Music Notes 2016 Trinity XVI
|
|
- Lilian Farmer
- 6 years ago
- Views:
Transcription
1 Music Notes 2016 Trinity XVI The mass setting this Sunday is the Missa Papæ Marcelli by Giovanni Pierluigi da Palestrina ( ). Over many years, this setting became encrusted with an entire mythology, and was popularly believed to have saved western music virtually singlehandedly. The German composer Hans Pfitzner wrote an entire opera based on this myth. Alas, it is not in itself a true story, and yet there is perhaps more underlying truth in it than might at first appear to be the case. The myth itself has several times been cheerfully disparaged in these notes. It appears to have started with something written by the composer Agostino Agazzari thirteen years after Palestrina s death: Music of the older kind is no longer in use, both because of the confusion and babel of the words, arising from the long and intricate imitations, and because it has no grace, for with all the voices singing, one hears neither period nor sense, these being interfered with and covered up by imitations...and on this account music would have come very near to being banished from the Holy Church by a sovereign pontiff [Pius IV], had not Giovanni Palestrina found the remedy, showing that the fault and error lay, not with the music, but with the composers, and composing in confirmation of this the Mass entitled Missa Papae Marcelli. Jesuit musicians found this a particularly engaging idea and perpetuated it enthusiastically. Finally, in the first attempt at a really definitive biography of Palestrina in 1828, the author Giuseppe Baini repeated it as truth, describing the composer as the saviour of church music and speaking of the Council of Trent having wished and intended to ban all polyphonic music. Cardinal Carlo Borromeo was either said to have asked Palestrina to compose the mass to demonstrate that it was possible to have polyphonic music in which the text was still intelligible, or else Palestrina did it off his own bat and Borromeo was, so to speak, knocked over by what he heard and stayed the musical executioner s hand. Of course, Agazzari simply said that Palestrina s mass demonstrated that it was possible to create a polyphonic yet intelligible setting, although he clearly believed that the Pope was minded to limit compositional freedom. Nevertheless, the documented history of the Council doesn t really support this. The first mystery with this setting is when it was written. Pope Marcellus II reigned for a mere three weeks in The Council of Trent ran from 1545 until 1563 in all, and initially Marcello Cervini degli Spannochi (he was the last of the Popes to use his own name as his papal name) was one of its three Presidents. This, of course, strengthens the idea that Palestrina was making some kind of a reference to the Council by naming the setting after one the people charged with managing its affairs. Marcellus was elected in succession to Julius III, former Bishop of Palestrina, and the one who had brought Giovanni Pierluigi to Rome in the first place. Julius proved something of a scandalridden Pope, in fact, not least because he had an adopted nephew, Innocenzo Ciocchi
2 Del Monte, whom he elevated to Cardinal-Nephew after his accession, and who was said to share the Pope s bed "as if he were his own son or grandson" although it was not the possibility of a familial relationship that actually bothered his critics What we know is that the first historical appearance of the mass is when it was copied into the manuscript book at the Basilica di Santa Maria Maggiore in Rome in 1562 or 1563, when Giovanni Pierluigi was Director of Music. Interestingly, 1562 is also the date of the Council s declarations on music. This said that compositions should be constituted in such a way that the words be clearly understood by all, and thus the hearts of the listeners be drawn to desire of heavenly harmonies, in the contemplation of the joys of the blessed. Giovanni Pierluigi undoubtedly was aware of this, and perhaps legend and reality do cross over here, in that he may have reacted by composing a work that really was his interpretation of this instruction, and named it for the President of the Council who subsequently became Pope and who refused the requests of some to shut down the Council s work. On 28th April 1565, the Papal Choir s records state that the choir members assembled at the request of the Most Reverend Cardinal Vitellozzi at his residence to sing some masses and to test whether the words could be understood, "as their Eminences require. We only know of the identity of one of the settings that were performed, and it isn t this one. However, it is plausible that it was sung on this occasion, because it was entered into the papal choir s Codex that same year, and published formally two years later. This, perhaps, is the starting point of the legend, and if it is correct, perhaps what it tells us is that those present agreed that Giovanni Pierluigi da Palestrina had really hit the nail on the head. Next Wednesday is Holy Cross Day, and Rupert is recognizing this by giving us as the motet at the Offertory Adoramus te, Christe by Claudio Monteverdi ( ), a piece written while he was Director of Music at the Basilica of San Marco in Venice. In an early stage of his career, he had gone to work at the court of Vincenzo I of Gonzaga in Mantua as a vocalist and viol player, but worked his way up to become Master of Music. While there, he met one Giulio Cesare Bianchi, himself a writer of motets. When Bianchi decided to publish a collection of such works, he asked his friend if he might contribute some of his excellent works to the book. Among the works Monteverdi sent were two associated with the Holy Cross, the five-part Adoramus te that we will hear this Sunday, and a six-part work using an adaptation of the Adoramus te text. Feasts of the Holy Cross had a special position in Venice. First, the relics of St Helena who was the mother of Constantine the Great, and who was said to have discovered the True Cross on a pilgrimage to Jerusalem between 326 and 328 were said to have been transported to the city in Furthermore, the city claimed and claims to possess one of the extant pieces of the True Cross measuring 445,582 mm 3 to be precise. Venetians therefore marked not only Holy Cross Day, but also the Feast of the Invention
3 of the True Cross. Invention in this case is a somewhat misleading word in modern English. The word comes from the Latin particles in and venire and means really to come across or to discover. This feast, celebrated on May 3 rd, marked the rescuing in 628 of the True Cross from the Sassanid Emperor Khosrau II, who had nabbed it after capturing Jerusalem in 614. The two festivals, together with the obvious attention paid to the Cross on Good Friday, kept a Venetian composer busy with this theme in any given year, and it is no wonder that there are two such motets by Monteverdi in this collection. The text is familiar to us from the liturgy of Good Friday: We adore you, O Christ, and we bless You, because by Your holy cross, You have redeemed the world. The canticles at Evensong are The Norwich Service by the Bermuda-born British composer Gabriel Jackson (b. 1962). He is particularly well-known for writing wonderful choral music, and his skill in this genre is obviously partly the result of his time as a chorister at Canterbury Cathedral, after which he attended the Royal Academy of Music in London. Nevertheless, his first ambition had in fact been to become an architect. There is some correlation between architecture and composers, rather as there is between mathematics and music. It goes without saying that composers have to think of writing their music as involving elements of construction they are in a sense three-dimensional works. If we were able actually to see air with our eyes, we would also (assuming good enough eyesight) we able to see the waveforms of sound passing through it to our ears, and might better recognize the physical nature and structure of music and indeed, of all sound. In any case, architecture did not in fact win against music in the battle for Gabriel Jackson s future. During the time that he was at Canterbury, Alan Wicks was Organist and Master of the Choristers, a post he held for some 27 years, and he proved to be a strong influence in Jackson s musical development. Nevertheless, in spite of the cathedral background, Jackson s time at the Royal College in the early 1980s was not in fact focused on choral music but rather on instrumental music, and most of his early works are therefore not for voices. Jackson has said, however, that this all started to change towards the end of the 1980s: I realized that I still wanted to be involved in the cathedral music that had meant so much to me, and the only way I could contribute (I was a terrible adult singer!) was to compose liturgical music. Michael Nicholas, another great pioneer of contemporary church music at Norwich Cathedral, was very supportive and commissioned and performed several pieces in the early 1990s. One of these was this set of canticles, first performed by the cathedral choir under Michael Nicholas on 13 June It was then revised a little by the composer in Jackson is one of a particular group of composers many of them published by Oxford University Press and Faber Music, as he is who have been making a substantial
4 contribution to British choral music. One might think if not in exactly the same breath, in adjacent pants, as it were of Bob Chilcott, Matthew Martin, and Will Todd as other examples from this group, although they all write very different music. Nevertheless, they are united with Jonathan Dove, composer of last week s mass setting, in being determined to write thrilling music that does not present insuperable barriers to its use and enjoyment. The anthem is The Beatitudes by the Estonian composer, Arvo Part (b.1935), whose 81 st birthday happens to fall this Sunday. This work, composed in 1990 and revised in 1991, is one of the few examples of the composer setting an English text. It was the result of a commission by RIAS, Rundfunk im amerikanischem Sektor or Broadcaster in the American sector, a radio and television station located in the American sector of Berlin during the Cold War period. The station s first broadcast was on 7 th February 1946, and it finally shut down on 31 st December Needless to say, a large part of its purpose was to broadcast enthusiastically western-inclined programmes from the enclave of West Berlin to an audience living in the completely surrounding country of East Germany (the DDR). Listening to the station was officially discouraged, but the fact is that it generally attracted a larger audience in the East than the official DDR state broadcasters of managed to achieve. Of course, by the time this work was performed, the DDR was over, the Berlin Wall having fallen the previous November. The work is for a normal four-part choir and organ, and the text is derived from Matthew 5, verses 3 12, as you would expect. This is one of the pieces written in the style sometimes referred to as holy minimalism or mystical minimalism. The mystical or holy part is hopefully reasonably self-evident, while minimalism generally refers to music that uses a certain economy of means, either in terms of translucent textures, or by means of certain repeated patterns that change over a period of time in sometimes small but significant ways. Pärt often takes a basic harmonic structure, such as a single chord, and then refracts it endlessly through adding other chords that surround it and show it in a new light, while the original chord still resonates through it. Added to this is the way that Pärt illuminates the meaning of the words he is setting by breaking them up and attaching particular music structure to them. These then act as a kind of leit motif for the word itself, so that it is recognizable not just by its syllables, but also by a melodic or harmonic inflection. This means, of course, that it is virtually impossible to perform such works in translation, since the significance of any music phrase lies in the precise meaning of the word that it is setting. This is especially true in this beautiful piece of music. The blessing of each beatitude are each characterized by a particular melodic gesture, some of them standing out starkly in what is generally a very restrained texture. Nevertheless, this is an almost
5 surprisingly chromatic work from a composer who often revels in a limited palette of chords within which he weaves a magical network of sounds. This unusually diverse harmonic structure is driven by the pedal part of the organ, which starts on a low D-flat and then gradually winds its way up in semitones to a G# during the course of the choir s music, arriving finally at the last verse (which unlike all the others begins with the word Rejoice) and a final Amen. The organ then takes over from the choir, and weaves through a series of arpeggiated figures as the pedal gradually descends back once more until it finally reaches home on the D-flat where it originally began. It s a very elegant and, indeed, poignant work.
Medieval Period Renaissance Period
Medieval Period 500-1400 Plainsong: Renaissance Period 1450-1600 French for rebirth What s Going On? Understanding what s happening in the world during a set of time helps to understand the music and art
More informationMedieval! Renaissance Music
Medieval! and! Renaissance Music 500-1600 Life in the Middle Ages Peasant Male, Peasant Female, Noble-Woman, Nobleman, Monk, Nun Life in the Middle Ages: Homes Most homes were damp, cold, and dark. Windows
More informationChapter 5: Church Polyphony in the Late Fifteenth and Sixteenth Centuries: ca
Chapter 5: Church Polyphony in the Late Fifteenth and Sixteenth Centuries: ca. 1475 1600 I. Introduction A. The preeminent composer of his time, Josquin des Prez (ca. 1450 1521) set the standard for the
More informationJosquin Des Prez, one historian tells us, emerges from the
Josquin Josquin Des Prez, one historian tells us, emerges from the mists in the 1460s or 70s in Milan. He had to come out of the fog to see what he was writing. Josquin was born about 1440 in Picardy and
More informationA Millennium of Music The Benedictine Tradition
A Millennium of Music The Benedictine Tradition II Celebration: Music of Devotion Gregorian Chant-inspired music from the Baroque and Classical periods performed by the AmorArtis Chorus and Orchestra of
More informationLesson 2: The Renaissance ( )
Lesson 2: The Renaissance (1400-1600) Remembering the Medieval Period Monasteries central to European culture, and Gregorian chant is center of monastic ritual. 13th. Century "Notre Dame School" writes
More informationMedieval and Renaissance
Name: ANSWER KEY Class Period: Medieval and Renaissance Middle Ages: c. 500 1450 Renaissance: c. 1450 1600 Life in the Medieval: (please match) Clothing: Monk Nobleman Peasant Noble-Women Peasant Nun Female
More informationDaily Board Assignment
Daily Board Assignment September 13, 2017 DBA Prayer DBA Discussion Objective SWBAT understand the Renaissance; both secular and sacred music (standard 9 music and culture) SWBAT critically listen to music
More informationMedieval and Renaissance
First Name: Last Name: Class Period: Medieval and Renaissance Middle Ages: c. 500 1450 Renaissance: c. 1450 1600 Life in the Medieval: (please match) Clothing Peasant Male, Peasant Female, Noble-Woman,
More informationChapter 8. Vocal Music Sunday, October 21, 12
Chapter 8 Vocal Music 16001650 Italy: The Madrigal throughcomposed setting of freely structured verse a cappella settings; and newer monodies for solo voice and basso continuo concertato madrigals any
More informationPlainsong Mass for a Mean
John Sheppard Plainsong Mass for a Mean A practical edition of the chant and polyphony prepared for Salisbury Cathedral Choir as part of the research project The Experience of Worship in late medieval
More informationA BAND STUDENT S GUIDE TO MUSIC HISTORY
A BAND STUDENT S GUIDE TO MUSIC HISTORY Renaissance Music (1400-1600 AD) Jump to Music THE RENAISSANCE ESSENTIAL QUESTIONS What traits distinguish medieval from Renaissance music? What was the relationship
More informationClaudio Monteverdi International Choral Festival and Competition
Claudio Monteverdi International Choral Festival and Competition Thursday, June 29 th to Sunday July, 2 nd 2017, Venice, Italy Programme 29 th June 2017 (Church of San Giovanni e Paolo) Evening, non competitive
More informationTransfigured Nights. Thanksgiving & Song Season. The Episcopal Church of the Transfiguration # Dallas, Texas
Transfigured Nights 2016 2017 Season Thanksgiving & Song The Episcopal Church of the Transfiguration # Dallas, Texas Prelude~ O praise ye the Lord! Thanksgiving and song To him be outpoured all ages along!
More informationJOB DESCRIPTION. KEY INTERNAL Head of Music, Clergy, Organ Scholar, Head of Learning, Lay Clerks
JOB DESCRIPTION JOB TITLE: Assistant Head of Music RESPONSIBLE TO: Head of Music KEY INTERNAL RELATIONSHIPS: Head of Music, Clergy, Organ Scholar, Head of Learning, Lay Clerks JOB PURPOSE: To support the
More informationThe Baroque Period. Better known today as the scales of.. A Minor(now with a #7 th note) From this time onwards the Major and Minor Key System ruled.
The Baroque Period The Baroque period lasted from approximately 1600 1750 The word Baroque is used to describes the highly ornamented style of fashion, art, architecture and, of course Music. It was during
More information35 - Monteverdi Ohimè, se tanto amate (for Unit 3: Developing Musical Understanding)
35 - Monteverdi Ohimè, se tanto amate (for Unit 3: Developing Musical Understanding) Background information and performance circumstances Claudio Monteverdi Was born 1567 (Cremona, Italy) Died 1643 (Venice)
More informationMusic of Medieval, Renaissance and Baroque Periods
Music of Medieval, Renaissance and Baroque Periods Music of the Medieval Period (700 1400) The Medieval period is also known as the Middle Ages or Dark Ages that started with the fall of the Roman Empire.
More informationTHE HARMONIC PRESENCE FOUNDATION & HUNTINGTON CHORAL SOCIETY PRESENT DAVID HYKES. In Concert. HARMONIC CHANT Universal Sacred Music
THE HARMONIC PRESENCE FOUNDATION & HUNTINGTON CHORAL SOCIETY PRESENT DAVID HYKES In Concert HARMONIC CHANT Universal Sacred Music David Hykes has opened a new dimension in music-- he has in fact brought
More informationClaudio Monteverdi International Choral Festival and Competition
Claudio Monteverdi International Choral Festival and Competition Thursday, July 7 th to Sunday July, 10 th 2016, Venice, Italy Programme 7 th July 2016 (Church of San Giovanni e Paolo) Not competitive
More informationCourtney Pine: Back in the Day Lady Day and (John Coltrane), Inner State (of Mind) and Love and Affection (for component 3: Appraising)
Courtney Pine: Back in the Day Lady Day and (John Coltrane), Inner State (of Mind) and Love and Affection (for component 3: Appraising) Background information and performance circumstances Courtney Pine
More informationChapter 1 Music in the Renaissance : read & study pages C. Explain what the concept of the Renaissance Man means: 1. 2.
Renaissance (1450-1600) Study Notes Name: Date: Period #: Renaissance OVERVIEW: read & study pages 103 10 Listen to: https://www.youtube.com/watch?v=uzyw5k5r06y A. (First, listen to the link above, then
More informationLIVERPOOL METROPOLITAN CATHEDRAL CHOIR
LIVERPOOL METROPOLITAN CATHEDRAL CHOIR Liverpool Metropolitan Cathedral Choirs The choirs of Liverpool Metropolitan Cathedral offer boys and girls the very best musical education along with unique opportunities
More informationMusic Notes 2016 Ninth Sunday after Trinity
Music Notes 2016 Ninth Sunday after Trinity One man s meat is another man s poison, goes the saying, prompted by humankind s unerring ability to fall out for any number of reasons with lesser and greater
More informationThe Parish Church of St Thomas of Canterbury Brentwood. Assistant Director of Music. and Director of the Girls Choir.
The Parish Church of St Thomas of Canterbury Brentwood Assistant Director of Music and Director of the Girls Choir Job Description Job Summary Assistant Director of Music The Assistant Director of Music
More informationMusic of the Renaissance
1450-1600 Renaissance French word that means rebirth A Period of intellectual awakening A Rebirth of Classical learning Music of the Renaissance Historical Themes Rediscovery and reevaluation of writings
More informationMUAR 211 Midterm I Prep. Dido and Aeneas Purcell Texture: imitative polyphony + homophony + word painting (homophonic) Genre: opera Language: English
Midterm 1 Listening Guide Columba aspexit Hildegard of Bingen Texture: monophonic throughout Genre: plainchant Language: Latin Performance: responsorially Form: AA BB MUAR 211 Midterm I Prep Dame, de qui
More informationDIRECTOR OF CHORAL MUSIC ST MARY S PARISH CHURCH, HADDINGTON
DIRECTOR OF CHORAL MUSIC ST MARY S PARISH CHURCH, HADDINGTON The position of Director of Choral Music is part of the ministry of music at St Mary s, which plays a long-established and central part in the
More informationwashington national cathedral girl chorister PROGRAM
washington national cathedral girl chorister PROGRAM 2016 2017 words from the director of music It is hard not to be struck by the elegance and grace of our National Cathedral. The building is an exquisite
More informationIn the sixth century BC, Pythagoras yes, that Pythagoras was the first. person to come up with the idea of an eight-note musical scale, where
1 In the sixth century BC, Pythagoras yes, that Pythagoras was the first person to come up with the idea of an eight-note musical scale, where the eighth note was an octave higher than the first note.
More informationMusic Notes 2015 Trinity Sunday
Music Notes 2015 Trinity Sunday It is hard to believe that we have finally come to Nigel Short s last Sunday as our Director of Music. Even stranger, he will be the last Director of Music ever in the Parish
More informationMusic Program Profile
Music Program Profile The Cathedral Singers, June 2018 THE CATHEDRAL SINGERS The Cathedral Singers are a mixed-voice group of 25 singers, approximately half men and women, made up of skilled amateurs and
More informationMu 101: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Fall 2018 Sections F2 (T 12;10-3) and J2 (3:10-6)
Attendance/reading Quiz! Mu 101: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Fall 2018 Sections F2 (T 12;10-3) and J2 (3:10-6) Articles roundtable: Warm-up writing
More informationMusic Department Page!1
Music Department Page!1 AH Understanding Music Listening Concepts Name Melody / Harmony Page!2 Words in this section describe what is happening in the melody or tune. The melody can be decorated in various
More information33. Dowland Flow my tears (for Unit 3: Developing Musical Understanding)
33. Dowland Flow my tears (for Unit 3: Developing Musical Understanding) Background information Introduction John Dowland is regarded by many as one of England s greatest song-writers, along with Purcell
More informationExemplar for Internal Achievement Standard. Music Level 2
Exemplar for internal assessment resource Music for Achievement Standard 91271 Exemplar for Internal Achievement Standard Music Level 2 This exemplar supports assessment against: Achievement Standard 91271
More informationLibro Primo d'intavolatura di Lauto. de Giovanni Girolamo Kapsberger. Présenté par Richard Civiol
Libro Primo d'intavolatura di Lauto de Giovanni Girolamo Kapsberger Présenté par Richard Civiol R.C.Luth prod... Kapsberger, Giovanni Girolamo Kapsberger was born of German descent in Venice, ca and died
More informationORGAN SCHOLARSHIP
ORGAN SCHOLARSHIP 2017-18 St. Mary s Parish Church, Battersea, seeks to appoint an Organ Scholar for the academic year 2017-18 with the potential opportunity to continue for a second year by mutual agreement.
More informationSt. Paul s Music. Music. Sacred Space. in a. creates community, connects people with the divine, develops young musicians. Scott Dettra Organ Concert
Music in a 2017-2018 St. Paul s Music creates community, connects people with the divine, develops young musicians Sacred Space Photo by William Geiger IU Jacobs School of Music Concentus & Alchymy Viols
More informationBreakout Sessions Colloquium 2016
Breakout Sessions Colloquium 2016 1:30 2:30 pm Tuesday, 1:00 2:00 pm Wednesday, 10:45 am 11:45 am Thursday, 1:00 2:00 pm Friday BREAKOUTS Semiology Series Breakout 2 (St. Louis City Centre Hotel) Tuesday
More information21ST - 26TH APRIL 2014 INAUGURAL COMPETITION CELEBRATING THE 70TH BIRTHDAY OF SIR JOHN TAVENER
LONDON INTERNATIONAL A CAPPELLA CHOIR COMPETITION 21ST - 26TH APRIL 2014 INAUGURAL COMPETITION CELEBRATING THE 70TH BIRTHDAY OF SIR JOHN TAVENER IN ASSOCIATION WITH PETER PHILLIPS AND THE TALLIS SCHOLARS
More informationMusic in the Baroque Period ( )
Music in the Baroque Period (1600 1750) The Renaissance period ushered in the rebirth and rediscovery of the arts such as music, painting, sculpture, and poetry and also saw the beginning of some scientific
More informationPsallite, Unigenito. Translation and Pronunciation. Michael Praetorius ( ) /psa-li-te u-ni-ge-ni-to/ Psallite, unigenito sing psalms, only
Psallite, Unigenito Michael Praetorius (1571-1621) Translation and Pronunciation /psa-li-te u-ni-ge-ni-to/ sing psalms, only /krˆ-sto de-i fi-li-o krˆ-sto de-i fi-li-o/ Christ, son of God, Christ, son
More informationH Purcell: Music for a While (For component 3: Appraising)
H Purcell: Music for a While (For component 3: Appraising) Background information and performance circumstances Henry Purcell (1659 95) was an English Baroque composer and is widely regarded as being one
More informationMusic of the Renaissance. A. Gabriele
Music of the Renaissance A. Gabriele The Renaissance the period after the Middle ages that lasting until 1600 translates to rebirth or revival humanism was the major intellectual movement the revial of
More informationBach s Profound Influence Module 10 of Music: Under the Hood
Bach s Profound Influence Module 10 of Music: Under the Hood John Hooker Carnegie Mellon University Osher Course August 2017 1 Outline What is romanticism in music? Biography of L. van Beethoven Bach s
More informationThank God, some may say, that the Second Vatican Council
16 Dominicana Summer 2013 RAISING THE PITCH Musical Ressourcement and Vatican II Vincent Ferrer Bagan, O.P. Thank God, some may say, that the Second Vatican Council unchained us from our slavery to antiquated
More informationSt. Paul s Music. Program Guide Harriet Beecher Stowe St. Francis of Assisi Benjamin Britten Fanny Van Alstyne Crosby Three Choir Festival
2013-2014 Program Guide Choral Evensongs Harriet Beecher Stowe St. Francis of Assisi Benjamin Britten Fanny Van Alstyne Crosby Three Choir Festival St. Paul s Music St. Paul s Choir Festival Worship Choral
More informationPart I One last Medieval piece
MSC 1003 Music in Civilization, Spring 2018 Prof. Smey Class Notes, Session 4 Thurs, Feb 8 Part I One last Medieval piece Guillaume de Machaut s Kyrie from the Messe de Nostre Dame Machaut (c. 1300 1377)
More informationAssistant Director of Music
St. Peter s, Bournemouth Assistant Director of Music Job Description The Parish and Civic Church of St. Peter, Bournemouth Job Description Assistant Director of Music Job summary The Assistant Director
More informationChoir Handbook St. Thomas Episcopal Church
2012-2013 Choir Handbook St. Thomas Episcopal Church STAFF THE REV. DARREN R. S. ELIN, RECTOR DR. CARLTON MONROE, DIRECTOR OF MUSIC JASON GUNNELL, ORGANIST ENSEMBLES THE ST. THOMAS PARISH CHOIR THE CHORISTERS
More informationChoristers' Prayer - John Harper - Sheet Music By John Harper
Choristers' Prayer - John Harper - Sheet Music By John Harper John Harper Biography- GIA Publications - John Harper. Event Calendar; Browse Browse Contributor's Works; Search Music; Selected Titles. Choristers'
More informationChrist Church Cathedral
THE CHOIRS OF Christ Church Cathedral Monument Circle, Indianapolis A tuition-free musical education in the Anglican Choral tradition. Confidence, teamwork, and discipline in a nurturing Christian Community.
More informationMonteverdi- Vespers of 1610 Program Notes by Dennis Keene
Monteverdi- Vespers of 1610 Program Notes by Dennis Keene Monteverdi was already the greatest composer of his time when his Vespers was published in 1610. A pupil of Marc Antonio Ingegneri, maestro di
More informationAbout Westminster Abbey
Application Pack: Organ Scholar 2019 2020 September 2018 About Westminster Abbey Westminster Abbey is a major centre for Christian worship, a leading venue for tourism and a treasured part of Britain s
More informationSt Edmundsbury Cathedral A beacon of faith, hope and love in Suffolk. Music Diary. Michaelmas Term 2018
St Edmundsbury Cathedral A beacon of faith, hope and love in Suffolk Music Diary Michaelmas Term 2018 Assumptions and Abbreviations Probs = Probationers. Lay Clerks = Lay Clerks & Choral Scholars. Where
More informationCredo Theory of Music training programme GRADE 4 By S. J. Cloete
- 56 - Credo Theory of Music training programme GRADE 4 By S. J. Cloete Sc.4 INDEX PAGE 1. Key signatures in the alto clef... 57 2. Major scales... 60 3. Harmonic minor scales... 61 4. Melodic minor scales...
More informationWHAT IS BARBERSHOP. Life Changing Music By Denise Fly and Jane Schlinke
WHAT IS BARBERSHOP Life Changing Music By Denise Fly and Jane Schlinke DEFINITION Dictionary.com the singing of four-part harmony in barbershop style or the music sung in this style. specializing in the
More informationDirector of Music Ministry Position and Organist and Instrumental Accompanist Position. Available ~ January 2018
Page1 Director of Music Ministry Position and Organist and Instrumental Accompanist Position Available ~ January 2018 Description: Saint Gabriel the Archangel Episcopal Church, Cherry Hills Village, Colorado,
More informationPart II. The Middle Ages and Renaissance. McGraw-Hill The McGraw-Hill Companies, Inc. All rights reserved.
Part II The Middle Ages and Renaissance 2006 The Companies, Inc. All rights reserved. Time-Line Middle Ages (450-1450) Rome sacked by Vandals 455 Beowolf c. 700 First Crusade 1066 Black Death 1347-52 Joan
More informationThe Chorister School
LENT TERM 2019 The Chorister School Headmaster Mr Ian Wicks Postal Address The Chorister School The College Durham DH1 3EL Telephone 0191 384 2935 Email chris.wright@thechoristerschool.com (PA to the Headmaster)
More informationMotets of DuFay and Josquin. The root of the motet is based in the sacred Latin texts of Gregorian chant and
Motets of DuFay and Josquin The root of the motet is based in the sacred Latin texts of Gregorian chant and was primarily a decoration of chant. In the early motet, the tenor sang original Gregorian chant
More informationHappy Birthday Church Street! CeleÁating 200 Years. Master Arts Series 2016 / Church Street United Methodist Church Knoxville, Tennessee
Happy Birthday Church Street! CeleÁating 200 Years Master Arts Series 2016 / 2017 Church Street United Methodist Church Knoxville, Tennessee Coming Home ~ the 200 th Anniversary CeleÁation Sunday, September
More informationWhat s on... Arts Programme. In this Issue... Midwinter Concert page 3. Oswestry Youth Music Festival page 6. Voices of Eve page 7
Arts Programme What s on... In this Issue... Midwinter Concert page 3 Oswestry Youth Music Festival page 6 Voices of Eve page 7 Schulze Organ Recital page 8 The Messiah page 11 Lent Term 2019 www.ellesmere.com
More information15. Corelli Trio Sonata in D, Op. 3 No. 2: Movement IV (for Unit 3: Developing Musical Understanding)
15. Corelli Trio Sonata in D, Op. 3 No. 2: Movement IV (for Unit 3: Developing Musical Understanding) Background information and performance circumstances Arcangelo Corelli (1653 1713) was one of the most
More informationDate: Wednesday, 17 December :00AM
Haydn in London: The Revolutionary Drawing Room Transcript Date: Wednesday, 17 December 2008-12:00AM HAYDN IN LONDON: THE REVOLUTIONARY DRAWING ROOM Thomas Kemp Today's concert reflects the kind of music
More informationPassion of Italy. at the Vatican SUMMER Join the festival choir in singing the Mass at St Peter s Basilica
at the Vatican Passion of SUMMER 2010 Join the festival choir in singing the Mass at St Peter s Basilica Conducted by: Dr. Mary Breden Director of Choral Activities Loyola Marymount University Perform
More informationMusic 160: Lecture 21: Music of the Renaissance [Speaker: Keri McCarthy] [On Screen] [00:00] Music of the Renaissance Keri McCarthy
Music 160: Lecture 21: Music of the Renaissance [Speaker: Keri McCarthy] [On Screen] [00:00] Music of the Renaissance Keri McCarthy [Keri McCarthy]: Ok today I want to talk with you about Josquin des Prez.
More informationEx 1: Jesu (first time) And just in case you should wonder how many times this IS in the course of the 10 minutes or so of the piece, it s 20 times.
MacMillan first became aware of the original Carver motet while in Manchester in the 1980s. There, under David Fallows he arranged for a performance of it. In his programme note for the CD he speaks of
More informationChapter 11: Class of 1685 (II): The Vocal Music of Handel and Bach
Chapter 11: Class of 1685 (II): The Vocal Music of Handel and Bach I. Handel A. Introduction 1. In every idiom, Handel s music is imbued with aspects of music for theater. 2. In the early eighteenth century,
More informationMusic. Lord, there are times when I need to be an island set in an infinite sea, cut off from all that comes to me but surrounded still by thee...
Music When I am slipping away from earth and drawing near to heaven, what sort of music would I like to hear? From earliest times, bards were called to play music at the bedside of a person in crisis or
More informationBritish Forum for Ethnomusicology/Royal Musical Association Research Students Conference
British Forum for Ethnomusicology/Royal Musical Association Research Students Conference Exploring Musical Practice A multidisciplinary conference for students involved in music study 5 7 January 2017
More informationSt Mary Magdalene, Richmond ORGAN SCHOLARSHIP
St Mary Magdalene, Richmond ORGAN SCHOLARSHIP 2019-2020 ST MARY MAGDALENE ORGAN SCHOLAR 2019-2020 1 St Mary Magdalene Choral Foundation St Mary Magdalene Church, Richmond, seeks to appoint a Senior Organ
More informationCiao Bella Restaurant 90 Lamb's Conduit St London, WC1N 3LZ
Ciao Bella Restaurant 90 Lamb's Conduit St London, WC1N 3LZ Thursday 19 November Programme 2.00 3.10 pm The Power of Words (room G22/26) Chair: Delia da Sousa Correa Texts and Audiences (room G35) Chair:
More informationThe Baroque Period First Name: ANSWER KEY Last Name: Class Period: Baroque
First Name: ANSWER KEY Last Name: The Baroque Period Baroque Class Period: 1600-1750 The term Baroque is taken from the Portuguese word Barroco meaning: irregularly shaped pearl. A key word to describe
More informationStabat Mater by Arvo Pärt
Stabat Mater by Arvo Pärt When Arvo Pärt sets words to music, he gives the impression of having entered into the depths of his chosen text and returned to the surface with an entirely fresh impression
More informationCantata no. 48: Ich Elender Mensch (Movements I - IV) J S Bach
Cantata no. 48: Ich Elender Mensch (Movements I - IV) J S Bach Introduction A cantata is a work for one or more voices with an instrumental accompaniment. Though the word cantata was used in Italy in the
More informationThis paper was written for a presentation to ESTA (European String Teachers Association on November
Sound before Symbol This paper was written for a presentation to ESTA (European String Teachers Association on November 13 2011. I hope to illustrate the advantages of teaching the sound before the symbol,
More informationMusic Director. Profile for St. James Church West End
Music Director Profile for St. James Church West End St. James West End is a vibrant parish church with exciting musical opportunities. Music plays a vital role in our worship, our community engagement
More informationExam 2 MUS 101 (CSUDH) MUS4 (Chaffey) Dr. Mann Spring 2018 KEY
Provide the best possible answer to each question: Chapter 20: Voicing the Virgin: Cozzolani and Italian Baroque Sacred Music 1. Which of the following was a reason that a woman would join a convent during
More informationBaroque Vocal Music. Higher. Written by I. Horning King's Park Secondary School
Baroque Vocal Music Higher Baroque 1600-1750 The fashion was for ornamentation everywhere. Musicians adapted the word to describe the musical styles of this time. Sacred music was particularly popular
More informationA Wrinkle in Time Study Guide. Chapters 5 & 6. Write down the meaning of the following words. Then use each word in a sentence of your own.
Chapters 5 & 6 Vocabulary: Write down the meaning of the following words. Then use each word in a sentence of your own. 1. substantial 2. stifle 3. arrogance 4. illuminate 30 2002 Progeny Press 5. anticlimax
More informationJOY. Choose. Chicago Student Choral Festival & Mass. Now! Register. Bishop Joseph M. Siegel, Celebrant Lee Gwozdz, Conductor
Register Now! AMERICAN FEDERATION PUERI CANTORES Pueri Cantores, the national student choral organization of the Catholic Church, invites all parish and school treble and mixed-voice choirs to participate
More information31. Stravinsky Symphony of Psalms: movement III (for Unit 3: Developing Musical Understanding) Background information and performance circumstances
31. Stravinsky Symphony of Psalms: movement III (for Unit 3: Developing Musical Understanding) Igor Stravinsky Background information and performance circumstances In 1910 the Russian composer Igor Stravinsky
More informationPart I One last Medieval piece
MSC 1003 Music in Civilization, Fall 2018 Prof. Smey Session 4, Thurs Sept 6 Part I One last Medieval piece Guillaume de Machaut s Kyrie from the Messe de Nostre Dame Machaut (c. 1300 1377) is undoubtedly
More informationof musical means, and conduct it toward a solution that corresponds apprehensively to that of
Overture to Tannhäuser Richard Wagner (1813 1883) Written: 1845 Movements: One Duration: Fourteen minutes An opera overture must encompass the general spirit of the action without the misuse of musical
More information[PDF] Top 50 Praise & Worship: Easy Piano
[PDF] Top 50 Praise & Worship: Easy Piano This book contains 50 easy piano arrangements of popular praise and worship songs that are sung in churches everywhere. The arrangements, by leading Christian
More informationRenaissance Polyphony: Theory and Performance
Renaissance Polyphony: Theory and Performance Integrating musicianship, composition, conducting Tanmoy Laskar Designing the course of the Future (2014) "When choirs sing, many hearts beat as one" NPR blog,
More informationResume. Marco Buccolo. conductor. ... conducting is sharing the beauty and the passions of our life
Resume Marco Buccolo conductor... conducting is sharing the beauty and the passions of our life Education - Conducting - teaching - Bio - Contacts & Links Education Conservatorio «Giuseppe Verdi» di Torino
More informationCanadian Anglican Cursillo
Canadian Anglican Cursillo MUSIC IN THE CURSILLO MOVEMENT Purpose of Music Music is mentioned frequently in the Bible, from the "Song of Miriam" in Genesis; through the Psalms, to the "Song of the Redeemer"
More information25 Name. Grout, Chapter 12 Music in the Early Eighteenth Century. 11. TQ: What does "RV" stand for?
25 Name Grout, Chapter 12 Music in the Early Eighteenth Century 1. (373) What were Pluche's two categories of music? What kind of music represented each? TQ: What is a Concert spirituel? 11. TQ: What does
More informationGreat Choral Classics
=Causeway Performing Arts= GCSE Music AoS 2: Shared Music (vol.8) Great Choral Classics in conjunction with www.musicdepartment.info GREAT CHORAL CLASSICS Through our study of chamber music we have learned
More informationNATIONAL SENIOR CERTIFICATE GRADE 12
NATIONAL SENIOR CERTIFICATE GRADE 12 MUSIC P1 EXEMPLAR 2008 EXAMINATION NUMBER/NAME: MARKS: 125 TIME: 3 hours This question paper consists of 14 pages and a rough work sheet. Music/P1 2 DoE/Exemplar 2008
More informationMedieval and Renaissance Music
Medieval and Renaissance Music Life in Middle Ages 467-1400 Life was tough in Middle Ages. Usually many people shared small homes that were cold, damp, and very dark. People used fires to heat their homes.
More informationThis was a time of three social classes: NOBILITY PEASANTRY CLERGY
450 1450 A.D. Middle Ages Around 450 the Roman Empire began to disintegrate. This was the beginning of the dark ages. Life was hard and full of migrations, upheavals, and wars. In the later Middle Ages
More informationOrgan Scholarships. at St Mary Merton, SW19
Organ Scholarships at St Mary Merton, SW19 The church of St Mary Merton is seeking to appoint a Junior Organ Scholar for the academic year 2018-2019, with the possibility of ongoing renewal. Duties will
More informationMUSIC AT CALVARY EPISCOPAL CHURCH 821 South Fourth Street, Louisville, Kentucky
MUSIC AT CALVARY EPISCOPAL CHURCH 821 South Fourth Street, Louisville, Kentucky SEPTEMBER CHRISTMAS 2015 CHORAL SERVICE SCHEDULE 6 September Service: Missa de Santa Maria Magdalena Willan Pentecost 15
More informationINTERNATIONAL FESTIVAL OF SACRED MUSIC
RSCM Australia presents as the 54th Annual Summer School the INTERNATIONAL FESTIVAL OF SACRED MUSIC Brisbane Australia January 3rd - 11th, 2009 Course Director Ralph Morton International Guests Tony Funk
More informationMMED686/PMED686 Choral Conducting for Music Educators Summer 2015
MMED686/PMED686 Choral Conducting for Music Educators Summer 2015 Instructor Donald Nally Contact Phone: 415-676- 7388 nally@northwestern.edu PRE- ASSIGNMENT and REQUIRED TEXT/RESOURCES: Preparatory reading
More informationAuthentic Bach Chorales? Part I
Authentic Bach Chorales? Part I The year 2015 marked an important anniversary for one of the long-standing topics at Music A-level, one that remains the most popular option by uptake across the A-level
More information