Fearfully, wonderfully : for solo tenor, solo baritone, and orchestra
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1 University o Louisville ThinkIR: The University o Louisville's Institutional Reository Electronic Theses and Dissertations -01 Fearully, wonderully : or solo tenor, solo baritone, and orchestra Anna E. Garman 10- University o Louisville Follow this and additional works at: htt://ir.library.louisville.edu/etd Recommended Citation Garman, Anna E. 10-, "Fearully, wonderully : or solo tenor, solo baritone, and orchestra" (01). Electronic Theses and Dissertations. Paer 0. htts://doi.org/10.1/etd/0 This Master's Thesis is brought to you or ree and oen access by ThinkIR: The University o Louisville's Institutional Reository. It has been acceted or inclusion in Electronic Theses and Dissertations by an authorized administrator o ThinkIR: The University o Louisville's Institutional Reository. This title aears here courtesy o the author, who has retained all other coyrights. For more inormation, lease contact thinkir@louisville.edu.
2 FEARFULLY, WONDERFULLY or Solo Tenor, Solo Baritone, and Orchestra by Anna E. Garman B.M. University o North Texas 011 A Thesis Submitted to the Faculty o the School o Music o the University o Louisville in Partial Fulillment o the Requirements or the Degree o Master o Music Music Coosition University o Louisville Louisville, Kentucky May 01
3 Coyright 01 by Anna E. Garman All Rights Reserved.
4
5 FEARFULLY, WONDERFULLY or Solo Tenor, Solo Baritone, and Orchestra by Anna E. Garman B.M. University o North Texas 011 Thesis aroved on Aril, 01 by the ollowing committee: Steve Rouse, Thesis Director Marc Satterwhite Kimcherie Lloyd ii
6 ACKNOWLEDGEMENTS I irst want to thank God or his rovision and blessing over the last two years as I've coleted my degree. I also want to thank my husband and the rest o my amily and riends or their suort and encouragement. Lastly, to Dr. Steve Rouse, Kimcherie Lloyd, and all o the other teachers who have invested in me over the years, thank you or believing in me. iii
7 TABLE OF CONTENTS Acknowledgments...iii Instrumentation...v Percussion Set-U Diagram...v Program Note...vi Texts...vii Fearully, Wonderully...1 Curriculum Vitae... iv
8 INSTRUMENTATION Flutes (rd doubling Piccolo) Oboes English Horn B-lat Clarinets (rd doubling B-lat Bass Clarinet) Bassoons (rd doubling Contrabassoon) F Horns C Truets Trombones Bass Trombone Tuba Tiani Percussion 1 Crotales, Snare Drum, Susended Cymbal, Crash Cymbal, Mark Tree (rom Perc. ), Marimba Percussion Tom-toms, Susended Cymbal (rom ), Mark Tree, Vibrahone, Xylohone, Chimes, Crash Cymbal (rom ) Percussion Tam-tam, Bass Drum, Triangle Piano Har Solo Tenor Solo Baritone Strings (minimum 1/10///) PERCUSSION SET-UP DIAGRAM: This suggested ercussion set u should minimize the issues o sharing instruments between arts. It may be rotated or otherwise modiied to it the need o the ensemble or the erormance sace. Duration: circa 1 minutes v
9 PROGRAM NOTE When I was in sixth grade my Sunday School teacher, Rebecca McIntosh O'Dell, had my entire class memorize Psalms 1. While I have never been articularly adet at memorizing anything, to this day I can recite this Psalm by heart. In the Sring o 010 cancer took Rebecca's lie. It was this tragedy that insired the dual texts o Fearully, Wonderully. The irst text, sung exclusively by the solo tenor, is most o the Psalm Rebecca taught me. The second text, sung almost exclusively by the solo baritone, is a oem by Thomas Hardy entitled A Wasted Illness. Fearully, Wonderully ollows the joint journey o the combined texts, beginning contelatively with the Psalm, and slowly exloring the changing moods o the two texts. The iece is through-coosed, but the horn and viola resent a theme in the introduction that ermeates the work in modiied orms. This theme is meant to reresent God's resence, which never ades desite our ever-changing circumstances. The arcs o the two texts are similar, lending themselves to being sliced together over the course o the iece. However at times the individual meanings seem at odds with one another. In articular, the end o the Psalm combined with the end o Hardy's oem blurs the line between lie and death, and it is u to the listener to decide whether the eaceul resolution at the end o the work stems rom the recovery or the assing o the subject. vi
10 TEXTS Psalms 1 A Psalm o David. NIV. 1 Oh Lord, You have searched me, and you know me. You know when I sit and when I rise; you erceive my thoughts rom aar. You discern my going out and my lying down; you are amiliar with all my ways. Beore a word is on my tongue you know it coletely, oh Lord. Where can I go rom your Sirit? Where can I lee rom your resence? I I go u to the heavens, you are there; i I make my bed in the deths, you are there. 10b...your right hand will hold me ast. 11 I I say, Surely the darkness will hide me and the light become night around me, 1 even the darkness will not be dark to you; the night will shine like the day, or darkness is as light to you. 1 For you created my inmost being; you knit me together in my mother s womb. 1 I raise you because I am earully and wonderully made; your works are wonderul, I know that ull well. 1b...all the days ordained or me were written in your book beore one o them came to be. A Wasted Illness by Thomas Hardy Through vaults o ain, Enribbed and wrought with groins o ghastliness, I assed, and garish sectres moved my brain To dire distress. And hammerings, And quakes, and shoots, and stiling hotness, blent With webby waxing things and waning things As on I went. "Where lies the end To this oul way?" I asked with weakening breath. Thereon ahead I saw a door extend - The door to death. It loomed more clear: "At last!" I cried. "The all-delivering door!" And then, I knew not how, it grew less near Than theretoore. And back slid I Along the galleries by which I came, And tediously the day returned, and sky, And lie--the same. And all was well: Old circumstance resumed its ormer show, And on my head the dews o comort ell... 1b...when I awake, I am still with you. a Search me, God, and know my heart... b...and lead me in the way everlasting. *Note that both texts have been excerted or use in this work. Both texts are in the ublic domain. vii
11 Transosed Score Flute 1- Flute Oboe 1- English Horn Bb Clarinet 1- q = Proound + 1. Fearully, Wonderully n m n n m Anna E. Garman (b. 10) a n a Bb Clarinet Bassoon 1- Bassoon F Horn 1- F Horn Solo, with m. m C Truet 1- C Truet mute mute 1. oen Trombone 1- Bass Trombone mute mute Tuba Tiani Percussion 1 Percussion Percussion Piano I.-G, II.-B, III.-Eb, IV.-F hard mallets Tom-toms, hard mallets Tam-tam m to B. D. daen m Crotales, bowed sim. Bass Drum Har Tenor Baritone Violin 1 Violin Viola Violoncello Double Bass q = Proound + D C B Eb F# G Ab thunder a a a bisbig. Solo, with Hn. (one layer only) m m m m a n Coyright 01 Anna E. Garman cooser@annaegarman.com n
12 Fl. 1- Fl. Ob. 1- rit. 10 q = Poco Piu Mosso Fearully, Wonderully - Anna E. Garman - Cl. 1- Cl. Bsn. 1- Bsn. Hn. 1- Hn. - C Tt. 1- C Tt. n. n Tbn. 1- oen oen n. Ti. Perc. III.-Fb (Crot.) ord. Perc. H. m m m D# a iacere a teo You have searched me, Lord, and you know Vln. rit. 10 q = Poco Piu Mosso 11 1 tutti, a a a
13 Fl Fearully, Wonderully - Anna E. Garman - oco rit lutter 1. Fl. m lutter Ob. 1- Cl Cl. m Bsn m Bsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. to S.D. Perc. Perc. H. m m A E Db F A# m m A D me. Search me, you have searched, and you know. Vln oco rit.
14 Fl. 1- Fl. Ob. 1-1 q = 10 Intense ord. - Fearully, Wonderully - Anna E. Garman a m ord. m a Cl. 1- Cl. m Bsn. 1- m Bsn. Hn. 1- Hn. - C Tt. 1- a, oen C Tt. oen Tbn. 1- Ti. m Snare Drum m snares o II.-Bb daen Perc. Perc. (Tom-t.) m m m daen to Sus. Cym. (B. D.) to Tri. Triangle m secco H. m Vln. Through vaults! Through vaults! Through vaults o ain! Through vaults o ain, en ribbed 1 q = 10 Intense 0 1 and wrought m m m a m m m m with
15 Fl. 1- Fl. Ob. 1- Cl. 1- Cl. Bsn. 1- Bsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. Perc. Perc. H. Vln. m mute, a m mute m dead strokes Sus. Cymbal, hard mallets to Tom-t. m to B. D. Bass Drum Db Cb Bb Eb Fb G# A Groins! Gast li ness! groins o gast li ness, I m assed, and gar ish sec tres moved my brain to dire dis tress! m izz, arco m m izz, arco m izz. arco m - Fearully, Wonderully - Anna E. Garman -
16 Fl. 1- Fl. Ob. 1- Cl. 1- Cl. Bsn. 1- Bsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn legato legato legato releasing tension dim. oco a oco dim. oco a oco dim. oco a oco a, bring out oen oen - Fearully, Wonderully - Anna E. Garman - bring out legato legato dim. oco a oco dim. oco a oco dim. oco a oco dim. oco a oco dim. oco a oco dim. oco a oco dim. oco a oco dim. oco a oco dim. oco a oco Ti. Sus. Cym. ord. (S.D.) to Sus. Cym. snares on m Tom-toms, hard mallets dim. oco a oco Perc. (B. D.) H. Vln. 0 1 on the string Ab Groins! Gast li ness! on the string releasing tension dim. oco a oco dim. oco a oco dim. oco a oco dim. oco a oco dim. oco a oco
17 - Fearully, Wonderully - Anna E. Garman - Fl. 1- Fl. Ob. 1- Cl. 1- Cl. Bsn. 1- rit. q = Broad 0 to Picc. a Bsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. Perc. Perc. m to Cbsn. bring out m m m m Sus. Cymbal, sot mallets m to Cr. Cym. m ord. H. m m C# D# E F# B m G m Vln. rit. q = Broad 0 m m m
18 - Fearully, Wonderully - Anna E. Garman - 1 Calm (q = ) Fl. 1- Fl. Piccolo Solo with m m Ob. 1- Solo with Picc. m m Cl. 1- Cl. m bring out m Bsn. 1- Bsn. Cbsn. m Hn. 1- Hn. - C Tt. 1- C Tt. 1. bring out Tbn. 1- m Ti. III.-E Perc. (B. D.) Perc. m You know when I sit and when I rise; You er ceive my thoughts rom a 1 Calm (q = ) Vln. bring out IV. m - outside izz, inside arco
19 - Fearully, Wonderully - Anna E. Garman Fl. 1- Picc. Ob. 1- Cl. 1- Cl. Bsn. 1- Cbsn. Hn. 1- m Hn. - m C Tt. 1- m C Tt. Tbn. 1- m legato as ossible m legato as ossible m Ti. Perc. (Tom-t.), med. mallets Perc. m ar. You dis cern my go ing out and my ly ing 0 1 Vln. ord.
20 10 - Fearully, Wonderully - Anna E. Garman - Fl. 1- Picc. Ob. 1- Cl. 1- Cl. m to Bs. Cl. Bsn. 1- m m Cbsn. Hn. 1- m m Hn. - Tbn. 1- Ti. sim. nds m Perc. Perc. m H. m Db C Bb E# F# Gb A down; You are a mil iar with all my Vln. m m m m m
21 - Fearully, Wonderully - Anna E. Garman - 11 Fl. 1- Picc. Ob accel. q = 10 Frantic 0 m m m a m m Cl. 1- m Cl. Bsn. 1- Cbsn. m bring out, colla voce bring out, colla voce Hn. 1- m Hn. - m C Tt. 1- C Tt. Tbn. 1- m m bring out, colla voce m Ti. Perc. Perc. m daen daen Crash Cym. (hand held air) with Sticks m to T-t. Tam-tam daen daen m scrae, with tri. beater ways accel. Ham mer ings! Quakes! Shoots! Quakes! Ham mer ings! Shoots! q = 10 Frantic 0 sub. Vln. sub. tutti arco unis, izz. izz.
22 1 - Fearully, Wonderully - Anna E. Garman - Fl. 1- Picc. Ob. 1- Cl. 1- Cl. 1 bring out, colla voce Bass Clarinet a a bring out, colla voce Bsn. 1- a Cbsn. Hn. 1- m m 1. oen Hn. -. oen m C Tt. 1- m C Tt. Tbn. 1- m m m Ti. Perc. Perc. H. ord. m Db C B E# F G Ab m m m Triangle to Tri. Tam-tam, tri. beater Bass Drum m m Sti ling hot ness! Hot ness! And ham mer ings and quakes, and Vln. 1
23 - Fearully, Wonderully - Anna E. Garman - 1 Fl. 1- a m Picc. m Ob. 1- m m Cl. 1- a Bs. Cl. Bsn. 1- a Cbsn. Hn. 1- oen oen Hn. - a C Tt. 1- C Tt. a Tbn. 1- m m Ti. dead strokes m sub. Perc. m Perc. m sub. m Be ore a word is on my shoots and sti ling hot ness, and web by wax ing wan ing things, as on I went. Vln. arco izz. arco izz. div, arco arco izz. arco
24 1 - Fearully, Wonderully - Anna E. Garman Fl. 1- Picc. Ob. 1- a Cl. 1- Bs. Cl. Bsn. 1- Cbsn. Hn. 1- m Hn. - m C Tt. 1- C Tt. m m Tbn. 1- Ti. ord. m m Perc. Perc. m tongue you know it com lete ly oh Lord! 0 1 Vln.
25 - Fearully, Wonderully - Anna E. Garman - 1 Fl. 1- building tension a Picc. a Ob. 1- a Cl. 1- Bs. Cl. Bsn. 1- Cbsn. Hn. 1- Hn. - C Tt. 1- C Tt. m m Tbn. 1- Ti. Perc. Perc. aregg. E H. m m cresc. D# Where can I go rom your sir it? Where can I lee rom your res ence? Where can I go? m cresc. Where lies the end? Where lies the end? Where lies the end? Where lies the end? building tension s s s Vln. s s s m m
26 1 Fl Fearully, Wonderully - Anna E. Garman - q = Hesitant 0 1 Picc. Ob. 1- to Fl. Cl. 1- Bs. Cl. to Cl. Bsn. 1- Cbsn. to Bsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. Perc. Perc. m m to Sus. Cym. Mark Tree to Vib. to Tri. With the let hand alm and ingers, sto all o the strings between the indicated itches as close to the nut as ossible. H. Vln. rolling glissando Where can I lee? Where can I go? Where lies the end to this oul way? 0 1 q = Hesitant.
27 Fl. 1- m 1 Foreboding 0 1. Solo Fearully, Wonderully - Anna E. Garman - 1 Bsn Solo stoed, sere H. F# D sim. Where lies the end to 1 Foreboding Vln. izz. izz. Perc. 100 Triangle sim. this oul way? I ask m with weak en ing breath. gently, head voice as needed I I go u to the heav 100 Vln.
28 1 - Fearully, Wonderully - Anna E. Garman Fl. 1- Fl. Flute Ob. 1- Cl. 1- Bs. Cl. Bb Clarinet Bsn. 1- Cbsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. Perc. Perc. m ens, you are there. I I make my bed in the Vln.
29 Fl. 1- Fl. Ob. 1- Cl. 1- Cl. Bsn. 1- Bsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. Perc. Perc. Vln m m m deths, your m right hand holds me ast to Bs. Cl. Bassoon Sus. Cym, sot mallets to Cr. Cym. to -t. Tam-tam, tri. beater scrae to Tri. con sord. con sord. con sord. - Fearully, Wonderully - Anna E. Garman - 1
30 0 Fl. 1- Fl. Ob Light, with Energy Fearully, Wonderully - Anna E. Garman cresc. cresc. cresc. cresc. bring out Cl. 1- Bass Clarinet bring out m Cl. m Bsn. 1- Bsn. Hn. 1- Hn. - C Tt. 1- cresc. cresc. m m C Tt. Tbn. 1- Ti. mute m mute m m Perc. Perc.. Vln. 11 Light, with Energy izz. arco cresc. izz. arco cresc. izz, senza sord. cresc. cresc. cresc.
31 - Fearully, Wonderully - Anna E. Garman - 1 Fl. 1- Fl Ob. 1- a Cl. 1- m Bs. Cl. m Bsn. 1- a Bsn. to Cbsn. Hn. 1- oen Hn. - oen C Tt. 1- C Tt. Tbn. 1- Ti. oen med. mallets mute III.-D, IV.-Eb Perc. Perc.. Vibrahone, med. mallets Triangle m There on a head I saw a door ex tend. There Vln senza sord. sub. sub.
32 Fl. 1- Fl. Ob. 1- Cl. 1- Bs. Cl. Bsn. 1- Bsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. Perc. Perc. Vln m m m m sim. on a head I saw a door m ex tend to death. To death, the door to death! to Picc. oen oen a oen, a oen to B. D. - Fearully, Wonderully - Anna E. Garman -
33 - Fearully, Wonderully - Anna E. Garman - Fl. 1- Fl. Ob. 1- Cl. 1- Bs. Cl a Piccolo a a Bsn. 1- Cbsn. Hn. 1- Soli Contrabassoon Soli Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. hard mallets Perc. Crash Cymbal m Perc. Bass Drum m m ord. H. Sure ly the dark ness will hide me and the light C# E m be come night a round me. The A head I saw a door ex tend E# D# to Vln. arco arco
34 - Fearully, Wonderully - Anna E. Garman - Fl. 1-1 With Great Weight a emerging Picc. Ob. 1- Cl. 1- Bs. Cl. emerging emerging a Bsn. 1- Cbsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. Perc. Perc. to Xyl. H. Vln. D A F light! 1 With Great Weight emerging arco G# thunder death! a div, senza sord a
35 Fl. 1- Picc. oco accel. 1 q = Restrained, but Growing Fearully, Wonderully - Anna E. Garman - m Ob. 1- Cl. 1- Bs. Cl. Bsn. 1- Cbsn. Hn. 1- Hn m a m C Tt. 1- C Tt. Tbn. 1- m Ti. Perc. Perc. Xylohone, hard mallets to S. D. Snare Drum m to Vib. H. m The light, the light. It loomed more clear, it loomed G oco accel. 1 q = Restrained, but Growing Vln. m m m
36 - Fearully, Wonderully - Anna E. Garman - Fl. 1- Picc. Ob. 1- Cl. 1- Bs. Cl. Bsn. 1- Cbsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti bring out bring out m legato mute m legato mute m` m m m m m Perc. Vibrahone, med. mallets m to Chm. Perc. H. The light is night a round me! It loomed more clear, it loomed more clear! Vln m m m
37 - Fearully, Wonderully - Anna E. Garman - Fl. 1- Picc Ob. 1- Cl. 1- m Bs. Cl. Bsn. 1- m a Cbsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- a m oen m Ti. m Perc. Perc. m (B. D.) m m H. Vln. m At 1 The light! The light! The all de liv er ing door! last! At last! The all de liv er ing door! m + +
38 - Fearully, Wonderully - Anna E. Garman - Fl Picc. Ob. 1- Cl. 1- Bs. Cl. Bsn. 1- Cbsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- oen Ti. Perc. Perc. Chimes bring out a 1 1 a Vln.
39 - Fearully, Wonderully - Anna E. Garman - Fl Picc. Ob. 1- a Cl. 1- Bs. Cl. Bsn. 1- Cbsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. Perc. Perc. H. D# C B# Eb F# Gb A 1 1 Vln.
40 0 - Fearully, Wonderully - Anna E. Garman Fl. 1- Picc. Ob. 1- Cl. 1- Bs. Cl. Bsn. 1- Cbsn. Hn. 1- a Hn. - C Tt. 1- C Tt. a Tbn. 1- Ti. Perc. Perc. III.-C to Cr. Cym. H. 1 Ev en the dark ness will not be dark to you! Night will shine like day! The The all de liv er ing door! The all de liv er ing Vln. bring out
41 Fl. 1- Picc. Ob. 1- Cl. 1- Bs. Cl. Bsn. 1- Cbsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. Perc. Perc. H. Vln night will shine like day or dark ness is as light to you! door! All de liv er ing door! a a a i ossible Crash Cym. D C B Eb F# G A# unis, bring out - Fearully, Wonderully - Anna E. Garman - 1
42 - Fearully, Wonderully - Anna E. Garman - Fl a 10 Picc. Ob. 1- a Cl. 1- a Bs. Cl. Bsn. 1- Cbsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. Perc. Perc. H. Db C Bb Eb F Gb A rolling glissando Vln.
43 Fl. 1- Picc. Ob. 1-1 q = Broad 11 a a - Fearully, Wonderully - Anna E. Garman - Cl. 1- Bs. Cl. a to Cl. Bsn. 1- Cbsn. to Bsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. II.-A to M.tree sot mallets m Perc. to Chim. Perc. to Tri. H. D C# B E F# G# A Vln. m The door to m 1 q = Broad m m m death?
44 Fl. 1- rit. 11 q = Meno Mosso Fearully, Wonderully - Anna E. Garman - colla voce in teo Picc. Ob. 1- Cl. 1- Bs. Cl. Bsn. 1- Cbsn. Hn. 1- Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. Perc. Perc. II.-D Chimes Mark tree, stick ad lib. H. m D C Bb E F G# A m a iacere (rit.) ( ) (teo) It loomed more clear: And then, I know not how, it grew lessnear than there to ore. Vln. rit. 11 q = Meno Mosso colla voce in teo
45 Fl. 1- Ob. 1- Hn. 1- Hn. - Tbn. 1- Vln. m Tranquil (q = ) oco rit. q = m For you cre at ed my in cresc. oco a oco most be ing; You cresc. oco a oco Tranquil (q = ) oco rit. q = cresc. oco a oco cresc. oco a oco cresc. oco a oco cresc. oco a oco Fl. 1- Ob. 1- Cl. 1- Bs. Cl. C Tt. 1- C Tt. Vln m m m knit me to geth er in my moth er's womb. Your works are won der ul, I know that ull well. And to Mba. unis, bring out a Clarinet in Bb mute, a mute - Fearully, Wonderully - Anna E. Garman -
46 Fl. 1-1 rit. 1 A Teo Fearully, Wonderully - Anna E. Garman - Picc. Ob. 1- Cl. 1- a Cl. m Bsn. 1- m Bsn. m Bassoon Hn. 1- m Hn. - C Tt. 1- C Tt. Tbn. 1- Ti. 1. hard mallets m Marimba, sot mallets Mar. m Perc. Perc. H. D C B Eb F G# A back slid I a long the gal ler ies by which I came. And All the days or dained or me were te di ous ly the day re turned, and Vln. 1 rit. 1 A Teo izz. decresc. izz. decresc. izz. decresc. izz. decresc. decresc. izz.
47 - Fearully, Wonderully - Anna E. Garman - Fl. 1- Picc. Ob. 1- Cl. 1- Cl. Bsn. 1- Bsn. Hn. 1- Hn. - 1 rit. C Tt. 1- (mute) C Tt. (mute) Tbn. 1- Ti. Mar. Perc. (Chm.) colla voce Perc. H. Vln. writ ten in your book be ore one o them came to be. sky, and lie the same. m m a iacere When I a wake I am still with a iacere rit. And all was 1 arco colla voce arco arco arco arco colla voce colla voce colla voce well. you.
48 Fl. 1-0 q = Serene + 1. Solo - Fearully, Wonderully - Anna E. Garman - 1 Cl m Bsn Hn. 1- m Hn. - C Tt oen m m Perc. Vln. Triangle sim. a teo m m Old cir cum stanc es re sumed their or mer show, and on my head the dews o com ort ell... 0 q = Serene + 1 non- m non- non- non- non- Hn. 1- Tbn Solo 1. (Mba.) rit. Mar. Perc. Vln. sub. sub. sub. Search me O God and know my heart, lead me in the way 0 m ev er last ing. (Tri.) 1 + rit. sub. sub.
49 CURRICULUM VITAE Anna E. Garman Birthdate: June 1, 10 Place o Birth: Rolla, Missouri Website: cooser@annaegarman.com EDUCATION: University o Louisville, Master o Music, Music Coosition Coosition studies with Steve Rouse University o North Texas, Bachelor o Music, Music Coosition Minor in Music Theory Coosition studies with Joseh Klein and Joelle Wallach SELECTED HONORS: Graduate Dean's Citation, University o Louisville, 01 Moritz von Bomhard Fellowshi, University o Louisville, Summa Cum Laude Graduate, University o North Texas, 011 Concerto Coetition Finalist in Coosition, University o North Texas, 011 Presser Scholarshi Nominee, University o North Texas, 011 Outstanding Music Coosition Undergraduate Student Award, University o North Texas, 011 SELECTED WORKS: Fearully, Wonderully (01) or Solo Tenor, Solo Baritone, and Orchestra Read Aril, 01, at the University o Louisville Charqui (01) or Guitar Premiered Aril 1, 01, at the University o Louisville This is the Garden (01) or Sorano, Woodwind Quartet, and Percussion Premiered Aril 10, 01, at the University o Louisville Wracked (01) or Orchestra Read Aril 1, 01, at the University o Louisville Summer Storm (01) or.1 ixed media Premiered February 1, 01, at the University o Louisville Cracked Brick (01) or Flute/Piccolo and Alto Saxohone Premiered November 1, 01, at the University o Louisville Recorded by AVIDduo in Setember 01 Released on Interactions CD by AVIDduo in February 01
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