Boisen Tom & Liz Brandt Walt & Eleanor Butcher Sharon Dixon First Step Research Jeanne & Bob Jacobson Jana & Paul Joyce Peter & Cynthia Mika Karen Miller Sandra Ristow Mike & Judy Rooney Roger & Esther Spencer Ellen Thiem Ralph & Valerie Yount Other Chorale Friends Friends, $25 + Kurtzi Anderson Melinda Beasley Donald Blake Keith & Elizabeth Brandon Judy & Gaylon Campbell Camas Prairie Winery Jane Estocin-Klaiber Elizabeth & Gary Gabe John Haugen Cynthia Langford Mary Macey Fred & Helen Koehler Frances Norton Mimi & Jay Pengilly Joan & Merton Pubols John & Elizabeth Sullivan Ruth & Dean Vanderwall Janice Willard Wine Company of Moscow We would like to thank the following individuals and businesses for their support, contributions, and assistance. Our Families Idaho Repertory Theatre WSU Music Department Our Season Ticket Holders John Jordan Debbie Zenner Alisha Adkison Jonathon Keller Sheila Zilar American West Bank, Colton James Marriott & Uniontown Lee Morris Co Adam Benson Lewiston Civic Theatre We Need Your Pat Carter Ted Nitz Support! Athena Design John Norton The Idaho-Washington Concert Adam Benson The Owl Southway Pharmacy Chorale is a self-sustaining Mr. & Mrs. Keith Brandon Bob Patrick nonprofit organization and your Christian & Carolyn Brandt Dave Riggleman contribution is tax-deductible. If Churchyard Inn Bed & St. Boniface Church, you are interested in learning more Breakfast Uniontown about us, please contact us at: City of Colton St. James Episcopal Church, Sharon Dixon Pullman IWCC, P.O. Box 8112, Dick Domey City of Uniontown Moscow, ID Albert & Ellen Eng, Uniontown Community McDonald s of Pullman Building First United Methodist Karen Weathermon Church, Lewiston Meredith Weaver Aitken, Schauble, Patrick, Neill, Ruff & Shirley Bearable Dentistry Bennett Realty BookPeople of Moscow Charles Brown, Attorney Brused Books City northamerican Coleman Oil/Chevron DynaMarts Columbia Paint & Coatings Community Current Newspaper Creason, Moore & Dokken Eastside Marketplace Eleanor s Corner Saloon FirstBank, Lewiston Gail Byers Real Estate Gold Medal Mentoring Gritman Medical Center Hill s Valley Floral Hodgin s Drug Ken Vogel Clothing Lewis-Clark State College Our Advertisers Helen Lombard, Tupperware MeadowLark Melodies Moscow Food Co-op Moscow Wine Company Musical Alchemy, Inc. The Needle Nook Neill s Flowers & Gifts Nelson Accounting New St. Andrew s College Open Eye Consignment Shop Pacific NW Kiwanis - Louise Regelin, District Governor Palouse View Dental Center Pets Are People, Too Pullman Family Medicine Quilt Something Suzanne Robinson, Uptown Hair Salon Safeway, Pullman Southway Animal Clinic S&S Custom Cabinets, Inc. Steve Teare, ExtraHand Studio Swilly s Today s Dental Wheatberries Zumé Bakery & Cafe Support the Chorale Wednesdays Did you know that you can support the chorale during your lunch? Or on that family night out? Dine at Pizza Hut on the 3rd Wednesday of the month and 20% of your meal is a donation to the chorale!! Just bring this coupon (make a few copies, first!) and present it when you order at Sing With Us! Singing with the Chorale is fun! IWCC is an auditioned choir of community members from around the Palouse. We perform several times each season (August-May) and rehearse Monday nights 7:30-9:30 pm in Pullman at the Gladish Community Center View Room. Contact: Janice O Toole otoole3@inlandnet.com, Pizza Hut in Pullman, Moscow, Lewiston or Clarkston. Good whether you dine in, carry out or order delivery, just go on the 3rd Wednesday of the month. If you run out of coupons, visit our website at: to download more copies!