THE TIN MAN TALKS... THE AARON PARNELL BROWN INTERVIEW. Written by Bill B Saturday, 04 July :51 - Last Updated Saturday, 04 July :18

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1 Without doubt one of the truest "SOUL" albums of 2015 so far has been 'The Tin Man' from AARON PARNELL BROWN. The complex but concise nine tracker has won the hearts of underground soul lovers since UK soul scribe Toby Walker (see ) discovered the self-released album earlier in the year. With regular plays on Jazz FM, the lead track 'Just Leave' has drawn comparison with Marvin Gaye and Donny Hathaway and because of the buzz on Aaron, Ralph Tee (who knows a thing or two about proper soul) has stepped in and signed the album for exclusive release on his Expansion Records so that everyone can now have the opportunity to enjoy the subtle soul gem. With the release scheduled from July 24th, what better time to learn a bit more about Mr. Brown... so here we go, an exclusive interview with soul's newest star and, as ever, we start with some background... I grew up for my first eleven years or so in Philadelphia where much of my family is from. While in elementary school I started playing music on the flute. After moving to South Carolina in middle school I transferred to the trumpet which I really loved. I really fell in love with jazz and soul music when I started playing the trumpet. My Dad was a big soul and jazz lover and he introduced me to jazz greats such as Clifford Brown (from nearby Wilmington, DE), John Coltrane (who lived in Philly for awhile), and, of course, Miles Davis. He also introduced me to all the soul music he loved from the 70's such as the great Philly acts - The Stylistics, The Delfonics, Teddy Pendergrass, and Blue Magic as well as other great soul acts such as Stevie Wonder, Donny Hathaway, New Birth, and Enchantment. In high school I had a bad basketball accident where I got hit in the mouth and wasn't able to play the trumpet well after that which lead me to picking up the guitar and singing. I never really thought I had a great voice, but I just 1 / 6

2 loved to sing because in many ways I thought it was similar to playing the trumpet with regards to finding and singing great melodic lines. I guess my ambitions growing up were to play professional basketball or baseball. I loved both sports, especially basketball, and worked tirelessly to make that happen, but unfortunately I just wasn't good enough. Growing up music, was more of just something I really enjoyed doing. I played music all the time just because it really made me feel great, not because I wanted to be a superstar or anything. OK... so what about your musical influences... who are your heroes? My primary singing influences are Stevie Wonder (his tone, range, and control), Donny Hathaway (his tone and emotion), Frank Sinatra (his phrasing), Prince (his style), Nina Simone (all that emotion!), and Mick Jagger (what a horrible singer, but I just can't get enough of his style). 2 / 6

3 When did you to decide to make Music a career choice? Was it a difficult decision? I'm still deciding to make music a career choice!!! Really, I just love making music and love performing for audiences so I'm trying to keep my decision-making as simple as that when it comes to my future in the music business. It's really tough to make a living in this business and I'm really only in the beginning of that, so to not be discouraged I always come back to the question of "do you like playing music? Yes" "do you enjoy performing music? Yes" well then don't think about it, just do it as much as you can till you can't do it anymore. What were your first professional music experiences? My first professional music experiences were in a band called Alien Red. We played a mix of soul, blues, rock, punk, country, and just about everything else too. We played lots of gigs to great crowds, empty rooms, and all other kinds of audiences. It was there were I really got a chance to see and feel if a career in music was for me. We'd drive 4 or 5 hours to play a show and get paid in fries and cigarettes (or not get paid at all!) and then we'd drive home unpack all of our gear and then I'd go into work the next day. That experience was pretty rough, but while it was happening it never ever felt like work which opened my eyes to what I want to do in life. One story that was pretty funny was when we had our first gig in New York City and we were so excited. It was in the financial district at a crappy little bar and were so excited to play the show, but in the middle of our second song the owner stops us and asks us if more people were coming to the show, because there was no one there, and we said no. Then he says "this isn't a practice space" and just kicks us out the bar in the middle of the song and this is after we drove 3 hours to get there! 3 / 6

4 What audience things like accomplishing 'Sing' wanted Tell With enjoyed, "Aaron becoming Did Yes, nationally, Take 'The City found do everything most album through ideas, or him musicians thing" of. not and that Tin Alien Sing my the from and about we album but because ended. even that before Rockwood & more it your also the Man' first album from that to had made. they I 'The a working you Red, but should would just manager if proper more we your album together. initial might going about they Spell" was My many I there both will more Tin enjoy you've had was really I did We was reach first Music talented go probably recorded are idea Man' band on have I of a into simple with pretty of simply that definitely had stylistically I was lot any still solo these As already interesting, had recordings? 'The him of audiences Hall of are first little a learning famous very what kind successful same album musicians expectations, experimenting the because producer play last goals Tin very firmly chance and that album... hit set a future happy of you cohesive summer musical Man'... project was talented time. but radio success? you how and lot even want course I really for a Matt you and locally liked with called of gently need much positive to you He station other and highpoints, interests but with better work and write not with is more don't liked ended to for called to very 'Sing'. with once and more. guides that be just producer people amount it. the Philadelphia. with, songs, way version have my than I potentially laid 'The I be up in just ultimately project about had yourself The music. well the but a soul everyone likely coming to back wanted clear Tin play of begin solo end. Matt going of like wonder main less also beyond local everything and Man' We they yet guitar, project. idea By thought Pierson. Aaron more Not you were to goal difference to. into jazz "right success he called chatted doing one I will beginning. Philadelphia. project This make of really have the you knows the was soulful. and still the not and much thing" of which that right WXPN. I this, being studio are figuring my first perform to eventually wanted just something sound only I you the received. project musically instruct doing internationally spot. quite shows that you got to said, I play filter Spell also I make and Musically things ended can you to each awhile What might the touch because I make front we learned between that feel just where eliminate didn't hear New music decisions "right out decided album. up I lead I of picked and with learned Iin York thing think when an the you? from if that the to him the toi 4 / 6

5 Why No, have music found my The compared When was instantly that Brooklyn up which Nina black Lose"). truth committed they being themselves to leave life main relationship I help album's just name realize of Simone's don't come and where career, I mics to always how I'm wrote them so draws influence title... where responded give good white/right know relationship very (also excited to "What their life I listener to big "Just and alone, need my realize had songs you person really interested a the covered mistake, tune life music Marvin physically conquering are a Leave" about it song to America "awesome." feel hence or heart, a where that is. with be. you they and reference wrong greater So, what's was 'Just its recording Gaye but they I by a going with was has "Just but think they obsessed cool potential that's exploring song... soul their tracked last personal (i.e. can't Leave' it my a sound... lost going for?" was Leave." The they depict intro, family, several how man "Don't former buddy To of end but lyrics to just Daniel, could and many the with a I challenges. life John be approached this but really Explain," the what rusty...through and object years song. "grey" I Wizard this like as for the immediately be. ways, by title Edwards)? bandmate much killer one can content other would themselves To such In of owner 'The song fact, of "Don't but affection complicate time life As you of groove, more this person as Oz... those Tin you now because of were and tell was falling told Adam song Smoke the Strange Man' complicated Do say? I've and just great engineer, success him unfaithful Wizard inspired song. things you where about Zielinski found refers to basically won't very "1974 knows love, 70's Weather me Bed," 70's of a of colorful someone by that... let it's asked to pursuing soul and Oz, bit Stevie my enough about all their them begs & love much further, nuanced last songs recording "Either some lyrics chord America partner and Wonder" a get Tin changes is album, closer a about year before full that of Man other purpose Way have changes than many ago, time person studio with and to just I've song found to setting Ithat person was the just now Iof of in 5 / 6

6 There made something Pierson was Love touched Hathaway big idea inspired. Since Well, from places). I'm toured deal So Right possible Where Regularly way! where also Black one struck with around Also, Sometimes' I I've now them are wanted Europe would and tune That my both of Ralph got Keys touring release approached are I'm the some I'd new. my heart different? I the that really immediately solo process you favorite that fan chat Tee's The world covers include the was would that every and a has I like committed with Elton could lot world right Expansion. is (Japan, of with Jeff covering I been time has hopefully very was covers too... a planning Elton win said John strip lot behind Buckley now... a happened... I just exciting very band. in, heard a of Germany, to yes. John away tell song Grammy Blood, great say listening taking take exciting both and this us In songs. I five knew least a for 'We addition, and fans, about the Sweat, album lot a what my me... Australia, (or US years All before to of 2 listener the I Tell music DJs, confess, new two)! them Fall tour about me and approach song I've time? extra Music albums that, In the to and one directly more most UK, Tears already... Love chat very first I the a why but stuff actually day Netherlands, Writers, UK/Europe immediate importantly, with well road Sometimes' songs. to choose when begun took meeting all before Jeff didn't make these emotional my With was play Buckley to Tour them? future... career a of even write France similar for was 'Everlasting many bunch folks song course, a suggested for simple for know version sentiment How to about many the came new and to of my just I've how other fall. 'We have gospel many fans next really people Light', my on always it now Donny I've All because in people by and music. along album. you more the Fall got never try Matt I'm as the really lyric In the a it AARON PARNELL BROWN'S 'THE TIN MAN' is released on Expansion Records on July 24th... find a full review in our reviews archive... 6 / 6

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